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IMAGINING “ ‘H E PEACE“ W I f H O t M h E e A N r S W e E L s L i ’ I u S s U t S E l L u E i S a S g U l N P L h ES S H E t D L.” O ES EL W i n t I wante h so d t r, o c e ve h le an s c g o s e t u a he l .” w w , t n I o he o ay rld re rs d . T wi pe r R o ll be the e “ um d beauty in t H i ay erb s E I a prov e W m Chinese Y H w “ O ise , s B o U “ I a I m L C cha .” D nging myself S U W L ights of A r th L T e e L h p S I t Bib o V lic T d a o O A n l r T P e C a f r E o R n e v E P e d D A r E b “ T n A E e C e E E d X A C y N D O N Y W . L ” H M I A R T R U orge W H a Ge as S hi b n I g i t O n on A d N “T r h a o L “ n F u a W O g t L h h R T a t i g . O o t r f e ” T u h H E l R , m S B U c I O R L S C S A D S H L W L A I a S o O l W M m ic N a e e m t non , w F r oward ith g R i c a t E h r raham t Ab Li e n a E c t e o r D l M d n i t O e c y a i M d t f i o . “ z ” e r T n a l r s l . u ” of te c ce n a e n si e r K o n s the ing n p b Lu Jr : c in . h e a rt it e a a a M i n c th s g e e y t l h is e th r e no e e w t m p orld.” r e s e n c e o f ” . j EGIN u B N e E I s c i t H NG IS T OF ILE M PE M other A S Te C A res E “ a .” TOUR T IMOT H Y MAH R , CONDUCTOR · TER R A W I DDIFIELD, MAN A G E R PICCOLO Max Okagaki, Minneapolis, Minn. CORNETTRUMPET EUPHONIUM Kaitlyn Clawson, Salem, Ore. music performance Annie Amen, Edina, Minn. Ella Harpstead, Plymouth, Wis. music performance Emma Rosen, Carson City, Nev. music performance music composition, German studies Greta Hallberg, Minneapolis, Minn. music Eric Holdhusen, Whitefish, Mont. † Madeline Kessler, Sycamore, Ill. English, French Jacob Schimetz, Andover, Minn. music music Hannah Read, Belmont, Mass. biology, political science Sarah Latimer, Evanston, Ill. *† Erin Magoon, Menomonee Falls, Wis. environmental sciences Elijah Schouten, Rochester, Minn. music education history, women’s and gender studies music performance Nathan Lyle, Shakopee, Minn. Glenn Mayer, Plymouth, Mass. FLUTE Siri Underdahl, Eagan, Minn. mathematics, music music education, Russian area studies Clara Danielson, Maplewood, Minn. music, women’s and gender Caleb Maeda, Rosemount, Minn. biology studies, American studies music TUBA Mackenzie Farrell, Hudson, Wis. Anson Martin, Tacoma, Wash. Ben Carter, Rosemount, Minn. music music music education BASS CLARINET † Lauren Flaten, Roseville, Minn. Gina Mueterthies, Cedar Falls, Iowa Christian Thompson, Winter Park, Fla. * Emily Baer, Savage, Minn. music performance sociology/anthropology music Spanish Emilia Galchutt, Apple Valley, Minn. Luke Sargent, San Diego, Calif. Greta Van Loon, Rochester, Minn. † Maria Kloiber, Edina, Minn. chemistry, race and ethnic studies music performance mathematics, music computer science, political science Greta Hallberg, Minneapolis, Minn. Luke Springer, Bellingham, Wash. *† Nicolas Weitermann, Seymour, Wis. Jessica Neppl, Apple Valley, Minn. English, French music music, psychology psychology Ethan Kehrberg, Golden Valley, Minn. §+ Ben Van Wienen, Bartlett, Ill. Johnathan Sanasinh, Forest City, Iowa political science elective studies STRING BASS music, physics Eva Knee, Las Vegas, Nev. †* Jacob West, Omaha, Neb. †* Maxwell Voda, Minneapolis, Minn. individual major music performance music education CONTRALTO CLARINET Helen Larson, Roseville, Minn. Esmir Hodzic, Rochester, Minn. chemistry HORN HARP undeclared major * Madison Maynard, Agua Dulce, Calif. Nahal AfsharJavan, Minneapolis, Minn. Rachel Brandwein, Minneapolis, Minn. music education music education adjunct assistant professor CONTRABASS CLARINET Cristen McCann, Bainbridge Island, Wash. William Beimers, Northfield, Minn. Juan-Pablo Guillen, Minneapolis, Minn. nursing chemistry, music KEYBOARDS music Hannah Read, Belmont, Mass. §†* Delaney Breen, Minneapolis, Minn. Kaitlyn Clawson, Salem, Ore. environmental sciences music performance music performance BASSOON Olivia Simonson, Seattle, Wash. Amber Dai, Beijing, China *† Gabrielle Irle, Covington, Wash. music performance music composition PERCUSSION music Jasper Skinner-Sloan, Essex Junction, Vt. Alexandra Gabel, Plymouth, Minn. Megan Hoines, Wilmette, Ill. ~ Bri King, Shakopee, Minn. music music music music Sydney Krane, Xenia, Ohio Abby Grier, Centennial, Colo. †^ Sophie Koehler, Eden Prairie, Minn. OBOE undeclared major chemistry music education †* Kristen Diederichs, Lake Elmo, Minn. Sam Mast, Appleton, Wis. Katherine McCord, Hastings, Minn. Austin Meyer, Sioux Falls, S.D. music performance, psychology music education music performance music Grace Keller, Plymouth, Minn. Siena Olson, Elmhurst, Ill. §* Anders Olson, Eagan, Minn. music, psychology ALTO SAXOPHONE music computer science, mathematics ■ Ansley Morris, Anchorage, Alaska Katherine Howard, St. Louis, Mo. Cole Pettit, Seattle, Wash. † Jack Reynertson, Geneva, Ill. mathematics, music music, economics undeclared major music Lauren Vilendrer, Shoreview, Minn. Elliot Kirk, Fort Worth, Texas Amanda Staab, Littleton, Colo. Ryan Schuna, Lindstrom, Minn. music performance studio art music performance music Lucas Kramarczuk, Bloomington, Minn. Sarah Uttormark, Plymouth, Minn. EFLAT CLARINET physics TROMBONE Norwegian, physics, mathematics + Aaron Linde, Billings, Mont. Devin Cawley, Bethesda, Md. ♦†*• Matthew Majerle, Baxter, Minn. music performance music education music Natalie DiMundo, Santa Monica, Calif. Adam Pazandack, Minneapolis, Minn. CLARINET music music Ava Bowman, Omaha, Neb. Robb Hallam, Flossmoor, Ill. Latin American studies, political science political science, Spanish TENOR SAXOPHONE †* Jackson Brown, Omaha, Neb. †* Neil Hutcheon, Essex Junction, Vt. Emily Nolan, Guilford, Conn. music performance music, computer science chemistry Emma Byrd, Carbondale, Ill. Alex Mench, Annandale, Va. music performance chemistry, mathematics BARITONE SAXOPHONE Hannah Cabasco, Walla Walla, Wash. Sean Nolan, Fort Wayne, Ind. ♦ Jack Wolf, Lakeville, Minn. music, psychology music mathematics Mikayla Carlson, Sioux Falls, S.D. † Chris Schulte, Plymouth, Minn. music music performance, physics Maddie Ceminsky, North Mankato, Minn. undeclared major Amelia Cichoski, Maple Grove, Minn. † Principal/Co-Principal economics, English COLLEGE RELATIONS AND MUSIC ORGANIZATIONS Danielle Croll, Ashland, Wis. Michael Kyle ’85, vice president for enrollment & college relations * Section Leader history, sociology/anthropology Jean Parish ’88, director of college relations for music organizations § Ocers Kayla Gephart, St. Charles, Ill. Terra Widdifield ’95, associate director of music organizations + Librarian mathematics, physics Connor Smith, assistant director of music organizations for ♦ Manager David Kriete, Charlottesville, Va. audience development ^ Percussion Manager music performance Sarah Gardner ’11, coordinator of music organizations Clare McDonald, Minneapolis, Minn. Courtney Kleftis, associate librarian for ensembles & perfor ming rights ■ English Horn Spanish, psychology Jacob Noordermeer ’19, arts management intern for marketing & touring • Soprano Saxophone § Addie Mease, Bethlehem, Pa. music education Greta Ramsey ’19, arts management intern for production & ~ Contrabassoon concert management FINE ARTS ADMISSIONS Molly Boes Ganza ’08, associate dean of fine arts recruitment TIMOTHY MAHR ’ A MUSICAL PERFORMANCE BEGINS LONG BEFORE ITS FIRST DOWNBEAT, says Timothy Mahr ’78, a widely-sought guest conductor and nationally-recognized and award-winning composer with more than 100 compositions to his credit. At the core of his work is the “glimmer of what can be,” he says, describing the woodwind, brass, and percussion sounds he guides from the podium, as well as the creative spark that inspires him to write music. Since taking the helm of the St. Olaf Band in , Mahr has Mahr is internationally known as a leading composer of led the ensemble in acclaimed performances throughout the concert band music, creating works that are characterized by United States and on tours to Mexico, Japan, Australia, New introspective interludes, frequently shifting rhythms, and Zealand, and in Europe, as well as its first-ever appearance at colorful employment of piano and voice. He began Carnegie Hall in honor of its th anniversary in . He composing music in high school, and the St. Olaf Band has bolstered the St. Olaf Band’s reputation as a champion of premiered his first two published pieces in the early 1980s, contemporary music, often programming and commissioning and commissioned the multi-movement Festivals in honor of pieces by current composers and garnering accolades for the the band’s 1991 centennial anniversary. Mahr completed ensemble’s performances, premieres, and recordings. his Symphony No. in 2016, a work commissioned by a consortium of more than 50 college, university, community, As a professor of music at St. Olaf, Mahr teaches composition, and high school ensembles from across the nation. conducting, and music education. He has guest-conducted more than 30 intercollegiate and All-State bands, as well as a Many of Mahr’s compositions have been presented on CDs, number of professional and award-winning ensembles, including The Music of Timothy Mahr, a recording of the including the United States Air Force Band and the United University of New Hampshire Wind Symphony that includes States Army Field Band.

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