DOCSLIB.ORG

Annual Report NEW.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report NEW.Indd Foundation Annual Report 2009–2010 | Investing in Possibilities Letter from the Foundation President and College President AT COMMUNITY COLLEGE OF PHILADELPHIA, we are deeply committed to investing in the future. We know our students are making a signifi cant investment in themselves, often as the very fi rst members of their families to study at the postsecondary level. They invest their time, money and effort in higher education to upgrade their skills, to begin their journey toward a bachelor’s degree or to benefi t from the increased earning power that comes with completing an associate’s degree. At the same time, the College invests in our students on a number of levels, such as hiring top quality faculty, refi ning our curriculum and providing hundreds of much-needed scholarships each year. Scholarship support of Community College of Philadelphia is an exceptional investment. Because the College keeps tuition costs competitive, each scholarship dollar goes far, yielding more return than it would at a private university. Perhaps the most exciting investment that is currently under way at the College is Expanding Possibilities — our fi rst-ever fundraising campaign with the largest and most ambitious goal in our history. We are seeking $10 million in public and private support to help realize our plans and meet the $85 million cost of expand- ing our facilities, scholarship offerings and programs. Please take a moment to look through these pages and get to know our students. We hope you also will help us celebrate those individuals, corporations, and community and government organizations who invest in the future with us through their support of the College. Together, we make the path to possibilities a reality. Sincerely, Stephen M. Curtis A.E. Piscopo President President Community College of Philadelphia Community College of Philadelphia Foundation The Foundation Annual Report is prepared by the Offi ce of Institutional Advancement and designed by the Division of Marketing and Government Relations. It refl ects activities accomplished during the 2009-2010 fi scal year, which began July 1, 2009 and ended June 30, 2010. Gifts received on or after July 1, 2010 will be acknowledged in next year’s Donor Honor Roll. The staff has worked diligently to avoid errors and omissions. If an error has been made, please inform the Offi ce of Institutional Advancement by calling 215-751-8042. Investing in... ...a Commitment to Community 2 About the College ...the Power of Education 4 T About the Foundation A BLE O ...the Rewards of Giving 6 Annual Giving the Architects of Education 8 F ... CON Foundation Mini-Grant Programs ...Future Leaders 10 Student Scholarships T EN the Potential of Connection 12 ... T Corporate Initiatives S ...a Shared Dedication 14 Special Projects Investing Together 16 Grant Funding Gifts to the College Donor Honor Roll ...the Opportunity of Growth 32 Expanding Possibilities: The Campaign for Community College of Philadelphia Investing in a Commitment to Community About the College MISSION Community College of Philadelphia is an open admission, associate’s degree-granting institution that provides access to higher education for all who may benefit. Its programs of study in the liberal arts and sciences, career technologies and basic academic skills provide a coherent foundation for college transfer, employment and lifelong learning. The College serves Phila- delphia by preparing its students to be informed and concerned citizens, active participants in the cultural life of the city, and enabled to meet the changing needs of business, industry and the professions. To help address broad economic, cultural and political concerns in the city and beyond, the College draws together students from a wide range of ages and backgrounds, and seeks to provide the programs and support they need to achieve their goals. LOOKING BACK AT 2009-2010 The spotlight has shone brightly on community colleges over the past year. President Obama has identified our institutions as playing a key role in boosting America’s economy. Jobs requiring associate’s degrees or greater are projected to grow twice as quickly as those for which a degree is not necessary. In order to keep those jobs in our country, we must educate our workforce appropriately. Community College of Philadelphia has responded quickly to the demands of the economy and the community, acting even before national, state and local resources became available. We’re finding creative ways to do more with less, whether that means opening new virtual academic and student support centers, like the Center for Science and Engineering Education and the Center for Male Engagement; creating proficiency certificate programs that help students earn credentials quickly, so they can re-enter the workforce on a more rewarding career path; or pioneering programs to introduce more people in our community to the opportunities at the College, encouraging them to continue their education and find their path to possibilities. “BECOMING A NURSE was one of my childhood dreams. As a registered nurse in Romania, my grand- mother was my inspiration and my role model. She took the time to show me what it really means to care for people and I was able to see how fulfilling this can be. I was about six years old when she took me to the hospital where she was working and that was an experience I will never forget. That was the moment when my desire to become a nurse started.” —Liliana Banciu 2 Following is just a sample of how Community College of Philadelphia has impacted the College Board of Trustees Philadelphia region in 2009-2010: George E. Davis, Chair Varsovia Fernandez, Vice Chair • In August 2009, Juan Sepúlveda hosted a White House community conversation Gilbert A. Wetzel, Vice Chair on Hispanic education at the College. Dorothy Sumners Rush, Secretary • In September 2009, President Curtis teamed with LaGuardia Community College president Gail Mellow to launch a national media campaign for Matthew Bergheiser President Obama’s American Graduation Initiative. Rhonda R. Cohen, Esq. • In October 2009, the Center for Science and Engineering Education opened Helen Cunningham to foster the development of science, engineering, technology and math Sallie A. Glickman education and supply this region’s businesses with the skilled employees Lydia Hernández Vélez they need. Stacy E. Holland • In November 2009, the Center for Male Engagement opened to provide Harold A. Honickman support services to help African-American male students achieve academic The Honorable James F. Kenney and personal success. The Honorable James R. Roebuck, Jr. • In December 2009, Governor Rendell spoke at the Institute of Medicine’s Jeremiah J. White, Jr. Forum on the Future of Nursing, hosted by the College. Marcellette Wise Ellison • In January 2010, the College announced the receipt of a $3.18 million Pathways Out of Poverty grant to provide short-term career-specific training that will lead to emerging green-collar careers for qualified veterans, Emeritus Trustees unemployed workers, ex-offenders and other Philadelphia residents. Jane S. Abrahams, deceased • In February 2010, the College featured Law and Society Week, including Robert S. King the Wills for Heroes program, a free service that provides wills, living wills Isadore A. Shrager, deceased and financial powers of attorney to Pennsylvania first responders and their spouses or significant others. • In April 2010, students Fraidel Phelps and Shameka Sawyer were named to the Coca-Cola All-State Community College Academic Team program and were designated all-Pennsylvania scholars. • In May 2010, the Regional Center Leadership Awards honored 18 community, elected official, student, education, faith and business luminaries from around the city. • In May 2010, more than 2,300 associate’s degrees and certificates were awarded to more than 2,000 graduates at the 44th Annual Commencement. t is the College’s mission to serve this community, and we do so not just by Ieducating, but also through additional community outreach. As the only public institu- tion of higher learning in the city, we are committed to preparing our students for careers that are both rewarding for the student and in demand in our region, ensuring that both the student and the community benefit. The College is expanding our Main Campus and Northeast Regional Center sites to better support the Philadelphia community and meet the growing demand for a high-quality, affordable and accessible education. Last year, and every year, the College is investing in the future of this region. An investment in the College is an investment in possibilities. 3 Investing in the Power of Education About the Foundation MISSION THE COMMUNITY COLLEGE OF PHILADELPHIA FOUNDATION enhances and enriches the educational experiences of Com- munity College of Philadelphia students by providing external resources to support the College’s mission. As the private funding development arm of the College, the Foundation seeks to support the College’s mission by bringing together community leaders who will serve as ambassadors of the College, broadening the College’s image within the community. The Foundation serves the College by creating partnerships with individuals, businesses, organizations and foundations to raise private gifts for scholarships, instructional equipment, professional development and capital needs of the College. KEY ACCOMPLISHMENTS Foundation Board of Directors • In the second year of our fi rst-ever campaign, Expanding Possibilities: The Campaign for A.E. Piscopo, President Community College of Philadelphia, the Foundation Arlene M. Yocum, Treasurer has raised more than $6.6 million toward its $10 million Stanley S. Cohen, Esq., Vice President goal. Richard S. Downs, Secretary • The Foundation and Offi ce of Institutional Kernie L. Anderson Advancement coordinated nearly $775,000 in George Arnold support of more than 650 scholarships. Lorraine H. Brown, Ph.D. • During 2009/2010, the Foundation provided nearly Bruce E. Caswell, Ph.D. $27,000 in support of 10 projects through its Helen Cunningham annual Mini-Grant program.
Load more

Recommended publications
  • Digest Document 3
    ighty first-year students were of medical school is going to be quite welcomed into the medical different from anything you’ve done artmouth Medical School has Eprofession with the white coat before. It’s not going to be like high received an $11.6 million ceremony October 26, which intro- school and it’s not going to be like Daward from the National duced the new students to the privi- college.” He characterized this period Institutes of Health (NIH) to establish leges and responsibilities associated as an important transition in the stu- a nationally recognized center of bio- with becoming a physician. dents’ lives, an experience that is not medical research excellence in only intellectual but also profoundly immunology and inflammation.The emotional.“It’s an attitudinal transi- five-year grant will support collabora- tion,” he said,“for you will notice a tive projects at DMS in conjunction change in the way you study and a with the University of New change in the way you think about Hampshire (UNH), promoting people.” research opportunities for biomedical Baldwin said that medical training investigators in New Hampshire with prepares physicians to perform two broad potential for understanding and basic tasks: relieve suffering and pro- treating diseases of the immune sys- long life. Physicians, therefore, have tem and cancer. Flying SquirrelFlying Graphics limited expertise and are not meant to The funds are awarded through a Dean John C. Baldwin, MD, welcomes MD/PhD be judges, policemen or moral guides special program called COBRE,
    [Show full text]
  • The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
    Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process.
    [Show full text]
  • Arts&Sciences
    CALENDAR College of Liberal Arts and Sciences The University of Iowa School of Music is 240 Schaeffer Hall celebrating its centennial throughout 2006-07; The University of Iowa visit www.uiowa.edu/~music for a calendar Iowa City, Iowa 52242-1409 of events. November E-mail: [email protected] Visit the College of Liberal Arts and Sciences REQUIEM at www.clas.uiowa.edu By Giuseppe Verdi A School of Music, Division of Performing Arts, centennial event featuring the University Symphony Orchestra and Choirs with alumni Arts&Sciences guest soloists FALL 2006 Arts & Sciences is published for alumni and friends of the College of Liberal Arts and Sciences December at The University of Iowa. It is produced by the Offi ce of the Dean of the College of Liberal Arts and Sciences and by the Offi ce of University Relations Publications. WINTER COMMENCEMENT Address changes: Readers who wish to change their mailing address for JanuaryFebruary Arts & Sciences may call Alumni Records at 319-335-3297 or 800-469-2586; or send an e-mail to [email protected]. INTO THE WOODS Music and lyrics by Stephen Sondheim DEAN Linda Maxson Department of Theatre Arts, Division of E XECUTIVE E DITOR Carla Carr Performing Arts M ANAGING E DITOR Linda Ferry February CONSULTING E DITOR Barbara Yerkes M AIA STRING QUARTET DESIGNER Anne Kent COLLABORATION P HOTOGRAPHER Tom Jorgensen Department of Dance and School of Music, CONTRIBUTING FEATURE WRITERS Division of Performing Arts Peter Alexander, Winston Barclay, Lori Erickson, Richard Fumerton, Gary W. May Galluzzo, Lin Larson, Jen Knights, Sara SPRING COMMENCEMENT Epstein Moninger, David Pedersen COVER P HOTO: Art Building West provides a study June in refl ected light.
    [Show full text]
  • The Museum of Modern Art Presents a Discussion of the HBO Series the Sopranos with the Series Writer/Director David Chase and No
    MoMA | press | Releases | 2001 | Discussion on The Sopranos Page 1 of 3 For Immediate Release February 2001 THE MUSEUM OF MODERN ART HOSTS DISCUSSION ON THE SOPRANOS Discussion with David Chase and media writer Ken Auletta February 12, 2001 The Sopranos February 3-13, 2001 The Roy and Niuta Titus Theatre 1 The Museum of Modern Art presents a discussion of the HBO series The Sopranos with the series writer/director David Chase and noted media writer and author Ken Auletta, February 12, 2001 at 6:00 p.m. at the Roy and Niuta Titus Theatre 1. Recording the domestic dramas and business anxieties of family living the bourgeois life in a pleasant New Jersey suburb, The Sopranos is a saga of middle-class life in America at the turn of the century. Chronicled in twenty-six hour-long episodes, the first two seasons from the series will be shown in two four-day sequences at The Museum of Modern Art, from February 3-13 at the Roy and Niuta Titus Theatre 1. "The Sopranos is a cynical yet deeply felt look at this particular family man," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the program. "David Chase and his team have created a series distinguished by its bone-dry humor and understated, quirky, and stinging perspective - not usually seen on television." Renowned for his savvy profiles of power players in the media, Ken Auletta will join David Chase for a discussion of The Sopranos at The Museum on February 12. The Department of Film and Video gratefully acknowledges HBO for making the series available for public viewing.
    [Show full text]
  • WRITING for EPISODIC TV from Freelance to Showrunner
    WRITING FOR EPISODIC TV From Freelance to Showrunner Written by: Al Jean Brad Kern Jeff Melvoin Pamela Pettler Dawn Prestwich Pam Veasey John Wirth Nicole Yorkin Additional Contributions by: Henry Bromell, Mitch Burgess, Carlton Cuse, Robin Green, Barbara Hall, Al Jean, Amy Lippman, Dan O’Shannon, Phil Rosenthal, Joel Surnow, John Wells, Lydia Woodward Edited by: John Wirth Jeff Melvoin i Introduction: Writing for Episodic Television – A User’s Guide In the not so distant past, episodic television writers worked their way up through the ranks, slowly in most cases, learning the ropes from their more-experienced colleagues. Those days are gone, and while their passing has ushered in a new age of unprecedented mobility and power for television writers, the transition has also spelled the end of both a traditional means of education and a certain culture in which that education was transmitted. The purpose of this booklet is twofold: first, to convey some of the culture of working on staff by providing informal job descrip- tions, a sense of general expectations, and practical working tips; second, to render relevant WGA rules into reader-friendly lan- guage for staff writers and executive producers. The material is organized into four chapters by job level: FREE- LANCER, STAFF WRITER/STORY EDITOR, WRITER-PRODUCER, EXECUTIVE PRODUCER. For our purposes, executive producer and showrunner are used interchangeably, although this is not always the case. Various appendices follow, including pertinent sections of the WGA Minimum Basic Agreement (MBA). As this is a booklet, not a book, it does not make many distinc- tions among the different genres found in episodic television (half- hour, animation, primetime, cable, first-run syndication, and so forth).
    [Show full text]
  • Applying a Rhizomatic Lens to Television Genres
    A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here.
    [Show full text]
  • ROY FARFEL STUNT COORDINATOR New York - SAG/AFTRA
    ROY FARFEL STUNT COORDINATOR New York - SAG/AFTRA www.Royfarfel.com TELEVISION WORMWOOD (Miniseries) Netflix Prod: Caroline Baron, Sean Fogel Dir: Errol Morris BLUE BLOODS (Seasons 2-7) CBS Prod: Mitchell Burgess, Robin Green Dir: Various MANHATTAN LOVE STORY (1 Ep.) ABC Prod: Jeff Lowell Dir: Rebecca Asher THE BLACK BOX (Multiple Eps.) ABC Prod: Amy Holden Jones Dir: Various THE MONEY (MOW) HBO Prod: John Linson, David Milch, Frank Rich Dir: Justin Chadwick MURDER IN MANHATTAN (MOW) ABC Prod: Ryan Reynolds, Allan Loeb, Steven Pearl Dir: Cherie Nowlan HOSTAGES (Season 1) Warner Bros. Prod: Jeffrey Nachmanoff, Alon Aranya, Dir: Various Omri Givon, Rotem Shamir ZERO HOUR (Multiple Eps.) ABC Prod: Paul Scheuring Dir: Various NURSE JACKIE (1 Ep.) Showtime Prod: Brad Carpenter, Michele Giordano Dir: Jesse Peretz BRONX WARRANTS (MOW) FX Prod: Kerry Orent, Denis Leary, Igor Srubshchik Dir: Scott Ellis MASTERS OF SEX (Pilot) Showtime Prod: Tammy Rosen, Michael Sheen Dir: John Madden CSI: NEW YORK (Seasons 2, 3, 7 & 8) CBS Prod: Ann Donahue, Carol Mendelsohn, Dir: Various Anthony E. Zuiker GIRLS (Multiple Eps.) HBO Prod: Lena Dunham Dir: Various ROYAL PAINS (1 Ep.) USA Network Prod: Andrew Lenchewski, John P. Rogers, Dir: Michael Rauch Kathy Ciric RUBICON (Multiple Eps.) AMC Prod: Jason Horwitch Dir: Various DAMAGES (1 Ep.) FX Prod: Glenn Kessler, Lori Jo Nemhauser, Dir: Greg Yaitanes Todd A. Kessler, Daniel Zelman WHITE COLLAR (1 Ep.) USA Network Prod: Jeff Eastin, Margo Myers Dir: Anton Cropper GOSSIP GIRL (Multiple Eps.) The CW Prod: Stephanie
    [Show full text]
  • Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
    Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic.
    [Show full text]
  • Selected Bibliography
    Selected Bibliography 4 Film Favorites: Lethal Weapon, Lethal Weapon 2, Lethal Weapon 3, Lethal Weapon 4. Los Angeles: Warner Bros., 2014. DVD. 24: The Complete Series. 2001–2010. Produced by Robert Cochran and Joel Surnow. Los Angeles: 20th Century Fox Entertainment, 2010. DVD. 48 Hours. DVD. Directed by Walter Hill. Paramount Pictures, 1999. A Good Day to Die Hard. Directed by John Moore. 20th Century Fox, 2013. Amazon Prime. A Stranger Among Us. Directed by Sidney Lumet. Hollywood Pictures, 1992. A Thief of Time. DVD. Directed by Chris Eyre. PBS Home Video, 2004. Abalos, David T. The Latino Male: A Radical Redefinition. Boulder, CO: Lynne Rienner Publishers, 2002. Abbott, Megan E. The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir. New York: Palgrave Macmillan, 2002. Adams, Rachel, and David Savran, eds. The Masculinity Studies Reader, Keyworks in Cultural Studies. Malden, MA: Blackwell Publishers, 2002. Alias—Seasons 1–5, Complete Series. 2001–2006. Produced by J. J. Abrams. Burbank, CA: Buena Vista Home Entertainment, 2006. DVD. Allen, Judith A. “Men Interminably in Crisis? Historians on Masculinity, Sexual Boundaries, and Manhood.” Radical History Review no. 82 (Winter 2002). Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice. New York: Random House, 1985. © The Author(s) 2019 259 M. Yaquinto, Policing the World on Screen, https://doi.org/10.1007/978-3-030-24805-5 260 Selected Bibliography Allen, Theodore W. The Invention of the White Race. New York: Verso, 1997. Alpert, Geoffrey P., and Roger G. Dunham. Policing Urban America. Prospect Heights, IL: Waveland Press, 1997. Alsultany, Evelyn.
    [Show full text]
  • Warren Alan Young Resume Winter Mar 2016 2.Pages
    F ROM THE DESIGN STUDIO OF WARREN ALAN YOUNG http://www.warrenalanyoung.com Tel. 323.782.1854 PRODUCTION DESIGN Film and Television Presence (Unlic.); (pilot) ABC Television; John Ridley, Director John Ridley, Michael McDonald, Exec Producers; Aida Rodgers, Line Producer, Mark Tobey, UPM Stephanie Sigmund, Cast American Crime (season 2); (episodic) ABC Television; Various Directors Including John Ridley John Ridley, Michael McDonald, Exec Producers; Lori-Etta Taub, Line Producer Felicity Huffman , Regina King, Lily Taylor, Timothy Hutton, Conner Jessup, Richard Cabral, Cast Fargo (season 2); (episodic) MGM, FX Television; Various Directors Noah Hawley, Warren Littlefield, John Cameron, Exec Producers; Kim Todd, Line Producer Kirsten Dunst, Jean Smart, Jesse Plemons, Bokeem Woodbine, Patrick Wilson, Ted Danson, Jeffrey Donovan, Cast Fargo (season 1); (episodic) MGM, FX Television; Various Directors Noah Hawley, Warren Littlefield, John Cameron, Exec Producers; Kim Todd, Line Producer Billy Bob Thorton, Martin Freeman, Keith Carradine, Allison Tolman, Colin Hanks, Bob Odenkirk, Cast Real Husbands of Hollywood season 3; (episodic) JSR Productions/Viacom/BET Networks; Various Directors Ralph Farquhar, Stan Lathan, Jesse Collins, Exec Producers; Carl Craig, Producer Kevin Hart, Duane Martin, Nelly, Nick Cannon, Boris Kojo, Cast Hawthorne; (Season 2 and 3) Sony Television/Overbrook Entertainment/TNT; Various Directors Jada Pinkett-Smith, Will Smith, Miguel Melendez, Glenn Mazarra, John Tinker, Exec Producers; Preston Fisher, LP Jada Pinkett-Smith,
    [Show full text]
  • 2017 Annual Report
    RE: Edits for Annual Report FACING HUNGER2017 ANNUAL REPORT 2017 ANNUAL REPORT | FOOD BANK FOR NEW YORK CITY A 2017 BOARD OF DIRECTORS REVEREND HENRY BELIN (Chair) KATIE LEE MICHAEL SMITH PASTOR CHEF/AUTHOR GENERAL MANAGER Bethel AME Church The Comfort Table Cooking Channel MARIO BATALI SERAINA MACIA ARTHUR STAINMAN (Treasurer) CHEF/AUTHOR/RESTAURATEUR EXECUTIVE VICE PRESIDENT & CEO SENIOR MANAGING DIRECTOR First Manhattan KEVIN FRISZ AIG MANAGING PARTNER GLORIA PITAGORSKY (Vice Chair) LARY STROMFELD William James Capital MANAGING DIRECTOR (Executive Vice Chair) Heard City PARTNER JOHN F. FRITTS, ESQ. (Secretary) Cadwalader, Wickersham & Taft LLP SENIOR COUNSEL NICOLAS POITEVIN Cadwalader, Wickersham & Taft LLP SENIOR TRADER STANLEY TUCCI Latour Trading ACTOR/DIRECTOR LAUREN BUSH LAUREN Olive Productions C/O Post Factory CEO & FOUNDER LEE SCHRAGER FEED VICE PRESIDENT, CORPORATE PASTOR MICHAEL WALROND COMMUNICATIONS & NATIONAL EVENTS SENIOR PASTOR Southern Glazer’s Wine & Spirits First Corinthian Baptist Church Kelly Bensimon Tony Shaloub David Chang Kate Krader AGENCY ACTOR, MODEL ACTOR CHEF, AUTHOR BLOOMBERG ADVISORY Lorraine Bracco Ahmir “Questlove” Thompson Caryl Chinn Gabriel Kreuther COMMITTEE ACTOR MUSICIAN, RESTAURATEUR, CARYL CHINN CULINARY CHEF, RESTAURATEUR AUTHOR CONSULTING Robin Sirota-Bassin Ty Burrell Emeril Lagasse Tom Colicchio SOUTHSIDE UNITED HDFC INC. ACTOR CHEF, TV HOST, AUTHOR CHEF, TV HOST, AUTHOR Cheryl Cancela Helena Christensen CULINARY Katie Lee Gabriele Corcos THE SALVATION ARMY STAPLETON MODEL, PHOTOGRAPHER
    [Show full text]
  • The Sopranos
    BLOOD IS THICKER THAN WATER AN ANALYSIS OF FAMILY, FAMIGLIA AND ITALIAN IDENTITY IN THE SOPRANOS Aantal woorden: 23.505 Han Vandepoele Studentennummer: 01506075 Promotor(en): Prof. dr. Gert Buelens Masterproef voorgelegd voor het behalen van de graad master in de Taal- en Letterkunde Engels-Zweeds Academiejaar: 2018 – 2019 ACKNOWLEDGEMENTS Writing a master thesis is no easy feat, and could certainly not have been done without the help of some wonderful individuals. First of alI I would like to take this opportunity to thank prof. dr. Gert Buelens for his guidance and patience, but most of all for giving me the freedom to discover this topic on my own pace. Furthermore I would like to thank my parents for handing me the opportunity to study, my friends for providing me with distractions when necessary, and my sister for helping me clean up that pesky table of contents. TABLE OF CONTENTS ACKNOWLEDGEMENTS ........................................................................................................................................... 2 TABLE OF CONTENTS .............................................................................................................................................. 3 LIST OF FIGURES ..................................................................................................................................................... 4 INTRODUCTION ...................................................................................................................................................... 5 PART
    [Show full text]