DOCSLIB.ORG

RISA BRAMON GARCIA 818-755-9500 Office CASTING RESUME 818-903-2182 Cell [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RISA BRAMON GARCIA 818-755-9500 Office CASTING RESUME 818-903-2182 Cell Risa@Risabg.Com RISA BRAMON GARCIA 818-755-9500 office CASTING RESUME 818-903-2182 cell [email protected] FEATURE FILM & TELEVISON HISTORY (starting with TV) GILMORE GIRLS (4 movies) Netflix/WB TV Producers: Amy Sherman-Palladino, Dan Palladino MASTERS OF SEX (series, all 4 seasons) Showtime/Sony TV Producers: Michelle Ashford, Sarah Timberman, Carl Beverly, Amy Lippman FOUR STARS (pilot 2016) CBS/CBS Studios Director: R.J. Cutler Producers: Sarah Timberman, Carl Beverly, Ed Redlich, Becky Mode, R.J. Cutler LFE (pilot 2015) CBS/CBS Studios Director: David Slade Producers: Dan Jinks, Paul Downs Colaizzo, David Marshall Grant THE UNTITLED MIAMI aka COCAINE PROJECT (pilot 2014) TNT/WB TV Director: Mark Pellington Producers: Michelle Ashford, Jerry Bruckheimer, Michael Bay, Jonathan Littman, KristieAnne Reed MEMBERS ONLY (pilot 2014) ABC/ABC Studios/CBS Studios Director: R.J. Cutler Producers: Susannah Grant, Sarah Timberman, Carl Beverly, R.J. Cutler THE ORDAINED (pilot 2013) CBS/CBS Studios Director: R.J. Cutler Producers: Frank Marshall, Robert Zotnowski, Larry Shuman, A.B. Fischer REWIND (pilot 2012) Syfy Director: Jack Bender Producers: Gail Berman, Lloyd Braun, Gene Stein, Jack Bender, Tom Spezialy 1 A GIFTED MAN (pilot and series 2011-12) CBS/CBS Studios Director: Jonathan Demme Producers: Susannah Grant, Sarah Timberman, Carl Beverly, Jonathan Demme, Neal Baer THE CAPE (pilot and series 2010-11) NBC/Universal, Berman Braun Directors: Simon West, Deran Serafian Producers: Gail Berman, Lloyd Braun, Gene Stein, Tom Wheeler, John Wirth NY-LON (pilot 2008) CBS, ABC Studios Director: Larry Shaw Producers: Armyan Bernstein, Laurie Zaks SKIP TRACER (pilot 2007) CBS, Paramount TV Director: Stephen Frears Producers: Mitchell Burgess & Robin Green, Tucker Tooley, Stephen Dorff 3 LBS (pilot 2006) (show picked up and shot in NYC) CBS, Paramount TV Director: Davis Guggenheim Producer: Peter Ocko CSI:NY (pilot and series – seasons 1 & 2) CBS, Bruckheimer Films Producers: Anthony Zuiker, Ann Donahue, Carol Mendelson, Jerry Bruckheimer, Jonathan Littman UNTITLED DIAMOND WEISSMAN (pilot) CBS, 20th Century Fox Television Director: Brett Ratner Producers: Brett Ratner, David Diamond, David Weissman, Vahan Moosekian THE BROTHERHOOD OF POLAND, NEW HAMPSHIRE (pilot) CBS, 20th Century Fox Television, David E. Kelley Productions Director: Michael Pressman Producers: David E. Kelley, Alice West, Michael Pressman MDs aka THE OATH aka MEDS (pilot) ABC/Touchstone Television Director: Michael Hoffman Producers: Marc Platt, Gary Tieche, Abby Wolf-Weiss 2 GARFIELD 20th Century Fox, John Davis Productions Director: Peter Hewitt Producer: John Davis LIKE MIKE 20th Century Fox Director: John Schultz Producers: Barry Josephson, Peter Heller A GUY THING MGM Director: Chris Koch Producer: David Ladd JOE SOMEBODY 20th Century Fox/New Regency Pictures Director: John Pasquin Producers: Arnold Kopelson, Anne Kopelson, Matthew Gross, Brian Reilly SWEET NOVEMBER Warner Brother/Bel Air Entertainment/3 Arts Entertainment Director: Pat O’Connor Producers: Erwin Stoff, Deborah Stoff, Steve Reuther, Elliott Kastner INVENTING THE ABBOTTS Imagine Entertainment/Fox 2000 Director: Pat O’Connor Producers: Brian Grazer, Ron Howard, Karen Kehela, Janet Meyers CLAY PIGEONS Scott Free Productions/Intermedia/PolyGram Director: David Dobkin Producers: Ridley Scott, Tony Scott, Guy East, Nigel Sinclair, Chris Zarpas S.L.C. PUNK! Blue Tulip/Sony Pictures Classics Director: James Meredino Producers: Jan de Bont, Michael Peyser, Sam Maydew, Peter Ward PAULIE Dreamworks SKG/Mutual Film Company Director: John Roberts Producers: Mark Gordon, Gary Levinsohn, Allison Segan, Ginny Nugent 3 TWISTER Amblin Entertainment,/Universal Pictures/Warner Brothers Director: Jan de Bont Producers: Kathy Kennedy, Ian Bryce, Walter Parkes, Laurie MacDonald, Steven Spielberg, Michael Crichton HARD RAIN Paramount Pictures/Mutual Film Company Director: Mikael Salomon Producers: Mark Gordon, Gary Levinsohn, Ian Bryce THE PEACEMAKER Dreamworks/SKG Director: Mimi Leder Producers: Steven Spielberg, Walter Parkes, Laurie MacDonald, Branko Lustig, John Wells SPEED 2 Twentieth Century Fox Director: Jan de Bont Producers: Jan de Bont, Michael Peyser, Mark Gordon FLIRTING WITH DISASTER Miramax Films Director: David O. Russell Producers: Dean Silvers, Harvey Weinstein, Bob Weinstein HOW TO MAKE AN AMERICAN QUILT Amblin Entertainment/Universal Pictures Director: Joceyln Moorehouse Producers: Midge Sanford, Sarah Pillsbury, Laurie MacDonald, Walter Parkes, Deborah Newmyer DEAD PRESIDENTS Hollywood Pictures/Caravan Pictures Directors: Allen & Albert Hughes Producers: Allen & Albert Hughes, Darryl Porter, Michael Bennett *NATURAL BORN KILLERS Warner Brothers, Ixtlan Productions, New Regency Pictures Director: Oliver Stone Producers: Arnon Milchan, Thom Mount, Jane Hamsher, Don Murphy, Clayton Townsend Also: Associate Producer: Risa Bramon Garcia 4 SPEED 20th Century Fox Director: Jan de Bont Producers: Mark Gordon, Ian Bryce *TRUE ROMANCE Morgan Creek Director: Tony Scott Producers: Bill Unger, Steve Perry *HEAVEN AND EARTH Warner Brothers Director: Oliver Stone Producers: Oliver Stone, A. Kitman Ho Also Associate Producer: Risa Bramon Garcia *MEN OF WAR Miramax Films, Grandview Avenue Pictures, MDP Director: Perry Lang Producers: Arthur Goldblatt, Andy Pfeffer, Moshe Diamant GOLDEN GATE Samuel Goldwyn Company Director: John Madden Producers: Michael Brandman, Stan Wlodowski THE VANISHING 20th Century Fox Director: George Sluizer Producers: Paul Schiff, Larry Brezner FLESH AND BONE Warner Brothers Director: Steve Kloves Producers: Mark Rosenberg, Paula Weinstein, Sydney Pollack THE JOY LUCK CLUB Hollywood Pictures/Ixtlan Director: Wayne Wang Producers: Amy Tan, Oliver Stone, Janet Yang, Patrick Markey, Ron Bass BENNY AND JOON MGM Director: Jeremiah Chechik Producers: Susan Arnold, Donna Roth, Bill Badalato 5 SNEAKERS Universal Pictures Director: Phil Alden Robinson Producers: Walter Parkes. Larry Lasker *JFK Warner Brothers/Ixtlan Director: Oliver Stone Producers: Oliver Stone, A. Kitman Ho, Arnon Milchan *ONE GOOD COP Hollywood Pictures Director: Heywood (Woody) Gould Producer: Larry Mark *THE DOORS Carolco Pictures/Imagine Entertainment Director: Oliver Stone Producers: A. Kitman Ho, Bill Graham, Brian Grazer, Sasha Harari *CHRISTMAS VACATION Warner Brothers Director: Jeremiah Chechik Producers: John Hughes, Tom Jacobson *JACOB’S LADDER Carolco Pictures Director: Adrian Lyne Producer: Alan Marshall *BORN ON THE FOURTH OF JULY Universal Pictures/Ixtlan Director: Oliver Stone Producers: Oliver Stone, A. Kitman Ho MR. DESTINY Touchstone Pictures Director: James Orr Producers: Larry Mark, James Orr, Jim Cruickshank, Susan Landau *BRIGHT ANGEL Hemdale Film Corp. Director: Michael Fields Producers: Robby MacLean, Sue Baden-Powell, Paige Simpson, Derek Gibson, John Daly 6 *UNCLE BUCK MCA/Universal Pictures/Hughes Entertainment Director: John Hughes Producers: Tom Jacobson, John Hughes *THE JANUARY MAN MGM Director: Pat O’Connor Producers: Norman Jewison, Ezra Swerdlow *BLUE STEEL MGM/Lightning Pictures Director: Kathryn Bigelow Producers: Ed Pressman, Oliver Stone *PARENTS Vestron Pictures Director: Bob Balaban Producers: Bonnie Palef, Steve Reuther, Mitchell Cannold *TALK RADIO Cineplex Odeon Films/Universal Pictures Director: Oliver Stone Producers: Ed Pressman, A. Kitman Ho *MR. NORTH Samuel Goldwyn Company/Heritage Entertainment Director: Danny Huston Producers: Steven Haft, John Huston *CANDY MOUNTAIN Xanadu Productions/Republic Pictures Directors: Robert Frank, Rudy Wurlitzer Producer: Ruth Waldburger, Philippe Diaz HEAVY PETTING Skouras Pictures/Fossil Films Director/Producer: Obie Benz *STARS AND BARS Columbia Pictures Director: Pat O’Connor Producer: Sandy Lieberson 7 *FATAL ATTRACTION Paramount Pictures Director: Adrian Lyne Producers: Stanley Jaffe, Sherry Lansing *WALL STREET 20th Century Fox Director: Oliver Stone Producers: A. Kitman Ho, Ed Pressman MAKING MR. RIGHT Orion Pictures Director: Susan Seidelman Producers: Joel Tuber, Mike Wise *PROMISED LAND Wildwood Productions/Vestron Pictures Director: Michael Hoffman Producers: Rick Stevenson, Robert Redford *ANGEL HEART Carolco Entertainment Director: Alan Parker Producers: Alan Marshall, Elliott Kastner *SOMETHING WILD Orion Pictures Director: Jonathan Demme Producers: Joanathan Demme, Kenneth Utt, Ed Saxon *AT CLOSE RANGE Hemdale Film Corp. Director: James Foley Producers: Elliott Lewitt, Don Guest *DESPERATELY SEEKING SUSAN Orion Pictures Director: Susan Seidelman Producers: Midge Sanford, Sarah Pillsbury, Michael Peyser More continued… 8 ADDITIONAL TELEVISION (selected credits) BIRDLAND (pilot and series) ABC/Columbia Director: Peter Horton Producers: Walter Parkes, Laurie MacDonald, Scott Frank GRAND (pilot and series) NBC/Carsey Werner Producers: Tom Werner/Marcy Carsey, Caryn Mandabach, Michael Leeson, Risa Bramon Garcia *ROSEANNE (pilot) ABC/The Carsey Werner Company, Wind Dancer Productions Producers: Tom Werner/Marcy Carsey, Matt Williams THE HEART OF JUSTICE, TV movie TNT/Amblin TV Director: Bruno Barreto Producers: Michael Brandman, Leanne Moore COOPERSTOWN, TV movie TNT/Amblin TV Director: Charles Haid Producers: Michael Brandman, Leanne Moore THE WATER ENGINE, TV movie TNT/Amblin TV Director: Steven Schachter Producer: Michael Brandman, Leanne Moore THEATRE (selected credits) LINCOLN CENTER THEATRE, NY: *HOUSE OF BLUE LEAVES *ANYTHING GOES *SIX DEGREES OF SEPARATION *SPEED THE PLOW 9 *ENSEMBLE STUDIO THEATRE, NY Seasons 1978-1988 (also Producer, Director) ACT
Load more

Recommended publications
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • The Cinema of Oliver Stone
    Interviews Stone on Stone Between 2010 and 2014 we interviewed Oliver Stone on a number of occasions, either personally or in correspondence by email. He was always ready to engage with us, quite literally. Stone thrives on the cut- and- thrust of debate about his films, about himself and per- ceptions of him that have adorned media outlets around the world throughout his career – and, of course, about the state of America. What follows are transcripts from some of those interviews, with- out redaction. Stone is always at his most fascinating when a ques- tion leads him down a line of theory or thinking that can expound on almost any topic to do with his films, or with the issues in the world at large. Here, that line of thinking appears on the page as he spoke, and gives credence to the notion of a filmmaker who, whether loved or loathed, admired or admonished, is always ready to fight his corner and battle for what he believes is a worthwhile, even noble, cause. Oliver Stone’s career has been defined by battle and the will to overcome criticism and or adversity. The following reflections demonstrate why he remains the most talked about, and combative, filmmaker of his generation. Interview with Oliver Stone, 19 January 2010 In relation to the Classification and Ratings Administration Interviewer: How do you see the issue of cinematic censorship? Oliver Stone: The ratings thing is very much a limited game. If you talk to Joan Graves, you’ll get the facts. The rules are the rules.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • 1919 Golden Globe Nominees 1
    1919 Golden Globe Nominees 1. BEST TELEVISION SERIES – DRAMA a. THE AMERICANS FX NETWORKS Fox 21 Television Studios / FX Productions b. BODYGUARD NETFLIX World Productions / an ITV Studios company c. HOMECOMING PRIME VIDEO Universal Cable Productions LLA / Amazon Studios d. KILLING EVE BBC AMERICA BBC AMERICA / Sid Gentle Films Ltd e. POSE FX NETWORKS Fox 21 Television Studios / FX Productions 2. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA a. CAITRIONA BALFE OUTLANDER b. ELISABETH MOSS THE HANDMAID'S TALE c. SANDRA OH KILLING EVE d. JULIA ROBERTS HOMECOMING e. KERI RUSSELL THE AMERICANS 3. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA a. JASON BATEMAN OZARK b. STEPHAN JAMES HOMECOMING c. RICHARD MADDEN BODYGUARD d. BILLY PORTER POSE e. MATTHEW RHYS THE AMERICANS 4. BEST TELEVISION SERIES – MUSICAL OR COMEDY a. BARRY HBO HBO Entertainment / Alec Berg / Hanarply b. THE GOOD PLACE NBC Universal Television / Fremulon / 3 Arts Entertainment c. KIDDING SHOWTIME SHOWTIME / SOME KIND OF GARDEN / Aggregate Films / Broadlawn Films d. THE KOMINSKY METHOD NETFLIX Warner Bros. Television e. THE MARVELOUS MRS. MAISEL PRIME VIDEO Amazon Studios 5. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY a. KRISTEN BELL THE GOOD PLACE b. CANDICE BERGEN MURPHY BROWN c. ALISON BRIE GLOW d. RACHEL BROSNAHAN THE MARVELOUS MRS. MAISEL e. DEBRA MESSING WILL & GRACE 6. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY a. SACHA BARON COHEN WHO IS AMERICA b. JIM CARREY KIDDING c. MICHAEL DOUGLAS THE KOMINSKY METHOD d. DONALD GLOVER ATLANTA e. BILL HADER BARRY 7.
    [Show full text]
  • CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
    CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection
    [Show full text]
  • April 2021 New Titles List University of Dubuque
    April 2021 New Titles List University of Dubuque Local Item Call Local Item Permanent Number Author Name Title Publisher NamePublication Date Edition Language Name Material Format Material Subformat Shelving Location N/A Neonatology today. Neonatology Today,2006 N/A English JOURNALS/MAGAZIN EJOURNALS/EMAGA ES ZINES Parkman, Francis, A half century of Little, Brown, and Co.,1899 Frontenac English BOOKS PRINTBOOK conflict / edition. Schur, Michael,Scanlon, The Good Place. Universal 2019 N/A English VIDEOS DVDS Claire,Miller, Beth Television,Shout! Factory, McCarthy,Holland, Dean,Bell, Kristen,Danson, Ted,Harper, William Jackson,Jamil, Jameela,Carden, D'Arcy,Jacinto, Manny,; Shout! Factory (Firm),Universal Television (Firm), AM151 .T54 2019 Garcia, Tristan,Normand, Theater, garden, ÉCAL/University of Art 2019 N/A English BOOKSPRINTBOOK New Book Collection: Vincent,; École cantonale bestiary :a and Design Lausanne 1st Floor d'art de Lausanne,Haute materialist history of ;Sternberg Press, école spécialisée de exhibitions / Suisse occidentale. BF789.C7 P3713 Pastoureau, Michel,; Green :the history of Princeton University 2014 N/A English BOOKSPRINTBOOK New Book Collection: 2014 Gladding, Jody, a color / Press, 1st Floor BJ1521 .H76 2020 Miller, Christian B.,West, Integrity, honesty, Oxford University Press,2020 N/A English BOOKSPRINTBOOK New Book Collection: Ryan, and truth seeking / 1st Floor BR65.A9 W47 Wessel, Susan, On compassion, Bloomsbury Academic,2020 N/A English BOOKSPRINTBOOK New Book Collection: 2020 healing, suffering, 1st Floor and the purpose of the emotional life / BS195 .R48 2019 Wansbrough, Henry, The Revised New Image,2019 First U.S. edition. English BOOKSPRINTBOOK New Book Collection: Jerusalem Bible 1st Floor :study edition / BS2553 .R83 Ruden, Sarah, The Gospels / Modern Library,2021 First edition.
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • Café Society
    Presents CAFÉ SOCIETY A film by Woody Allen (96 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CAFÉ SOCIETY Starring (in alphabetical order) Rose JEANNIE BERLIN Phil STEVE CARELL Bobby JESSE EISENBERG Veronica BLAKE LIVELY Rad PARKER POSEY Vonnie KRISTEN STEWART Ben COREY STOLL Marty KEN STOTT Co-starring (in alphabetical order) Candy ANNA CAMP Leonard STEPHEN KUNKEN Evelyn SARI LENNICK Steve PAUL SCHNEIDER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON, p.g.a. STEPHEN TENENBAUM, p.g.a. EDWARD WALSON, p.g.a. Co-Producer HELEN ROBIN Executive Producers ADAM B. STERN MARC I. STERN Executive Producer RONALD L. CHEZ Cinematographer VITTORIO STORARO AIC, ASC Production Designer SANTO LOQUASTO Editor ALISA LEPSELTER ACE Costume Design SUZY BENZINGER Casting JULIET TAYLOR PATRICIA DiCERTO 2 CAFÉ SOCIETY Synopsis Set in the 1930s, Woody Allen’s bittersweet romance CAFÉ SOCIETY follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. Centering on events in the lives of Bobby’s colorful Bronx family, the film is a glittering valentine to the movie stars, socialites, playboys, debutantes, politicians, and gangsters who epitomized the excitement and glamour of the age. Bobby’s family features his relentlessly bickering parents Rose (Jeannie Berlin) and Marty (Ken Stott), his casually amoral gangster brother Ben (Corey Stoll); his good-hearted teacher sister Evelyn (Sari Lennick), and her egghead husband Leonard (Stephen Kunken).
    [Show full text]
  • BBC Four Programme Information
    SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras.
    [Show full text]
  • 2017 DGA Episodic Director Diversity Report (By STUDIO)
    2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc.
    [Show full text]
  • Throwaway Robots in Blade Runner, the Terminators, A.I., and Wall•E” Many Objects Remain Unnoticed Simply Because It Never Occurs to Us to Look Their Way
    NEWSLETTER OF THE UCLA CENTER FOR THE JUN09 STUDY OF WOMEN BY VA N G E H E ILI ge R an D H eaT he R C O L L E TT E -VanDe R aa CSW Desire and Disposability in Patricia Yaeger’s “Luminous Trash: Throwaway Robots in Blade Runner, the Terminators, A.I., and Wall•E” Many objects remain unnoticed simply because it never occurs to us to look their way. Most people turn their backs on garbage cans, the dirt underfoot, the waste they leave behind. Siegfried Kracauer, Theory of Film: The Redemption of Physical Reality (Oxford, 1960) 1 toc Trashy Robots , continued from page 1 hat does it mean for humans to them completely within three years—almost desire human-like relationships with before the physical object itself shows any signs Wrobots? What kind of sovereignty do of wear and tear. In robot movies, this technol- we want to have over our trash? These two seem- ogy turnover becomes personified in robots: ingly unrelated questions melded together ex- commodities who behave both as subjects (who quisitely during Patricia Yaeger’s talk “Luminous can act) and as objects (that can be disposed of Trash: Throwaway Robots in Blade Runner, the once they are no longer valued). We humans Terminators, A.I. and Wall•E.” Yaeger directed want human-like relationships with our robots, her audiences’ eyes towards robots as trash, and but when our robots become obsolete—which is in doing so, linked together present and future practically instantaneous—we shift our thinking possibilities for re-thinking automated relation- from one of relating to one of discarding.
    [Show full text]
  • Graham Walker Film Music Producer / Music Production Supervisor
    GRAHAM WALKER FILM MUSIC PRODUCER / MUSIC PRODUCTION SUPERVISOR Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. Education Graham studied music at Kneller Hall, the Royal Military School of Music and the Guildhall School of Music in London after which he began his career in the music production business. Graham is also a good musician; a trumpet player. Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. After a distinguished career as Musical Director of Yorkshire Television, Head of Music for Granada Television and Head of Film Music Production for Lord Grade’s ITC Films, Graham then became freelance. The first 6 years of Graham’s career were spent at the world famous KPM Production Music Library; that was the day job! The night job was arranging and conducting sessions for various ‘pop’ and variety stars’ singles and albums such as Dickie Henderson, Roy Castle, Nicko McBrain (the drummer from Iron Maiden) and the number 1 hit ‘Grandad’ performed by Clive Dunn(!) plus score takedowns for the BBC’s ‘Top of the Pops’ for US groups such as ‘The Four Tops,’ Diana Ross and The Supremes,’ Otis Redding,’ ‘Marvin Gaye’ and many others. Work: Musical Director - Yorkshire Television, Head of Music - Granada Television, Head of Film Production (Music) - Lord Grade’s ITC Films, Head of Music - Zenith Productions. Over the years Graham has acquired extensive expertise in recording throughout Europe and beyond. He has worked with many composers, musicians and orchestras in the recording centres of London, New York, Paris, Munich, Cologne, Rome, Brussels, Berlin, Budapest, Moscow, Belgrade, Prague, Bratislava, Brandenburg and various locations in South Africa.
    [Show full text]