Icon Veneration in Evangelical and Orthodox Religious Practices in the 21St Century
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Song Elite's Obsession with Death, the Underworld, and Salvation
BIBLID 0254-4466(2002)20:1 pp. 399-440 漢學研究第 20 卷第 1 期(民國 91 年 6 月) Visualizing the Afterlife: The Song Elite’s Obsession with Death, the Underworld, and Salvation Hsien-huei Liao* Abstract This study explores the Song elite’s obsession with the afterlife and its impact on their daily lives. Through examining the ways they perceived the relations between the living and the dead, the fate of their own afterlives, and the functional roles of religious specialists, this study demonstrates that the prevailing ideas about death and the afterlife infiltrated the minds of many of the educated, deeply affecting their daily practices. While affected by contem- porary belief in the underworld and the power of the dead, the Song elite also played an important role in the formation and proliferation of those ideas through their piety and practices. Still, implicit divergences of perceptions and practices between the elite and the populace remained abiding features under- neath their universally shared beliefs. To explore the Song elite’s interactions with popular belief in the underworld, several questions are discussed, such as how and why the folk belief in the afterlife were accepted and incorporated into the elite’s own practices, and how their practices corresponded to, dif- fered from, or reinforced folk beliefs. An examination of the social, cultural, * Hsien-huei Liao is a research associate in the Department of East Asian Languages and Civilizations at Harvard University, U.S.A. 399 400 漢學研究第20卷第1期 and political impact on their conceptualization of the afterlife within the broad historical context of the Song is key to understand their beliefs and practices concerning the underworld. -
OCTOECHOS – DAY of the WEEK Tone 1 – 1St Canon – Ode 3
OCTOECHOS – DAY OF THE WEEK Tone 1 – 1st Canon – Ode 3 – Hymn to the Theotokos You conceived God in your womb through the Holy Spirit, and yet remained unconsumed, O Virgin. The bush unconsumed by the fire clearly foretold you to the lawgiver Moses for you received the Fire that cannot be endured. Monday – Vespers / Tuesday - Matins: Aposticha – Tone 1 O VIRGIN, WORTHY OF ALL PRAISE: MOSES, WITH PROPHETIC EYES, BEHELD THE MYSTERY THAT WAS TO TAKE PLACE IN YOU, AS HE SAW THE BUSH THAT BURNED, YET WAS NOT CONSUMED; FOR, THE FIRE OF DIVINITY DID NOT CONSUME YOUR WOMB, O PURE ONE. THEREFORE, WE PRAY TO YOU AS THE MOTHER OF GOD, // TO ASK PEACE, AND GREAT MERCY FOR THE WORLD. Tone 2 – Saturday Vespers & Friday Vespers (repeated) – Dogmaticon Dogmatic THE SHADOW OF THE LAW PASSED WHEN GRACE CAME. AS THE BUSH BURNED, YET WAS NOT CONSUMED, SO THE VIRGIN GAVE BIRTH, YET REMAINED A VIRGIN. THE RIGHTEOUS SUN HAS RISEN INSTEAD OF A PILLAR OF FLAME.// INSTEAD OF MOSES, CHRIST, THE SALVATION OF OUR SOULS. Tone 3 – Wed Matins – 2nd Aposticha ON THE MOUNTAIN IN THE FORM OF A CROSS, MOSES STRETCHED OUT HIS HANDS TO THE HEIGHTS AND DEFEATED AMALEK. BUT WHEN YOU SPREAD OUT YOUR PALMS ON THE PRECIOUS CROSS, O SAVIOUR, YOU TOOK ME IN YOUR EMBRACE, SAVING ME FROM ENSLAVEMENT TO THE FOE. YOU GAVE ME THE SIGN OF LIFE, TO FLEE FROM THE BOW OF MY ENEMIES. THEREFORE, O WORD, // I BOW DOWN IN WORSHIP TO YOUR PRECIOUS CROSS. Tone 4 – Irmos of the First Canon – for the Resurrection (Sat Night/Sun Morn) ODE ONE: FIRST CANON IRMOS: IN ANCIENT TIMES ISRAEL WALKED DRY-SHOD ACROSS THE RED SEA, AND MOSES, LIFTING HIS HAND IN THE FORM OF THE CROSS, PUT THE POWER OF AMALEK TO FLIGHT IN THE DESERT. -
Russian Orthodoxy and Women's Spirituality In
RUSSIAN ORTHODOXY AND WOMEN’S SPIRITUALITY IN IMPERIAL RUSSIA* Christine D. Worobec On 8 November 1885, the feast day of Archangel Michael, the Abbess Taisiia had a mystical experience in the midst of a church service dedicated to the tonsuring of sisters at Leushino. The women’s religious community of Leushino had recently been ele vated to the status of a monastery.1 Conducting an all-women’s choir on that special day, the abbess became exhilarated by the beautiful refrain of the Cherubikon hymn, “Let us lay aside all earthly cares,” and envisioned Christ surrounded by angels above the iconostasis. She later wrote, “Something was happening, but what it was I am unable to tell, although I saw and heard every thing. It was not something of this world. From the beginning of the vision, I seemed to fall into ecstatic rapture Tears were stream ing down my face. I realized that everyone was looking at me in astonishment, and even fear....”2 Five years later, a newspaper columnistwitnessedasceneinachurch in the Smolensk village of Egor'-Bunakovo in which a woman began to scream in the midst of the singing of the Cherubikon. He described “a horrible in *This book chapter is dedicated to the memory of Brenda Meehan, who pioneered the study of Russian Orthodox women religious in the modern period. 1 The Russian language does not have a separate word such as “convent” or nunnery” to distinguish women’s from men’s monastic institutions. 2 Abbess Thaisia, 194; quoted in Meehan, Holy Women o f Russia, 126. Tapestry of Russian Christianity: Studies in History and Culture. -
BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass Key Terms: Eucharist: The true presence of Christ in the form of his Body and Blood. During Mass, bread and wine are consecrated to become the Body and Blood of Christ. Whatever remains there are of the Body of Christ may be reserved and kept. Tabernacle: The box-like container in which the Eucharistic Bread may be reserved. Sacristy: The room in the church where the priest and other ministers prepare themselves for worship. Altar: The table upon which the bread and wine are blessed and made holy to become the Eucharist. Sanctuary: Often referred to as the Altar area, the Sanctuary is the proper name of the area which includes the Altar, the Ambo (from where the Scriptures are read and the homily may be given), and the Presider’s Chair. Nave: The area of the church where the majority of worshippers are located. This is where the Pews are. Genuflection: The act of bending one knee to the ground whilst making the sign of the Cross. Soon (maybe even next weekend – August 25-26) , the tabernacle will be re-located to behind the altar. How should I respond to the presence of the reserved Eucharist when it will now be permanently kept in the church sanctuary? Whenever you are in the church, you are in a holy place, walking upon holy ground. Everyone ought to be respectful of Holy Rosary Church as a house of worship and prayer. Respect those who are in silent prayer. -
Sanctuary: a Modern Legal Anachronism Dr
SANCTUARY: A MODERN LEGAL ANACHRONISM DR. MICHAEL J. DAVIDSON* The crowd saw him slide down the façade like a raindrop on a windowpane, run over to the executioner’s assistants with the swiftness of a cat, fell them both with his enormous fists, take the gypsy girl in one arm as easily as a child picking up a doll and rush into the church, holding her above his head and shouting in a formidable voice, “Sanctuary!”1 I. INTRODUCTION The ancient tradition of sanctuary is rooted in the power of a religious authority to grant protection, within an inviolable religious structure or area, to persons who fear for their life, limb, or liberty.2 Television has Copyright © 2014, Michael J. Davidson. * S.J.D. (Government Procurement Law), George Washington University School of Law, 2007; L.L.M. (Government Procurement Law), George Washington University School of Law, 1998; L.L.M. (Military Law), The Judge Advocate General’s School, 1994; J.D., College of William & Mary, 1988; B.S., U.S. Military Academy, 1982. The author is a retired Army judge advocate and is currently a federal attorney. He is the author of two books and over forty law review and legal practitioner articles. Any opinions expressed in this Article are those of the author and do not represent the position of any federal agency. 1 VICTOR HUGO, THE HUNCHBACK OF NOTRE-DAME 189 (Lowell Bair ed. & trans., Bantam Books 1956) (1831). 2 Michael Scott Feeley, Toward the Cathedral: Ancient Sanctuary Represented in the American Context, 27 SAN DIEGO L. REV. -
Conceptualizing Angeloi in the Roman Empire. by Rangar Cline. (Religions in the Graeco-Roman World 172.) Leiden and Boston: Brill, 2011
Numen 60 (2013) 135–154 brill.com/nu Ancient Angels: Conceptualizing Angeloi in the Roman Empire. By Rangar Cline. (Religions in the Graeco-Roman World 172.) Leiden and Boston: Brill, 2011. xviii + 181 pp. ISBN 978–9004194533 (hbk.) The theme of the book is veneration of angels in religions in late antiquity (ca. 150–ca. 450 c.e.). Rangar Cline consults a wealth of archaeological and lit- erary evidence and shows that there was a shared terminology for angels in the Roman Empire, which implies that the term angelos was used across religions. Angeloi designate intermediate beings, beings that were believed to exist between gods and humans. Traditionally, they were thought to be present at springs, wells, and fountains, and they could be contacted by means of rituals, amulets, and invocations. The veneration of these beings took diffferent forms in diffferent regions and cultural contexts. The book has a preface, six chapters, and a conclusion, and includes pic- tures. In chapter one (“Introduction: The Words of Angels”), Cline defijines angels and gives a survey of the pagan-Christian discourse on them by means of the writings of Origen of Alexandria and Augustine of Hippo. Cline suggests that “the prominence of angeli in early Christianity is due to the success of early Christian authorities in defijining a system of orthodox Christian beliefs about, and attitudes towards, angeli that were distinct from non-Christian, and other Christian, beliefs about such beings” (p. 2). In addition to the term ange- los, Cline also presents a critical discussion of the use of the terms “Hellenism,” “monotheism,” and “polytheism.” Cline’s study of angels builds on Glenn Bow- ersock’s approach to Hellenism and Greek language in late antiquity: Bower- sock saw Hellenism as a possibility to give local expressions a more eloquent and cosmopolitan form. -
Events of the Reformation Part 1 – Church Becomes Powerful Institution
May 20, 2018 Events of the Reformation Protestants and Roman Catholics agree on first 5 centuries. What changed? Why did some in the Church want reform by the 16th century? Outline Why the Reformation? 1. Church becomes powerful institution. 2. Additional teaching and practices were added. 3. People begin questioning the Church. 4. Martin Luther’s protest. Part 1 – Church Becomes Powerful Institution Evidence of Rome’s power grab • In 2nd century we see bishops over regions; people looked to them for guidance. • Around 195AD there was dispute over which day to celebrate Passover (14th Nissan vs. Sunday) • Polycarp said 14th Nissan, but now Victor (Bishop of Rome) liked Sunday. • A council was convened to decide, and they decided on Sunday. • But bishops of Asia continued the Passover on 14th Nissan. • Eusebius wrote what happened next: “Thereupon Victor, who presided over the church at Rome, immediately attempted to cut off from the common unity the parishes of all Asia, with the churches that agreed with them, as heterodox [heretics]; and he wrote letters and declared all the brethren there wholly excommunicate.” (Eus., Hist. eccl. 5.24.9) Everyone started looking to Rome to settle disputes • Rome was always ending up on the winning side in their handling of controversial topics. 1 • So through a combination of the fact that Rome was the most important city in the ancient world and its bishop was always right doctrinally then everyone started looking to Rome. • So Rome took that power and developed it into the Roman Catholic Church by the 600s. Church granted power to rule • Constantine gave the pope power to rule over Italy, Jerusalem, Constantinople and Alexandria. -
Life with Augustine
Life with Augustine ...a course in his spirit and guidance for daily living By Edmond A. Maher ii Life with Augustine © 2002 Augustinian Press Australia Sydney, Australia. Acknowledgements: The author wishes to acknowledge and thank the following people: ► the Augustinian Province of Our Mother of Good Counsel, Australia, for support- ing this project, with special mention of Pat Fahey osa, Kevin Burman osa, Pat Codd osa and Peter Jones osa ► Laurence Mooney osa for assistance in editing ► Michael Morahan osa for formatting this 2nd Edition ► John Coles, Peter Gagan, Dr. Frank McGrath fms (Brisbane CEO), Benet Fonck ofm, Peter Keogh sfo for sharing their vast experience in adult education ► John Rotelle osa, for granting us permission to use his English translation of Tarcisius van Bavel’s work Augustine (full bibliography within) and for his scholarly advice Megan Atkins for her formatting suggestions in the 1st Edition, that have carried over into this the 2nd ► those generous people who have completed the 1st Edition and suggested valuable improvements, especially Kath Neehouse and friends at Villanova College, Brisbane Foreword 1 Dear Participant Saint Augustine of Hippo is a figure in our history who has appealed to the curiosity and imagination of many generations. He is well known for being both sinner and saint, for being a bishop yet also a fellow pilgrim on the journey to God. One of the most popular and attractive persons across many centuries, his influence on the church has continued to our current day. He is also renowned for his influ- ence in philosophy and psychology and even (in an indirect way) art, music and architecture. -
A Christian Approach to Literary Criticism: a Non- Moralistic View
A CHRISTIAN APPROACH TO LITERARY CRITICISM: A NON- MORALISTIC VIEW W. G .J. PretorÍUS M. A.-student, Department o f English. PU for CHE The common question: “Is a Christian approach to literary criticism feasible?” may be more profitably reformulated as: “How should a Christian approach to literary criticism be?”. It is clearly not a matter of the possibility of such an approach, but a challenge of formulating a new critical theory. “What could be simpler and easier than to say what a work of art is, whether it is good or bad, and why it is so?” (Olson, 1976, p. 307). The problem of value judgments in literary criticism, contrary to Olson’s view, has proved to be the most complex of all literary problems throughout the history of criticism. It is also thi central issue underlying the distinction between different approaches to literatur The formalist critic is traditionally reticent about value judgments and con centrates upon close reading of texts and implicit evaluation. Contemporary formalists, however, tend to move away from the ideal of critical objectivity On the other hand, the moralist critic is primarily concerned with the purpose of the literary work. In Naaldekoker, D. J. Opperman seriously doubts the possibility of a Calvinist approach to art, which he regards as a contradictio in terminis (pp. 61-63). I shall attempt in this essay to show that there is a valid literary criticism which is neither exclusively based on aesthetic judgment, nor an attempt to subordinate literature to religion in a moralistic way, and that such criticism originates from a C hristian vision o f life. -
Christianity Questions
Roman Catholics of the Middle Ages shared the belief that there was Name one God, and that he created the universe. They believed that God sent his son, Jesus, to Earth to save mankind. They believed that God wanted his people to meet for worship. They believed that it was their religious duty to convert others to Christianity. Christianity Roman Catholics believed in the Bible - both the Old Testament, By Sharon Fabian which dated back to the time before Jesus was born, and the New Testament, which contained Jesus' teachings as told by his apostles. When you look at a picture of a medieval town, what do you see at the town's center? Often, you Their beliefs led to several developments, which have become part of will see a Christian cathedral. With its tall spires the history of the Middle Ages. One was the building of magnificent reaching toward heaven, the cathedral cathedrals for worship. Another was the Crusades, military campaigns dominated the landscape in many small towns of to take back Palestine, the Christian "Holy Land," from the Muslims. the Middle Ages. This is not a surprise, since A third development was the creation of religious orders of monks Christianity was the dominant religion in Europe and nuns who made it their career to do the work of the Church. during that time. The Roman Catholic Church continued to dominate religious life in Christianity was not the only religion in Europe Europe throughout the Middle Ages, but as the Middle Ages declined, in the Middle Ages. There were Jews, Muslims, so did the power of the Church. -
Archimandrite Sebastian Dabovich. Archimandrite Sebastian Dabovich
Photo courtesy Alaska State Library, Michael Z. Vinokouroff Collection P243-1-082. Archimandrite Sebastian Dabovich. Sebastian Archimandrite Archimandrite Sebastian Dabovich. Archimandrite Sebastian Dabovich SERBIAN ORTHODOX APOSTLE TO AMERICA by Hieromonk Damascene . A A U S during the presidency of Abraham Lincoln, Archimandrite B Sebastian Dabovich has the distinction of being the first person born in the United States of America to be ordained as an Orthodox priest, 1 and also the first native-born American to be tonsured as an Orthodox monk. His greatest distinction, however, lies in the tremen- dous apostolic, pastoral, and literary work that he accomplished dur- ing the forty-eight years of his priestly ministry. Known as the “Father of Serbian Orthodoxy in America,” 2 he was responsible for the found- ing of the first Serbian churches in the New World. This, however, was only one part of his life’s work, for he tirelessly and zealously sought to spread the Orthodox Faith to all peoples, wherever he was called. He was an Orthodox apostle of universal significance. Describing the vast scope of Fr. Sebastian’s missionary activity, Bishop Irinej (Dobrijevic) of Australia and New Zealand has written: 1 Alaskan-born priests were ordained before Fr. Sebastian, but this was when Alaska was still part of Russia. 2 Mirko Dobrijevic (later Irinej, Bishop of Australia and New Zealand), “The First American Serbian Apostle—Archimandrite Sebastian Dabovich,” Again, vol. 16, no. 4 (December 1993), pp. 13–14. THE ORTHODOX WORD “Without any outside funding or organizational support, he carried the gospel of peace from country to country….