Joslyn Art Museum's 2005 Annual Report
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Arts & Humanities
Below is a list of titles to be reviewed in the August 2017 issue of Library Journal. These lists include pertinent publisher and bibliographic information for your convenience. Also included are titles recently reviewed as online-only Xpress Reviews. Starred reviews are indicated with **. Publishers: Please remember to send us one finished copy of each book that is scheduled for review (i.e., all of the forthcoming titles listed below) if you initially submitted a galley or bound manuscript. Our reviewers are not paid, and we like to send a finished copy of the reviewed book as a thank you. Materials should be mailed to: Library Journal, 123 William Street, Suite 802, New York, NY 10038. ARTS & HUMANITIES CRAFTS/DIY ART INSTRUCTION **Leamy, Selwyn. Read This If You Want To Be Great at Drawing. Laurence King. Oct. 2017. 128p. illus. ISBN 9781786270542. pap. $17.99. ART INSTRUCTION Schweiger, Rebecca. Release Your Creativity: Discover Your Inner Artist with 15 Simple Painting Projects. Sixth&Spring. May 2017. 144p. illus. index. ISBN 9781942021483. pap. $19.95. ART INSTRUCTION CRAFTS Lam, Isabella. Beautiful Beadweaving: Simply Gorgeous Jewelry. Kalmbach. Mar. 2017. 112p. illus. ISBN 9781627003018. pap. $22.99; ebk. ISBN 9781627004725. CRAFTS Moad, Elizabeth. Paper Quilling: All the Skills You Need To Make 20 Beautiful Projects. Search. Jun. 2017. 96p. illus. index. ISBN 9781782214250. pap. $15.95. CRAFTS DIY Kyler, Silas J. & David Hildreth. The Art and Craft of Wood: A Practical Guide to Harvesting, Choosing, Reclaiming, Preparing, Crafting, and Building with Raw Wood. Quarry: Quarto. Jun. 2017. 160p. illus. index. ISBN 9781631592973. $24.99. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
Miscellaneous Collections
Miscellaneous Collections Abbott Dr Property Ownership from OWH morgue files, 1957 Afro-American calendar, 1972 Agricultural Society note pad Agriculture: A Masterly Review of the Wealth, Resources and Possibilities of Nebraska, 1883 Ak-Sar-Ben Banquet Honoring President Theodore Roosevelt, menu and seating chart, 1903 Ak-Sar-Ben Coronation invitations, 1920-1935 Ak-Sar-Ben Coronation Supper invitations, 1985-89 Ak-Sar-Ben Exposition Company President's report, 1929 Ak-Sar-Ben Festival of Alhambra invitation, 1898 Ak-Sar-Ben Horse Racing, promotional material, 1987 Ak-Sar-Ben King and Queen Photo Christmas cards, Ak-Sar-Ben Members Show tickets, 1951 Ak-Sar-Ben Membership cards, 1920-52 Ak-Sar-Ben memo pad, 1962 Ak-Sar-Ben Parking stickers, 1960-1964 Ak-Sar-Ben Racing tickets Ak-Sar-Ben Show posters Al Green's Skyroom menu Alamito Dairy order slips All City Elementary Instrumental Music Concert invitation American Balloon Corps Veterans 43rd Reunion & Homecoming menu, 1974 American Biscuit & Manufacturing Co advertising card American Gramaphone catalogs, 1987-92 American Loan Plan advertising card American News of Books: A Monthly Estimate for Demand of Forthcoming Books, 1948 American Red Cross Citations, 1968-1969 American Red Cross poster, "We Have Helped Have You", 1910 American West: Nebraska (in German), 1874 America's Greatest Hour?, ca. 1944 An Excellent Thanksgiving Proclamation menu, 1899 Angelo's menu Antiquarium Galleries Exhibit Announcements, 1988 Appleby, Agnes & Herman 50 Wedding Anniversary Souvenir pamphlet, 1978 Archbishop -
The Making of a Conservationist: Audubon's Ecological Memory
Journal of Ecocriticism 5(2) July 2013 The Making of a Conservationist: Audubon’s Ecological Memory Christian Knoeller (Purdue University)* Abstract While Audubon’s exploits as consummate artist, accomplished naturalist, and aspiring entrepreneur are widely recognized, his contributions as author and nascent conservationist remain less fully appreciated. Extensive travels observing and documenting wildlife as an artist-naturalist gave him a unique perspective on how human-induced changes to the landscape impacted wildlife. He lamented the reduction in range of many species and destruction of historic breeding grounds, as well as declining populations caused by overhunting and habitat loss. His understanding of changing landscapes might be thought of in terms of ecological memory reflected in his narratives of environmental history. He described the destruction of forests and fisheries as well as the shrinking ranges of species including several now extinct such as the Passenger Pigeon, Carolina Parakeet, and Ivory-billed Woodpecker. Quadrupeds of North America and the Missouri River Journals depict the impact of environmental destruction he witnessed taking place in the first half of the 19th century. While these later works suggest a growing interest in conservation, Audubon had already voiced such concerns frequently in his earlier writings. Copious journals kept throughout his career in the field on America’s westering frontier reveal a keen appreciation for environmental history. By the time he arrived on the Upper Missouri in 1843, his values regarding the preservation of wildlife and habitat had been forged by writing for decades about his observations in the wild. What began as a quest to celebrate the natural abundance of North America by documenting every species of bird took on new dimensions as he expressed increasing concerns about conservation having recognized the extent of development and declines in wildlife during his lifetime. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
LOCAS: the MAGGIE and HOPEY STORIES by Jaime Hernandez Study Guide Written by Art Baxter
NACAE National Association of Comics Art Educators STUDY GUIDE: LOCAS: THE MAGGIE AND HOPEY STORIES by Jaime Hernandez Study guide written by Art Baxter Introduction Comic books were in the midst of change by the early 1980s. The Marvel, DC and Archie lines were going through the same tired motions being produced by second and third generation artists and writers who grew up reading the same books they were now creating. Comic book specialty shops were growing in number and a new "non- returnable" distribution system had been created to supply them. This opened the door for publishers who had small print runs, with color covers and black and white interiors, to emerge with an alternative to corporate mainstream comics. These new comics were often a cross between the familiar genres of the mainstream and the personal artistic freedom of underground comics, but sometimes something altogether different would appear. In 1976, Harvey Pekar began self-publishing his annual autobiographical comics collection, American Splendor, with art by R. Crumb and others, from his home in Cleveland, Ohio. Other cartoonists self-published their mainstream- rejected comics, like Cerebus (Dave Sim, 1977) and Elfquest (Wendy & Richard Pini, 1978) to financial and critical success. With proto-graphic novel publisher, Eclipse, mainstream rebels produced explicit versions of their earlier work, such as Sabre (Don McGreggor & Paul Gulacy, 1978) and Stewart the Rat (Steve Gerber & Gene Colan, 1980). Underground comics evolved away from sex and drugs toward maturity in two anthologies, RAW (Art Spiegleman & Francoise Mouly, eds., 1980) and Weirdo (R. Crumb, ed., 1981). Under the Fantagraphics Books imprint, Gary Groth and Kim Thompson began to publish comics which aspired to an artistic quality that lived up to the high standard set forth in the pages of their critical magazine, The Comics Journal. -
Nebraska's 2019-20 Approved Title I Schoolwide Programs
NEBRASKA'S 2019-20 APPROVED TITLE I SCHOOLWIDE PROGRAMS Building Reviewed District id Agency id District Name Agency Name Grade of Span Plan Plan Last Peer ESU CONSORTIA ESU SW PeerSW Review Yr. NDE TitleNDE I Consultant ESSA Monitoring Year Monitoring ESSA CATHY 01-0018-000 HASTINGS PUBLIC SCHOOLS 01-0018-003 ALCOTT ELEMENTARY SCHOOL PK-5 4/2017 2 3 CATHY 01-0018-000 HASTINGS PUBLIC SCHOOLS 01-0018-004 HAWTHORNE ELEMENTARY K-5 4/2017 2 3 CATHY 01-0018-000 HASTINGS PUBLIC SCHOOLS 01-0018-005 LINCOLN ELEMENTARY SCHOOL K-5 4/2017 2 3 CATHY 01-0018-000 HASTINGS PUBLIC SCHOOLS 01-0018-006 LONGFELLOW ELEMENTARY SCHOOL PK-5 4/2017 2 3 CATHY 01-0018-000 HASTINGS PUBLIC SCHOOLS 01-0018-008 WATSON ELEMENTARY SCHOOL PK-5 4/2017 2 3 CATHY 01-0123-000 SILVER LAKE PUBLIC SCHOOLS 09 01-0123-002 SILVER LAKE ELEMENTARY at BLADEN K-6 4/2018 3 1 TIM 02-0009-000 NELIGH-OAKDALE PUBLIC SCHOOLS 02-0009-004 WESTWARD ELEMENTARY SCHOOL PK-2 4/2018 3 1 TIM 02-0009-000 NELIGH-OAKDALE PUBLIC SCHOOLS 02-0009-005 EASTWARD ELEMENTARY SCHOOL 3-6 4/2018 3 1 TIM 02-2001-000 NEBRASKA UNIFIED DISTRICT 1 02-2001-002 CLEARWATER ELEMENTARY SCHOOL PK-6 4/2019 1 2 TIM 02-2001-000 NEBRASKA UNIFIED DISTRICT 1 02-2001-004 ORCHARD ELEMENTARY SCHOOL PK-6 4/2019 1 2 TIM 02-2001-000 NEBRASKA UNIFIED DISTRICT 1 02-2001-006 VERDIGRE ELEMENTARY SCHOOL PK-6 4/2019 1 2 TIM 04-0001-000 BANNER COUNTY PUBLIC SCHOOLS 04-0001-002 BANNER COUNTY ELEMENTARY K-6 4/2019 1 2 CATHY 05-0071-000 SANDHILLS PUBLIC SCHOOLS 10 05-0071-002 ELEMENTARY SCHOOL AT HALSEY K-6 4/2017 2 3 PAT 06-0001-000 BOONE CENTRAL -
Harn Museum of Art / Spring 2021
HARN MUSEUM OF ART / SPRING 2021 WELCOME BACK After closing to the public to prevent the spread welcoming space for all in 2021 while continuing to of COVID-19 in March and reopening in July with provide virtual engagement opportunities, such as precautions in place, the Harn Museum of Art Museum Nights, for UF students and community welcomed 26,685 visitors in 2020. It has been our members alike. pleasure to have our doors open to you at a time when the power of art is needed most and in our As we bring in 2021 and continue to celebrate our 30th Anniversary year. We are especially pleased to 30th Anniversary, we are pleased to announce the welcome UF students back to campus this semester acquisition of The Florida Art Collection, Gift of and to provide a safe environment to explore and Samuel H. and Roberta T. Vickers, which includes learn—whether in person or virtually—through more than 1200 works by over 700 artists given our collection. The Harn looks forward to being a as a generous donation by Florida’s own Sam and Robbie Vickers. As an integral part of the University of Florida 3 EXHIBITIONS campus, the Harn Museum of Art will utilize 10 ART FEATURE the Vickers’ gift as an important new resource to 11 CAMPUS AND strengthen faculty collaboration, support teaching COMMUNITY DESTINATION and enhance class tours, and provide research 13 VICKERS COLLECTION projects for future study. 22 TEACHING IN A PANDEMIC 23 ART KITS ENCOURAGE The collection presents a wonderful opportunity CREATIVITY for new and collection presents a wonderful 25 GIFT PLANNING opportunity for new and original student research 26 INSPIRED GIVING and internships across a variety of disciplines in 27 BEHIND THE COVER alignment with our Strategic Plan goals. -
Omaha Awareness Tours: the En Ar South Side Center for Public Affairs Research (CPAR) University of Nebraska at Omaha
University of Nebraska at Omaha DigitalCommons@UNO Publications Archives, 1963-2000 Center for Public Affairs Research 1979 Omaha Awareness Tours: The eN ar South Side Center for Public Affairs Research (CPAR) University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/cparpubarchives Part of the Demography, Population, and Ecology Commons, and the Public Affairs Commons Recommended Citation (CPAR), Center for Public Affairs Research, "Omaha Awareness Tours: The eN ar South Side" (1979). Publications Archives, 1963-2000. 107. https://digitalcommons.unomaha.edu/cparpubarchives/107 This Report is brought to you for free and open access by the Center for Public Affairs Research at DigitalCommons@UNO. It has been accepted for inclusion in Publications Archives, 1963-2000 by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. 1 The Near south Side Tour 1 JACKSON I -- r;;;;f BEGIN ~ JONES - v \\\ ~ LEAVENWORTH ~ ~ •2 I j MARCY -=" ::::;._ ~ n MASON :.......!.. ~'~ ~ ~ ~ So o~o.35o ;~ PACIFIC 36e Be •7 .. J ... 9• ... 37° aB as• •40 1 •10 ~ 12o oll PIERCE ...,n. ~ 13• END •72~ 42° n 43• ®"'i~ 68 .. ~ @ 34• ~~ ~ ~ ,. ~ - ..85 + 6656 :J ® •16 ~D. • + 32• :"·:. ~ WILLIAM .:! 58 57155 31° 17• 59 30• 19o Wolllworth Ave lt18 "~ 54 :J 20• ~hiogton •S1 • PINE " 29° ® .. It®~ v,t "E " M 4~ •44 "'\: \ J 28o 22o HICKORY )' 27• •23 Wau1u1 .. It ~ ,. ,;; \ J CENTER -5 ,;; ~ ~ ,;; ,;; vi vi ~ ,;; '"" -5 -5 -5 ·S -5 -5 C•w; il® \ ~ N g ~ ~ ~ .. ~ " J •47 DORCAS 26o 4~ J 25• - MARTHA @ ,----- ~ ~ ~ I ~ ,. ~ CASTELAR @ I I •I ARBOR I :J "@ VINTON •£1- - - - ;:I 4 . -
Exhibition Guide
Exhibition Guide February 7, 2019 Contents Illumination to Illustration: Art of the Book ......................................................................................................................... - 2 - Illumination ............................................................................................................................................................................. - 3 - Woodcuts ............................................................................................................................................................................... - 6 - Engravings/Etchings ........................................................................................................................................................... - 10 - Illustration ............................................................................................................................................................................. - 13 - Photography ........................................................................................................................................................................ - 16 - Fine Art Press ...................................................................................................................................................................... - 19 - Children’s ............................................................................................................................................................................. - 24 - Graphic Novels -
Perspective: the Salmagundi Club
WESTERN VIsta DI CLUB N GU ma L A HE S PERSPECTIVE: T OF sy E THE SaLMAGUNDI CLUB T OUR C S With a membership that spans from Thomas Moran to GE Scott Christensen, New York’s Salmagundi Club is a national treasure ma © ALL I WRIttEN BY Allen Morris Jones Western art as we know it now was effectively born in the late 19th and early 20th centuries, a period wherein a handful of painters and sculptors took up their tools and trekked west, making pilgrimages to Wyoming, New Mexico and Arizona. Well-educated in the great traditions, they brought with them the visual vocabulary that was then being used in Paris, in London, in New York. Thomas Moran visited Yellowstone in 1871, then the Grand Canyon in 1873. Ernest Blumenschein threw a wheel in Taos in 1898, and E. Irving Couse bumped into Blumenschein, Joseph Henry Sharp and Bert Phillips in France, where he listened to them rave about the desert. Reading the biographies of these extraordinary painters, it soon strikes you that they had at least one thing in common, that the name of a single august club keeps cropping up. One of the oldest continuing art societies in America, the Salmagundi Club is housed in a beautiful four-sto- ry brownstone on Manhattan’s lower Fifth Avenue. An exhibition space, a restaurant, a library, a bar and a bil- liards room, here is a New York club in a faded tradition, a harkening back to those days when the word salon meant more than a place where you could go to get your hair cut. -
The Doll Maker's Gift
ADDITIONAL INFO For Immediate Release DATE: February 2019 CONTACT: Kori Radloff, [email protected], 402-502-4641 About the cast and creators of The Doll Maker’s Gift Maddie Smith, Nora Maddie is a seventh grader at Brownell-Talbot School. She is excited to be making her Rose Theater debut in The Doll Maker’s Gift. Her previous theater credits include productions at the Omaha Community Playhouse, including Little Fiona in Shrek The Musical (2018) , James Trotter in James and the Giant Peach (2018), Chip in Beauty and the Beast (2017) and A Christmas Carol (2015 – 2018) playing the roles of Girl with Sled, Belinda Cratchit and Fan. Chloe Irwin, Rosa Chloe is fifteen and a ninth grader at Gretna High School. She is a freshman class representative and is active in One Act and Speech as well as many clubs for social justice. Some of Chloe’s favorite roles include: Mary Phagan in Parade at the Omaha Community Playhouse for which she won an Outstanding Youth Actor award from the Omaha Entertainment Arts Awards this year, Jessica in the world stage debut of Prancer at The Rose in 2016 (OEAA award), and Cordelia in King Lear (OEAA nominated) for Nebraska Shakespeare in 2017. Chloe has enjoyed many roles at The Rose Theater including: Ramona Quimby (Ramona) in 2014, Wrinkle in Time (Charlie - TAG nominated) in 2014, and Honk! (Downy) in 2016. Chloe has been in various shows throughout the community including: Creighton University, SNAP Productions, Nebraska Shakespeare, Bellevue Little Theater and Papillion/LaVista Community Theater. = MORE = The Rose Theater t (402) 345-4849 2001 Farnam Street f (402) 344-7255 Omaha, NE 68102 www.rosetheater.org Cast and Creators Bios The Doll Maker’s Gift at The Rose Theater Page 2 of 8 Contact: Kori Radloff, 402-502-4641 Annlynn Casey, Solder/Fairy Doll Annlynn is a freshman at Duchesne Academy and is currently the freshman class president.