010519.Log ********** 88.5 Fm Keom 01/05/19
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Preach My Gospel (D&C 50:14)
A Guide to Missionary Service reach My Gospel P (D&C 50:14) “Repent, all ye ends of the earth, and come unto me and be baptized in my name, that ye may be sanctified by the reception of the Holy Ghost” (3 Nephi 27:20). Name: Mission and Dates of Service: List of Areas: Companions: Names and Addresses of People Baptized and Confirmed: Preach My Gospel (D&C 50:14) Published by The Church of Jesus Christ of Latter-day Saints Salt Lake City, Utah Cover: John the Baptist Baptizing Jesus © 1988 by Greg K. Olsen Courtesy Mill Pond Press and Dr. Gerry Hooper. Do not copy. © 2004 by Intellectual Reserve, Inc. All rights reserved Printed in the United States of America English approval: 01/05 Preach My Gospel (D&C 50:14) First Presidency Message . v Introduction: How Can I Best Use Preach My Gospel? . vii 1 What Is My Purpose as a Missionary? . 1 2 How Do I Study Effectively and Prepare to Teach? . 17 3 What Do I Study and Teach? . 29 • Lesson 1: The Message of the Restoration of the Gospel of Jesus Christ . 31 • Lesson 2: The Plan of Salvation . 47 • Lesson 3: The Gospel of Jesus Christ . 60 • Lesson 4: The Commandments . 71 • Lesson 5: Laws and Ordinances . 82 4 How Do I Recognize and Understand the Spirit? . 89 5 What Is the Role of the Book of Mormon? . 103 6 How Do I Develop Christlike Attributes? . 115 7 How Can I Better Learn My Mission Language? . 127 8 How Do I Use Time Wisely? . -
Unauthorized Use of Popular Music in Presidential Campaigns
Loyola of Los Angeles Entertainment Law Review Volume 14 Number 1 Article 5 9-1-1993 Every Little Thing I Do (Incurs Legal Liability): Unauthorized use of Popular Music in Presidential Campaigns Erik Gunderson Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Erik Gunderson, Every Little Thing I Do (Incurs Legal Liability): Unauthorized use of Popular Music in Presidential Campaigns, 14 Loy. L.A. Ent. L. Rev. 137 (1993). Available at: https://digitalcommons.lmu.edu/elr/vol14/iss1/5 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. EVERY LITTLE THING I DO (INCURS LEGAL LIABILITY): UNAUTHORIZED USE OF POPULAR MUSIC IN PRESIDENTIAL CAMPAIGNS I. INTRODUCTION: A COMMON, IF ILLEGAL, PRACTICE In 1984, Ronald Reagan's re-election campaign used the Bruce Springsteen song, "Born in the U.S.A.,"' to convey energy and patriotism to the crowds of Reagan supporters and the ever vigilant media.2 Bruce Springsteen himself did not approve of or authorize the use of the song.3 Following the Reagan campaign's example, the practice of a political cam- has become a feature taken paign using popular music without authorization 4 almost for granted in the contemporary political landscape. This Comment will argue that the common practice of using popular songs without permission in presidential campaigns is illegal. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Will You Still Love Me Tomorrow? a Film by Arvin Chen
Will You Still Love Me Tomorrow? A film by Arvin Chen “Poignant and heartening. Playfully channeling Woody Allen, Jacques Tati and Jacques Demy” - Maggie Lee, Variety “Wry and whimsical”- Jordan Mintzer, The Hollywood Reporter Taiwan / 2013 / Comedy / Mandarin with English subtitles 106 min. / 2.35:1 / Dolby Digital Film Movement Press Contact: Lisa Trifone | 109 W. 27th Street, Suite 9B | New York, NY 10001 tel: (212) 941-7744 x 209 | fax: (212) 941-7812 | [email protected] Film Movement Theatrical Contact: Rebeca Conget | 109 W. 27th Street, Suite 9B | New York, NY 10001 tel: (212) 941-7744 x 213 | fax: (212) 941-7812 | [email protected] FULL SYNOPSIS In this madcap and lighthearted comedic romp, introverted optometrist Weichung begins to question his marriage with his wife Feng upon learning of her desire to have another baby. At his sister’s engagement party, Weichung bumps into an old friend, Stephen, a wedding photographer who, though also married, is living the high life of a younger, single gay man. When Stephen teases Weichung for his newly straight-laced lifestyle, dormant emotions are awakened in Weichung, setting him off on a quest for true romance and desire. SHORT SYNOPSIS In this madcap and lighthearted comedic romp, introvert Weichung begins to question his marriage to Feng when she signals she’s ready to have another baby and an unexpected encounter with a friend from his past awakens long-dormant emotions. It all sets him off on a quest for true romance and desire. LOGLINE Introvert Weichung sets off to discover his true self in this lighthearted comedic romp. -
Song Suggestions for Special Dances
SONG SUGGESTIONS FOR SPECIAL DANCES PARTY EXCITEMENT www.partyexcitement.com Top 50 Bride & Groom First Dance Songs (Everything I Do) I do it for you by Bryan Adams A Thousand Years by Christina Perri All My Life by K‐Ci & JoJo Amazed by Lonestar At Last by Etta James Better Together by Jack Johnson Bless the Broken Road by Rascal Flatts By Your Side by Sade Can’t Help Falling in Love by Elvis Presley Chasing Cars by Snow Patrol Come Away with Me by Norah Jones Cowboys and Angels by Dustin Lynch Crazy Girl by Eli Young Band Crazy Love by Van Morrison Everything by Michael Buble Faithfully by Journey First Day of My Life by Bright Eyes God Gave Me You by Blake Shelton Hold on by Michael Buble I Cross my Heart by George Strait I Don’t Want to Miss a Thing by Aerosmith I Gotta Feeling by Black Eyed Peas I won’t give up by Jason Mraz I’ll be by Edwin McCain Into the Mystic by Van Morrison It’s Your Love by Tim McGraw and Faith Hill Let’s Stay Together by Al Green Lucky by Jason Mraz & Colbie Caillat Make You Feel My Love by Adele Making Memories of Us by Keith Urban Marry Me by Train Me and You by Kenny Chesney My Best Friend by Tim McGraw She’s everything by Brad Paisley Smile by Uncle Kracker Stand By Me by Ben E. King The Way you look tonight by Frank Sinatra Then by Brad Paisley This Year’s Love by David Gray Unchained Melody by Righteous Brothers Wanted by Hunter Hayes What a Wonderful World by Louis Armstrong When You Say Nothing at All by Alison Krauss Wonderful Tonight by Eric Clapton You and Me by Dave Matthews Band You are the Best -
January 14, 1978 TT Waillif 41.4941
January 14, 1978 TT WAillif 41.4941 www.americanradiohistory.com (E-45450) A very special single from the Neil Simon film, The Goodbye Girl written and performed by DAVID GATES Available from Elektra Produced & arranged by David Gates 3 Logo Design Copyright ©1977 Metro -Goldwyn -Mayer Inc. and Warner Bros. Inc. www.americanradiohistory.com VOLUME XXXIX - NUMBER 35 - January 14, 1978 THE INTERNATIONAL MUSIC RECORD WEEKLY GOSH BOX GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT General Manager DAVE FULTON Editor In Chief A Glance At Radio '78 More markets are opening up for the soft -rock J. B. CARMICLE Radio, an interesting topic for any year, should format, which has proved highly successful in re- General Manager, Eást Coast not disappoint anyone in 1978, based on some con- cent years. While listenership is high, the question is East Coast Editorial tinuing trends as well as surprises. Passive re- "do those listeners buy records?" KEN TERRY, East Coast Editor PHIL DIMAURO search, automation, soft -rock formats, R&B and jazz Look for R&B stations to become even stronger. CHARLES PAIKERT are some of the items that will surely be interesting And the playlist preference for these stations ap- MARK MEHLER to watch. pears to be more album -oriented. West Coast Editorial It appears that the current rage of passive re- Jazz continues to explode and it appears that it ALAN SUTTON RANDY LEWIS search will continue to expand in the coming year, will capture airplay from AOR stations as well as the JEFF CROSSAN but some industry sources contend that its success devoted jazz airwaves. -
Dance Music & Songs
Top 10’s – Dance Music & Songs Dance Music Top 10 50's 1. Chuck Berry – Johnny B Good 2. Dion – Runaround Sue 3. Chubby Checker – Let’s Twist Again 4. Jerry Lee Lewis – Great Balls Of Fire 5. The Beatles – Twist and Shout 6. Big Bopper – Chantilly Lace 7. Elvis Presley – Can’t Help Falling In Love 8. Bill Haley – Rock Around The Clock 9. The Commitments – Mustang Sally 10. The Kingsmen – Louie Louie Top 10 60's or Motown 1. Temptations – Aint To Proud To Beg 2. Aretha Franklin - Respect 3. Stevie Wonder – I Was Made To Love Her 4. Diana Ross – Someday We’ll Be Together 5. Michael Jackson - ABC 6. The Foundations – Build Me Up Buttercup 7. Rolling Stones - Satisfaction 8. Temptations – My Girl 9. Ike and Tina Turner – Proud Mary (newer version) 10 David Sanborn & Babi Floyd - Shotgun Top 10 70's and Disco 1. Beegees - Stayin’ Alive 2. Abba – Dancin’ Queen 3. Grease Megamix 4. Kool and The Gang - Celebration 5. Donna Summer – Last Dance 6. Village People - YMCA 7. KC and The Sunshine Band – That’s The Way 8. Gloria Gaynor – I Will Survive 9. Marvin Gaye – Got To Give It Up 10. Franki Valli - Oh What A Night Top Ten 80's Dance Hits 1. EWF - September 2. George Clinton - Atomic Dog 3. Dead Or Alive – Spin Me Around 4. B52’s – Love Shack 5. Madonna - Holiday 6. GoGo’s – We Got The Beat/Our Lips are Sealed 7. Romantics – What I like About You 8. Billy Idol – Mony Mony 9. Michael Jackson - Thriller 10. -
OBJ (Application/Pdf)
as> ,..-,;5<?z-, <>/ '" x" ' W v 185 i ' The Maroon Tiger ><SK > / -À'/ ■/ Za I cu\Z5- ' Z . .. -,..... ■•■V ■' VOI. 68, NO. 3 MOREHOUSE COLLEGE, ATLANTA, GEORGIA FRIDAY, FEBRUARY 17, 1995 Lest we stray... and forget: In midst of transition, college family takes The major threat to Watte in Amerita time to rememberpast achievements has not been notoriety through crusades condemn interact and dialogue with the honor By Ron Leighthum ing misogynistic lyrics in today's ees to do so. At 2:30 p.m. the musical oppression, but music, particularly those of Snoop Martin and the Movement, previously It is the supposed “Morehouse Mys Doggy Dogg and his contemporaries. known simply as Martin, will be pre tique” which has attracted some of the He is also a tireless advocate of formed and will honor the life and rather the loss of most intellectually gifted and socially society’s most oppressed and eco times of Martin Luther King Jr. Later conscious African-American males to hope and absente nomically disenfranchised citizens. that evening, the 6th annual A Candle this institution. The legacy is borne of Events on February 17 will center in the Dark gala will be held in the struggle, sacrifice, and ultimate retri around the rededication of Hope Hall, Peachtree Ballroom at the Westin of meaning. bution. In deference to our and an evening concert featuring clas Peachtree Plaza Hotel. It is a charity forebearers, whose collective strength sical pianist Don Shirley in King event geared towards raising funds has allowed Morehouse College to Chapel. On Saturday, February 18, at for the college’s scholarship endow - UW I remain unrivalled in its mission of 11:00 a.m., there will be a Reflections ment. -
Stevie Wonder Medley
Stevie Wonder Like a fool I went ‘n’ stayed too long, now I'm wondering if your loves still strong Ooh baby, here I am, signed sealed delivered, I'm yours Here I am baby, signed sealed delivered, I'm yours (x 2) I’ve done a lot of foolish things, that I really didn’t mean For once in my life, I won't let sorrow hurt me, Not like it's hurt me before (not like it's hurt me) For once, I have something, I know won't desert me I'm not alone anymore (I'm not alone anymore) For once, I can say, this is mine you can't take it ‘Long as I know I have love I can make it For once in my life, I have someone who needs, Someone who needs me, someone who needs me When I see, ya on the street, my whole body gets weak When you're stan - ding in a crowd, your love talks to me so loud Girl do I do, what, you do, when, I do, my lo-ve to you My life has been waiting for your love, My arms have been waiting for your love to arrive My heart has been waiting my soul anticipating your love, your love, your love love love love Music is a world within itself, with a language we all understand With an equal opportunity, for all to sing ‘n’ dance and clap their hands But just because a record has a groove don't make it in the groove But you can tell right away at letter A when the people start to move You can feel it all over, you can feel it all over people (x 2) Isn't she lovely, isn't she wonderful Isn't she precious, less than one minute old I never thought, through love we'd be, making one as lovely as she But isn't she lovely made from love You made my soul a burning fire, you're getting to be my one desire You're getting to be all that matters to me, ‘n’ let me tell you girl I hope, and pray, each, day I live, a little more love I'll have to give A little more love that's devoted and true, 'cos all I do is think about All I do, is think about you Baby just suppose I should happen to cross your mind I'm thinking baby, about you baby (x 2) All I do, is think about you (x 2). -
September-October 2017 September-October Tyle
www.lowrey.com Wood Dale, IL 60191 Wood EZ Play Song Book Special Offers 989 AEC Drive Welcome Back! LIFE Lowrey Since L.I.F.E. has been on summer vacation, we’d like September Carole King to take this time to say hello to everyone with our “Back E-Z Play Today - Vol. 133 to Lowrey” L.I.F.E.Style Edition. Over the summer, 16 smash hits: Beautiful • Chains • Home Lowrey headquarters in Wood Dale Illinois played host to Again • I Feel the Earth Move • It’s Too Late • The Loco-Motion • (You Make Me L.I.F.E. members, students, and dealers in different events tyle Feel Like) A Natural Woman • So Far and functions. Away • Sweet Seasons • Tapestry • Up on Lacefield Music, from St. Charles and St. Louis Mis- the Roof • Where You Lead • Will You souri, visited early this summer with fifty guests! Lacefield 2017 September-October Love Me Tomorrow • You’ve Got a Friend L.I.F.E. members and students began their trip with a S • and more. quick tour of the Lowrey facility, seeing firsthand the ins Regular Price $9.99 and outs of the Lowrey headquarters. Afterwards, they Use L.I.F.E. discount code: LL09 Hal Leonard Book #: 00100306 were treated to a concert by Bil Curry and Jim Wieda, where they received a special showing and musical demon- October Walk The Line stration of the Lowrey Rialto. Lacefield staff and students E-Z Play Today had an enjoyable day in Wood Dale Illinois immersed in Channel: Youtube Check out the Lowrey Vol. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Der Seuchenfilm: Epidemien Und Virale Infektionen Im Film. Teil II
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Der Seuchenfilm: Epidemien und virale Infektionen im Film. Teil II: Filmographien 1930–2020 2020-07-26 https://doi.org/10.25969/mediarep/14138 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Der Seuchenfilm: Epidemien und virale Infektionen im Film. Teil II: Filmographien 1930–2020. Westerkappeln: DerWulff.de 2020-07-26 (Medienwissenschaft: Berichte und Papiere 194). DOI: https://doi.org/10.25969/mediarep/14138. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0194_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 194, 2020: Epidemiefilm II. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0194_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: Rev. 1, 26.07.2020. Der Seuchenfilm: Epidemien und virale Infektionen im Film Teil II: Filmographien 1930 !0!0 Kompiliert und eingeleitet von Hans J. Wulff Inhalt: 1. Einleitung: Das Drama der Epidemie. Ein kurzer Blick auf die Filmgeschichte [2] 2. Der Seuchenfilm. Kleine Filmographie der Epidemien im Spielfilm, 1$%&'2&2& [(] %. Film"graphie der Z"m*ies und anderer virus-infizierter Wesenswandler [/$] 0. V"n Viren, F"rschern und Ärzten, a*er auch v"n Ü*erle*enden und Z"mbies: Kleine Seri"graphie der Seuchenthematik im Fernsehen [1&0] 4.