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Job Description: Writer/Journalist U.S. Right to Know U.S. Right to Know is seeking a writer or journalist for an investigative project related to pesticides. U.S. Right to Know is a public interest, nonprofit investigative research group focused on promoting transparency for public health. We work globally to expose corporate wrongdoing and government failures that threaten the integrity of our health, our environment and our food system. Since 2015, we have obtained, reported on and posted online, thousands of industry and government documents, including many acquired through judicial enforcement of open records laws. Once-secret documents obtained by USRTK are now posted in the UCSF food and chemical industry documents libraries for free public access. Findings of the USRTK investigations have been reported by news outlets around the world, including The New York Times, Wall Street Journal, Washington Post, BMJ, Guardian, Vanity Fair, Fox News, Le Monde, Der Spiegel, Time magazine, Boston Globe, CBC, Politico, STAT, Daily Mail, Sky News Australia and many others. The writer will be primarily responsible for an investigation related to the environmental and health effects of pesticides. They will be expected to write articles, op-eds, blogs, social media posts and fact sheets on key issues. The writer/journalist can be based anywhere in the United States. This is a full-time position. Qualifications ● Journalism experience is preferred ● Background in biological sciences is preferred ● Knowledge of food, agriculture, pesticide issues is preferred ● Exceptional writing and research skills ● Computer literate, and comfortable with acquiring new skills ● Flexible and able to manage multiple projects ● Self-motivated and able to work independently This position is available immediately. Compensation is competitive and based on experience. Please submit a cover letter, resume and three writing samples to Gary Ruskin, executive director of U.S. Right to Know, at [email protected]. In the email subject line, please write: “WRITER/JOURNALIST”. U.S. Right to Know is an equal opportunity employer. Women and people of color are strongly encouraged to apply. For more information about our work, please see usrtk.org..

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Ethics in Photojournalism: Past, Present, and Future
Ethics in Photojournalism: Past, Present, and Future By Daniel R. Bersak S.B. Comparative Media Studies & Electrical Engineering/Computer Science Massachusetts Institute of Technology, 2003 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER, 2006 Copyright 2006 Daniel R. Bersak, All Rights Reserved The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _____________________________________________________ Department of Comparative Media Studies, August 11, 2006 Certified By: ___________________________________________________________ Edward Barrett Senior Lecturer, Department of Writing Thesis Supervisor Accepted By: __________________________________________________________ William Uricchio Professor of Comparative Media Studies Director Ethics In Photojournalism: Past, Present, and Future By Daniel R. Bersak Submitted to the Department of Comparative Media Studies, School of Humanities, Arts, and Social Sciences on August 11, 2006, in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies Abstract Like writers and editors, photojournalists are held to a standard of ethics. Each publication has a set of rules, sometimes written, sometimes unwritten, that governs what that publication considers to be a truthful and faithful representation of images to the public. These rules cover a wide range of topics such as how a photographer should act while taking pictures, what he or she can and can’t photograph, and whether and how an image can be altered in the darkroom or on the computer.
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