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PROJECT PAPER (Interior Design UNIVERSITY OF NAIROBI College of Architecture and Engineering School of Arts and Design BDS 413: PROJECT PAPER (Interior design Specialization) AFRICAN FABRICS AND PATTERNS IN CREATING AN AESTHETIC AND UNIVERSALY DESIGNED ATMOSPHERE AT SOCIAL CLUBS. A case study of Chiromo Campus Club By CHEMUTAI SHARON REG NO: B05/30416/2015 Supervisor Mr. Michael Munene Submitted in partial fulfillment of the requirement for the Bachelor of Art in Design Degree to the school of the Arts and Design, University of Nairobi. DATE: 28th SEPTEMBER 2018 DECLARATION This thesis is my original work and to the best of my knowledge has not been submitted for academic examination towards any qualification in the University of Nairobi or any other institution. The thesis is submitted in part fulfilment of the examination requirements for the award of the Bachelor of Arts (Design), School of the Arts and Design, University of Nairobi. Author Miss Chemutai Sharon Signature………………….. Date…………………….. A research project submitted in partial fulfillment of the requirements for the award of the degree of Bachelor of Arts (Design) at the University of Nairobi. Supervisor MR MICHAEL MUNENE Signature………………….. Date……………………. Director: School of the Arts and Design (StAD) DR. LILAC A. OSANJO Signature………………….. Date………………………. i DEDICATION To parents Dr. Chepkoech Kiptoo, Mrs. Josephine Ndung’u and Mr. Paul Ndung’u. To my brothers Shadrach, Caleb, Giovanni and Nathaniel. ii ACKNOWLEDGMENT I would like to thank the Almighty God for his grace which has been sufficient and for giving me the strength, ability and passion to undertake this study. To my mom, Dr. Chepkoech Kiptoo, thank you for sitting up with me through the late nights for your words of encouragement, for your prayers and for being the best mom a girl could ask for. To my grandma, Esther Koskei, thank you for the constant prayers, words of wisdom and pep talks that kept me going. To dad and mom, Paul Ndung’u and Josephine Ndung’u for your prayers, your words of courage and for constantly reminding me that all will be well. To my brothers, thank you for reminding me to smile and take one day at a time. My supervisors, Mr. M. Munene and Dr. Lilac A. Osanjo, my sincere gratitude for your support, guidance, positive criticism and constant encouragement. To my friends Sambe, Ivy, Sabina, everyone from G-fam and all my classmates for your senses of humor. You truly helped me keep my sanity and talked my out of giving up once too often. I also wish to thank the board at Chiromo Campus Club for allowing me to use their premises as a site for my research May God Bless you all. iii ABSTRACT Universal Design is known as the designing of all products and environments to be usable by people of all ages and abilities, to the greatest extent possible, without the need for adaptation or specialized design. This definition of Universal Design is known worldwide as coined by Center for Universal Design at the North Carolina State University. This research is aimed at finding out how Universal Design can be incorporated in the four areas discussed in the research paper and how it can be paired with African culture represented by African fabrics and patterns. This four areas are interior, furniture, exhibition and display and landscaping. The research paper will look at how the African culture can be incorporated into the modern design world without creating a feeling of backwardness by incorporating modern design in the four different areas. Chapter one discusses the introduction to the problem statement and background of problem statement. The objectives of the study and the research questions are also outlined clearly. Chapter two looks at the existing literature on the topic guiding the research paper, Universal Design and the African fabrics and patterns selected. It also looks at exemplars and existing cases relevant to the research that have employed both African fabrics and Universal Design. Chapter three looks at the methods of data collection employed by the researcher. Chapter four discusses the findings of the researcher. Chapter five looks at the summary and conclusion of the research paper as well as the recommendations. iv Table of Contents DECLARATION ................................................................................................................................... i DEDICATION ..................................................................................................................................... ii ACKNOWLEDGMENT ....................................................................................................................... iii ABSTRACT ........................................................................................................................................ iv CHAPTER 1: INTRODUCTION TO THE STUDY ................................................................................... 1 1.1 INTRODUCTION ...................................................................................................................... 1 1.2 BACK GROUND OF THE STUDY ............................................................................................... 1 1.3 STATEMENT OF THE PROBLEM .............................................................................................. 2 1.4 OBJECTIVES OF THE STUDY .................................................................................................... 2 1.5 RESEARCH QUESTION ............................................................................................................ 3 1.6 SIGNIFICANCE OF THE STUDY ................................................................................................ 3 1.7 LIMITATIONS OF THE STUDY .................................................................................................. 3 1.8 THE SCOPE OF THE STUDY ..................................................................................................... 4 1.8.1 Geographical ................................................................................................................... 4 1.8.2 Conceptual ...................................................................................................................... 5 1.8.3 Contextual ....................................................................................................................... 5 1.9 DELIMITATIONS ...................................................................................................................... 5 1.9.1 Cultural delimitations...................................................................................................... 5 1.9.2 Space delimitations ......................................................................................................... 5 v 1.9.3 Literature delimitations .................................................................................................. 6 1.10 CONCLUSION ........................................................................................................................ 6 CHAPTER 2: CHAPTER TWO: LITERATURE REVIEW .......................................................................... 7 2.1 INTRODUCTION ...................................................................................................................... 7 2.2 UNIVERSAL DESIGN ................................................................................................................ 7 2.3 APPLICATION OF UNIVERSAL DESIGN .................................................................................. 10 2.4 UNIVERSAL DESIGN CHAMPION. ......................................................................................... 11 2.5 AFRICAN FABRICS AND PATTERNS ....................................................................................... 12 2.5.1 BOGOLANFINI................................................................................................................ 13 2.5.2 KUBA CLOTH .................................................................................................................. 18 2.5.3 SHWESHWE ................................................................................................................... 22 2.6 DESIGN PROCESS .................................................................................................................. 24 2.6.1 Identify problem ........................................................................................................... 24 2.6.2 Define universe ............................................................................................................. 24 2.6.3 Involve consumers ........................................................................................................ 24 2.6.4 Adopt guidelines/standards .......................................................................................... 25 2.6.5 Apply guidelines/standards .......................................................................................... 25 2.6.6 Plan for Accommodation .............................................................................................. 25 2.6.7 Train and support .......................................................................................................... 25 2.6.8 Evaluate ......................................................................................................................... 26 vi 2.7 CONCLUSION ........................................................................................................................ 26 CHAPTER 3: RESEARCH DESIGN
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