Sheriff Suspends I ~ ** by CHARLES A
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ألبوù… (الألبوù…ات & الجØ
Lee Konitz ألبوم قائمة (الألبوم ات & الجدول الزمني) Jazz Nocturne https://ar.listvote.com/lists/music/albums/jazz-nocturne-30595290/songs Live at the Half Note https://ar.listvote.com/lists/music/albums/live-at-the-half-note-25096883/songs Lee Konitz with Warne Marsh https://ar.listvote.com/lists/music/albums/lee-konitz-with-warne-marsh-20813610/songs Lee Konitz Meets Jimmy Giuffre https://ar.listvote.com/lists/music/albums/lee-konitz-meets-jimmy-giuffre-3228897/songs Organic-Lee https://ar.listvote.com/lists/music/albums/organic-lee-30642878/songs https://ar.listvote.com/lists/music/albums/lee-konitz-meets-warne-marsh-again- Lee Konitz Meets Warne Marsh Again 28405627/songs Subconscious-Lee https://ar.listvote.com/lists/music/albums/subconscious-lee-7630954/songs https://ar.listvote.com/lists/music/albums/an-image%3A-lee-konitz-with-strings- An Image: Lee Konitz with Strings 24966652/songs Lee Konitz Plays with the Gerry https://ar.listvote.com/lists/music/albums/lee-konitz-plays-with-the-gerry-mulligan- Mulligan Quartet quartet-24078058/songs Anti-Heroes https://ar.listvote.com/lists/music/albums/anti-heroes-28452844/songs Alto Summit https://ar.listvote.com/lists/music/albums/alto-summit-28126595/songs Pyramid https://ar.listvote.com/lists/music/albums/pyramid-28452798/songs Live at Birdland https://ar.listvote.com/lists/music/albums/live-at-birdland-19978246/songs Oleo https://ar.listvote.com/lists/music/albums/oleo-28452776/songs Very Cool https://ar.listvote.com/lists/music/albums/very-cool-25096889/songs -
1 Jfk Survives Dallas!: Lee Harvey Oswald Versus The
1 JFK SURVIVES DALLAS!: LEE HARVEY OSWALD VERSUS THE PEOPLE OF THE UNITED STATES, JANUARY 1966 A play by Warren Burdine [email protected] 347-339-0703 2 THE OVERTURE Excerpts of pivotal JFK speeches will play between the opening of the house and the first curtain. These are up to the discretion of the production team. Of course, there will be excerpts from his inaugural speech, including “...Ask not what your country...” The SECOND-TO-LAST EXCERPT is from Eisenhower’s last speech as the POTUS, where he warns against the “military- industrial complex.” THE LAST ONE, before the curtain rise, is a TAPED RECORDING by the actor who plays JFK. President Kennedy delivered this speech on April 27, 1961, at the Waldorf Astoria. This speech is of the utmost importance: among other things, it reinforces the belief many hold that such a secret society was indeed behind the conspiracy and assassination. JFK (V.O.) The very word “secrecy” is repugnant in a free and open society; and we are a people inherently and historically opposed to secret societies, to secret oaths, and to secret proceedings...Our way of life is under attack. Those who make themselves our enemy are advancing around the globe...no war ever posed a greater threat to our security. If you are awaiting a finding of “clear and present danger,” then I can only say that the danger has never been more imminent...For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on cover means for expanding its sphere of influence on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerillas by night instead of armies by day. -
En Guise D'avant-Propos
En guise d’avant-propos WEST COAST JAZZ — « La West Coast, qu’est‑ce que c’est ? » (Lee Konitz). — « C’est une étiquette, rien de plus. » (Hampton Hawes). — « Ça a été un pur accident. » (Chet Baker). L’appellation « Jazz West Coast » a toujours posé un problème à ceux‑là mêmes qui étaient censés l’avoir créée. Une étiquette rejetée plus ou moins violemment que quelques‑uns ont fini par accepter de guerre lasse. « On a toujours besoin d’un label », reconnaissait Shelly Manne. Apposer une estam‑ pille n’est guère difficile, les problèmes surgissent à partir du moment où il s’agit de préciser ce qu’elle est supposée recouvrir. Dans ce cas précis, s’agit‑il d’une forme de jazz inventée par des Californiens ? Certainement pas : le gros des musiciens venait de l’Est. Alors d’une variante jouée uniquement sur les bords du Pacifique ? Faux, il en existe des équivalents à New York, Boston, Chicago, en Suède et ailleurs encore. Peut‑ ISBN 978-2-86364-665-6 être un style pratiqué exclusivement par des jazzmen de race blanche ? Certes, / ils étaient majoritaires — et l’on verra pourquoi —, mais que deviennent Chico Jazz Hamilton, Buddy Collette, Curtis Counce, Leroy Vinnegar, Hampton Hawes et quelques autres ? Existe‑t‑il seulement une spécificité dans la musique inter‑ Coast prétée en Californie au cours des années 1952‑1965 ? Plus on en approfondit West l’étude, plus le doute s’installe. — Cette difficulté à appréhender globalement le «Jazz West Coast » ne lui appartient pas en propre. De semblables ambiguïtés se retrouvent Tercinet à propos de tous les styles dûment catalogués. -
Jubilujúca Gizela Veclová Žilinský Festival Mladých
ROČNÍK XXXV 5 2003 29,- SK JUBILUJÚCA GIZELA VECLOVÁ ŽILINSKÝ FESTIVAL MLADÝCH JOZEF PODPROCKÝ JARNÝ FESTIVAL V BUDAPEŠTI LEE KONITZ ISSN 1335-4140 Pedagogická fakulta Univerzity Konštantína Filozofa v Nitre oznamuje učiteľom Základných umelec- kých škôl, že v školskom roku 2003/ 2004 otvára na Katedre hudobnej výcho- vy štvorročné externé magisterské štú- dium študijného odboru učiteľstvo odbor- ných umeleckých predmetov, kde sa pod názvom Hudobná pedagogika skrýva štúdium hry na zvolenom hudob- nom nástroji (spev) a hudobná výchova. Uchádzači, ktorí ukončili konzervatoriál- ne štúdium maturitou alebo absolutóriom, budú prijatí bez prijímacích pohovorov. Uchádzači, ktorí ukončili iný typ strednej školy, musia preukázať znalosti na úrovni maturitného ročníka konzervatória. Prihlášku na štúdium je potrebné odoslať do 15. júla 2003 na adresu školy. Bližšie informácie môžu záujemcovia získať na internetovej stránke www.ukf.sk, alebo na telefónnom čísle 037/6514755-6-7-9. OBSAH Vážení čitatelia, 2 • OSOBNOSTI / UDALOSTI možno aj Vy patríte k tej (percentuálne údajne väčšej) SOSR v Japonsku – str. 3 časti populácie, ktorú si podmanila vášeň zvaná Jubileá P. Bagin – str. 4 zberateľstvo. Je to pokušenie, obsesia, je to svojho G. Veclová – str. 5 druhu fanatizmus, ak ste nedajboh prepadli Poznámky ku koncepcii „ústnej tradície“ – str.6 Hudba (nielen)provokujúca – str. 7 podloženému otroctvu filatelie, značkovej keramike, Pedagogická dvorana – str. 8 porcelánu, alebo olejom určitého autora či obdobia... Zbierala som menej lukratívne komodity. Najskôr, 9 • MINIPROFIL ako dieťa, farebné sklíčka. Úlomky, ktoré (iba) pre Jozef Benci – str. 9 mňa predstavovali neuveriteľnú hodnotu. Po rokoch V Redute bude nami ďalej triasť... – str. 10 som na ne celkom zabudla, až som raz v prítmí zaprášenej povale našla dôverne známe vrecko. -
1 1 Funding for the Smithsonian Jazz Oral History
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LEE KONITZ NEA Jazz Master (2009) Interviewee: Lee Konitz (b. October 13, 1927, in Chicago, IL) Interviewer: Bill Kirchner with recording engineer Ken Kimery Date: February 14-15, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 110 pp. Kirchner: So it is Valentines Day . Konitz: [singing] Happy W’alentines, Happy W’alentines. Kirchner: . .Two thousand eleven, and we’re in Lee Konitz’s apartment in Manhattan, and I’m Bill Kirchner, and we’re about to begin the oral history with Lee. Konitz: Welcome. Kirchner: Let’s start with the most obvious possible thing. Konitz: I was born at a very early age. Kirchner: Most of us were. Konitz: [chuckles] Kirchner: We have that in common among other things. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Page | 1 Konitz: [chuckles] Kirchner: What was your date of birth? Konitz: October thirteen, nineteen twenty-seven. Kirchner: And for the record, what is your full name? Konitz: “Leon” was my given name and “Lee” has become my second name. The fact is that I had two older brothers and I was supposed to be a girl, and my name was going to be “Leonna”. So I became “Leon” and then after a while my friends called me “Leo”, and then “Lee”, and it’s going to “Le”. When I get to “L” I think I’m leaving town. Kirchner: [Laughs] As I understand it from Andy Hamilton’s book your parents were both born in Europe? Konitz: Yes, my father in Austria, my mother in the Ukraine. -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LEE KONITZ NEA Jazz Master (2009) Interviewee: Lee Konitz (October 13, 1927 – April 15, 2020) Interviewer: Bill Kirchner with recording engineer Ken Kimery Date: February 14-15, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 110 pp. Kirchner: So it is Valentines Day . Konitz: [singing] Happy W’alentines, Happy W’alentines. Kirchner: . .Two thousand eleven, and we’re in Lee Konitz’s apartment in Manhattan, and I’m Bill Kirchner, and we’re about to begin the oral history with Lee. Konitz: Welcome. Kirchner: Let’s start with the most obvious possible thing. Konitz: I was born at a very early age. Kirchner: Most of us were. Konitz: [chuckles] Kirchner: We have that in common among other things. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Page | 1 Konitz: [chuckles] Kirchner: What was your date of birth? Konitz: October thirteen, nineteen twenty-seven. Kirchner: And for the record, what is your full name? Konitz: “Leon” was my given name and “Lee” has become my second name. The fact is that I had two older brothers and I was supposed to be a girl, and my name was going to be “Leonna”. So I became “Leon” and then after a while my friends called me “Leo”, and then “Lee”, and it’s going to “Le”. When I get to “L” I think I’m leaving town. Kirchner: [Laughs] As I understand it from Andy Hamilton’s book your parents were both born in Europe? Konitz: Yes, my father in Austria, my mother in the Ukraine. -
Dance and the Diamond Sky
The Dance and the Diamond Sky Gary Marks / GM / © 2020 by Gary Marks Marksland Entertainment All rights reserved No part of this book may be reproduced without written permission from the author. The names of the characters in this story have not been changed to protect the innocent. They protected their own innocence. PART I One I stared at the floating furniture, the shimmering clothes in my closet, the dimensionless walls—reflected like a mirror in the liquid blackness of my fourth floor window. Beyond the glass was a frozen night; no stars shining. Winter awaited the emergence of our frail young spirits, ready to carry us through the campus gates into the chaos of Washington, DC. and environs. But we remained protected, cocooned. My dorm room was perfectly insulated. My thoughts were intended to be about simple things -- studying a preset curriculum while snacking on a bag of potato chips from the vending machine down the hall. Perhaps listening to the toned-down recorded version of Jimi Hendrix singing The Wind Cries Mary on the hi-fi I'd brought from home. I turned my gaze from the window. Sherry remained motionless, sitting on the edge of my unmade bed, her eyes fixed upon me. I reached for one of the books sitting on my nightstand and flipped it open to a random page—charts and symbols Dance in the Diamond Sky Gary Marks appeared, hieroglyphic images of dots floating on lines. “This is my music theory book." I weighed it in my hand, like the book on evolution Spencer Tracy held in the closing scene of Inherit the Wind, but forming the opposite conclusion. -
Hasse KAHNS: Egon KAISER: Ernö KAISZ: Kitty KALLEN: Max
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hasse KAHNS: Hasse Kahn -v; Göte Wilhelmsson -p; Lasse Karlsson -g; Ingvar Berggren -b; Sten Sköld -d; recorded March 16, 1949 in Stockholm 69335 MEAN TO ME 2.19 Aircheck ------------------------------------------ Egon KAISER: Egon Kaiser und sein Orchester; Refrain: Paul Erdtmann; recorded April 1932 in Berlin 105155 DEINE BEINE 2.45 C1945 Kristall 3284 Egon Kaiser Tanzorchester mit deutschem Refraingesang: Paul Dorn; recorded August 1933 in Berlin 105196 WENN ICH SO KÖNNTE WIE ICH MÖCHTE 3.09 5531 BR Grammophon 10159 105200 MACH' DIE AUGEN ZU UND TRÄUM' MIT MIR VON LIEBE 3.04 5532 BR --- Tanzorchester Egon Kaiser; Paul Dorn -Refraingesang; recorded January 1934 in Berlin 106053 NUR DU BRINGST MIR DAS GLÜCK INS HAUS 3.04 2305 Grammophon 10163 Egon Kaiser Tanzorchester mit Refraingesang; recorded December 1935 in Berlin 105250 DIE KLEINE BANK AM "GROSSEN STERN" 3.17 6352 1/2GR Grammophon 2208 ------------------------------------------ Ernö KAISZ: Ernö Kaisz mit seinem Tanzorchester; Gesang: Heinz Wernicke; recorded October 1937 in Berlin 105329 ICH HAB' EIN HERZ VOLL LIEBE ZU VERSCHENKEN 2.54 Bi3081 Gloria G.O.41146 ------------------------------------------ Kitty KALLEN: Kitty Kallen -vo; with Harry Geller and his Orchestra; 104354 CHOO'N GUM 2.12 3256 Merc 5417 104355 JUKE BOX ANNIE 2.56 3257 --- ------------------------------------------ Max KAMINSKY: "The Complete Commodore Jazz Recordings Vol 2 (Mosaic MR128)" Max Kaminsky -tp; Frank Orchard -tb; Rod Cless -cl; James P. Johnson -p; Eddie Condon -g; Bob Casey -b; George Wettling -d; recorded June 22, 1944 in New York 43151 LOVE NEST 2.58 A4786-1 Com C595 43152 LOVE NEST #2 3.04 A4786 Com XFL14940 43153 LOVE NEST #3 3.00 A4786-2 prev. -
5 Special.Xlsx
通販専門リスト・夏号 2021/8 !"#$%&'()*+,-.)-/+0.+)1112 >40354'?35604@ABCDEFGCHIJKLMNOPQRST 40354'U)&)!VWXYZ[)\]^WV_`a()b&+)b&+?+)b0c)b0)b0+ 35604U#)!VWXYZ[)]`d()b#+)b,c)b,)b,+)b,+?+ >%8*:eJ10;)<54'AfghijT ,%=0)&5:0)%0k)lml)%0k8&-:5&)#60&=0)&2;2)&0<);541)38:; mn4')ol)<0*:)mn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disclandJARO. All Rights Reserved. 1/7 通販専門リスト・夏号 2021/8 !"#$%&'()*+,-.)-/+0.+)1112 =34<)): 3456!5 56578 73987 73987): ;<58 !"#$!% pqrst utvps SP 24193 ROGER KELLAWAY SAY THAT AGAIN DOBRE DR 1045 N- A- 1000 SP 24195 WYNTON KELLY TRIO UNDILUTED VERVE V6 8622 BK.T.PH.FO. N- A- 2000 SP 24196 WAILER WANDERLEY TRIO CHEGANCA VERVE V6 8676 BK.T.FO. E A- 600 SP 24198 TED CURSON LIVE AT LA'TETE DE L'ART CAN AM CM 1700 N A- 2000 SP 24199 NORMAN SIMMONS TRIO MIDNIGHT CREEPER MILLJAC MJP 1001 N A- 2000 SP 24200 ZOOT SIMS, AL COHN etc. -
Hifi/Stereo Review September 1960
).. N to V:>lJ.n J AV O~~1H~ l H 6 1 ~2 S'H\OH 1 3 C! 18!;99 1I j The first public offering in eight months ofa magaZlne which aims to be the most beautiful in the world: rH°IUZON HORIZON is a big (9 Yt" x 12 ~", 136 or more pages), bi· monthly magazine in book form - with hard covers and 110 advertising. Temporarily, you may try a year's subscription at a lowered rate- $6.75 less than the same six issues if bought singly- by returning the postpaid form stapled at the right. Have you met HORIZON yet? Perhaps it's time you did, from the Negev to the stage-lively art from cave as this strikingly different magazine in book-form begins drawings to movie palaces. its third year. What can HORIZON do for you? For it's only once or twice a year, in a few such com Nothing aggressively uplifting, or fashionable, or urgent. patible surroundings as this, that the publishers (the There's no counsel on how to manage your money <?r same who publish AMERICAN HERITAGE, The Magazine your ballot, your casserole or your spouse. of History) invite new subscriptions. Your invitation There is food for thought, play for the imagination, to try HORIZON, as the form inserted here indicates, is for any reasonably inquisitive mind. And you'll discover, a good one - embellished with a lowered rate, prepaid as 160,000 people already have, that every issue fits in postage and ,an easy way to pay. -
Lee Konitz Discography
Lee Konitz: Conversations on the Improviser's Art Andy Hamilton http://www.press.umich.edu/titleDetailDesc.do?id=130264 The University of Michigan Press, 2007 LEE KONITZ DISCOGRAPHY Compiled by Michael Conklin and Sergio Bandeira Karam, with assistance from Conrad Cork. Sources: discographies by Bruyninckx, Michael Frohne, Tom Lord, and Steve Miner, and other Internet resources. No discography can claim to be definitive, and, while considerable effort has been made to obtain accuracy, there will inevitably be errors and omissions, for which we apologize. The discography is in chronological order. If no source is noted, the session is a commercial studio recording. Song titles are in italics, followed by record company releases. If all songs from the session were released on one record, it is listed at the end of the song titles. ?-?-45 or 46 Lloyd Lifton Quartet Lee Konitz (as), Lloyd Lifton (p), bass, drums unknown: location unknown 01. I Found A New Baby Unissued 9-4-47 Claude Thornhill Orchestra Louis Mucci, Emil Terry, Ed Zandy (tp), Allan Langstaff, Tak Takvorian (tb), Sandy Siegelstein, Walter Wechsler (frh), Bill Barber (tu), Danny Polo (as, cl), Lee Konitz (as, fl), Mickey Folus (ts, b-cl), Mario Rollo (ts, cl), Bill Bushey (bar), Claude Thornhill (p), Barry Galbraith (g), Joe Shulman (b), Bill Exner (dr), + = Fran Warren (vcl), - =Gene Williams (vcl): NYC 01. Thrivin' On A Riff (Charles Parker) Unissued 02. Love For Love+ Col 37940, Ajaz 250 03. Anthropology (Charles Parker) Col 38224, CL6164, B2532, Ajaz 250, CBS (Jap) 20AP-1446, Col (GB) DB2517, Col KG32906, CBS (F) 65392, CBSSony (Jap) SOPM163, CBSSony (Jap) SOPC57014, Har HL7088 04.