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Sydney Uni Musos Struttin' at Australian Fashion Week USU
SEMESTER 1 WEEK 10 12 MAY, 2010 Tuning In Sydney's Community Radio in Crisis Arts Hole SPECIAL: Sydney Uni Musos USU Elections: Twits on Twitter Struttin' at Australian Fashion Week Soundtrack to the Women's Issue 2 This Week's: Smoke-free days: five. Swedish snack most likely to tear the editingCONTENTS team apart: Salt Sill Original With more quokkas Worst/bestthan question asked by an editor this week: “Sibella, will your recreational libraries HONI SOIT, EDITION 9 cater to the boom in 3D movies?” - Joe Smith-Davies, Manning Soapbox 12 MAY 2010 ever before. Most divisive pun: “Rob Chiarella learns that good art cums on small packages.” Thing that’s not as awesome as it sounds: turning off a computer with a hammer. The Post 03 The Arts-Hole 10 Letter rip, potato chip. SPECIAL EDITION: Jess Stirling, Jacinta Mulders, Bridie Connellan and Joe Payten catch up with our uni’s finest The Uni-Cycle 04 musical exports to talk sounds, Sydney and Zahra Anver thinks the answer is fairly obvious. the spotlight. Rob Chiarella learns that good art comes on small packages. The Mains 12 AA makes Oli Burton go AAAAAH! Daniel Zwi pricks his ears to a crisis in Tom Clement goes AAAAAH regarding AA. community radio. Carmen Culina thinks something’s fishery. To market, to market, for Chelsea Tabart. 05 The Lodgers 14 Ted Talas keeps it fResh. David Mack and Naomi Hart deliver 06 Women’s Honi was music to Joe Payten’s Honi’s final election rumours (and have the ears. decency to publish their names). -
Department of Medicine 2020 Annual Report
DEPARTMENT OF MEDICINE Annual Report 2020 musc.edu/dom Acknowledgments: The Department of Medicine would like to thank the many individuals, especially our leadership, including our division directors and division administrators, for their collective efforts in helping to complete this year’s annual progress report. Additionally, we would like to thank those who are featured within these pages for their continued service to MUSC and contributions to this publication. Editor, Creative and Production Manager: Natalie Wilson Photographers: Elizabeth Anne Thompson, Sarah Pack, Natalie Wilson 2 DEPARTMENT OF MEDICINE TABLE OF CONTENTS 04 From the Interim Chair 05 By the Numbers 06 Awards & Distinctions 10 New Faculty 12 Response to COVID-19 18 Global Health 20 Clinical Highlights 22 Research Highlights 24 Research Funding Highlights 28 Medical Education 30 Internal Medicine Housestaff 32 Philanthropy News 36 Selected Publications 40 Departmental Leadership 41 Medicine Faculty COVER: Left Image: Harsha Karanchi, M.D., assistant professor, Division of Endocrinology. Middle Image: Chief Resident Laurel Branch, M.D., and medical student. Right Image: Betty Tsao, Ph.D., SmartState and Richard M. Silver Endowed Chair for Inflammation Research, Division of Rheumatology & Immunology. 20202017 ANNUALANNUAL REPORTREPORT 33 As I write this letter we are in the midst of unprecedented times, a global pandemic due to COVID-19. Since taking on the role of interim department chair in March 2020, I have been inspired daily by my team’s ingenuity, creativity, and commitment to excellence in the face of this pandemic, as they continue to find innovative solutions to care for our patients, conduct research, and educate our residents. -
Somnambulist Press Release
Bio information: THE KANDINSKY EFFECT Title: SOMNAMBULIST (Cuneiform Rune 408) Format: CD / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / POST-JAZZ Weaving Jazz & Post-Rock, Soundscapes & Electronica Into Tunes that Transcend Genre, Place, and Time Globetrotting Trio, The Kandinsky Effect, Create Somnambulist, A Sonic Journey through 21st Century Jazz Dreamtime On Somnambulist, The Kandinsky Effect wields its musical power in a welcoming way. Their 3rd album (and 2nd for Cuneiform Records) isn't form-eschewing free jazz, nor are the tonalities the trio employs particularly "out." The real revelation – and revolution – comes simply in the way saxophonist Warren Walker, bassist Gael Petrina, and drummer Caleb Dolister organize sound. The Paris-and-New York-based trio is a purist's nightmare -- and not only that of a jazz purist either. Since their first, self-titled album came out in 2010, The Kandinsky Effect has been boldly blending jazz with elements of everything from hip-hop to electronic music, making for an idiosyncratic amalgam that never goes exactly where you might expect it to. If you can envision a world in which a contemporary jazz giant like Joshua Redman jams with The Roots and electronic instigator Aphex Twin, then you have a head start on your ability to assimilate the sound of Somnambulist. But nothing can completely prepare you for its marriage of groove, atmosphere, and incendiary playing. The Kandinsky Effect feel that this album is their most effectively conceived collection of music to date. -
Physicality of the Analogue by Duncan Robinson BFA(Hons)
Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player. -
Infinite Setlist: Analyzing Pioneer DJ's Catalogue Streaming Partnerships
Cybaris® Volume 12 Issue 1 Article 2 2021 Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud Nicholas Rivera Follow this and additional works at: https://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rivera, Nicholas (2021) "Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud," Cybaris®: Vol. 12 : Iss. 1 , Article 2. Available at: https://open.mitchellhamline.edu/cybaris/vol12/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law CYBARIS®, AN INTELLECTUAL PROPERTY LAW REVIEW INFINITE SETLIST: ANALYZING PIONEER DJ’S CATALOGUE STREAMING PARTNERSHIPS WITH BEATPORT AND SOUNDCLOUD Nicholas Rivera1 Table of Contents Introduction ................................................................................................................................... 36 The Story Thus Far ................................................................................................................... 38 The Rise of Streaming .............................................................................................................. 39 Brief History of DJing -
Life in Challenge Mills,Yuba County, California,1875–1915, With
United States Department of Agriculture Life in Challenge Mills, Forest Service Yuba County, California, Pacific Southwest Research Station 1875–1915, With General Technical Report PSW-GTR-239 Emphasis on Its People, January 2013 Homes, and Businesses D E E P R A U R T Philip M. McDonald and Lona F. Lahore T L MENT OF AGRICU The Forest Service of the U.S. Department of Agriculture is dedicated to the principle of multiple use management of the Nation’s forest resources for sustained yields of wood, water, forage, wildlife, and recreation. Through forestry research, cooperation with the States and private forest owners, and management of the National Forests and National Grasslands, it strives—as directed by Congress—to provide increasingly greater service to a growing Nation. The U.S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, sex, religion, age, disability, sexual orientation, marital status, family status, status as a parent (in education and training programs and activities), because all or part of an individual’s income is derived from any public assistance program, or retaliation. (Not all prohibited bases apply to all programs or activities.) If you require this information in alternative format (Braille, large print, audiotape, etc.), contact the USDA’s TARGET Center at (202) 720-2600 (Voice or TDD). If you require information about this program, activity, or facility in a language other than English, contact the agency office responsible for the program or activity, or any USDA office. To file a complaint alleging discrimination, write USDA, Director, Office of Civil Rights, 1400 Independence Avenue, S.W., Washington, D.C. -
STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Lucid Dream-Pop
MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A. -
The Decline with the Sawmills Gone, Employment Was Hard to Find, and Most Men Worked at Anything That They Could Get
GENERAL TECHNICAL REPORT PSW-GTR-239 Telephone service at Challenge was officially opened on February 28, 1906, but the town got its first telephone a few years before the turn of the century. This With the sawmills was a long-distance public pay station. An 1897 telephone directory showed J. W. gone, employment Ribbel as agent for the line. One fellow talked to a friend through the telephone and was hard to find, and remarked that this was his “first experience in such witchery.” most men worked at In 1902, oldtimer Alex Moran said: “I worked for the Pacific Electric Company anything that they for some time. In the early days, the telephone line followed the county roads. could get. They would They would buy poles from anybody that could secure them, dig the holes, put up a even leave their bracket for the insulator, and string just one wire. They would put a telephone here families if the only and there, three or four miles apart. Somebody would take charge of it and kind work available was out of handle it. People would come and phone. Of course, it was a ground-and-return of town. Money was system and was quite noisy and awfully hard to carry on a conversation. They always scarce, and in had many calls from different bells along the line like the long-short-long, two winter was even harder longs and a short, and all that kind of stuff. They would be ringing those. People to come by. that wanted to find out what the news was would get on the line. -
Britney Spears' Conservators Spar Over Security Costs As Threats Escalate
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 8, 2021 Page 1 of 25 INSIDE Britney Spears’ Conservators • Chris Isaak Joins Primary Wave for Spar Over Security Catalog Deal, JV With Sun Records Costs as Threats Escalate • Jenn Decilveo’s BY ASHLEY CULLINS Manzanita Lane Partners With Kobalt to Boost Emerging Pretty much everyone in the orbit of Britney retain her position as conservator, Petitioner has no Talent Spears is getting death threats. That’s why her fa- intention of abandoning her by resigning because • Atlantic Records ther, Jamie Spears, thinks spending $50,000 a month of these threats,” states the filing, which includes UK & ADA Partner on 24-7 security for Jodi Montgomery is excessive. a screenshot of a text from Spears that apparently With Latin-Based Montgomery, who has served as the conservator of confirms her desire for Montgomery to remain in her Label Candela Spears’ person for nearly two years, on Wednesday position. “However, in order for Petitioner to effec- Records asked L.A. County Superior Court Judge Brenda tively perform her duties as conservator, her security • Universal Music Penny to approve that the protection be paid for by and safety must be ensured.” Publishing Group the conservatorship. Spears’ court-appointed lawyer Opens Office In Samuel D. Ing- Israel Threats against those in her circle have escalated ham; Bessemer Trust, the financial firm that had been since the bombshell June 23 hearing in which Spears tapped as co-conservator of Spears’ estate along with • The Deals: SEB Signs With made a passionate plea to the court expressing her Jamie; and Spears’ longtime manager, Larry Ru- Mom+Pop, desire that the legal arrangement come to an end. -
Issue No. 38 July/August 2016 3 Addictive Deep House Cut Effectively Put EYE His Name on the Map in the Electronic of the Music Scene
That's So 90's Alan Walker Kevin Gates Hayden James Foals Robert DeLong and more THE STORM ISSUE NO. 38 REPORT JULY/AUGUST 2016 TABLE OF CONTENTS 4 EYE OF THE STORM That's So 90's What Goes Around Comes Around 5 STORM TRACKER STORM Festivals Part 2 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Ellie Rowsell, the lead singer of Wolf Alice. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Nostalgia is a powerful emotion – and one artists who are worth watching. Only those showing the most that marketers frequently use to excite and promising potential for future commercial success make it onto our engage their consumers. As we look back monthly list. at 2016 so far, we’ve observed a decided yearning for a return to the 1990s. An How do we know? inaugural “I Love the 90s Tour” kicks off this month featuring performances by Vanilla Through correspondence with industry insiders and our own ravenous Ice, Salt N Peppa, Kid N Play, Coolio and media consumption, we spend our month gathering names of artists more; “MTV Classic” debuts on August 1 who are “bubbling under”. We then extensively vet this information, and features programming entirely from the analyzing an artist’s print & digital media coverage, social media 90s and early 2000s; The Backstreet Boys growth, sales chart statistics, and various other checks and balances to are back in the studio working on a country ensure that our list represents the cream of the crop.