Economic Cartoons2
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH
DOCUMENT RESUME ED 425 108 SO 029 595 AUTHOR Heitzmann, William Ray TITLE The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH. PUB DATE 1998-09-00 NOTE 10p. AVAILABLE FROM National Council for History Education, 26915 Westwood Road, Suite B-2, Westlake, OH 44145-4657; Tel: 440-835-1776. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Cartoons; Elementary Secondary Education; Figurative Language; *History Instruction; *Humor; Illustrations; Instructional Materials; *Literary Devices; *Satire; Social Studies; United States History; Visual Aids; World History IDENTIFIERS *Political Cartoons ABSTRACT This essay focuses on the ability of the political cartoon to enhance history instruction. A trend in recent years is for social studies teachers to use these graphics to enhance instruction. Cartoons have the ability to:(1) empower teachers to demonstrate excellence during lessons; (2) prepare students for standardized tests containing cartoon questions;(3) promote critical thinking as in the Bradley Commission's suggestions for developing "History's Habits of the Mind;"(4) develop students' multiple intelligences, especially those of special needs learners; and (5) build lessons that aid students to master standards of governmental or professional curriculum organizations. The article traces the historical development of the political cartoon and provides examples of some of the earliest ones; the contemporary scene is also represented. Suggestions are given for use of research and critical thinking skills in interpreting editorial cartoons. The caricature and symbolism of political cartoons also are explored. An extensive reference section provides additional information and sources for political cartoons. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
What Inflamed the Iraq War?
Reuters Institute for the Study of Journalism Fellowship Paper, University of Oxford What Inflamed The Iraq War? The Perspectives of American Cartoonists By Rania M.R. Saleh Hilary Term 2008 1 ACKNOWLEDGEMENT I would like to express my deepest appreciation to the Heikal Foundation for Arab Journalism, particularly to its founder, Mr. Mohamed Hassanein Heikal. His support and encouragement made this study come true. Also, special thanks go to Hani Shukrallah, executive director, and Nora Koloyan, for their time and patience. I would like also to give my sincere thanks to Reuters Institute for the Study of Journalism, particularly to its director Dr Sarmila Bose. My warm gratitude goes to Trevor Mostyn, senior advisor, for his time and for his generous help and encouragement, and to Reuter's administrators, Kate and Tori. Special acknowledgement goes to my academic supervisor, Dr. Eduardo Posada Carbo for his general guidance and helpful suggestions and to my specialist supervisor, Dr. Walter Armbrust, for his valuable advice and information. I would like also to thank Professor Avi Shlaim, for his articles on the Middle East and for his concern. Special thanks go to the staff members of the Middle East Center for hosting our (Heikal fellows) final presentation and for their fruitful feedback. My sincere appreciation and gratitude go to my mother for her continuous support, understanding and encouragement, and to all my friends, particularly, Amina Zaghloul and Amr Okasha for telling me about this fellowship program and for their support. Many thanks are to John Kelley for sharing with me information and thoughts on American newspapers with more focus on the Washington Post . -
Presidential Handwriting File, 1981-1989
PRESIDENTIAL HANDWRITING FILE: PRESIDENTIAL RECORDS: 1981-1989 – REAGAN LIBRARY COLLECTIONS This collection is available in whole for research use. Some folders may still have withdrawn material due to Freedom of Information Act restrictions. Most frequent withdrawn material is national security classified material, personal privacy, protection of the President, etc. PRESIDENTIAL HANDWRITING FILE: PRESIDENTIAL RECORDS: 1981-1989 The Presidential Handwriting File is an artificial collection created by the White House Office of Records Management (WHORM). The Presidential Handwriting File consists of a variety of documents that Ronald Reagan either annotated, edited, or wrote in his own hand. When documents containing the president's handwriting were received at WHORM for filing, the original was placed in the Presidential Handwriting File and arranged by the order received. A photocopy of the document was placed in the appropriate category of the WHORM: Subject File. The first page of the casefile was stamped Handwriting File, indicating the location of the original documents. However, WHORM often failed to indicate on the original documents the original location (i.e. the six digit tracking number, Subject Category Code). The Presidential Handwriting File, as created by the White House, did not contain handwriting found in staff and office files. The Library will be creating a further series of handwriting material from staff and office files. In order to provide better access to the Presidential Handwriting File, the collection has been arranged into six series. Each series is arranged chronologically by the date of the document. Each document has been marked with the appropriate WHORM: Subject File category and a six digit tracking number. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
The Denver Catholic Register WEDNESDAY JUNE 20, 1979 VOL
The Denver Catholic Register WEDNESDAY JUNE 20, 1979 VOL. LIV NO. 36 Colorado’s Largest Weekly 32 PAGES 25 CENTS PER COPY Conrad, an Editorial Cartoonist Whose Pen Has a Tongue of Fire By Thomas M. Jenkins Assaulting complacency, ridiculing corruption and lambasting the pretentions, malfeasances and idiotic decisions of modern bureaucratic government as well as the personal and spiritual plight of the American citizen, Paul Conrad is a cartoonist who dares to be controversial and take an unequivocal stand. In the process, his six cartoons a week for the Los Angeles Times have been raising blood pressures for the past 16 years. After two Pulitzer Prizes and two published books, his caustic im agery continues to be syndicated in 150 newspapers. Conrad, who was with the Denver Post for 13 years as an editorial cartoonist, has justly earned his place in the procession of the illustrious cartoonist pens of Daumier, Nast, Levine, MacNelly, Mauldin, Herblock, Wright and Oliphant. He maintains the gutsy tradition of those satirists whose ridicule contains the truth necessary to puncture the bubbles of inept leadership, overuse of power, the inability to act, the mistreatment of the disadvantaged, elderly and ignorant, the prolongation of war and the continuation of a destructive monetary policy. If he seems cruel to the politician, it is only to be kind to the Republic. Religious Conviction Unique in presentation is Conrad’s religious conviction. Under no constraining directives from the Los Angeles Times, Conrad is always forthright and sometimes brutal in confronting the spiritual issues of the day. In that process, he disturbs (and even angers) many of his readers as he forces them to look at themselves and their patterns of living. -
DON WRIGHT BIOGRAPHY Winning a Pulitzer
DON WRIGHT BIOGRAPHY Winning a Pulitzer Prize is the pinnacle of most journalistic careers. Don Wright, editorial cartoonist, has two of them (1966-1980), in addition to scores of other awards. Combining “a rare intelligence and a sense of moral outrage,” said one newspaper, Wright “uses his space with crystalline precision, capturing in a single frame the essence of a half-dozen windy op-ed articles.” His cartoons are on permanent display at Syracuse University and he has mounted several one-man art shows across the country. He began his career with the Miami News and has been at the Palm Beach Post since 1989. “Don Wright is unpredictable, not compartmentalized, free-spirited – beyond simple or traditional categorization,” as one writer put it. “And that is a trait of genius.” SUMMARY Julian Pleasants interviewed Don Wright on December 12, 2001 in West Palm Beach, Florida. Mr. Wright begins his interview by recalling his early experience in newspapers straight out of high school. Originally a photographer and graphics editor, Mr. Wright recounts how Bill Baggs of the Miami News pushed him into trying editorial cartooning. Mr. Wright also comments on being syndicated and how he feels about the numerous awards that he has garnered throughout his career. He also discusses his daily work process, the characteristics of a good cartoonist, and how newspaper competition with FNP 59 Wright Page 2 television has altered the profession. He concludes with thoughts about the future for himself personally and for editorial cartoonists in general. P: Give me a little bit of your background, mainly your newspaper background. -
"4J~~~ ~Lli!Db ~1::4 ~ "' ~?"'~L,;
1 '; ( Page 81 The Orlonl Sopt. 3D, 1981' m ~ QkJ~~~~·~~~~~~~~-~~l.~~ heard from only sporadically until 1974. S'y Dan Smith After Lhe Nixon collapse and Ford's seeming inconsistency, Heagan was a strong- cont.ender for the 1976 Repuhlican All president.s, wheLher seasoned Washington veLerans or u~'1 nomination. Yet Ford's incumbency proved too powerful. Reagan tried newcomers, 'inherit a curious occupational circumstance In b(J(~ume a t.wo-t.ime loser in Lhe presidnnl.iul sweepsl.akes. Lheir ascent Lo the Oval Office. In many ways this peculiar inheritance c()uld be consider~~ an With Ford's subsequent defeat to Jimmy Carter, Reagan became occupaLional hazard. I<;ven under Lhe besL of conditions Lhe reclpJen[. a Republican rallying point. for the'80 election. This sit.uation served seldom finds Lhe J'esulLs complimentary. Lo increase his poliLical esteem,as well as the suspicions of many. The mysterious inheritance in quesUon is Lhe full scrutmy of Lhe carLoonisLs. naLion's 170 political carLoonists. This brought him Lo the aUenLion of the nation's syndicated Unlike their fellow journalists, cartoonists rarely respect. the cllrl.oonisLs, who suddenly found themselves faced with the reality "honeymoon" granLed most presidential newcomers by.the press. of having to take Ronald Reagan seriously. The moment the podium is mounted and the'oath echoed, It. becomr!s As early as 1978, the unofficial presidential campaigns hegan. "open season." . The most obvioUs question regarding candidate Reagan wns his There are,however, exceptions to every rule, as H.onald Hcugan age. Second was his poor track record as a presidential contender. -
A"Zany" Development
000_0789737329_FM.qxd 10/19/07 3:13 PM Page viii A "Zany" Development Zany. Is that a quality journalists should aspire to? Walt Handelsman won his second Pulitzer Prize for editorial cartooning this year with this citation: Awarded to Walt Handelsman of Newsday, Long Island, N.Y., for his stark, sophisticated cartoons and his impressive use of zany animation. Handelsman's editorial cartoons speak for themselves. He does great work and is an old friend. Walt saw a new medium in animation and went to great pains to teach himself the fine points of producing it. And the results are predictably hilarious. But is it an editorial cartoon? Let's put it this way; giving the Pulitzer Prize for an animated cartoon is like awarding it for best novel to Doctor Zhivago starring Omar Sharif. It's just not the same thing. In an industry that seemingly has more awards per person than any other profession, the Pulitzer Prize is arguably the best known and most sought after. Try going into a bar and announce you just won the Fischetti and see how many folks buy you a drink. We were led to believe that this is an award for the newspaper industry. Unless it's broken down and printed on every page so that you can view it as a flipbook, it's hard to imagine how an animated cartoon qualifies. Winners in every category other than cartooning are lavished with words like sharply edged, creative, comprehensive, tenacious, skillful, and zestful. Brett Blackledge of my own home newspaper, The Birmingham News, won in the investigative journalism cate- gory for his -
Flagler Host Forum
~ ' 1 ... )-' ""• I •,_ ....a; .... .. • ;;,y ,. Flagler College • ,. ... Volume X Number 4 October 26, 1979 Flagler Host Forum ,.. Pulitzer Prize winning car oonist Jeff MacNell y. Representatives until he was assigned to the He join ed the bureau in 1972 and was named chief ABC News correspondent Sam Donaldson. preside ntial campaign of Jimmy Carter in 1976. two years later. Earlier. he had been a reporter. Or-lando Sentinel Star editor Jim Squires and After Carter's election . he was named to the White Washington corresponder. •. city editor a nd for mer U.S. Senator Edward Gurney will be the House beat. n_ational affairs writer with the Nashville Ten panelists for Flagler College Forum '79: Politics and nessean . He was the recipient of a 1970 Nieman the Media . Syndicated cartoonist Jeff MacNelly was twice awarded the Pulitzer Prize for his editorial cartoons. Fellowship to Harvard University . Flagler College Forum '79 will be November 14 which are syndicated to over 400 newspapers by in the College Gymnasi um . with President Willi a m Former Senator Edward Gurney served four the Chicago Tribune -New York News Syndicate. years in the U.S. House of Representatives trom L. Proctor moderating the panel. He has also been awarded the George Polk Award . the 11 th distric t before he was elected to the Me~bers of the panel bring to th e Forum years the Reuben Award and the Thomas Nast Award for Senate. where he served as a Republican member of experi ence on _th e Washington scene. editorial cartooning . Based at the Richruond News of the Watergate Co mmittee. -
Worlds Apart: How the Distance Between Science and Journalism Threatens America's Future
Worlds Apart Worlds Apart HOW THE DISTANCE BETWEEN SCIENCE AND JOURNALISM THREATENS AMERICA’S FUTURE JIM HARTZ AND RICK CHAPPELL, PH.D. iv Worlds Apart: How the Distance Between Science and Journalism Threatens America’s Future By Jim Hartz and Rick Chappell, Ph.D. ©1997 First Amendment Center 1207 18th Avenue South Nashville, TN 37212 (615) 321-9588 www.freedomforum.org Editor: Natilee Duning Designer: David Smith Publication: #98-F02 To order: 1-800-830-3733 Contents Foreword vii Scientists Needn’t Take Themselves Seriously To Do Serious Science 39 Introduction ix Concise writing 40 Talk to the customers 41 Overview xi An end to infighting 42 The incremental nature of science 43 The Unscientific Americans 1 Scientific Publishing 44 Serious omissions 2 Science and the Fourth Estate 47 The U.S. science establishment 4 Public disillusionment 48 Looking ahead at falling behind 5 Spreading tabloidization 48 Out of sight, out of money 7 v Is anybody there? 8 Unprepared but interested 50 The regional press 50 The 7 Percent Solution 10 The good science reporter 51 Common Denominators 13 Hooked on science 52 Gauging the Importance of Science 53 Unfriendly assessments 13 When tortoise meets hare 14 Media Gatekeepers 55 Language barriers 15 Margin of error 16 The current agenda 55 Objective vs. subjective 17 Not enough interest 57 Gatekeepers as obstacles 58 Changing times, concurrent threats 17 What does the public want? 19 Nothing Succeeds Like Substance 60 A new interest in interaction 20 Running Scared 61 Dams, Diversions & Bottlenecks 21 Meanwhile, -
Drawn to Extremes: the Use and Abuse of Editorial Cartoons'
JHistory Eberhard on Lamb, 'Drawn to Extremes: The Use and Abuse of Editorial Cartoons' Review published on Saturday, December 1, 2007 Chris Lamb. Drawn to Extremes: The Use and Abuse of Editorial Cartoons. New York: Columbia University Press, 2006. xii + 281 pp. $19.00 (paper), ISBN 978-0-231-13067-7. Reviewed by Wallace Eberhard (University of Georgia) Published on Jhistory (December, 2007) Although it is premature to relegate the editorial cartoonist to dinosaur status, things are definitely not the way they used to be. As a kid in Niles, Michigan, I grew up reading four newspapers from three different states: the Chicago Tribune, the South Bend Tribune, the Niles Daily Star and the Detroit Times (which, ironically, I later worked for). The Trib (Chicago, that is) was then under the eye and ownership of Colonel McCormick, and featured a daily, full-color cartoon on the front page by John Tinney McCutcheon. McCutcheon was nearing the end of a cartooning and writing career that began late in the nineteenth century during the Philippine insurrection and lasted until 1944. It wouldn't have been the Trib without McCutcheon. According to biographical notes from the University of Missouri Collection where many of his cartoons are archived, he spent forty-three years with that newspaper. Tenure of that order is rarely seen in our times. Fast-forward more than half a century, and the obituaries that followed the untimely death of acclaimed cartoonist Doug Marlette on a rain-slick road in Mississippi on July 10, 2007, brings back the outline of a career dedicated to the art of skewering people, policies, and culture on the point of an artist's pen.