Electronic Supplementary Material
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Growing Importance of Color in a World of Displays and Data Color In
Importance of Color in Displays Growing Importance of Color in a World of Displays and Data Color in displays Standards for color space and their importance The television and monitor display industry, through numerous standards bodies, including the International Telecommunication Union (ITU) and International Commission on Illumination (CIE), collaborate to create standards for interoperability, delivery, and image quality, providing a basis for delivering value to the consumers and businesses that purchase and rely on these displays. In addition to industry-wide standards, proprietary standards developed by commercial entities, such as Adobe RGB and Dolby Vision, drive innovation and customer value. The benefits of standards for color are tangible. They provide the means for: Color information to be device- and application-independent Maintaining color fidelity through the creation, editing, mastering, and broadcasting process Reproducing color accurately and consistently across diverse display devices By defining a uniform color space, encoding system, and broadcast specification relative to an ideal “reference display,” content can be created almost anywhere and transmitted to virtually any device. In order for that content to be shown correctly and in full detail, the display rendering it should be able to reproduce the same color space. While down-conversion to lesser color spaces is possible, the resulting image quality will be reduced. It benefits a consumer, whenever possible and within reasonable spending, to purchase a display with the closest conformance to standards so that they are assured of the best experience in terms of interoperability and image quality. The Color IQ optic that is referenced as Annex 3 of Exemption 39(b) allows displays to meet these standards, and does so at a lower system cost and higher energy efficiency than alternative solutions. -
Rachel Schwen and Roy Berns Fall, 2011 Design of LED Clusters For
Rachel Schwen and Roy Berns Fall, 2011 Design of LED Clusters for Optimal Museum Lighting Introduction Museum lighting has historically been a field of trade offs. Museum environments have set guidelines for the lighting of fine art that aim to minimize degradation. This is accomplished by eliminating high-energy wavelengths, particularly those in the UV range below 400nm (as defined by CIE 157:2004) or is limited to 75 µW/lumen of ultra-violet radiation. There are also specifications for illuminance. For medium and high responsivity materials, total illuminance is suggested to be at or less than 50 lx (CIE 157:2004). For less responsive pigments, illuminance is suggested to be between 150 and 200 lx (CIE 157:2004, CIBS), and for those materials classified as irresponsive no limit on illumination is specified (NOTE: There are other suggested specifications for lighting in museum environments such as CIBSE, and IES which will not be discussed here). Curators are most interested in preserving artwork for future generations while displaying it in such as way as to allow current viewers to be able to enjoy the full impact of the art. The simple act of meeting these specifications creates the first level of obvious trade offs for curators. I. How much damage is too much for art? Color change due to fading is a major issue when assessing light damage done by a light source. Richardson and Saunders 2007 conducted a study, which indicates that damage as small as 2 ΔEab units is noticeable and up to 4 ΔEab indicates a reasonable amount of damage over a 50 to 100 year period. -
Visor: Hao-Chung Kuo 李柏璁 Po-Tsung Lee
國立交通大學 顯示科技研究所 碩士論文 應用於 紅,藍,綠 發光二極體色彩穩定之 控制回饋系統設計 Light Output Feedback Control System Design for RGB LED Color Stabilization 研究生:李仕龍 指導教授:郭浩中 教授 李柏璁 教授 中華民國九十七年六月 應用於 紅,藍,綠 發光二極體色彩穩定之 控制回饋系統設計 Light Output Feedback Control System Design for RGB LED Color Stabilization 研 究 生: 李仕龍 Student: Shih-Lung Lee 指導教授: 郭浩中 Advisor: Hao-chung Kuo 李柏璁 Po-Tsung Lee 國立交通大學 顯示科技研究所 碩士論文 A Thesis Submitted to Display Institute College of Electrical and Computer Engineering National Chiao Tung University in Partial Fulfillment of the Requirements for the Degree of Master In Display Institute June 2008 HsinChu, Taiwan, Republic of China. 中華民國九十七年六月 應用於 紅,藍,綠 發光二極體色彩穩定之 控制回饋系統設計 碩士班研究生:李仕龍 指導教授: 郭浩中,李柏璁 國立交通大學 顯示科技研究所 摘要 顯示科技蓬勃發展,液晶顯示器(Liquid Crystal Display)已成為取 代陰極射線管顯示器(Cathode Ray Tube Monitor)最強大的主流產品,由 於液晶顯示器並非主動發光元件,必須仰賴一個外加的光源系統,此即所 謂的背光模組,而背光模組使用冷陰極射線管(Cold Cathode Fluorescent Lamp)充當光源已行之有年;發光二極體(Light Emitting Diode)因較冷 陰極射線管具有壽命長,廣色域、省電、環保、反應快速等多項優點,已 成為液晶顯示器背光源的新選擇。然而,長時間使用下而產生的熱,往往 造成發光二極體的發光顏色偏移,此在顯示器要求高色彩品質的標準下, 是最不樂見的。 本論文提出了使用光二極體感測發光二極體的光輸出訊號,經類比數 位轉換的裝置,套用反覆逼近的程式,設計建立一組μA等級的電流逼近 的發光二極體色彩穩定回饋系統。回饋系統在 13 位元解析下,可將對應 於使用 3250, 3969, 及4462小時的紅色,藍色及綠色發光二極體的色偏 值(Δu'v')維持在內 0.005 (人眼恰可接受的範圍) 內。使用 14 位元 解析下,可將紅,藍及綠色發光二極體的色偏值維持在內 0.004 之內。 I Light Output Feedback Control System Design for RGB LED Color Stabilization Student : Shih-Lung Lee Advisor: Hao-chung Kuo Po-Tsung Lee Display Institute National Chiao-Tung University Abstract LCD (Liquid Crystal Display) is the mainstream product to replace CRT (Cathode Ray Tube). Conventionally, CCFL (Cold Cathode Fluorescent Lamp) is used as a light source of LCD backlight. However, LED (Light Emitting Diode) is regarded as the candidate to replace CCFL (Cold Cathode Fluorescent Lamp) as light source of LCD backlight due to its wide color gamut, low operation voltage, mercuryfree characteristic, and fast switch response. -
Characterization, Modeling, and Optimization of Light-Emitting Diode Systems
Downloaded from orbit.dtu.dk on: Oct 09, 2021 Characterization, Modeling, and Optimization of Light-Emitting Diode Systems Thorseth, Anders Publication date: 2011 Document Version Publisher's PDF, also known as Version of record Link back to DTU Orbit Citation (APA): Thorseth, A. (2011). Characterization, Modeling, and Optimization of Light-Emitting Diode Systems. Technical University of Denmark. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Users may download and print one copy of any publication from the public portal for the purpose of private study or research. You may not further distribute the material or use it for any profit-making activity or commercial gain You may freely distribute the URL identifying the publication in the public portal If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. FACULTY OF SCIENCE UNIVERSITY OF COPENHAGEN Ph.D. thesis Anders Thorseth Characterization, Modeling, and Optimiza- tion of Light-Emitting Diode Systems Principal supervisor: Jan W. Thomsen Co-supervisor: Carsten Dam-Hansen Submitted: 31/03/2011 i \Here forms, here colours, here the character of every part of the universe are concentrated to a point." Leonardo da Vinci, on the eye [156, p. 20] ii Abstract This thesis explores, characterization, modeling, and optimization of light-emitting diodes (LED) for general illumination. -
Gretagmacbeth Visual Color Communication
OLORCHECKERTM CHART SOIL COLOR CHARTS MUNSELL CONVERSION FREEWARE MUNSELL BOOK OF COLOR PLANT CUSTOM COLOR STANDARDS COLOR CONTROL PANELS TEXTURE PAINT-ON-PAPER COLOR STANDARDS COLOR TOL APPEARANCE LEARNING KIT FARNSWORTH-MUNSELL 100 HUE TEST FARNSWORTH-MUNSELL DICHOTOMOUS D-15 GretagMacbeth Visual Color Communication LOR AND APPEARANCE BOOK HUE, VALUE, CHROMA (H V/C) POSTERS COLOR LABORATORY SERVICES COLOR AND Product and Resource Guide AND THE JUDGE II-S EXAMOLITE LUMINARIES PROOFLITE TRANSPARENCY VIEWERS PROOFLITE VIEWING SYSTEMS ECTRO-RADIOMETER COLORCHECKER TM CHART SOIL COLOR CHARTS MUNSELL CONVERSION FREEWARE MUNSELL B QUICKCOLOR STANDARDS CUSTOM COLOR STANDARDS COLOR CONTROL PANELS TEXTURE PAINT-ON-PAPER COLOR S INTERACTIVE COLOR & APPEARANCE LEARNING KIT FARNSWORTH-MUNSELL 100 HUE TEST FARNSWORTH-MUNSELL ENTALS OF COLOR AND APPEARANCE BOOK HUE, VALUE, CHROMA (H V/C) POSTERS COLOR LABORATORY SERVICES THE JUDGE II AND THE JUDGE II-S EXAMOLITE LUMINARIES PROOFLITE TRANSPARENCY VIEWERS PROOFLITE VIEWING HTSPEX SPECTRO-RADIOMETER COLORCHECKERTM CHART SOIL COLOR CHARTS MUNSELL CONVERSION FREEWARE ODING CHARTS QUICKCOLOR STANDARDS CUSTOM COLOR STANDARDS COLOR CONTROL PANELS TEXTURE PAINT COLOR & APPEARANCE LEARNING KIT FARNSWORTH-MUNSELL 100 HUE TEST FARNSWORTH-MUNSELL DICHOTOMOUS COLOR AND APPEARANCE BOOK HUE, VALUE, CHROMA (H V/C) POSTERS COLOR LABORATORY SERVICES COLOR THE JUDGE II-S EXAMOLITE LUMINARIES PROOFLITE TRANSPARENCY VIEWERS PROOFLITE VIEWING SYSTEMS SOL-SOU CHECKERTM CHART SOIL COLOR CHARTS MUNSELL CONVERSION FREEWARE MUNSELL -
Comparing Different ACES Input Device Transforms (Idts) for the RED Scarlet-X Camera
https://doi.org/10.2352/ISSN.2470-1173.2018.06.MOBMU-139 © 2018, Society for Imaging Science and Technology Comparing different ACES Input Device Transforms (IDTs) for the RED Scarlet-X Camera Eberhard Hasche, Oliver Karaschewski, Reiner Creutzburg, Brandenburg University of Applied Sciences; Brandenburg a.d. Havel . Brandenburg/Germany Email: [email protected] , [email protected], [email protected] Abstract One important part of the ACES system is the Input Device The RED film cameras are important for professional film Transform (IDT). productions. Therefore, the Academy of Motion Picture Arts and Science (AMPAS) inserted to their new Input Device Transforms In the first step of the ACES system the IDT converts an (IDTs) in ACES 1.0.3 among others a couple of conversions from image from a certain source, mainly a film camera but also RED color spaces. These transforms are intended to establish a Computer Graphic (CG) renderings to a unified color space. To linear relationship of the recorded pixel color to the original light ensure that all converted images are looking the same, all transfer of the scene. To achieve this goal the IDTs are applied to the functions (gamma, log) and all picture renderings applied by the different RED color spaces, which are provided by the camera manufacture company have to be removed. After applying the IDT manufacturer. This results in a linearization of the recorded image to all input images, they can be combined theoretically without colors. additional color correction – a main goal in modern compositing Following this concept the conversion should render For this reason the built-in functionality of an IDT has to comparable results for each color space with an acceptable ensure that the resulted image maintains a linear relationship to the deviation from the original light of the scene. -
Refining ACES Best Practice
Refining ACES Best Practice Eberhard Hasche, Oliver Karaschewski, Reiner Creutzburg, Brandenburg University of Applied Sciences; Brandenburg a.d. Havel . Brandenburg/Germany Email: [email protected] , [email protected], [email protected] Abstract ACES is the Academy Color Encoding System established by the Academy of Motion Picture Arts and Science (A.M.P.A.S). Since its introduction (version 1.0 in December 2014), it has been widely used in the film industry. The interaction of four modules makes the system flexible and leaves room for own developments and modifications. Nevertheless, improvements are possible for various practical applications. This paper analyzes some of the problems frequently encountered in practice in order to identify possible solutions. These include improvements in importing still images, white point conversions problems and test lighting. The results should be applicable in practice and take into account above all the workflow with commercially available software programs. The goal of this paper is to record the spectral distribution of Figure 1. GretagMacbeth ColorChecker (pocket version) and a GretagMacbeth ColorChecker using a spectrometer and also Identifiers used in the test photography it with different cameras like RED Scarlet M-X, Blackmagic URSA Mini Pro and Canon EOS 5D Mark III under the For the illumination we applied three different lights – same lighting conditions. The recorded imagery is then converted commonly used in film/tv/video production. They were set to match to the ACES2065-1 color space. The positions of the patches of the an illuminant of roughly 6000 K (CIE D60). The spectral data was ColorChecker in CIE Yxy color space are then compared to the recorded by a spectrometer Qmini by rgbphotonics (see figure 2). -
Analysis of Color Rendition Specification Criteria
Analysis of Color Rendition Specification Criteria Michael P. Royer Pacific Northwest National Laboratory, 620 SW 5th Ave Suite 810, Portland, OR, USA 97202 This is an archival copy of an article published in Light-Emitting Devices, Materials, and Applications. Please cite as: Royer, M. “Analysis of color rendition specification criteria.” Light-Emitting Devices, Materials, and Applications. Vol. 10940. International Society for Optics and Photonics, 2019. Analysis of Color Rendition Specification Criteria Michael P. Royer*a aPacific Northwest National Laboratory, 620 SW 5th Ave Suite 810, Portland, OR, USA 97202 ABSTRACT Methods for evaluating light source color rendition have recently undergone substantial changes. This article explores the ability of color rendition specification criteria to capture preferences for lighting color quality. For a compilation of five recent psychophysical studies on perceptions of colors, recently proposed specification criteria using ANSI/IES TM-30-18 substantially outperformed all currently used specification criteria in identifying preferred lighting conditions. To understand the consequences of changing color rendition specification criteria, the performance of a set of 484 commercially-available SPDs was evaluated. Keywords: Color rendition, specification criteria, color preference, spectral efficiency, TM-30, color fidelity, CRI 1. INTRODUCTION Measures (objective quantities) and metrics (subjective quantities) of color rendition are calculation methods that return a quantitative value describing how a light source will influence the appearance of colored objects. Dozens of measures and metrics of color rendition have been proposed over the past 70 years as the variety of light sources— specifically their spectral power distributions (SPDs)—has grown. These calculation tools vary in what they intend to quantify, as well as in the underlying framework that is used to make assumptions about object colors, viewing conditions, and psychological processes. -
CCS Series Spectrometer 1 General Information the CCS Series Spectrometer Is Designed for General Laboratory Use
Spectrometer CCS Series Operation Manual 2014 Version: 2.02 Date: 21-Mar-2014 Copyright © 2014 Thorlabs Contents Foreword 3 1 General Information 4 1.1 Safety 4 1.2 Ordering Codes and Accessories 5 1.3 Requirements 5 2 Installation 6 2.1 Parts List 6 2.2 Installing Software 7 3 Getting Started 12 4 Operating Instruction 14 4.1 Main Menu 15 4.1.1 File 15 4.1.2 Sweep 18 4.1.3 Display 22 4.1.4 Level 25 4.1.5 Marker 26 4.1.5.1 Movable Markers 26 4.1.5.2 Fixed Markers 28 4.1.6 Analysis 31 4.1.6.1 Peak Track Analysis 31 4.1.6.2 Color Analysis 33 4.1.6.3 Statistics 34 4.1.6.4 Long Term Analysis 35 4.1.7 Math 39 4.1.8 Setup 45 4.1.8.1 Tab Active Device 45 4.1.8.2 Tab Display 50 4.1.8.3 Tab Peak Track 51 4.1.8.4 Tab Reset 52 4.1.9 Help 52 4.2 Settings Bar 53 4.3 Trace Controls 54 5 Write Your Own Application 57 5.1 NI VISA Instrument driver 32bit on 32bit systems 58 5.2 NI VISA Instrument driver 32bit on 64bit systems 60 5.3 NI VISA Instrument driver 64bit on 64bit systems 62 6 Maintenance and Service 64 6.1 Version Information 64 6.2 Troubleshooting 65 7 Appendix 66 7.1 Technical Data 66 7.2 Dimensions 67 7.3 Tutorial 68 7.4 Shortcuts Used in OSA Software 72 7.5 Certifications and Compliances 73 7.6 Warranty 74 7.7 Copyright and Exclusion of Reliability 75 7.8 Thorlabs 'End of Life' Policy (WEEE) 76 7.9 List of Acronyms 77 7.10 Thorlabs Worldwide Contacts 78 We aim to develop and produce the best solution for your application in the field of optical measurement techniques. -
Xrite Colorchecker Comparison Brochure
x-rite photo photo photo Product Line Comparison Passport Classic Grayscale White Balance Gray Balance Digital SG ColorChecker Passport RAW Color Power for Control and Creativity – from Capture to Edit. ColorChecker Passport combines 3 photographic targets into one pocket size protective case that self-stands to adjust to any scene. Combining the powerful color capabilities of the ColorChecker Passport and Adobe Imaging solutions into your RAW workflow will undeniably reduce your image processing time and improve quality control. Quickly and easily capture accurate color, instantly enhance portraits and landscapes and maintain color control and consistency from capture to edit. ColorChecker Classic The ColorChecker Classic target is designed to deliver true-to-life image reproduction so photographers can predict and control how color will look under any illumination. Each of the 24 colors represents the actual color of natural objects and reflects light just like its real-world counterpart. ColorChecker Classic targets support custom DNG profile creation. Available in both full and mini sizes. ColorChecker White Balance The ColorChecker Custom White Balance target delivers accurate white reproduction. As lighting conditions change, your camera shifts the way it reproduces white; resulting in color shifts in your photos. Most white balance targets aren’t neutral and could cause colors to shift under different lighting conditions. But the ColorChecker Custom White Balance target is a scientifically engineered, neutral white reference that prevents color shifts and provides precise, uniform surface that is spectrally neutral – in any lighting condition. That means you can be confident your camera’s image is as close to real life as possible. -
Wide Color Gamut SET EXPO 2016
Wide Color Gamut SET EXPO 2016 31 AUGUST 2016 Eliésio Silva Júnior Reseller Account Manager E/ [email protected] T/ +55 11 3530-8940 M/ +55 21 9 7242-4211 tek.com Anatomy Human Vision CIE Chart Color Gamuts Wide Color Gamut Gamma and High Dynamic Range 2 Basic Anatomy - Human vision system PHYSICAL PART/ELEMENTS • Eye, Lens and Retina ▪ Rods ▫ Sensitive to Blue-green light ▫ Used for vision under dark-dim conditions. ▪ Cones ▫ 3 Types of Cones Sensitive to either long wavelengths of light (red light) medium wavelengths of light (green light) short wavelengths of light (blue light) ◦ Optic nerve http://webvision.med.utah.edu/index.html 3 Color Model – CIE color spaces NTSC (1953) BT709/sRGB BT2020 ~SMPTE C D65 white BT2020 NTSC (1953) Black BT709/sRGB (70% NTSC) White ~SMPTE C D65 white CIE-1931 chart CIE-1976 chart (More perceptually uniform than CIE-1931) • CIE 1931 XYZ color space ◦ Still foundation of most color models • Trichromatic stimulus (color value) • Lightness decreases towards not shown third dimmension • Saturation increases towards edges 4 ITU 601-7 & 709-5 Chromaticity ITU-R BT 601-7 601-7 525 CIE x CIE y Red 0.630 0.340 Green 0.310 0.595 Blue 0.155 0.070 White 0.3127 0.3290 ITU-R BT 709-5 709-5/601 625 CIE x CIE y Red 0.640 0.330 Green 0.300 0.600 Blue 0.150 0.060 White 0.3127 0.3290 31 AUGUST 2016 5 Wider Color - Chromaticity ITU-R BT 2020 CIE x CIE y Red 0.708 0.292 Green 0.170 0.797 Blue 0.131 0.046 White 0.31272 0.32903 ITU-R BT 709-5 709-5 CIE x CIE y Red 0.640 0.330 Green 0.300 0.600 Blue 0.150 0.060 White 0.3127 0.3290 -
Color Accuracyaccuracy
WelcomeWelcome toto thethe FifthFifth Almost-AnnualAlmost-Annual BetterBetter LightLight OwnersOwners’’ ConferenceConference ……iitt’’ss ggoonnnnaa bbee HHOOTT!!!! COLORCOLOR ACCURACYACCURACY mmoorree tthhaann yyoouu eevveerr wwaanntteedd ttoo kknnooww - including - hhooww ttoo imimpprroovvee yyoouurr ccaammeerraa pprrooffileile ““CCoololorr AAccccuurraaccyy””…… ¬ HHooww aaccccuurraatteelyly ddooeess aa ddeevvicicee rreennddeerr ccoololorr?? ¬ ……ccoommppaarreedd ttoo wwhhaatt?? ¬ ……uunnddeerr wwhhaatt ccoonnddititioionnss?? ¬ ……uussiningg wwhhaatt tteerrmmininoolologgyy?? SSppeeccttrraall rreessppoonnssee mmeetthhoodd compares the actual response of a device with its theoretical response, based on spectral data for the reference chart being used, and for the device 1 1.00 0.9 dark brown 0.90 dark orange blue 0.8 white 0.80 light brown violet blue 0.7 green 0.70 gray 1 pale blue 0.6 0.60 medium red red ccd red gray 2 0.5 0.50 ccd green olive green dark purple ccd blue yellow 0.40 0.4 medium gray light purple yellow green 0.30 0.3 magenta dark gray 0.20 0.2 light cyan light orange cyan 0.10 0.1 black 0.00 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 0 2 4 6 8 0 2 4 6 8 0 2 4 6 8 0 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 5 9 1 2 3 8 0 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 1 2 3 3 4 4 4 4 4 5 5 5 5 5 6 6 6 6 6 7 7 4 4 4 4 4 3 3 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6 6 6 7 7 7 7 reference chart spectral data device spectral response data CCaallcucullaatetedd ddeevviicece reressppoonnssee toto