NATIONAL IMAGINING and TEXTBOOK HISTORY By

CHARTING LA VIA CHLLENA: NATIONAL IMAGINING AND TEXTBOOK HISTORY By STEPHEN BALNAVE B.A., Simon Fraser University, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE FACULTY OF GRADUATE STUDIES (DEPARTMENT OF HISTORY) We accept this thesis as conforming To the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2003 © Stephen Balnave, 2003 Library Authorization In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Stephen Balnave 30/02/2004 Name of Author (please print) Date (dd/mm/yyyy) Title of Thesis: Charting La Via Chilena: National Imagining and Textbook History Degree: Master of Arts, History Year: 2003 Department of History The University of British Columbia Vancouver, BC Canada ABSTRACT This paper explores the relationship between regime politics, the political orientation of textbook authors and editors, and the national narratives of Chilean school history textbooks from the 1960's, 1970's and 1980's. It explains how history textbooks were used to cement a Conservative nationalist vision of Chile's past, and argues that the nationalist rhetoric of history textbooks was used as a political tool both in support of the Pinochet regime and against Chilean Marxists. Whereas these efforts were undertaken in the name of "national reconciliation," I argue that the aggressive re-construction of Chilean national imagining by supporters of the Pinochet regime only served to polarize Chilean national imagining between the political left and right. I conclude that the writing of less divisive or more inclusive national narratives will not fully address this legacy of the dictatorship. Instead, Chilean students should be encouraged to criticize the political abuses of shared nationalist discourses that took place in the 1970's and 1980's in order to come to terms with recent Chilean history. TABLE OF CONTENTS Abstract 1 Table of Contents " Acknowledgements iii Text 1 Bibliography •••37 Appendix 1: Table of Chilean Textbooks and Textbook Authors 42 ACKNOWLEDGEMENTS I wish to thank my supervisor, Dr. William French, for his advice and encouragement during my time at UBC. I am also grateful to Dr. Peter Seixas at the Centre for the Study of Historical Consciousness, Department of Curriculum Studies, for showing an early interest in my project, and for helping to point me in the right direction. I am also indebted to Dr. Guillermo Bustos for supplying me with some of my key sources, and for sharing with me his first-hand knowledge concerning history education in Chile during the 1970's. Finally, I could not have completed this M.A. thesis without the support of my family and friends, many of whom spent hours of their time reading over and editing drafts, as well as supplying me with their valuable opinions of my work. in 1 The findings of the Rettig Truth and Reconciliation Commission1 coupled with the arrest and detention of Augusto Pinochet in London2 destabilized narratives of Chilean national imagining. The uncovering of the state's role in human rights abuses has prompted Cristian Gazmuri, the Director of the Historical Institute at la Pontificia Universidad Catolica de Chile, and one of the country's leading Historians, to call "sacred, official history"3 into question. In his view, eighteen years of dictatorship has produced a dominant historical narrative that is uncritical of the abuses of the Pinochet regime. He believes that this single national story has subsumed all others in the school history textbooks of the past two decades. As an answer to this problem, Gazmuri proposes that Chile now needs a new vision of its past, one that problematizes narratives that portray the military as the saviors of Chile, credit it with averting civil war in 1973, with restoring the national soul ("alma nacional"), and with bringing about Chile's "miraculous" economic recovery. He ventures that 21st Century Chilean history textbook writers and editors must break with this official monopoly on the past and write new textbooks that will produce a lasting "reconciliation" in national memory. I wish to trace the growth of a Conservative hegemony in Chilean national imagining through changes in school history textbooks of the 1970s and 1980s. In exploring the development of Chilean history textbook narratives through the 1960's, 1970's and 1980's, I posit a relationship between political orientation and national imagining that explains how history textbooks were used to cement a Conservative nationalist vision of Chile's past that was different from other political and nationalist ideologies. A better understanding of the ways in which the dictatorship and its supporters used national narratives as political tools should inform the writing of history textbooks in the 21st Century. The national programs of Eduardo Frei's "Revolution in Liberty" (1964-70), Salvador Allende's "Road to Socialism" (1970-73), and Augusto Pinochet's "National Spiritual Integration" (1973-1988)4 were based on contrasting political visions and divergent ways of imagining Chile. Chilean historical textbooks published from the 1960's to the early 1970's reflect these conflicting accounts of the nation.5 The link between regime politics and textbook narratives is indirect, mediated by the biases and underlying assumptions of textbook authors and editors.6 In theorizing the contested meanings of Chilean history textbooks there are two levels of relationship to consider: those between regimes and the voices of textbook authors on the one hand, and those between the political views of these authors, and their assumptions concerning the nature of Chilenidad (Chilean nationality) on the other. Linkages between regime politics, the political views of textbook authors, and history textbook writing can be addressed by conceptualizing texts as sites of hegemonic struggle. The issue of the "ownership" of a given textual representation8 is particularly relevant to Chilean textbooks of the 1970's, where newer editions of older texts were sometimes altered after the death of the author.9 The demands of a changing political climate informed the production of Chilean school textbooks in the sense that anonymous editors, not the original authors, were sometimes responsible for revisions in school textbooks. In this sense, textbooks are forms of "cultural politics"10 that reflect the issue of "whose knowledge is legitimized."11 Neither the plethora of influences behind textbook representations, nor the effects of these textbooks on students national imagining can be fully addressed. The relationship between regime ideologies and the political orientation and nationalist sentiment of particular textbooks, while apparent, is contested.12 Michael Apple problematizes links between 'the state' and textbooks, pointing out that "dominant classes in the economic apparatus need not be the same as those dominant in some of the cultural apparatuses of society."13 Michel-Rolph Trouillot further undermines facile connections between dominant ideologies and the production of history by rejecting the idea that Historians merely express their party line, or that historical narratives can clearly expose ideological positions anchored in the present.14 Even within authoritarian political environments, such as Chile in the 1970's and 1980's, there is no direct 3 unmediated relationship between regime politics and history textbook narratives. History textbooks in recent Chilean history have continued to reflect dominant middle class discourses of nationalism, progress, and solidarity. One needs to qualify any claims regarding the relationship between regimes, the politics of textbook writers and editors, and textbook narratives, as well as be aware of cultural, personal, inter-textual and professional influences on textbook representations of the Chilean past. Moreover, the national and political vision of these textbooks cannot be generalised to describe the beliefs of Chilean students. Curriculum theorists often distinguish between the "prescribed, delivered and received" curriculum as three different sources of historical understanding.15 Given that this study has not taken counter-hegemonic narratives into account, I cannot argue that a fusion of political vision and national imagining effectively intervened in the popular memory of Chilean high school students. Without comparing textbook narratives against student voices, personal memoirs,16 interviews, or performances on national university entrance exams, the "hidden script" of "popular memory from below" cannot be adequately addressed. Furthermore, even if it could be found that Chilean students demonstrated "mastery" of history textbook material, this wouldn't prove that they had internalised it.17 Consequently, this study can only trace the fingerprints of Conservative hegemony within textbook representations, and cannot explore its effects on students. Yet such limitations do not undercut the benefits of exploring the relationship between the Pinochet regime and the production of textbook narratives. The links between Chilean memory

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