Sturbridge 7-27-07
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Layout 1 (Page 1)
Mailed free to requesting homes in Thompson Vol. VII, No. 32 Complimentary to homes by request (860) 928-1818/e-mail: [email protected] FRIDAY, MAY 4, 2012 THIS WEEK’S QUOTE Committee to search for grants to fund mill clean up SELECTMEN HOPEFUL PROPERTY MAY SEE NEW LIFE AS PARK “Self-development BY KERENSA KONESNI ble left behind after a series expressed by what is now the – as is the case with the is a higher duty VILLAGER STAFF WRITER of owners removed the valu- Department of Energy and Belding site, the corporation THOMPSON — After clean able portions of its construc- Environmental Protection that retains responsibility than self-sacrifice.” up efforts were derailed by tion, leaving piles of bricks (DEEP) drew the process out, for the clean up and remedia- the downturn in the econo- and concrete behind a chain and with trucks on the tion of a site is often not pres- my, the site of the Belding- link fence near the heart of ground ready to begin clear- ent, if it exists at all. Corticelli Mill on Route 12 in the town. ing debris, the money to com- “The town is willing to find Thompson may be back on According to First plete the project privately ways to be creative but not to track to see clean up, remedi- Selectman Larry Groh, the ran out. According to Groh, take on the liability,” said ation and a change in the current owner of the site Scott owns the Belding- Kennedy. “So right now the INSIDE landscape. Andy Scott has said that he is Corticelli Mill free and clear. -
Citizen Culture Issue #6
corrections 11/22/05 11:17 AM Page 117 corrections 11/30/05 12:14 PM Page 3 38 106 75 TIDBITS JOURNALISM The Meth Mess Idiotic Inventive Crimes 8 Grace Carter 38 Mark Peters Must-Have Tech Gadgets 2005 8 Agha Khan TABLET: Fiction Recording in a Free World Phantom of Havana: 10 Paul Rouse 50 The Forgotten Legend of C.J. Fuentes El Rushbo, Gentle Arbiter Chris Wilson 12 Michael Serazio Flight 117, Tampa to Providence Insomnia Corner 55 Jennifer Farmer 15 Moisture Therapy Docents Against Darwin 59 Krista Jarmas 16 R.M Schneiderman ON THE FENCE TOCFrom the Left THE CCM INTERVIEW Sen. John McCain on 60 Dmitry Tuchinsky 18 Young Pros in 2006 65 From the Right Igor Finkel and Jonathon Scott Feit Ben Barron First Person SATIRE 70 Jill Dudones 21 A Good Day for John Bolton Seth Reiss 75 THE “F” WORD APHRODISIA CCM INVESTIGATES On Camping and Childbirth The NYC Security Paradox 23 Jen Karetnick 82 Team Coverage TRAVEL LOCAL FLAVOR: Anecdote Bluffed by Bali Adventures in Designer 26 Nicholas Gill 88 Handbag Shopping Amanda Joyce GLOBAL FOCUS Murder in Mongolia ARCHITECTURE 32 Claudia B. Flisi In Pursuit of Luxury issue92 Molly Klais #6 corrections 11/22/05 11:14 AM Page 4 124 102 92 MAGAZINES CONTRIBUTORS New York’s Arbiter of Cool JEN KARETNICK is a Miami-based freelance writer 99 Jonathon Scott Feit and poet. She works as the features editor for Wine 102 THE 6*4*6 News, the Miami stringer for Gayot.com and the restaurant critic for So.Florida Magazine, Las Olas LINES AND LISTS Magazine and Lincoln Road Magazine. -
Dissertation Final Draft
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Political Thought and Political Action: Michael Walzer's Engagement with American Radicalism Permalink https://escholarship.org/uc/item/4x10110b Author Reiner, Jason Toby David Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Political Thought and Political Action: Michael Walzer’s Engagement with American Radicalism By Jason Toby David Reiner A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Bevir, Chair Professor Shannon Stimson Professor Sarah Song Professor David Hollinger Spring 2011 Abstract Political Thought and Political Action: Michael Walzer’s Engagement with American Radicalism by Jason Toby David Reiner Doctor of Philosophy in Political Science University of California, Berkeley Professor Mark Bevir, Chair This dissertation provides an account of the historical development of the political thought of Michael Walzer from the 1950s to the present day. It situates Walzer within an American tradition of social democratic thought and argues that only when he is so situated can his thought be understood fully. Walzer’s engagement with that tradition, most notably through his work on Dissent magazine, has structured how he has responded to many of the major developments in political life over the course of his career, including the decline of movement politics, the rise of neoliberalism, the recent waves of immigration to the USA, and the increased salience of civil society following the demise of the Soviet Union. -
Pointing Our Thoughts
POINTING OUR THOUGHTS NEIL L. RUDENSTINE POINTING OUR THOUGHTS REFLECTIONS on Harvard and Higher Education d 1991– 2001 foreword by HANNA HOLBORN GRAY ILLUSTRATIONS BY BARRY MOSER HARVARD UNIVERSITY CAMBRIDGE · MASSACHUSETTS Copyright © 2001 by the President and Fellows of Harvard College Introduction copyright © 2001 by Hanna Holborn Gray Frontispiece illustration copyright © 2001 by Barry Moser “There Are Roughly Zones,” “The Road Not Taken,” and “The Star-Splitter,” from The Poetry of Robert Frost, edited by Edward Connery Lathem Copyright © 1923, 1969 by Henry Holt and Company, Copyright © 1936, 1951 by Robert Frost, Copyright © 1964 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC. “This Is Just to Say,” by William Carlos Williams, from Collected Poems 1909–1939, Volume I, Copyright © 1938 by New Directions Publishing Corp. Reprinted by permission of New Directions Publishing Corp. “Vacillation” IV reprinted with the permission of Scribner, a Division of Simon & Schuster, from The Collected Poems of W.B.Yeats, Revised Second Edition edited by Richard J. Finneran Copyright © 1933 by Macmillan Publishing Company; Copyright renewed © 1961 by Bertha Georgie Yeats Frontispiece: The Memorial Hall tower, destroyed in a 1956 fire, was rebuilt in 1999, and stands as a symbol of the University’s renewal and restoration of its campus. A new student dining hall and commons are now also part of Memorial Hall. Contents hj Foreword ix The Enduring University The Values of Education 3 The University and Diversity -
Popular Song and the Poetics of Experience
Journal of the Royal Musical Association, 146/1, 81–116 doi:10.1017/rma.2020.25 Popular Song and the Poetics of Experience ROSS COLE Abstract This article argues that songwriting can be an autobiographical activity. I trace a long- standing mistrust of self-expression in popular music through a branch of scholarship fixated with performance and personification, demonstrating its underlying affinities with post-structuralism and modernist dreams of impersonality. What we have lost as a result of this undue insistence on mediation is an awareness of the two-way traffic between life and lyrical craft. A poetics of song should pay increased attention to this intricate relationship – not reducing lyrics to biographical contingencies, but rather viewing autobiography itself as a complex process of self-reading, a public act of autobiographical making. My argument is illustrated with reference to three contemporary singer-songwriters who have interpreted aspects of their lives through song: Vic Chesnutt, Sun Kil Moon (Mark Kozelek) and Anohni (formerly of Antony and the Johnsons). Their work ultimately traverses and obscures the interstices between experience and imagination. When we hear a song it also seems to hear us. As we enter the world of a song, allowing it to infringe momentarily on our consciousness, we yield and the song begins to lead us – perhaps unwillingly, perhaps unwittingly – down unexpected pathways bent in the undergrowth of reminiscence and imagination. Rather than attentive listening con- tributing to the process of interpreting a song, in other words, songs appear to interpret us as we listen to them: they uncover or disarm us, they divert us and they move us by somehow trespassing over the landscapes of memory that we keep hidden away amid our day-to-day lives, illuminating the recesses of the self. -
Killingly Test 3-30 NEW.Qxt
Mailed free to requesting homes in Brooklyn, the borough of Danielson, Killingly & its villages Vol. VI, No. 30 Complimentary home delivery (860) 928-1818/email:[email protected] Friday, May 25, 2012 THIS WEEK’S QUOTE RRELAELAYY FORFOR LLIFEIFE “A friend is a gift you give yourself.” Robert Louis Stevenson INSIDE A8-9— OPINION A12 — SPORTS Kerensa Konesni photos B1 — HOT SPOT Those on the sidelines blew bubbles to the Relayers walking the B1 — CALENDAR Survivor Lap. B3— OBITS B4 — CLASSIFIEDS Jean Sheldon leads the Survivor Lap that opened the 2012 Relay. LOCAL Author visits KCS It was an emotional moment for many in the crowd when the Page A4 National Anthem was sung by Linda Colangelo. The 80-degree weather May 19 and 20 was welcomed by Relayers, who have in past years walked the 24-hour Relay in the rain. SPORTS WOODSTOCK — The Northeast Connecticut Relay for Life was held at the Woodstock Fairgrounds Saturday,May 19 and Sunday,May 20. After all was said and done, more than $300,000 — and counting — was raised for For more photos, turn to page A18! the American Cancer Society. Students present plans Pennink wins Modified to improve their world Page A12 BY MERYL E WILLETT VILLAGER STAFF WRITER KILLINGLY— The 9th EVERDAY ECOLOGIST Annual Quinebaug Valley PAGE A5 Community College High School Manufacturing ROUND ROBIN Expo took place at the RELAYS QVCC campus on Friday, PAGE A7 May 18, featuring six high schools from the area — Plainfield High School, Putnam High School, Woodstock Academy, Tourtellotte Memorial High School, Quinebaug Middle College, and H.H. -
Agnes Martin and Ian Curtis
UNKNOWN ARCHITECTURES: AGNES MARTIN AND IAN CURTIS A Dissertation by JAMES ANDREW WESTWATER Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Stephen Caffey Committee Members, Gabriel Esquivel Philip Galanter Kirk Hamilton Head of Department, Robert Warden May 2017 Major Subject: Architecture Copyright 2017 James Andrew Westwater ABSTRACT This study focuses on the affective role of the built space of artistic production––the studio, the writing room, the rehearsal space, and the city––to examine, through the lens of architecture, mechanisms of artistic creativity such as inspiration, insight problem solving, nature, and the sublime. Architecture is defined here as human-built, natural, or conceptual space, place, or object. The romantic image of the suffering artist––the artist who suffers for their art––is well known, but to what extent does an artist make work because of their suffering or despite their suffering? In order to represent both hypotheses embedded in the question, two specific artists were selected for case study. The Canadian-American artist Agnes Martin (1912–2004) is known for her abstract geometric paintings, writings and lectures, and the decision to turn her back on the New York art scene and move to rural Northern New Mexico where she lived for almost 50 years. Martin overcame schizophrenia to become one of the most successful artists of her generation. The English singer-songwriter-musician Ian Curtis (1956–1980), lead singer of the influential postpunk band Joy Division, lived most of his life in or close to the northern English city of Manchester. -
After Hitchcock, Influence, Imitation, and Intertextuality
AFTER HITCHCOCK TT3829.indb3829.indb i 99/27/06/27/06 33:40:03:40:03 PPMM TT3829.indb3829.indb iiii 99/27/06/27/06 33:40:04:40:04 PPMM Edited by David Boyd and R. Barton Palmer INFLUENCE, IMITATION, AND INTERTEXTUALITY University of Texas Press Austin TT3829.indb3829.indb iiiiii 99/27/06/27/06 33:40:04:40:04 PPMM Unless otherwise credited, the photographs in this volume are courtesy of the Academy of Motion Picture Arts and Sciences. A portion of Chapter 2 appears in Crowds, Power, and Transformation in Cinema (2006), by Lesley Brill. Courtesy of Wayne State University Press. “For Ever Hitchcock: Psycho and Its Remakes” by Constantine Verevis appears in altered form in the “Authors” chapter of Film Remakes, by Constantine Verevis, courtesy of Edinburgh University Press (www.eup.ed.ac.uk). Copyright © 2006 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2006 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ᭺ϱ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). Library of Congress Cataloging-in-Publication After Hitchcock : infl uence, imitation, and intertextuality / edited by David Boyd and R. Barton Palmer. — 1st ed. p. cm. Includes bibliographical references and index. isbn-13: 978-0-292-71337-6 (cl. : alk. paper) isbn-10: 0-292-71337-1 isbn-13: 978-0-292-71338-3 (pbk. -
Otherness, Survival and Hope: Pedagogies in Popular Media
Otherness, Survival and Hope: Pedagogies in Popular Media Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy Volume 6, Issue 3 | December 2019 | www.journaldialogue.org e Interdisciplinary Journal of Popular Culture and Pedagogy INTRODUCTION AND SCOPE Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy is an open-access, peer-reviewed journal focused on the intersection of popular culture and pedagogy. Dialogue is committed to creating and maintaining a scholarly journal accessible to all —meaning that there is no charge for either the author or the reader. The Journal is interested in contributions offering theoretical, practical, pedagogical, and historical examinations of popular culture, including interdisciplinary discussions and those which examine the connections between American and international cultures. In addition to analyses provided by contributed articles, the Journal also encourages submissions for guest editions, interviews, and reviews of books, films, conferences, music, and technology. For more information, please visit www.journaldialogue.org or email Dr. Anna CohenMiller, Editor in Chief, at [email protected]. All papers in Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy are published under a Creative Commons Attribution-Non-Commercial-Share- Alike License. For details please go to: http://creativecommons.org/licenses/by-nc-sa/3.0/us/. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy EDITORIAL TEAM A. S. CohenMiller, PhD, Editor in Chief, Founding Editor Anna S. CohenMiller is a qualitative methodologist specializing in social justice and intercultural communication in education. She focuses in particular on issues of gender, pedagogical practice, and popular culture. She received her PhD in Interdisciplinary Learning and Teaching and MA in Bicultural- Bilingual Studies from the University of Texas at San Antonio.