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September-December Bloomsbury Fall 2015 • September Through December
September-December Bloomsbury Fall 2015 • September through December PICTURE AND BOARD BOOKS MIDDLE GRADE BOOKS SEPTEMBER SEPTEMBER Penguin’s Big Adventure Princess Ponies: A Special Surprise Snow Bear Princess Ponies: A Singing Star Zombelina Dances the Nutcracker A Curious Tale of the In-Between My Jolly Red Santa Activity and Sticker Book Little Shaq Draw It! Christmas The Quirks and the Freaky Field Trip The Awesome Book of Awesomeness OCTOBER OCTOBER The Quirks and the Quirkalicious Birthday Draw It! Animals The Golden Match The Silly Book of Sidesplitting Stuff The Fairy-Tale Matchmaker The Day the Mustache Took Over NOVEMBER Magic in the Mix Specs for Rex Zoo Zoom! NOVEMBER Apocalypse Meow Meow DECEMBER Monkey Business Groundhog’s Day Off Chick ‘n’ Pug: The Love Pug DECEMBER Carry and Play I Love You . Women. Who Broke the Rules: Coretta Scott King . The Shape of My Heart . .Women . Who Broke the Rules: Mary Todd Lincoln. TEEN BOOKS DISTRIBUTION TITLES SEPTEMBER SEPTEMBER Queen of Shadows Archie Loves Skipping Heir of Fire Dino-Daddy The Cloudspotter OCTOBER Yikes, Stinkysaurus! Red Girl, Blue Bloy The Wombles: Great Uncle Bulgaria Takes Charge The Extraordinary Adventures of Alfred Kropp The Wombles: Orinoco Follows His Nose Alfred Kropp and the Seal of Solomon The Royal Wedding Crashers Alfred Kropp and the Thirteenth Skull OCTOBER NOVEMBER Yikes, Santa-CLAWS! Undeniable First Animal Encyclopedia Polar Animals Everything But the Truth Curse of the Evil Custard Mutant Rising Cover image from A Curious Tale of the In-Between by Lauren DeStefano NOVEMBER For the most update-to-date Edelweiss catalog information, Yikes, Ticklysaurus! visit www.edelweiss.abovethetreeline.com Fearless DECEMBER Sir Scaly Pants the Dragon Knight BLOOMSBURY USA CHILDRENS • SEPTEMBER 2015 JUVENILE FICTION / SOCIAL ISSUES / FRIENDSHIP SALINA YOON Penguin's Big Adventure Salina Yoon's beloved character Penguin returns in a story about taking chances and trying new things. -
New-Lipchis-Way-Route-Guide.Pdf
Liphook River Rother Midhurst South New Downs South Lipchis Way Downs LIPHOOK Midhurst RAMBLERS Town Council River Lavant Singleton Chichester Footprints of Sussex Pear Tree Cottage, Jarvis Lane, Steyning, West Sussex BN44 3GL East Head Logo design – West Sussex County Council West Wittering Printed by – Wests Printing Works Ltd., Steyning, West Sussex Designed by – [email protected] 0 5 10 km © 2012 Footprints of Sussex 0 5 miles Welcome to the New New Lipchis Way This delightful walking trail follows existing rights of way over its 39 mile/62.4 kilometre route from Liphook, on Lipchis Way the Hampshire/West Sussex border, to East Head at the entrance to Chichester Harbour through the heart of the South Downs National Park.. Being aligned north-south, it crosses all the main geologies of West Sussex from the greensand ridges, through Wealden river valleys and heathlands, to the high chalk downland and the coastal plain. In so doing it offers a great variety of scenery, flora and fauna. The trail logo reflects this by depicting the South Downs, the River Rother and Chichester Harbour. It can be walked energetically in three days, bearing in mind that the total ‘climb’ is around 650 metres/2,000 feet. The maps divide it into six sections, which although unequal in distance, break the route into stages that allow the possible use of public transport. There is a good choice of accommodation and restaurants in Liphook, Midhurst and Chichester, elsewhere there is a smattering of pubs and B&Bs – although the northern section is a little sparse in that respect. -
Spring-2005.Pdf
ssssssissss SPRING2OO5 Century";"Horshom Folklore"; "The Developmentof FIR5T ?T YEAR5OF THE the Wealdenfronworks in Tudor Times";"D-Day in West Sussex";"Crisis in Forming"ond "The Sussex RUDoWTCKPRE5ERVATION Wildfife Trust". There hove beenof leost two "Any Questions?" sessionsas well os tolks by Society socrEw members like Molcolm Froncis ond Joe ond Chris John Cozens Griffin. Almost without exceptionthe speokershove concern of the This y€rlr the Society, in the traditionol senseof being been outstondingly good ond o major high stondord 2L yeors old, comes of age. fts seed wos sownat on presenf Committee is to mointainthot of speaker or subject emergencypublic meeting held in the villoge in the without being too repetitive eorly 80's to voice concern obout o ProPosedhigh motter. density housingdevelopment in The Hoven.At thot Society commentson all meeting the orguments put forword by Horshom ft is well-knownthat the the villoge,as we District Councilplanning officers were destroyed by pfanningopplications affecting where it is merited concernedvillogers, porticularly Ston Smith, and the believethot proise is os importont thot we proposolwos subseguentlyobondoned- A concernfor as is blome where it is deserved.ft follows like Foxholesond the proper control of locolbuilding development hos hoveconsidered major developments thot beenot the f orefront of the Society's qctivities ever Churchmqn'sMeodow os well os the little closes applications since. have been developedrecenlly and the the relevant to individuolhouses only. From on opplicotion -
TRASH CONVERTER: the Process of Contemporary Alchemy Collecting, Copying and Arranging in Sculptural Forms
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2018 TRASH CONVERTER: The Process of Contemporary Alchemy Collecting, copying and arranging in sculptural forms Sarah Goffman University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Goffman, Sarah, TRASH CONVERTER: The Process of Contemporary Alchemy Collecting, copying and arranging in sculptural forms, Doctor of Creative Arts thesis, School of the Arts, English and Media, University of Wollongong, 2018. -
View Characterisation and Analysis
South Downs National Park: View Characterisation and Analysis Final Report Prepared by LUC on behalf of the South Downs National Park Authority November 2015 Project Title: 6298 SDNP View Characterisation and Analysis Client: South Downs National Park Authority Version Date Version Details Prepared by Checked by Approved by Director V1 12/8/15 Draft report R Knight, R R Knight K Ahern Swann V2 9/9/15 Final report R Knight, R R Knight K Ahern Swann V3 4/11/15 Minor changes to final R Knight, R R Knight K Ahern report Swann South Downs National Park: View Characterisation and Analysis Final Report Prepared by LUC on behalf of the South Downs National Park Authority November 2015 Planning & EIA LUC LONDON Offices also in: Land Use Consultants Ltd Registered in England Design 43 Chalton Street London Registered number: 2549296 Landscape Planning London Bristol Registered Office: Landscape Management NW1 1JD Glasgow 43 Chalton Street Ecology T +44 (0)20 7383 5784 Edinburgh London NW1 1JD Mapping & Visualisation [email protected] FS 566056 EMS 566057 LUC uses 100% recycled paper LUC BRISTOL 12th Floor Colston Tower Colston Street Bristol BS1 4XE T +44 (0)117 929 1997 [email protected] LUC GLASGOW 37 Otago Street Glasgow G12 8JJ T +44 (0)141 334 9595 [email protected] LUC EDINBURGH 28 Stafford Street Edinburgh EH3 7BD T +44 (0)131 202 1616 [email protected] Contents 1 Introduction 1 Background to the study 1 Aims and purpose 1 Outputs and uses 1 2 View patterns, representative views and visual sensitivity 4 Introduction 4 View -
European Agricultural Fund for Rural
Rural Development Programme for England (2014 – 2020) RDPE Growth Programme Full Application Form Please read the guidance on ‘How to complete a full application’ carefully before completing this form Key things to remember: To submit a full application you must first have received the formal notification that your Expression of Interest (EOI) has been endorsed. Your business will need to be registered with the Rural Payments Agency and have a Single Business Identifier (SBI) number. Send the completed full application to us by email along with the completed appendix spreadsheet. We cannot accept scanned copies or PDF versions of these forms. Send a signed hard copy of the application form to your named contact at the address set out in the email notifying you that your EOI had been endorsed. You must submit all applicable supporting documents as set out at the back of this form. You can submit these electronically or in hard copy format. Complete all sections below. Section 1. LEP identification details 1.1 DORA reference number 1.2 LEP area C2C 1.3 Call reference number 04RD17TO0004 1.4 Type of grant Rural tourism infrastructure Page 1 of 39 GP Form 018 V2.2 Section 2. Applicant details Please provide the details of the business or organisation applying for the grant. The applicant is normally the owner, a director or partner named in the business accounts. 2.1 Name of business/organisation West Sussex County Council 2.2 Single Business Identifier (SBI – 9 110118071 characters) 2.3 Business/organisation address, including County -
MUSICAL MERTON QUIZ: ANSWERS Merton Has Many Links to the World of Music, from Composers and Song Writers, to Choirs, Operatic Stars and Concert Venues
MUSICAL MERTON QUIZ: ANSWERS Merton has many links to the world of Music, from composers and song writers, To choirs, operatic stars and concert Venues. Test your knowledge of the borough’s musical history with our quiz. SECTION 1. Can you match these local venues with particular styles of music? MITCHAM FAIR STEAM ORGAN MERTON PRIORY PLAINSONG ST. JOHN’S CHURCH, WIMBLEDON WIMBLEDON MUSIC FESTIVAL WIMBLEDON THEATRE D’OYLEY CARTE OPERA COLOUR HOUSE THEATRE WIZZ JONES SECTION 2. These performers have all appeared at Wimbledon Music Festival. See if you can match them to the correct instrument or vocal style. ISTA CRISPIN THE KATONE WILLARD KANNE MASON STEELE PERKINS TWINS WHITE = = = = PIANIST TRUMPETER GUITARISTS BASS BARITONE SECTION 3. 1. When Wimbledon Palais opened in 1922, what was its intended use? C) Dance Hall 2. Which famous band appeared at Wimbledon Palais in 1963? THE BEATLES 3. Can you name one of the other Popular bands who performed there during the 1960s? CLUE: They are still performing today. ROLLING STONES or THE WHO 4. Hosted by DJ Tony Blackburn, which pirate radio stations were based at the Palais in 1964? RADIO CAROLINE and RADIO LONDON_ SECTION 4. 1. Child prodigy Roy Budd was born in Mitcham in 1947. What type of instrument did he play? C) The piano 2. For which famous science fiction series did he provide music> A ) STAR WARS 3. For which Andrew Lloyd Webber stage musical did Roy Budd write an orchestral score in 1993? C) Phantom of the Opera SECTION 5. Jazz singer, Annie Ross, was born in Mitcham in 1930. -
The Wombles Go Round the World Free
FREE THE WOMBLES GO ROUND THE WORLD PDF Elisabeth Beresford,Nick Price | 256 pages | 10 Apr 2012 | Bloomsbury Publishing PLC | 9781408808351 | English | London, United Kingdom Elisabeth Beresford obituary | Television & radio | The Guardian The magic of the Wombles is brought to life in this fresh new series for younger readers. Great Uncle Bulgaria is planning an acrobatic Womble extravaganza: Bungo will perform the tight rope, Alderney will learn the trapeze and Orinoco can be a clown! But Tomsk would rather practise his climbing The Wombles Go Round the World than rehearse for the show. If only climbing wasn't such a dangerous sport Luckily, Great Uncle Bulgaria always knows how best to rescue a Womble in need. This Womble story, full of colourful costumes, high-flying acrobatics and an amazing rescue, is perfect for today's younger readers. The Wombles is the first ever Wombles book and introduces the The Wombles Go Round the World but kindly Great Uncle Bulgaria; Orinoco, who is particularly fond of his food and a subsequent forty winks; general handyman extraordinaire Tobermory, who can turn almost anything that the Wombles retrieve from Wimbledon Common into something useful; Madame Cholet, who cooks the most delicious and natural foods to keep the Wombles happy and contented; and last but not least, Bungo, one of the youngest and cheekiest Wombles of all, who has much to learn and is due to venture out on to the Common on his own for the very first time. There has been a huge festival and no end of rubbish has been left behind - everything from umbrellas to shoes, drinks cans and bottles. -
The Wombles Free Ebook
FREETHE WOMBLES EBOOK Elisabeth Beresford | none | 11 Oct 2012 | Bloomsbury Publishing PLC | 9781408825655 | English | London, United Kingdom The biggest problem with the Wombles’ ‘woke’ makeover – kids will hate it Mar 9, But the son of Wombles creator Elisabeth Beresford, Marcus Robertson (61), has voiced his fears that these new Wombles are to be preachy and. The Wombles first aired on 5 February The series was based on the books written by Elizabeth Beresford, about a secretive group of creatures who live. Humans are disgustingly messy. The wombles are cute furry little anthropomorphic intelligent things that live on Wimbledon common, as a small family. The Wombles (1970s TV series) Apr 28, The Wombles are the most famous residents of Wimbledon Common. Like the other Wombles around the world, they have given themselves. The Wombles first aired on 5 February The series was based on the books written by Elizabeth Beresford, about a secretive group of creatures who live. Humans are disgustingly messy. The wombles are cute furry little anthropomorphic intelligent things that live on Wimbledon common, as a small family. The Wombles (band) The Wombles were a British novelty pop group, featuring musicians dressed as the characters from children's TV show The Wombles, which in turn was based. Mar 9, But the son of Wombles creator Elisabeth Beresford, Marcus Robertson (61), has voiced his fears that these new Wombles are to be preachy and. Feb 5, Wombles are stuffed, and have no such motivational issues. Wombles, unlike Teletubbies, have vicious little eyes and snouts that suggest. The Wombles at 40 – why we need them more than ever The Wombles were a British novelty pop group, featuring musicians dressed as the characters from children's TV show The Wombles, which in turn was based. -
Blurring the Boundaries
International Central Institute for Youth and Educational Television (IZI) Special English Issue No. 12/1999/2: "The Teletubbies" David Buckingham Blurring the Boundaries "Teletubbies" and Children’s Media Today Two and half years after its first appearance on British screens, "Teletubbies" continues to arouse an extraordinary level of interest and controversy. It is a media phenomenon, not merely a programme - something that is known to millions who have never seen it, and on which strong opinions have become almost compulsory. The notoriety of "Teletubbies" is not just a reflection of its success in terms of ratings or overseas sales. It is also, I shall argue, a symptom of the tensions that currently surround children’s media culture.1 "Teletubbies" blurs the boundaries between the public and the private; between education and entertainment; and between child and adult audiences. This blurring of boundaries is, I suggest, characteristic of contemporary media - and particularly of media aimed at children. And yet, far from being just another manifestation of ‘postmodernity’, the programme also displays significant continuities with the past. In several respects, "Teletubbies" represents something distinctively contemporary; yet paradoxically, a good deal about it is also far from new. The public and the private "Teletubbies" is commissioned and broadcast in Britain by the BBC - that is, by a non- commercial, public service broadcasting company. The controversy it has aroused needs to be understood in the light of contemporary changes at the BBC - and indeed in terms of the broader move away from national public service broadcasting towards a global, market-led, multi-channel environment. -
St Andrew's Chesterton Midnight Eucharist 2012 I Was Born and Bred in a House on the Road Between Kingston and Wimbledon
St Andrew’s Chesterton Midnight Eucharist 2012 I was born and bred in a house on the road between Kingston and Wimbledon. I went to school on Wimbledon Common in the era when a number one song in the hit parade could be performed on ‘Top of the Pops’ by a group of furry creatures with long noses. Underground, overground, wombling free, the Wombles of Wimbledon Common are we. The Wombles were always there doing their work of keeping the common tidy, unnoticed and unregarded. People don’t notice us, they never see, under their noses a Womble may be. When I moved on from the world of the Wombles to the world of the Church of England I noticed that some things hadn’t changed very much. Lots of dressing up in strange costumes and singing songs, for instance. Same meters too – did you know that you can sing the Wombling song to the tune of ‘Abide with me’ – try it at home or make a party game of it tomorrow. A more serious similarity is that the omnipresence of the Wombles on their common is matched by the omnipresence of the Church of England in our green and pleasant land. Every square inch of England is in a parish and every parish has a church and every church has a priest, albeit that he or she may be shared with an increasing number of others. But people don’t seem to notice it, that under their noses the Church is working away very often cleaning up the mess that people have left and the mess they are in, and ensuring that this remains a green and pleasant land, physically, morally and spiritually. -
Chapter 8: Landscape, Townscape and Visual Resources
Our northern runway: making best use of Gatwick Our northern runway: making best use of Gatwick Preliminary Environmental Information Report Chapter 8: Landscape, Townscape and Visual Resources September 2021 Preliminary Environmental Information Report: September 2021 Chapter 8: Landscape, Townscape and Visual Resources Page Our northern runway: making best use of Gatwick Table of Contents 8 Landscape, Townscape and Visual Resources 8-1 8.1. Introduction 8-1 8.2. Legislation and Policy 8-2 8.3. Consultation and Engagement 8-9 8.4. Assessment Methodology 8-13 8.5. Assumptions and Limitations of the Assessment 8-22 8.6. Baseline Environment 8-23 8.7. Key Project Parameters 8-51 8.8. Mitigation and Enhancement Measures Adopted as Part of the Project 8-56 8.9. Assessment of Effects 8-57 8.10. Potential Changes to the Assessment as a Result of Climate Change 8-110 8.11. Cumulative Effects 8-111 8.12. Inter-Related Effects 8-123 8.13. Summary 8-123 8.14. References 8-148 8.15. Glossary 8-151 Preliminary Environmental Information Report: September 2021 Chapter 8: Landscape, Townscape and Visual Resources Page i Our northern runway: making best use of Gatwick 8 Landscape, Townscape and Visual Resources 8.1. Introduction 8.1.1 This chapter of the Preliminary Environmental Information Report (PEIR) presents the findings of the Environmental Impact Assessment (EIA) work undertaken to date concerning the potential effects of the proposal to make best use of Gatwick’s existing runways (referred to within this report as ‘the Project’) on landscape, townscape and visual resources.