Constructive Resistance
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Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
The Importance of Collective Visual Memories in the Representations In
Capturing the Void: The Importance of Collective Visual Memories in the Representations in Documentary Films on September 11, 2001 Jodye D. Whitesell Undergraduate Honors Thesis Department of Film Studies Advisor: Dr. Jennifer Peterson October 24, 2012 Committee Members: Dr. Jennifer Peterson, Film Studies Dr. Melinda Barlow, Film Studies Dr. Carole McGranahan, Anthropology Table of Contents: Abstract…………………………………………………………………………………….. 3 Introduction………………………………………………………………………………… 4 Part I: The Progression of Documentary Film Production………………………………… 9 Part II: September 11, 2001….…………………………………………………………….. 15 Part III: The Immediate Role of the Media………………………………………………... 18 Part IV: Collective Memories and the Media,,,……………………………………………. 25 Part V: The Turn Towards Documentary…………………………………….……………. 34 (1) Providing a Historical Record…………………………………….……………. 36 (2) Challenging the Official Story…………………………………………………. 53 (3) Memorializing the Fallen………………………………………………………. 61 (4) Recovering from the Trauma…………………………………………………... 68 Conclusion…………………………………………………………………………………. 79 Works Cited………………………………………………………………………………... 83 2 Abstract: Documentary films have long occupied a privileged role among audiences as the purveyors of truth, offering viewers accurate reproductions of reality. While this classification is debatable, the role of documentaries as vehicles for collective memory is vital to the societal reconstructions of historical events, a connection that must be understood in order to properly assign meaning to the them. This thesis examines this relationship, focusing specifically on the documentaries produced related to trauma (in this case the September 11 attacks on the United States) as a means to enhance understanding of the role these films play in the lives and memories of their collective audiences. Of the massive collection of 9/11 documentaries produced since 2001, twenty-three were chosen for analysis based on national significance, role as a representative of a category (e.g. -
THOUSAND MILE SONG Also by David Rothenberg
THOUSAND MILE SONG Also by David Rothenberg Is It Painful to Think? Hand’s End Sudden Music Blue Cliff Record Always the Mountains Why Birds Sing THOUSAND MILE SONG Whale Music In a Sea of Sound DAVID ROTHENBERG A Member of the Perseus Books Group New York Copyright © 2008 by David Rothenberg Published by Basic Books, A Member of the Perseus Books Group All rights reserved. Printed in the United States of America. No part of this book may be reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Basic Books, 387 Park Avenue South, New York, NY 10016–8810. Books published by Basic Books are available at special discounts for bulk purchases in the United States by corporations, institutions, and other organizations. For more information, please contact the Special Markets Department at the Perseus Books Group, 2300 Chestnut Street, Suite 200, Philadelphia, PA 19103, or call (800) 255–1514, or e-mail [email protected]. Designed by Linda Mark Set in 12 pt Granjon by The Perseus Books Group Library of Congress Cataloging-in-Publication Data Rothenberg, David, 1962- Thousand mile song: whale music in a sea of sound / David Rothenberg. p. cm. Includes bibliographical references and index. ISBN 978-0-465-07128-9 (alk. paper) 1. Whales—Behavior. 2. Whale sounds. I. Title. QL737.C4R63 2008 599.5’1594—dc22 2007048161 10 9 8 7 6 5 4 3 2 1 CONTENTS 1 WE DIDN’T KNOW, WE DIDN’T KNOW: Whale Song Hits the Charts 1 2GONNA GROW -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Oblivion's Edge Jeremy Strandberg
Lawrence University Lux Lawrence University Honors Projects 5-12-1998 Oblivion's Edge Jeremy Strandberg Follow this and additional works at: https://lux.lawrence.edu/luhp Part of the Fiction Commons, and the Liberal Studies Commons © Copyright is owned by the author of this document. Recommended Citation Strandberg, Jeremy, "Oblivion's Edge" (1998). Lawrence University Honors Projects. 53. https://lux.lawrence.edu/luhp/53 This Honors Project is brought to you for free and open access by Lux. It has been accepted for inclusion in Lawrence University Honors Projects by an authorized administrator of Lux. For more information, please contact [email protected]. ivion's Jeremy Strandberg Submitted for Honors in Independent Study 5/12/98 Prof. Candice Bradley, Advisor The year is 2042 ... ( Tech no Io g y i s a part of us ... High tech is stylish and chic. Computers have crept into every aspect of life, and billions of users are jacked brain frrst into the internet. Biosculpting can make people look any way they desire. Cybernetic implants-eyes, ears, and prosthetic limbs-break the limits of the human form. Biotechnology feeds billions while saving the lives of millions more. The train from New York to Miami takes under three hours, and there's a bustling tourist trade on Luna. The Veil has thinned ... Supernatural and paranormal phenomena are on the rise. There has been a resurgence of spirituality and superstition. Meditation is taught in grade school Psychic powers are accepted as fact, and most people have encountered a ghost or spirit at least once. Alchemists and fringe scientists are kept on salary by corporations. -
System/370 Model 145 Reference Summary
System/370 Model 145 Reference Summary S229-2239-1 IBM Corporation, Field Support Documentation, Dept 927, Rochester, Minnesota 55901 PREFACE This publication is primarily intended for customer engineers servicing System/370 Model 145. Second Edition (September 1972) This is a major revision of, and makes 8229-2239-0 obsolete. Address any comments concerning the contents of this publication to: IBM, Field Support Documentation, Dept 927, Rochester, Minnesota 55901 © International Business Machines Corporation 1972 CONTENTS Section 1 - Control Words Branch and Module Switch Word "O" . 1. 1 Branch Word . 1.2 GA Function Charts . 1.3 GA Function Charts . 1.4 GA Function Charts . 1.5 Branch and Link or Return Word . 1.6 Word Move Word Version"O" . 1. 7 Word Move Word Version "1" . 1.8 Storage Word, Non K-Addressable . 1.9 Storage Word, K-Addressable . 1.10 Arithmetic Word 10 Byte Version 1.11 Arithmetic Word, Fullword Version 1.12 Arithmetic Word, 11 Direct ByteVersion . 1.13 Arithmetic Word, 10/11 Indirect Byte Version . 1.14 ALU Entry Gating 1.15 Stat Set Symbols . 1.15 BranchSymbols . 1.15 Arithmetic Word Chart Selection 1.16 Address Formation Chart 1.16 Control Word Chart Selection 1.16 Section 2 - CPU 3145 CPU Data Flow . 2.1 I-Cycles Data Flow . 2.2 I-Cycles . 2.3 PSW Locations . 2.3 Expanded Local Storage . 2.3 I-Cycles . 2.3 I-Cycles Control Line Generation . 2.4 Control Word . 2.4 Control Register Decode . 2.4 iii ECCL Board Layout ............ 2.5 Data Bit Location Chart .......... 2.5 Common Test Points ........... -
Template Jurnal JAIC;
Journal of Applied Informatics and Computing (JAIC) Vol.2, No.1, Juli 2018, pp. 7~10 e-ISSN: 2548-6861 7 Simulation Strategic Positioning for Mobile Robot Roccer Wheels Mochamad Mobed Bachtiar1, Iwan Kurnianto Wibowo2, Rakhmat Faizal Ajie3 Teknik Komputer, Politeknik Elektronika Negeri Surabaya [email protected] 1, [email protected] 2, [email protected] 3 Article Info ABSTRACT Article history: Soccer robot is a combination of sports, robotics technology and multi agent system. The achieve goals in playing the ball, requires individual intelligence, and the ability Received 2018-04-30 of cooperation for individual skills. The success of a soccer robot team is influenced Revised 2018-06-01 by the success of the robot player to enter the ball into the opponent's goal. In Accepted 2018-07-01 entering the ball into the opponent's goal needed an appropriate position and strategic. This research makes the design in finding a strategic position at the time Keyword: of attack. The design divides the field into several small areas or the main grid, strategic position; attack where each region gives different action. The position is said to be strategic if the strategy; empty space; naïve robot passing success and has a fairly wide perspective against the goal. The bayes classifier strategic position is gained from the greatest opportunity of some of the decisive conditions. The calculation used is to use the Probability Naïve Bayes Classifier by taking the maximum value that serve as a strategic position. So this research resulted in a design in finding strategic position. Copyright © 2017 Journal of Applied Informatics and Computing. -
Music Preferences: a Gateway to Where? by Delia Regan
Music Preferences: A Gateway to Where? Delia Regan Anna Maria College Author’s Note Delia Regan (‘21), Music Therapy Honor Student, Anna Maria College This thesis was prepared for HON 490-01 Seniors Honors Seminar under the instruction of Professor Travis Maruska, Associate Professor of Humanities, Anna Maria College. Correspondence concerning this article should be addressed by electronic mail. Contact: [email protected], [email protected] 1 Abstract This paper discusses the impact of peer pressure on shared music preferences which was conducted through a survey and group interviews. The information on the development of music preferences provides the reader with background on how the music preference process begins. Peer pressure is also discussed from early childhood into adulthood. The solidification of music preferences happens around the same age as college-aged individuals, which overlaps with a decrease in the impact of peer pressure. The research focuses on college-aged individuals who completed a survey on their music preferences in individual and group settings, and then were put into groups to determine if a social setting would influence their responses to the same questions. Overall, a distinct relationship between peer pressure and music preference could not be made. Keywords: College-Aged, Group Cohesion, Music, Music Preference, Peer Pressure, Social Consequence 2 Music Preferences What does music taste say about a person? Music is usually a part of daily life, whether people are aware of it or not. It can help people express themselves, regulate their emotions, and, when used clinically, can help a person regain the ability to walk. Music is powerful, but what draws people to it? Studies have been done to try and determine why people are attracted to music, and they have created multiple theories trying to answer this question. -
Report on the Most Appropriate Indicators Related to the Basic Concepts
D 4.1 – Report on the most appropriate indicators related to the basic concepts Report on the most appropriate indicators related to the basic concepts Deliverable D4.1 This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No. 870708 D 4.1 – Report on the most appropriate indicators related to the basic concepts Disclaimer: The contents of this deliverable are the sole responsibility of one or more Parties of the SmartCulTour consortium and can under no circumstances be regarded as reflecting the position of the Research Executive Agency and European Commission under the European Union’s Horizon 2020 programme. Copyright and Reprint Permissions “You may freely reproduce all or part of this paper for non-commercial purposes, provided that the following conditions are fulfilled: (i) to cite the authors, as the copyright owners (ii) to cite the SmartCulTour Project and mention that the EC co-finances it, by means of including this statement “Smart Cultural Tourism as a Driver of Sustainable Development of European Regions - SmartCulTour Project no. H2020-870708 co financed by EC H2020 program” and (iii) not to alter the information.” _______________________________________________________________________________________ How to quote this document: Petrić, L., Mandić, A., Pivčević, S., Škrabić Perić, B., Hell, M., Šimundić, B., Muštra, V., Mikulić, D., & Grgić, J. (2020). Report on the most appropriate indicators related to the basic concepts. Deliverable 4.1 of the Horizon 2020 project SmartCulTour (GA number 870708), published on the project web site on September 2020: http://www.smartcultour.eu/deliverables/ D 4.1 – Report on the most appropriate indicators related to the basic concepts This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No. -
Decnet-Plusftam and Virtual Terminal Use and Management
VSI OpenVMS DECnet-Plus FTAM and Virtual Terminal Use and Management Document Number: DO-FTAMMG-01A Publication Date: June 2020 Revision Update Information: This is a new manual. Operating System and Version: VSI OpenVMS Integrity Version 8.4-2 VSI OpenVMS Alpha Version 8.4-2L1 VMS Software, Inc., (VSI) Bolton, Massachusetts, USA DECnet-PlusFTAM and Virtual Terminal Use and Management Copyright © 2020 VMS Software, Inc. (VSI), Bolton, Massachusetts, USA Legal Notice Confidential computer software. Valid license from VSI required for possession, use or copying. Consistent with FAR 12.211 and 12.212, Commercial Computer Software, Computer Software Documentation, and Technical Data for Commercial Items are licensed to the U.S. Government under vendor's standard commercial license. The information contained herein is subject to change without notice. The only warranties for VSI products and services are set forth in the express warranty statements accompanying such products and services. Nothing herein should be construed as constituting an additional warranty. VSI shall not be liable for technical or editorial errors or omissions contained herein. HPE, HPE Integrity, HPE Alpha, and HPE Proliant are trademarks or registered trademarks of Hewlett Packard Enterprise. Intel, Itanium and IA-64 are trademarks or registered trademarks of Intel Corporation or its subsidiaries in the United States and other countries. UNIX is a registered trademark of The Open Group. The VSI OpenVMS documentation set is available on DVD. ii DECnet-PlusFTAM and Virtual -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Michigan's Copper Country" Lets You Experience the Require the Efforts of Many People with Different Excitement of the Discovery and Development of the Backgrounds
Michigan’s Copper Country Ellis W. Courter Contribution to Michigan Geology 92 01 Table of Contents Preface .................................................................................................................. 2 The Keweenaw Peninsula ........................................................................................... 3 The Primitive Miners ................................................................................................. 6 Europeans Come to the Copper Country ....................................................................... 12 The Legend of the Ontonagon Copper Boulder ............................................................... 18 The Copper Rush .................................................................................................... 22 The Pioneer Mining Companies................................................................................... 33 The Portage Lake District ......................................................................................... 44 Civil War Times ...................................................................................................... 51 The Beginning of the Calumet and Hecla ...................................................................... 59 Along the Way to Maturity......................................................................................... 68 Down the South Range ............................................................................................. 80 West of the Ontonagon............................................................................................