Jazzweek College Jazz Chart Nov

Total Page:16

File Type:pdf, Size:1020Kb

Jazzweek College Jazz Chart Nov airplay data JazzWeek College Jazz Chart Nov. 20, 2006 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 4 1 1 Madeleine Peyroux Half The Perfect World Rounder 143 161 -18 11 50 0 2 NR NR 2 John Taylor Angel Of The Presence Cam Jazz 134 0 134 1 7 13 3 81 6 3 Avishai Cohen Continuo Razdaz / Sunnyside 120 16 104 24 22 6 4 9 20 1 The Dirty Dozen Brass Band What’s Going On Shout! Factory 81 47 34 14 32 0 5 NR 13 5 Tomasz Stanko Lontano ECM 77 12 65 10 60 34 6 NR NR 6 The Marco Benevento/Joe Russo Duo Best Reason To Buy The Sun Ropeadope 58 3 55 1 4 1 7 1 3 1 Don Byron Do The Boomerang: The Music Of Junior Blue Note 54 272 -218 7 18 3 Walker 8 8 4 2 Medeski, Scofield, Martin & Wood Out Louder Indirecto 51 50 1 11 25 4 9 7 8 1 Ray Charles & The Count Basie Orchestra Ray Sings, Basie Swings Hear / Concord 48 62 -14 6 29 1 10 5 25 5 Stanton Moore III Telarc 47 104 -57 7 23 3 11 14 7 7 Diana Krall From This Moment On Verve 47 38 9 10 23 2 12 65 NR 12 Ben Riley Memories Of T Concord 45 18 27 2 26 13 13 17 33 13 The Brian Lynch/Eddie Palmieri Project Simpatico ArtistShare 45 36 9 8 27 5 14 12 15 12 Stefon Harris African Tarantella Blue Note 44 42 2 7 25 3 15 45 30 15 Javon Jackson Now Palmetto 43 22 21 6 17 3 16 3 14 3 Pat Metheny & Brad Mehldau Metheny Mehldau Nonesuch 42 167 -125 9 26 1 17 NR 11 11 Keith Jarrett The Carnegie Hall Concert ECM 38 13 25 7 23 2 18 73 75 6 Branford Marsalis Braggtown Marsalis / Rounder 38 17 21 10 31 4 19 NR NR 19 Dave Valentin Come Fly With Me HighNote 37 9 28 1 23 13 20 46 16 1 Elvis Costello & Allen Toussaint River In Reverse Verve Forecast / UMG 37 22 15 24 26 1 21 10 22 10 Various Artists Progressions: 100 Years Of Jazz Guitar Columbia / Legacy / Sony 37 45 -8 4 25 0 BMG 22 55 39 22 Nouvelle Vague Nouvelle Vague Peacefrog / Luaka Bop 37 21 16 4 14 0 23 21 47 21 Charles Mingus At UCLA 1965 Sue Mingus / Sunnyside 36 32 4 7 9 2 24 11 19 11 Sergio Mendes Timeless Hear / Concord 36 43 -7 4 18 0 25 28 9 9 The Dizzy Gillespie All-Star Big Band Dizzy’s Business MCG Jazz 32 27 5 8 21 2 26 19 NR 19 Tony Bennett Duets: An American Classic RPM / Columbia 31 35 -4 2 13 2 27 36 37 2 Jason Moran Artist In Residence Blue Note 31 25 6 7 14 2 28 29 26 7 Dr. Lonnie Smith Jungle Soul Palmetto 31 27 4 18 17 2 29 39 52 11 Eliane Elias Around The City Bluebird / RCA Victor 30 25 5 14 16 5 30 43 17 17 Tommy Dorsey The Sentimental Gentleman Of Swing: Bluebird / Legacy / Sony 30 23 7 4 10 0 Centennial Collection BMG 31 71 94 31 Sonny Rollins Sonny, Please Doxy 28 17 11 3 14 7 32 42 NR 32 Catherine Russell Cat World Village 28 23 5 2 5 0 33 NR NR 33 Los Angeles Guitar Quartet Spin Telarc 28 0 28 1 25 0 34 NR NR 34 Lafayette Harris Jr. In The Middle Of The Night Airmen 27 6 21 1 3 1 35 NR NR 35 Garaj Mahal Blueberry Cave Harmonized 27 2 25 1 23 2 36 63 23 23 Ann Hampton Callaway Blues In The Night Telarc Jazz 26 19 7 13 16 0 37 NR NR 37 Mark Masters Ensemble Wish Me Well Capri 26 5 21 1 10 8 38 80 34 34 Terry Gibbs Findin’ The Groove Jazzed Media 24 16 8 9 16 2 39 78 NR 39 Michael Wolff Love And Destruction Wrong 23 16 7 2 11 6 40 61 83 38 Mingus Big Band Live In Tokyo Sue Mingus / Sunnyside 23 19 4 5 16 1 41 37 48 31 Urban Jazz Coalition Down To Get Up Major 6th 23 25 -2 12 4 0 42 58 40 8 Mulgrew Miller Live At The Kennedy Center: Volume One MAXJAZZ 23 20 3 10 13 0 43 50 NR 43 Steve Turre Keep Searchin’ HighNote 22 21 1 2 11 5 44 NR NR 44 Wayne Wallace Dedication Patois 22 1 21 1 18 18 45 23 42 3 Regina Carter I’ll Be Seeing You (A Sentimental Journey) Verve / UMG 22 31 -9 22 13 0 46 27 89 23 Louis Hayes & The Cannonball Legacy Band Maximum Firepower Savant 21 28 -7 7 18 1 47 30 44 28 Eldredge Jackson Listening Pleasure JEA 21 27 -6 20 1 0 48 NR NR 48 Bobby Previte The Coalition of the Willing Ropeadope 21 10 11 1 7 0 49 NR NR 49 Bill Anschell More To The Ear Than Meets The Eye Origin 20 4 16 1 12 5 50 NR NR 20 Eric Reed Here MAXJAZZ 20 13 7 20 6 0 Most Added (first airplay detection) Increased Airplay Chartbound Tomasz Stanko Lontano (ECM) +34 John Taylor Angel Of The Presence (Cam Jazz) +134 Walter Beasley For Her (Heads Up) Wayne Wallace Dedication (Patois) +18 Avishai Cohen Continuo (Razdaz/Sunnyside) +104 John Hicks Sweet Love Of Mine (HighNote) John Taylor Angel Of The Presence (Cam Jazz) +13 Tomasz Stanko Lontano (ECM) +65 Various Artists Our New Orleans 2005: A Benefit Album (Nonesuch) Bang On A Can & Don Byron A Ballad For Many (Cantaloupe) Ben Riley Memories Of T (Concord) +13 The Marco Benevento/Joe Russo Duo Best Reason To Buy David Sills Down The Line (Origin) Dave Valentin Come Fly With Me (HighNote) +13 The Sun (Ropeadope) +55 Jack DeJohnette & Foday Musa Suso Music From The Hearts Of The Kahil El’zabar Big M: A Tribute To Malachi Favors The Dirty Dozen Brass Band What’s Going On Masters (Golden Beam/Kindred Rhythm) (Delmark) +11 (Shout! Factory) +34 Pete Zimmer Judgement (Tippin’) The Brubeck Brothers Intuition (Koch Classics) +11 Dave Valentin Come Fly With Me (HighNote) +28 Raul Midon State Of Mind (Manhattan) Janice Borla From Every Angle (BluJazz) Bradley Leighton East Coast Project [Sampler] (Pacific Coast Jazz) jazzweek.com • November 20, 2006 All monitored airplay data is owned by Mediaguide, Inc. ©2006 Mediaguide, Inc. JazzWeek 14.
Recommended publications
  • A Little Book of Eternal Wisdom
    A Little Book of Eternal Wisdom Author(s): Suso, Henry (1295-1366) Publisher: Burns, Oates, & Washbourne Ltd., London Description: ªThe Little Book of Eternal Wisdom is among the best of the writings of Blessed Henry Suso, a priest of the Order of St. Dominic, who lived a life of wonderful labours and sufferings, and died in the Fourteenth century with a reputation for sanctity which the Church has solemnly confirmed. It would be difficult to speak too highly of this little book or of its author. In soundness of teaching, sublimity of thought, clearness of expression, and beauty of illustration, we do not know of a spiritual writer that surpasses Henry Suso.ºÐfrom the introduction by C. H. McKenna Subjects: Practical theology Practical religion. The Christian life Mysticism i Contents Title 1 Preface 2 Foreword 3 The Parable of the Pilgrim 5 Translators Note 9 Preface 10 Little Book of Eternal Wisdom Title 13 First Part 14 Chapter I 15 Chapter II 17 Chapter III 20 Chapter IV 22 Chapter V 23 Chapter VI 26 Chapter VII 31 Chapter VIII 35 Chapter IX 36 Chapter X 39 Chapter XI 40 Chapter XII 42 Chapter XIII 46 Chapter XIV 50 Chapter XV 53 Chapter XVI 55 Chapter XVII 59 Chapter XVIII 62 ii Chapter XIX 64 Chapter XX 66 Second Part 67 Chapter XXI 68 Chapter XXII 74 Chapter XXIII 75 Chapter XXIV 83 Chapter XXV 84 Third Part 91 On Sunday, or at Matins 92 On Monday, or at Prime 93 On Tuesday, or at Tierce 94 On Wednesday, or at Sext 95 On Thursday, or at None 96 On Friday, or at Vespers 97 On Saturday, or at Compline 98 Indexes 100 Index of Scripture References 101 iii This PDF file is from the Christian Classics Ethereal Library, www.ccel.org.
    [Show full text]
  • Al Biles & Genjam Song List
    Al Biles & GenJam Song List Song Title Composer Style Song Title Composer Style Gimme Five Abercrombie, John 5 Pumston Neverland Biles, Al Slow Work Song Adderley, Nat Pop Rake, The Biles, Al 7 Nature Boy/Mad Men ahbez, eden MovTV All Over Again Blanchard, Terrance Latin Rise Alpert, Herb Waltz Wherever You Might Go Boehlee, Karel Bossa Serenata Anderson, Leroy Pop Do It Again Bolden, Walter Slow Affreusement Votre Ansallem, Franck Pop Black Orpheus Bonfa, Luis MovTV Look of Love Bacharach, Burt MovTV Gentle Rain Bonfa, Luis Bossa Goodbye Barbieri, Gato MovTV Dhyana Brooks, Tina Med It's Over Barbieri, Gato 16 Good Old Soul Brooks, Tina Slow Jeanne Barbieri, Gato Waltz Gypsy Blue Brooks, Tina Latin Last Tango in Paris Barbieri, Gato MovTV Open Sesame Brooks, Tina Fast Sun Shower Barron, Kenny Latin Street Singer Brooks, Tina Slow Brazil Barroso, Ary 16 Theme for Doris Brooks, Tina Fast Diamonds Are Forever Barry, John MovTV Waiting Game Brooks, Tina Fast Thunderball Barry, John MovTV Episode fm Village Dance Brown, Donald Latin Jive at Five Basie, Count Med Far More Blue Brubeck, Dave 5 Mambo Inn Bauza, Maurio Latin French Spice Byrd, Donald Med What Now My Love Becaud, Gilbert Bossa Secrets of Love Cables, George Pop Putcha-Putcha Benson, Warren Slow Think on Me Cables, George Latin Johnny Staccato Bernstein, Elmer 5 What U Won't Do 4 Luv Caldwell, Bobby Pop AGT Blues Biles, Al Latin Windflower Cassey, Sara Slow Analog Blues Biles, Al 12 Cool Struttin’ Clark, Sonny Slow Even Dozen Odd Biles, Al 5 Dial S for Sonny Clark, Sonny Med Gentle Descent Biles, Al 16 Melody for C Clark, Sonny Med Here's How Biles, Al Slow News for Lulu Clark, Sonny Med Lady Bug Biles, Al Med Sonny's Mood Clark, Sonny Slow Last Tangle Biles, Al Pop Blessing, The Coleman, Ornette Med Lovey Biles, Al 5 Giant Steps Coltrane, John Fast Minor Changes Biles, Al Fast Louisiana Fairy Tale Coots, J.
    [Show full text]
  • Translating Rubén Darío's Azul…
    Translating Rubén Darío’s Azul… A Purpose and a Method Adam Michael Karr Chesapeake, Virginia B.S. International History, United States Military Academy at West Point, 2005 A thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for a Degree of Master of Arts English Department University of Virginia May, 2014 TABLE OF CONTENTS Thesis Text……….3-47 References………..48-50 Appendix A: “Stories in Prose”………51-88 Appendix B: “The Lyric Year”……….89-116 2 George Umphrey opens the preface of his 1928 edited assortment of Rubén Darío’s prose and poetry with the familiar type of panegyric that begins much of the dissemination and exegesis of Darío’s work – “No apology is needed for [this] publication…he is one of the great poets of all time.” To Umphrey it was nothing more than a quip and a convenient opening statement. Darío had passed away just 12 years earlier but his posterity was assured. The Nicaraguan modernista poet has inspired an entire academic and publishing industry in Spanish language literature that is analogous to Milton or Dickens in English.1 He has had every possible commendation lavished on his legacy, is credited with revolutionizing the Spanish language, dragging it out of two centuries of doldrums following the glorious “Golden Age” of Cervantes and Lope de Vega, and creating the ethos and the identity for an independent Spanish America that would later inspire Borges, Neruda, and García-Márquez. Umphrey had no reason to doubt that any reproduction and exploration of Darío’s work, regardless of language, would be self- justifying, but he unwittingly makes assumptions about the future of language study in universities, priorities and structure in literature departments, the publishing industry and commercial audience, and a myriad of other contextual factors that would complicate Darío’s legacy.
    [Show full text]
  • 59Th Annual Critics Poll
    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • High-Fidelity-1982-0
    New Home Audio -Video Systems That Do It AM EMBER 19& $1.50 J ICD 06398 THE MAGAZINE OF AUDIO, VIDEC. CLASSICAL MUSIC, AND POPULAF MUST How to Put Pizzazz into Your Car Stereo System Special Pullout -900 New Records from A toZ! The Big Switch to Prerecorded CassettesDoom for LPs? 983 NEW PRODUCT ROUNDUP Hundreds of Exciting New Tape Decks, Speakers, Video Recorders and Cameras, Receivers, Turntables, and More! PLUS Lab Tests on 6 New Stereo Components First VCR from Sansui 08398 .11111IIMIsr-W-WCZNIPM...0 11=111.0=1.-611MC..1k_as. 4C_Isr SAA90High SUPER AVILYN CASSE i Position OITDK Hph Ellas XlissE0 SA -X90 HIGH RESOLUTION Laboratory Standard Cassette Mechanism movimmunnsiniagininniammosi Stevie's cassette is SA -X for all the keys he plays in. f nqvanw When it comes to music, in high bias record- Froespe...111K *Ns Nam levels without distor- Stevie Wonder and TDK ing with sound per- tion or saturation. are perfectionists. Stevie's formance which 00.111.0.1 Last, but not least, perfection lies in his talent. approaches that of TDK's Laboratory TDK's perfection is in its high-energy metal. Standard Mechanism technology. The kind of The exclusive TDK gives Stevie unsur- technology that makes our double -coating of Atpassed cassette re- newly reformulated SA -X Super Avilyn I Witt liability, for a lifetime. high bias cassette the particles 1-tipcmi=uni TDK SA-X-it's .. 2OR cassette that Stevie provides . the machine for Stevie depends on to cap- optimum perform- Wonder's machine. Shouldn't it ture every note and r ancefor each fre- be the machine for yours? nuance of every / quency range.
    [Show full text]
  • Department of Music Programs 1998 - 1999 Department of Music Olivet Nazarene University
    Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1999 Department of Music Programs 1998 - 1999 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1998 - 1999" (1999). School of Music: Performance Programs. 32. https://digitalcommons.olivet.edu/musi_prog/32 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. Department of Music Music Programs 199 8 -9 9 Olivet Nazarene University Kankakee, Illinois 60901 (815) 939-5110 Olivet Nazarene University Department of Music presents Faculty Recital Mr. Norman Ruiz, classical guitarist 7:30 p.m..Tuesday, September 8, Kresge Auditorium Three Pavatias Luis Milan Fantasia Elegiaca Op. 59 Fernando Sor Three Pieces Isaac Albeniz Mallorca Rumores de la Caleta Leyenda Recuerdos De La Alhambra Francisco Tarrega Danza Espaflola Enrique Granados Prelude in e minor Heitor Villa-Lobos Variations on Sakura Yoquijiro Yocoh Classical guitarist Norman Ruiz is no stranger to Chicago audiences*a frequent performer in the Chicago Symphony’s k\\ chamber m usio$pes, performing in Schoenberg’s Serenade in 1992, \ # . and Berios’ .Se^uJNroj^in 1997. Ruiz also appeared as a soloist with the Chicago SymptWw performing the “Canario” movement of Rodrigo’s Fantasy% m Gentleman in 1991 as part o f their W 'S , Promenade Concert Seri^dn.addilion, he has performed with many f ijpt-.
    [Show full text]
  • Jazzweek Non-Comm
    airplay data JazzWeek Non-Comm. Jazz May 28, 2007 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 73 81 1 Hiromi Sonicbloom/Time Control Telarc Jazz 123 13 110 9 65 3 2 6 5 2 Various Artists Billy Strayhorn: Lush Life [Original Blue Note 111 105 6 23 16 0 Soundtrack] 3 5 4 1 Norah Jones Not Too Late Blue Note 106 106 0 26 28 0 4 3 2 2 The Bad Plus Prog Do The Math/Heads Up 95 120 -25 6 55 4 5 NR NR 5 Stefano Bollani Piano Solo ECM 88 2 86 6 66 37 6 NR NR 6 Spanish Harlem Orchestra United We Swing Six Degrees 86 38 48 1 41 19 7 8 8 3 Antibalas Security ANTI- 79 83 -4 14 41 3 8 13 9 8 Tierney Sutton Band On The Other Side Telarc Jazz 79 46 33 16 20 2 9 9 7 7 Ibrahim Ferrer Mi Sueno World Circuit/Nonesuch 75 62 13 4 27 6 10 NR NR 10 Jerome Sabbagh Pogo Sunnyside 75 3 72 2 48 11 11 11 26 11 Bob DeVos Shifting Sands Savant 55 47 8 15 5 0 12 19 18 11 Brian Bromberg Downright Upright Artistry 49 35 14 17 6 0 13 68 16 8 Kurt Elling Nightmoves Concord 46 14 32 7 28 2 14 24 24 7 Kieran Hebden & Steve Reid Tongues Domino 45 31 14 10 20 0 15 40 67 15 Wayne Escoffery Veneration Savant 42 22 20 7 15 3 16 16 14 2 Randy Crawford & Joe Sample Feeling Good PRA 42 40 2 11 14 0 17 12 44 12 Joe Lovano & Hank Jones Kids: Duets Live At Dizzy‘s Club Coca-Cola Blue Note 40 46 -6 3 28 14 18 37 25 16 Kate McGarry The Target Palmetto 39 23 16 6 26 6 19 35 15 9 Matt Wilson The Scenic Route Palmetto 39 24 15 17 14 1 20 1 13 1 Pat Metheny & Brad Mehldau Quartet Nonesuch 38 131 -93 10 25 1 21 59 29 1 Wynton Marsalis From The Plantation
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]
  • Piano Bass (Upright And/Or Electric)
    January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • COVERLIST HERE.Xlsx
    Jungr, Barb 1000 kisses deep Hard rain- The songs of Bob Dylan and Leonard Cohen UK 2014 Eng CD Contretemps, Les A bunch of lonesome heroes Les Contretemps Canada 1969 Eng xx Outrageous Cherry A bunch of lonesome heroes Stereo Action Rent Party USA 1994 Eng B3 Ponies in the surf A bunch of lonesome heroes See you happy USA 2008 Eng mc-28 Red A bunch of lonesome heros Songs from a room France 2001 Eng CD Art of Time Ensemble A Singer Must Die A Singer Must Die Canada 2010 Eng mc-32 Bano, Al & Power, Romina A singer must die Stranger music: A tribute to Leonard Cohen Italy 2009 Eng CD Bissex, Rachel A singer must die Don't look down USA 1995 Eng L3 Conspiracy of Beards A singer must die Live at Heritage Hall USA 2013 Eng CD Fatima Mansions A singer must die I'm your fan France 1991 Eng FA Monsieur Camembert A singer must die Famous blue cheese Australia 2007 Eng CD O'Callaghan, Patricia A singer must die Real emotional girl Canada 2000 Eng mc-5 Page and the Art Of Time Ensemble A singer must die A singer must die USA 2010 Eng mc-31 Pascal, Daniele A singer must die Dance me to the end of love S. Africa 1996 Eng PA Warnes, Jennifer A singer must die Famous Blue Raincoat USA 1986 Eng WA Jusic, Ibrica A singer must die/Nek pjevac umre Hazarder Croatia 1999 Cro CD Orlandi & Poltronieri A singer must die/Un cantante deve morire Comme traduire… L.Cohen Italy 2001 Ita CD Hugo, Tara A sip of wine (lyrics by LC) Tara Hugo Sings Philip Glass USA 2012 Eng xx Finches, The A Stranger Song (Inspired by LC) Six songs US 2005 Eng mc-35 Boel, Hanne A thousand
    [Show full text]
  • Hidden Track » Hors D™Oeuvr
    Hidden Track » Hors d’Oeuvres: Classic Zappa and Ween http://www.glidemagazine.com/hiddentrack/hors-doeuvres-classic-zappa... Home Editor's Choice RSS Feeds Twitter About US Contact Us Glide Search Archives Email Newsletter blogads It’s time to take down the ad pros with a commercial, written, directed and produced by you. Enter Doritos Crash The Super Bowl for a chance at $1,000,000! Read more... Advertise on HT 1 of 11 10/22/2008 9:51 AM Hidden Track » Hors d’Oeuvres: Classic Zappa and Ween http://www.glidemagazine.com/hiddentrack/hors-doeuvres-classic-zappa... Giveaways Umphrey s McGee @ The Blender U-Melt Exclusive Gig Gear Package Mike Gordon - 'Live In Boulder 2008' CDs Brian Wilson - "That Lucky Old Sun" Vinyl Giveaway Donovan Frankenreiter - "Pass It Around" Prize Packs Blogroll Glide Magazine Slack LaLane The Rebirth of Slack You Enjoy Myblog Music Blogs An Aquarium Drunkard Art Decade Berkeley Place Bonnawho’s Who brooklynvegan Burning Oak Check The Monitor coolfer Coventry Music Blog Covert Curiosity David Byrne’s Journal Deeper Shade of Soul Elbo.ws 2 of 11 10/22/2008 9:51 AM Hidden Track » Hors d’Oeuvres: Classic Zappa and Ween http://www.glidemagazine.com/hiddentrack/hors-doeuvres-classic-zappa... Ferdmania Filter Funky 16 Corners Gadiel.com Good Hodgkins Gorilla vs Bear Green Apple Festival Blog Greenhaus Effect Here Comes the Flood Hit Chaser Hits From the Blog Ick Music Idolator jaded insider Jam Journey Jamtopia Jarnow’s Franky & Earthy Blog KMMMMusic largehearted boy Lefsetz Letter Leftover Cheese Live Music Blog Mr.
    [Show full text]
  • Jazz Ain`T Dead, but Charlie Parker Is(Pdf)
    Jazz Ain't Dead, But Charlie Parker Is – So Let’s Move On, Shall We? By Will Layman 29 June 2010 Writer and jazz critic Paul da Barros asks an essential question about jazz in the new century. “How can the music can get back into the culture in a meaningful way?” If jazz cannot answer that question, then it is doomed to obscurity. Without a hook into how life is lived today, jazz will be museum music, the taste of a small minority of fanatics. No matter how many Clifford Brown solos these fans can scat from memory, their support alone can’t nurture a living art. For many, this threshold was crossed long ago. Once, We Were Popular Jazz started off as popular music, music that came from and directly served folks. Ragtime had its own dance, the Cake Walk. Early jazz in New Orleans was social music—played in brothels and speakeasies, in funeral parades and at celebrations. The rise of the big bands and the blossoming of “swing” made jazz the pop music of the ‘30s and ‘40s—in dancehalls, in radio broadcasts, and in the hearts of millions of jitterbugging teens… and their parents. Yes, there was a time when Benny Goodman, Artie Shaw, and Tommy Dorsey were as big as Madonna or Jay-Z. The ‘50s brought us rock ‘n’ roll, but not the death of jazz’s popular connection. Elvis Presley may have been bigger, but everyone still knew who Miles Davis was. As The Beatles came to dominate radio, jazz still thrived on jukeboxes and even on the charts—Ramsey Lewis’ “The In Crowd” was funky piano that went to number five on the pop charts in 1965.
    [Show full text]