Jenny Stumme

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Jenny Stumme SAG-AFTRA Maxx Management 323-744-0151 branden@maxxmgmt.com FILM (partial list) Senior Moment (Starring William Shatner & Christopher Lloyd) Supporting Giorgio Serafini Untitled Indie Film Supporting Courtney Daniels The Misadventures of Landon (Musical) Lead Jon Milano The Misunderstanding of Carl Jr. Supporting Dylan Osean Richard, Dinner’s Ready (Cannes Short Film Corner) Supporting Edward Jowdy Swelter Featured Keith Parmer Bitter is Better Lead Bryce DiCristafalo Cheetah Lounge MediaWorks Unt. Horror Project Lead Clinton Cox Dust Up Featured Ward Roberts TELEVISION Adi Shankar’s Gods & Secrets Recurring Netflix Bizaardvark Guest Star (V.O.) Disney Crash & Bernstein Co-Star Disney XD Fatal Encounters Co-Star NBCUniversal Tosh.0 Co-Star Comedy Central The Sing-Off (Opening Titles) Group Singer NBC THEATRE Rock Van Winkle (Musical) Ali Towers (Lead) Bill Haller/ Oh My Ribs! Entertainment NEW MEDIA (partial list) The Office Emmys Lead TBS Digital This F*cking Town Recurring Courtney Daniels Corporate A-Holes (feat. FunnyOrDie frontpage) Series Regular Mike Hoy Good Is Hard Guest Star Tim LaGasse / EP Mike Larson HitFix Riot Originals Recurring Adam Siegel / HitFix.com Manifest Destiny Recurring Ric Perez-Selsky Living Room Court Lead Al Rahn TRAINING Annie Grindlay Ongoing (current) Larry Moss Master Class Lesly Kahn & Company Ongoing Upright Citizens Brigade, Hothouse Improv Improv Kevin Quinn Voice (speech, dialects) Bill Haller, Peter Eklund, Steve Woodin Voice (singing) The Edge P.A.C., Your Neighborhood Studio Dance University of Southern California B.A. Cinema-Television SPECIAL SKILLS Improv/sketch; hosting; teleprompter; radio DJ; singing (mezzo-soprano [12 years]); dance (hip-hop [15 years], jazz [15 years], ballet [10 years], pom/cheer [8 years]), yoga; golf; running; basic Spanish; dialects (British RP) Reel www.jennystumme.com/reel Instagram @JennyStumme (114k).

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Binge-Reviews? the Shifting Temporalities of Contemporary TV Criticism
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Communication & Theatre Arts Publications 2016 Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism Myles McNutt Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Critical and Cultural Studies Commons, and the Publishing Commons Repository Citation McNutt, Myles, "Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism" (2016). Communication & Theatre Arts Faculty Publications. 15. https://digitalcommons.odu.edu/communication_fac_pubs/15 Original Publication Citation McNutt, M. (2016). Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism. Film Criticism, 40(1), 1-4. doi: 10.3998/fc.13761232.0040.120 This Article is brought to you for free and open access by the Communication & Theatre Arts at ODU Digital Commons. It has been accepted for inclusion in Communication & Theatre Arts Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact digitalcommons@odu.edu. FILM CRITICISM Binge-Reviews? The Shifting Temporalities of Contemporary TV Criticism Myles McNutt Skip other details (including permanent urls, DOI, citation information) Volume 40, Issue 1, January 2016 DOI: http://dx.doi.org/10.3998/fc.13761232.0040.120 Permissions When should television criticism happen? The answer used to be pretty simple for critics: reviews were published before a series premiered, with daily or
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Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact surface@syr.edu. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
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LINEAR TV in the NON-LINEAR WORLD the Value of Linear
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10 / National Identity and Global Television: Re-Making Australia's
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