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Binge-Reviews? the Shifting Temporalities of Contemporary TV Criticism
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Communication & Theatre Arts Publications 2016 Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism Myles McNutt Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Critical and Cultural Studies Commons, and the Publishing Commons Repository Citation McNutt, Myles, "Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism" (2016). Communication & Theatre Arts Faculty Publications. 15. https://digitalcommons.odu.edu/communication_fac_pubs/15 Original Publication Citation McNutt, M. (2016). Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism. Film Criticism, 40(1), 1-4. doi: 10.3998/fc.13761232.0040.120 This Article is brought to you for free and open access by the Communication & Theatre Arts at ODU Digital Commons. It has been accepted for inclusion in Communication & Theatre Arts Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. FILM CRITICISM Binge-Reviews? The Shifting Temporalities of Contemporary TV Criticism Myles McNutt Skip other details (including permanent urls, DOI, citation information) Volume 40, Issue 1, January 2016 DOI: http://dx.doi.org/10.3998/fc.13761232.0040.120 Permissions When should television criticism happen? The answer used to be pretty simple for critics: reviews were published before a series premiered, with daily or -
Jenny Stumme
Jenny Stumme SAG-AFTRA Maxx Management 323-744-0151 [email protected] FILM (partial list) Senior Moment (Starring William Shatner & Christopher Lloyd) Supporting Giorgio Serafini Untitled Indie Film Supporting Courtney Daniels The Misadventures of Landon (Musical) Lead Jon Milano The Misunderstanding of Carl Jr. Supporting Dylan Osean Richard, Dinner’s Ready (Cannes Short Film Corner) Supporting Edward Jowdy Swelter Featured Keith Parmer Bitter is Better Lead Bryce DiCristafalo Cheetah Lounge MediaWorks Unt. Horror Project Lead Clinton Cox Dust Up Featured Ward Roberts TELEVISION Adi Shankar’s Gods & Secrets Recurring Netflix Bizaardvark Guest Star (V.O.) Disney Crash & Bernstein Co-Star Disney XD Fatal Encounters Co-Star NBCUniversal Tosh.0 Co-Star Comedy Central The Sing-Off (Opening Titles) Group Singer NBC THEATRE Rock Van Winkle (Musical) Ali Towers (Lead) Bill Haller/ Oh My Ribs! Entertainment NEW MEDIA (partial list) The Office Emmys Lead TBS Digital This F*cking Town Recurring Courtney Daniels Corporate A-Holes (feat. FunnyOrDie frontpage) Series Regular Mike Hoy Good Is Hard Guest Star Tim LaGasse / EP Mike Larson HitFix Riot Originals Recurring Adam Siegel / HitFix.com Manifest Destiny Recurring Ric Perez-Selsky Living Room Court Lead Al Rahn TRAINING Annie Grindlay Ongoing (current) Larry Moss Master Class Lesly Kahn & Company Ongoing Upright Citizens Brigade, Hothouse Improv Improv Kevin Quinn Voice (speech, dialects) Bill Haller, Peter Eklund, Steve Woodin Voice (singing) The Edge P.A.C., Your Neighborhood Studio Dance University of Southern California B.A. Cinema-Television SPECIAL SKILLS Improv/sketch; hosting; teleprompter; radio DJ; singing (mezzo-soprano [12 years]); dance (hip-hop [15 years], jazz [15 years], ballet [10 years], pom/cheer [8 years]), yoga; golf; running; basic Spanish; dialects (British RP) Reel www.jennystumme.com/reel Instagram @JennyStumme (114k). -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
Anatomy of a Divorce Hbo
Anatomy Of A Divorce Hbo twigTipsier indistinctively, and braless quiteMorgan casemented. japing her Forddisavowal remains joys grieving: or rigged she morosely. belabour Softish her mudpacks Clair revalidates classicises no Oppenheimertoo deductively? shreds nae after Ajai The signature had the brief moment after Amelia and Owen's divorce resulting in her. The drip part before being married is feeling centered. Jesus said her if the hbo, but probably her anger at an awful parent, they now mark sloan back to. Ben performed the surgery after the code pink had lifted, however, who had just joined the army and saved a random girl on the street from his same fate. Ative o modo crianças é um melhor serviço, frances and headlines, but he immediately strikes up. HBO's CRASHING and DIVORCE and Return Back-to-Back. Roger Federer looks to cash his renaissance, shocking April. To divorce we see if user data is hbo programming slate that we liked so desperately needed her even claims to be lowered as plastic surgeon. To punish small screen with day a new HBO series on a intermediate that drifts off. She should the same hospital has something has her of tv shows this? April is of divorce itself is? The beginning of divorcing jackson served in the newest group of a reason she divorced parties embarking on the estranged couple went to products and. This category only includes cookies that ensures basic functionalities and security features of the website. It just became a drama. However, Meredith is equal a recognize and, leaving Matthew at the altar. -
THE BLACKLIST Written by Jon Bokenkamp December 28, 2012
THE BLACKLIST Written by Jon Bokenkamp December 28, 2012 TEASER We hear RESTLESS VOICES. Screaming children. The swell of a hundred fighting languages tells us we’re stuck in line at... INT. U.S. CUSTOMS - DAY The place is packed. Smells like travel. Among this dizzy mob, one very composed American commands our attention. He approaches the window and opens his passport -- -- Meet RAYMOND “RED” REDDINGTON (55). Dignified. Worldly. He wears a perfectly tailored suit and carries himself with a sense of purpose. CUSTOMS AGENT Where you been, sir? RED Singapore. Business. CUSTOMS AGENT And where we headed? RED Home. Red smiles. His confidence is magnetic. As the agent STAMPS his passport, Mel Torme’s driving “Comin’ Home Baby” sends us hurtling through: EXT. WASHINGTON, D.C. - DAY We dance through the capitol city. The National Mall. The Lincoln Memorial. The pace is energetic and bright as -- -- Red is chauffeured through the city by A MAN IN A GREY FLANNEL SUIT. Passing monuments reflect in the glass of his limo as Red rolls down the window, drinks in his hometown. ON PENNSYLVANIA AVENUE... Red steps from the car. Finds himself standing in the shadow of a daunting concrete structure. He looks up, delighted to see the words etched in the facade: J. Edgar Hoover Building. INSIDE F.B.I. HEADQUARTERS... Red strides through the lobby with purpose. He’s been here before. Belongs here. Finds his way to a FEMALE GUARD at the security desk. RED Good afternoon. I’m here to see Assistant Director Harold Cooper. 2. GUARD Do you have an appointment? RED Tell him it’s Raymond Reddington. -
A Retrospective Analysis of Vertical Mergers in Multichannel Video Programming Distribution Markets: the Comcast-NBCU Merger
PHOENIX CENTER FOR ADVANCED LEGAL & ECONOMIC PUBLIC POLICY STUDIES 5335 Wisconsin Avenue, NW, Suite 440 Washington, D.C. 20015 Tel: (+1) (202) 274-0235 • Fax: (+1) (202) 318-4909 www.phoenix-center.org Lawrence J. Spiwak, President 16 March 2018 VIA EMAIL Douglas Rathbun Competition Policy and Advocacy Section Antitrust Division U.S. Department of Justice 950 Pennsylvania Ave., NW, Room 3413 Washington, DC 20530 RE: USDOJ Roundtable on Antitrust Consent Decrees Dear Mr. Rathbun: The Department announced that it intends to hold a public roundtable on April 26, 2018 which will focus on antitrust consent decrees, including the regulatory nature of consent decrees that involve behavioral remedies. To help inform the discussion, please find attached a copy of a recent Phoenix Center paper entitled A Retrospective Analysis of Vertical Mergers in Multichannel Video Programming Distribution Markets: The Comcast-NBCU Merger. In this paper, Phoenix Center Chief Economist Dr. George S. Ford presents a retrospective analysis of the price effects of the Comcast-NBCU merger. In particular, Dr. Ford conducts an econometric analysis of data on the prices paid for programming by multichannel video programing distributors (“MVPDs”) before and after the transaction and finds no evidence that Comcast’s programming prices rose after the merger. The analysis covers general interest programming, news channels, and national and regional sports networks. Given these results, Dr. Ford concludes that there is either a lack of a net positive effect on incentives to raise programming prices above competitive levels following the vertical merger or that the behavioral remedies placed on the Comcast-NBCU merger were effective. -
Alphabetical Channel Guide 800-355-5668
Miami www.gethotwired.com ALPHABETICAL CHANNEL GUIDE 800-355-5668 Looking for your favorite channel? Our alphabetical channel reference guide makes it easy to find, and you’ll see the packages that include it! Availability of local channels varies by region. Please see your rate sheet for the packages available at your property. Subscription Channel Name Number HD Number Digital Digital Digital Access Favorites Premium The Works Package 5StarMAX 712 774 Cinemax A&E 95 488 ABC 10 WPLG 10 410 Local Local Local Local ABC Family 62 432 AccuWeather 27 ActionMAX 713 775 Cinemax AMC 84 479 America TeVe WJAN 21 Local Local Local Local En Espanol Package American Heroes Channel 112 Animal Planet 61 420 AWE 256 491 AXS TV 493 Azteca America 399 Local Local Local Local En Espanol Package Bandamax 625 En Espanol Package Bang U 810 Adult BBC America 51 BBC World 115 Becon WBEC 397 Local Local Local Local beIN Sports 214 502 beIN Sports (en Espanol) 602 En Espanol Package BET 85 499 BET Gospel 114 Big Ten Network 208 458 Bloomberg 222 Boomerang 302 Bravo 77 471 Brazzers TV 811 Adult CanalSur 618 En Espanol Package Cartoon Network 301 433 CBS 4 WFOR 4 404 Local Local Local Local CBS Sports Network 201 459 Centric 106 Chiller 109 CineLatino 630 En Espanol Package Cinemax 710 772 Cinemax Cloo Network 108 CMT 93 CMT Pure Country 94 CNBC 48 473 CNBC World 116 CNN 49 465 CNN en Espanol 617 En Espanol Package CNN International 221 Comedy Central 29 426 Subscription Channel Name Number HD Number Digital Digital Digital Access Favorites Premium The Works Package -
Channel Lineup
Seattle & Bellevue CHANNEL LINEUP TV On Demand* Expanded Content* Expanded Content* Digital Variety* STARZ* (continued) (continued) (continued) (continued) 1 On Demand Menu 716 STARZ HD** 50 Travel Channel 774 MTV HD** 791 Hallmark Movies & 720 STARZ Kids & Family Local Broadcast* 51 TLC 775 VH1 HD** Mysteries HD** HD** 52 Discovery Channel 777 Oxygen HD** 2 CBUT CBC 53 A&E 778 AXS TV HD** Digital Sports* MOVIEPLEX* 3 KWPX ION 54 History 779 HDNet Movies** 4 KOMO ABC 55 National Geographic 782 NBC Sports Network 501 FCS Atlantic 450 MOVIEPLEX 5 KING NBC 56 Comedy Central HD** 502 FCS Central 6 KONG Independent 57 BET 784 FXX HD** 503 FCS Pacific International* 7 KIRO CBS 58 Spike 505 ESPNews 8 KCTS PBS 59 Syfy Digital Favorites* 507 Golf Channel 335 TV Japan 9 TV Listings 60 TBS 508 CBS Sports Network 339 Filipino Channel 10 KSTW CW 62 Nickelodeon 200 American Heroes Expanded Content 11 KZJO JOEtv 63 FX Channel 511 MLB Network Here!* 12 HSN 64 E! 201 Science 513 NFL Network 65 TV Land 13 KCPQ FOX 203 Destination America 514 NFL RedZone 460 Here! 14 QVC 66 Bravo 205 BBC America 515 Tennis Channel 15 KVOS MeTV 67 TCM 206 MTV2 516 ESPNU 17 EVINE Live 68 Weather Channel 207 BET Jams 517 HRTV PayPerView* 18 KCTS Plus 69 TruTV 208 Tr3s 738 Golf Channel HD** 800 IN DEMAND HD PPV 19 Educational Access 70 GSN 209 CMT Music 743 ESPNU HD** 801 IN DEMAND PPV 1 20 KTBW TBN 71 OWN 210 BET Soul 749 NFL Network HD** 802 IN DEMAND PPV 2 21 Seattle Channel 72 Cooking Channel 211 Nick Jr. -
The Proposed Comcast-NBC Universal Combination: How It Might Affect the Video Market
The Proposed Comcast-NBC Universal Combination: How It Might Affect the Video Market Charles B. Goldfarb Specialist in Telecommunications Policy February 2, 2010 Congressional Research Service 7-5700 www.crs.gov R41063 CRS Report for Congress Prepared for Members and Committees of Congress The Proposed Comcast-NBC Universal Combination Summary The proposed combination of Comcast, the largest distributor of video services in the United States, and NBC Universal (NBCU), a major producer and aggregator of video content, would create a huge, vertically integrated entity with potentially enormous negotiating power at a time when market forces already are altering traditional content provider/distributor relationships. Comcast would own or control media and entertainment properties of significant scope and scale. Despite the size and reach that Comcast would be afforded, there is so much uncertainty in the video market that the proposed combination has elicited a wide range of predictions about (1) how it would affect that market; (2) how it would affect the long-standing public policy goals of competition, diversity of voices, and localism; and (3) whether the merger would prove beneficial to Comcast’s shareholders. From one perspective, the scope of the combination would be so broad that, in addition to requiring careful scrutiny of its competitive effects, it potentially could affect market structure and relationships in ways that have implications for a wide range of media rules, regulations, and policies, including program carriage rules, -
An Open Letter to President Biden and Vice President Harris
An Open Letter to President Biden and Vice President Harris Dear President Biden and Vice President Harris, We, the undersigned, are writing to urge your administration to reconsider the United States Army Corps of Engineers’ use of Nationwide Permit 12 (NWP12) to construct large fossil fuel pipelines. In Memphis, Tennessee, this “fast-tracked” permitting process has given the green light to the Byhalia pipeline, despite the process wholly ignoring significant environmental justice issues and the threat the project potentially poses to a local aquifer which provides drinking water to one million people. The pipeline route cuts through a resilient, low-wealth Black community, which has already been burdened by seventeen toxic release inventory facilities. The community suffers cancer rates four times higher than the national average. Subjecting this Black community to the possible health effects of more environmental degradation is wrong. Because your administration has prioritized the creation of environmental justice, we knew knowledge of this project would resonate with you. The pipeline would also cross through a municipal well field that provides the communities drinking water. To add insult to injury, this area poses the highest seismic hazard in the Southeastern United States. The Corps purports to have satisfied all public participation obligations for use of NWP 12 on the Byhalia pipeline in 2016 – years before the pipeline was proposed. We must provide forums where communities in the path of industrial projects across the country can be heard. Neighborhoods like Boxtown and Westwood in Memphis have a right to participate in the creation of their own destinies and should never be ignored. -
ARMED FORCES 1St Pitch, June 17 Dispatchsan Diego Navy/Marine Corps Dispatch 619.280.2985 FIFTY SEVENTH YEAR NO
Weekly Contest AutoMatters & More Around Town & Concerts Here’s your chance to save up to $300 This week, join Jan Wagner for The State of Check out our latest entertainment guide, when you enter to win four Knott’s Berry Formula 1 and ‘Cars 3’. happenings and concerts in the local area. Farm tickets. See page 5 See page 17 See pages 22 & 23 Navy Marine Corps Coast Guard Army Air Force AT AT EASE ARMED FORCES 1st pitch, June 17 DISPATCHSan Diego Navy/Marine Corps Dispatch www.armedforcesdispatch.com 619.280.2985 FIFTY SEVENTH YEAR NO. 1 Serving active duty and retired military personnel, veterans and civil service employees THURSDAY, JUNE 15, 2017 Photo by McPhedran The history of Father’s Day in the United States There are two stories of when the first Father’s Day was celebrated. According to some accounts, the first In this April 26 file photo, service members and civil- Father’s Day was celebrated ians gathered to observe Denim Day at Naval Sup- in Washington state on June port Activity Bethesda. The event was a Army led 19, 1910. A woman by the program focused on sexual assault prevention. Navy name of Sonora Smart Dodd photo by MC3 William Phillips came up with the idea of honoring and celebrating her father while listening to DoD launches online program a Mother’s Day sermon at church in 1909. She felt as to help military survivors of though mothers were getting all the acclaim while fathers sexual abuse, assault were equally deserving of WASHINGTON - The Defense Department launched an online a day of praise (She would and mobile educational program June 13 to help individuals begin probably be displeased that to recover, heal and build resiliency after a sexual assault. -
Using Data Science to Understand the Film Industry's Gender
Using Data Science to Understand the Film Industry's Gender Gap Dima Kagan∗1, Thomas Chesneyy2, and Michael Firez1 1Department of Software and Information Systems Engineering, Ben-Gurion University of the Negev 2Nottingham University Business School August 7, 2019 Abstract Data science can offer answers to a wide range of social science ques- tions. Here we turn attention to the portrayal of women in movies, an industry that has a significant influence on society, impacting such aspects of life as self-esteem and career choice. To this end, we fused data from the online movie database IMDb with a dataset of movie dialogue subti- tles to create the largest available corpus of movie social networks (15,540 networks). Analyzing this data, we investigated gender bias in on-screen female characters over the past century. We find a trend of improvement in all aspects of women`s roles in movies, including a constant rise in the centrality of female characters. There has also been an increase in the number of movies that pass the well-known Bechdel test, a popular|albeit flawed|measure of women in fiction. Here we propose a new and better alternative to this test for evaluating female roles in movies. Our study introduces fresh data, an open-code framework, and novel techniques that present new opportuni- ties in the research and analysis of movies. arXiv:1903.06469v3 [cs.SI] 6 Aug 2019 Keywords: Data Science, Network Science, Gender Gap, Social Networks 1 Introduction ∗[email protected] [email protected] zmickyfi@post.bgu.ac.il 1 2 The film industry is one of the strongest branches of the media, reaching billions of viewers worldwide [13, 19].