Arts Handel Oratório Performs Messiah Tune-Up for Christmas

Total Page:16

File Type:pdf, Size:1020Kb

Arts Handel Oratório Performs Messiah Tune-Up for Christmas Page4 The Observer Dec.12, 1984 Arts The Tradition Continues Handel Oratório Performs Messiah by Kay Denney In mid-October, while most Au- the Society feels theyre influenced week before the performance, they gustana students were struggling to by the choir. They sometimes feel join together to see how it sounds. study for midterms, approximately like they can't do it without us. but we The orchestra, under the direction of 70 students were adding to this pres- ali really work together." Dan O liver, must get used to playing sure when practices for HandeFs In the past years, the ticket sales with ;. choir, and the choir must get Messiah began. Aside from the have been down because, according used lo following an orchestra. And choir's usual practice time of one to Bitter, "A lot of people here although it is actually one of the hour daily, an additional two or more think that if you've heard it minor concerts the choir gives during hours was spent rehearsing on Mon- once, you've heard it. Every year it is the year, Morrison takes it very seri- day nights, under the direction of the same thing. You've got to have an ously. When ali 300 members of the Donald Morrison, the choir's conduc- understanding of the music — of Oratório Society band with the 40 or- tor. what it says...Christmas is so com- chestra members, the sound is índe- Why do they go through it? Jon mercial. If vou want to get back to scnbable. Johnson, the president of the choir the Christmas story, and can appreci- The actual performance time of this year, stated, "Well, it's our 104th ate the music, I think you'll find it en- the Messiah is between two and two year of doing the Messiah. It is defi- joyable." and one-half hours. There is a ten nitely a tradition that we want to The Messiah does teU the story of minute intermission about halfway keep up." Because the choir com- Christmas. Through its many pieces, into the work. With so much music to poses almost one-fourth of the Hand- the Messiah attempts to put people in learn. the choir feels more comforta- el Oratório Society, which numbers the spirit of Christmas and think ble their seconu night of performing. about what Christmas is really about. 300, the choir's absence would have Bitte. aiaieu, •• i he first night is usu- an impact on the sound of the con- The Messiah itself is approximately 200 pages long, and choir members ally kind of shakey or unsure...our cert. Augustana, as a choir, singb are given a book containing the b?st performance is the second night many of the solo spots, and profes- songs. — Saturdav. sional soloists are called in to sing the To prepare themselves for this en- This yo ir, the Handel Oratório So- rest of the solos. Carol Bitter, secre- deavor, the choir and orrhpçtro first ciety will present the Messiah on Fri- day the 14th, Saturday the 15th, and tary of the choir, added, "The rest 01 practice on their own. Then, one Sunday the 16th. The Friday and Sat- urday performances begin at 8 p.m. and the Sunday performance begins Zayner, the Red Nose Music Critic at 3 p.m. Ali performances are in Centennial. Tickets are on sale at the Ticket Office and reservations are Tune-Up for Christmas required. is where its strength lies. However, it masterpiece, as Partridge's voice is and how a child to the virgin carne falis short of maintaining the same isolated to convey the hopelessness Will you tell them that the reason consistency as the last two LPs. and horror of nuclear war: why we murdered 1 by Chris Zayner Ray Davies songwriting is as "Will you smile like any mother everything upon the surface of the good as ever, from "Good Day" as you bathe your brand new world Editor's Note: In a stunning dis- (strongly reminiscent of "Sunny Af- twins so we can stand right up and say play of service above and beyond temoon") and the whimiscal "Too Will you sing about the missiles we did it in his name?" the call, and/or reach, of this editor, Hot," both U.K. hits this summer, to as you dry odd-numbered limbs... This grimness isn't for everybody, Zayner contínued his mission to the more socially concerned "Do It Will you tell them about that far off nor is the rapid-fire style of Par- guide readers safely through the Again" and "Massive Reductions." and mythical land tridge's vocais. But they should be. hazards of album-shopping this The álbum also contains the beauti- week, despite a near-fatal case of fully touching "Missing Persons" the Rock Island cold. Having once (perhaps a loving goodbye to the The Sequei to 2001 again managed to defend the virtue Pretenders' Chrissie Hynde?). Dave of the music industry, Zayner may Davies contributes two numbers, and now rest in peace (untíl next week's "Living on a Thin Line" is one of his deadline). best ever. A Space Adventure Okay, has everybody finished This isn't the best example of their Christmas shopping yet? No? what the Kinks are capable of, but from star to star in a couple of hours, Well, in that case, we'll proceed with thafs only because so much is ex- and Captain Kirk would be lucky to the second of our series on finding pected of them. Word of Mouth is, meet a single extraterrestrial culture an ideal álbum for that special quite simply, a good Kinks álbum. in his entire career, let alone once a Christmas gift. Back in 2001: A Space Odyssey, week." the U.S.S. Discovery journeyed to the So, Clarke went to work to "finish" Bruce Foxton—Touch Sensitive XTC—The Big Express vicinity of the planet Júpiter, follow- the Space Odyssey story, without de- Bruce Foxton will probbly always If only side two of this fine record ing the trail of a signal sent to Júpiter fying the laws of physics. be best known as "the bass player were as good as side one — but I from an alien monolith discovered 2010 answers ali our questions for the Jam," the superb British trio guess it couldn't have been, be- under the moon's surface. It acted as about 2001, teaches us a little science, that disbanded last year. However, cause side one is one of the best ex- a sort of "alarm" to signal that man, and gives us state-of-the-art and con- this álbum is impressive enough to amples of a períect synthesis of who it had nudged along in his primi- vincing special effects. Most people build Foxton a following of his own music and lyrics that l've ever en- tive stages of evolution, had reached will either cut this movie up — or — if only people will buy it. countered. the capacity to traverse space. sleep through it. But I loved it. For example, consider "Freak," Not that there aren't any good Commanded by David Bowman The acting in 2010 is good with the Foxton's hit U.K. single about John songs on side two. Far from it. "The (Keir Dullea), and guided by the so- American debut of some very fine Merrick, the Elephant Man. It serves Everyday Story of Smalltown," "I phisticated HAL 9000 computer, the Russian actors. This is not a "shoot- as the best example of Foxton's writ-, Bought Myself a Liarbird," and Discovery runs into a proportionately em up" space story, but an intriguing ing ability, and the rest of the songs "Reign of Blows (Vote No Violence)" identical, though larger, monolith in story of the future of man. 2001 was are about as good. And the guy can follow in the XTC tradition of quality. Jovian orbit. David Bowman at- very laden with philosophy. 2010, on sing, too, as evidenced by his But oh, that first side! tempts to land on it with a landing the other hand, is very political, with smooth falsetto on "It Makes Me The álbum kicks off with Colin pad, but just before making contaci, a disturbing view of Soviet/U.S. rela- Wonder." Moulding's "Wake Up," a fine song is consumed by the block, to be sent tions which involve a joint Although Touch Sensitive does in its own right and a smooth step- through the universe and transfor- U.S./U.S.S.R. voyage to find out what tend to get bogged down a bit on ping-stone to the next four songs med into a systematical entity in the happened to the Discovery and David side two, it is still a fine record, and and Andy Partridge's domain. confines of a hotel suite at the heart Bowman. Foxton should be given a lot of credit In "Shake You Donkey Up," Par- of the star. His last words to the for continuing the pop/soul trend tridge has no sympathy for a guy Earth were, "My God, it's full of that the Jam was following when who's lost his girlfriend because he stars!" they called it a career. mistreated her, calling him "jackass" For 15 years, we 2001 fans have as David Gregory's synthesizers questioned, "What happened to David Big Deal The Kinks—Word of Mouth bray loudly. Partridge's imagery and Bowman?" "Why did the HAL 9000 go Notice: On Wednesday, December lt's had for me to be disappointed Steve Saunders' euphonium put us nuts and kill the rest of the crew?" 12, Susan Deal of the Augustana Eng- by a Kinks álbum.
Recommended publications
  • Hall of Fame Andy Partridge
    Hall of Fame Andy Partridge Andrew John Partridge (born 11 November 1953) is an English singer, songwriter, guitarist, and record producer from Swindon. He is best known for co-founding the rock band XTC, in which he served as the group's primary songwriter and vocalist. While the band was formed as an early punk rock group, Partridge's music drew heavily from British Invasion songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only British top 10 hit, "Senses Working Overtime" (1982), was written by Partridge. In addition to his work with XTC, Partridge has released one solo album on Virgin Records in 1980 called Take Away / The Lure of Salvage. He has also collaborated (as performer, writer or record producer) with recording artists, including Martin Newell, with whom he recorded and produced an album in 1993 entitled The Greatest Living Englishman released in Japan as a duo album. Partridge was producer for the English band Blur during the recording of Modern Life Is Rubbish (1993). He was replaced by Stephen Street at the insistence of their record label, Food. According to Partridge he was unpaid for the sessions and received his expenses only. Partridge also wrote four songs for Disney's version of James and the Giant Peach (1996) but was replaced by Randy Newman when he could not get Disney to offer him "an acceptable deal". In the 2000s, Partridge began releasing demos of his songs under his own name in The Official Fuzzy Warbles Collector's Album and the Fuzzy Warbles album series on his APE House record label.
    [Show full text]
  • Snorna Guide Activities – Real and Ambiguous Svetlana Deryusheva, Gaëlle JS Talross
    Downloaded from rnajournal.cshlp.org on September 29, 2021 - Published by Cold Spring Harbor Laboratory Press Deryusheva, Talross and Gall SnoRNA guide activities – real and ambiguous Svetlana Deryusheva, Gaëlle J.S. Talross 1, Joseph G. Gall Department of Embryology, Carnegie Institution for Science, Baltimore, Maryland 21218, USA 1 Present address: Department of Molecular, Cellular and Developmental Biology, Yale University, New Haven, Connecticut 06510, USA Corresponding authors: e-mail [email protected] [email protected] Running title: Testing snoRNA activities Keywords: modification guide RNA activity, 2’-O-methylation, pseudouridylation, Pus7p, snoRNA 1 Downloaded from rnajournal.cshlp.org on September 29, 2021 - Published by Cold Spring Harbor Laboratory Press Deryusheva, Talross and Gall ABSTRACT In eukaryotes, rRNAs and spliceosomal snRNAs are heavily modified posttranscriptionally. Pseudouridylation and 2’-O-methylation are the most abundant types of RNA modifications. They are mediated by modification guide RNAs, also known as small nucleolar (sno)RNAs and small Cajal body-specific (sca)RNAs. We used yeast and vertebrate cells to test guide activities predicted for a number of snoRNAs, based on their regions of complementarity with rRNAs. We showed that human SNORA24 is a genuine guide RNA for 18S-Ψ609, despite some non- canonical base-pairing with its target. At the same time, we found quite a few snoRNAs that have the ability to base-pair with rRNAs and can induce predicted modifications in artificial substrate RNAs, but do not modify the same target sequence within endogenous rRNA molecules. Furthermore, certain fragments of rRNAs can be modified by the endogenous yeast modification machinery when inserted into an artificial backbone RNA, even though the same sequences are not modified in endogenous yeast rRNAs.
    [Show full text]
  • Sewanee Purple,1984
    Second Class Postage Paid TOLERANCE ALUMNI HOOPS Tyler Stallings' comments about 'intol- We continue a feature that we've been Both the ladies and the men take the goodly erance' on campus stirred up a running regularly for over a year on page court in their opening basketball games issue, as amount of controversy since last 9, where alumni tell us what sticks in this weekend. Details of these events 4-6. our editorial section reveals on pages their minds after all these years. can be had by turning to page 12. PurpleThe Sewanee Volume 158, Issue 5 The University of the South Sewanee, Tenn BY SARA WILLIAMS It's Friday and you are ready i mt the road. Your suitcase is packed, the car is filled with gas, and your stomach is anticipating Sometimes you've eating at Wendy's on exit 42. You are ready to roadtripl Sewanee is called "God's Country," "the most beautiful campus," and is described as just got being "the closest one can get to heaven." But there still comes a time when one needs to escape the same dorm, the same food and the homework assignments before they be- to get away come too claustrophobic. Possibly a short jaunt to Winchester will do, or maybe a week- end in the Bahamas. But don't worry. Roadtrips do not indi- cate that Sewanee is becoming a suitcase col- lege. These trips only serve as a weekend of restoration and enjoyment. Sewanee, as students know, has plenty to offer on the weekends from the SOC activities to the Turn to page* 10 and 11 fraternity parties, The following roadtrip suggestions are just a few of the many trips one could take de- for of travel ideas a variety pending upon what an enjoying weekend means to one.
    [Show full text]
  • Mechanicsburg Newsletter Spring 2016
    U R O R A A S O C I A L Aurora Dawn EHABILITATION R CUMBERLAND & PERRY ERVICES S COUNTY NEWSLETTER SPRING 2016 Issue 6 Perry Council Arts Teams With New Bloomfield Aurora S P E C I A L Making a Difference in Our Community P O I N T S O F project a reality. She along with INTEREST: In a collaboration between Perry Council of the Art (PCCA), Au- the Perry County and Mechan- Star Wars Week rora Social Rehab, and Linda icsburg centers consumer met Billet, a mosaic artist from Hum- each morning at the PCCA Lan- Perry Council of the melstown PA a glass mosaic pro- dis House Art Room located at Arts Mosaic Project ject grant was awarded to the 67 N. 4th St. We had a difficult Jam Session council on behalf of persons with mental health challenges. The B.L.T. Kick Off final project will be displayed at the Newport Elementary school. Member Spotlight Linda Billet, (pictured right) is an outstanding artist who is not only INSIDE THIS passionate about her work, but ISSUE: her enthusiasm to teach others the joy of glass cutting was infec- Cover Story 1 tious. The 10 day step by step time envisioning the final prod- uct, but with Linda’s guidance Mechanicsburg 2 project was taught by Linda and and optimism she encouraged us News she helped the consumers to design, cut, shape, mold, grout every step of the way. She didn't Mechanicsburg 3 the sheets of glass in ways we leave anyone out of the produc- News never new possible.
    [Show full text]
  • 074-452-P1A XTC/3 Software Editor Operating Manual
    OPERATING MANUAL XTC/3 Editor XTC/3 Configuration Editing Software IPN 074-452-P1 OPERATING MANUAL XTC/3 Editor XTC/3 Configuration Editing Software IPN 074-452-P1A GLOBAL HEADQUARTERS: Two Technology Place, East Syracuse, NY 13057 USA Tel: +1.315.434.1100 Fax: +1.315.437.3803 E-mail: [email protected] Visit our website for contact information and sales offices worldwide. www.inficon.com Due to our continuing program of product improvements, specifications are subject to change without notice. ©2006 INFICON Trademarks The trademarks of the products mentioned in this manual are held by the companies that produce them. XTC/3™ is a trademark and INFICON® is a registered trademark of INFICON. Windows®, Excel® and Microsoft® are trademarks of Microsoft Corporation. All other brand and product names are trademarks or registered trademarks of their respective companies. The information contained in this manual is believed to be accurate and reliable. However, INFICON assumes no responsibility for its use and shall not be liable for any special, incidental, or consequential damages related to the use of this product. ©2006 All rights reserved. Reproduction or adaptation of any part of this document without permission is unlawful. Registration Card Thank you for selecting INFICON ® instrumentation. Please fill out and return this postage paid card as soon as possible. Model Serial # Name Title Company Bldg./MS Address Phone # City State Zip Country Fax# Email Your help is very important in our continuing efforts to improve our manuals. Using the table below, please circle the appropriate rank for each aspect. In the Importance column, please indicate the importance of each aspect.
    [Show full text]
  • An Anthology
    THE UNKNOWN: AN ANTHOLOGY William Gillespie Scott Rettberg Dirk Stratton www.unknownhypertext.com 1 Contents The Unknown The Spy Dirk Stratton L.A. (Auster) Autotowing William Gillespie Iowa That Kind of Couple Scott Rettberg Algren Death of a Rabbit William Gillespie Bungie Hands Scott Rettberg Maine Priest Lake Dirk Stratton The Book of Signs Death of a Collector William Gillespie Dirk Spirit The Thing Scott Rettberg i.e. The Bland Taste Dirk Stratton In Orbit Credo Dirk Stratton Dirk Ad The Well-Tempered Tantrum William Gillespie L.A. (Auster) 3 The Meddlesome Passenger Scott Rettberg Boston (Italicized titles from the collaborative hypertext novel The Unknown, by William Gillespie, Scott Rettberg, and Dirk Stratton) 2 The Unknown Everybody gets told to write about what they know. The trouble with many of us is that at the earlier stages of life we think we know everythingÑor to put it more usefully, we are often unaware of the scope and structure of our ignorance. Ignorance is not just a blank space on a personÕs mental map. It has contours and coherence, and for all I know rules of operation as well. ÑThomas Pynchon When you get right down to it, itÕs all sublime. That is, indescribable. You donÕt stop, though. You keep trying to describe it. Language games become a form of breathing. What you donÕt know can and will hurt you, but not as much as what you already know, which has already hurt you and will continue to bring you pain. This is also the ultimate cause of joy. To what extent is the unknown a function of memory, and to what extent fate? We are frontier-obsessive creatures.
    [Show full text]
  • Antinuclear Politics, Atomic Culture, and Reagan Era Foreign Policy
    Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy William M. Knoblauch March 2012 © 2012 William M. Knoblauch. All Rights Reserved. 2 This dissertation titled Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy by WILLIAM M. KNOBLAUCH has been approved for the Department of History and the College of Arts and Sciences by __________________________________ Chester J. Pach Associate Professor of History __________________________________ Howard Dewald Dean, College of Arts and Sciences 3 ABSTRACT KNOBLAUCH, WILLIAM M., Ph.D., March 2012, History Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy Director of Dissertation: Chester J. Pach This dissertation examines how 1980s antinuclear activists utilized popular culture to criticize the Reagan administration’s arms buildup. The 1970s and the era of détente marked a decade-long nadir for American antinuclear activism. Ronald Reagan’s rise to the presidency in 1981 helped to usher in the “Second Cold War,” a period of reignited Cold War animosities that rekindled atomic anxiety. As the arms race escalated, antinuclear activism surged. Alongside grassroots movements, such as the nuclear freeze campaign, a unique group of antinuclear activists—including publishers, authors, directors, musicians, scientists, and celebrities—challenged Reagan’s military buildup in American mass media and popular culture. These activists included Fate of the Earth author Jonathan Schell, Day After director Nicholas Meyer, and “nuclear winter” scientific-spokesperson Carl Sagan.
    [Show full text]
  • Phil's Picks - Greatest Albums of All Times
    Phil's Picks - Greatest Albums of All Times Forever Changes, Love Village Green Preservation Society, The Kinks Da Capo, Love Rockers motion picture soundtrack Four Sale, Love On the Beach, Neil Young Catch the Wind, Donovan Neil Young, Neil Young Revolver, Beatles After the Gold Rush, Neil Young Rubber Soul, Beatles Covers Record, Cat Power Magical Mystery Tour, Beatles You Are Free, Cat Power Terry Reid, Terry Reid Doolittle, Pixies Laughing Stock, Talk Talk Roman Candle, Elliot Smith Last Laugh, The Brigade The Notorious Byrd Brothers, The Byrds Rosemary Lane, Bert Jansch Fifth Dimension, The Byrds Moonshine, Bert Jansch Songs, Leonard Cohen Nicola/Birthday Blues, Bert Jansch Desire, Bob Dylan Happy Sad, Tim Buckley I Just Can’t Stop It, The English Beat Dream Letter, Tim Buckley Axis: Bold as Love, Jimi Hendrix Five Leaves Left, Nick Drake Tea for the Tillerman, Cat Stevens Bryter Layter, Nick Drake Talking Heads ’77, Talking Heads Pink Moon, Nick Drake Who’s Next? The Who Astral Weeks, Van Morrison English Settlement, XTC Veedon Fleece, Van Morrison Birds of My Neighborhood, Innocence Mission Vaersgo, Kim Larsen We Walked in Song, Innocence Mission The Doors, The Doors Renaissance, The Association Strange Days, The Doors One Nation Underground, Pearls Before Swine The Boy with the Arab Strap, Belle and Sebastian I Retur, Turid .
    [Show full text]
  • Mass Manslaughter: but Less Than a Felony,Sometimes an Ear Is Just an Ear: Baylies Band Releases Freudian Ears,RIP Andy Gill &Am
    Spring Growth: New albums and local shows kick the season off right The Z-Boys – Elwood Here’s (I’m assuming) a Motif exclusive: Elwood, the sophomore album from Newport’s The Z-Boys, hits the streets March 6. They’re a band known for their high-energy performances. With tempos and influences all over the place, it’s like a dump truck careening along the edge of a canyon road. Fans will be pleased that the new album manages to keep much of the mayhem intact. You may be familiar with the brand of “everything overload” the Newport band pours into the cauldron, throwing in blues rock, surf, Latin, country and more. Distilling a dynamic live band into an album format can be difficult. Studio constraints have the Z-Boys a bit more restrained, but without a lot of production fluff. “You Lie” is familiar blues rock territory about lying, cheating, etc, and “Don’t Have to Hang Around” is a folk-Mariachi tune mixed with a pleasant country vibe. “Too Slow” is a Steely Dan-like shuffle with a barrage of drum fills, and “Wanna Be Sure” features chunky, arena rock power chords. The downside with the everything-but-the-kitchen-sink method is there’s no real standout track. Elwood has the expected guitar fireworks present in every song, along with rock solid, tasteful bass playing. The drumming is enthusiastic if not overbearing at times, like Keith Moon on Lite Rock 105. I think the best times are when they just fuckin’ go for it full bore without bothering with a melody.
    [Show full text]
  • A Conversation with Andy Partridge by Frank Goodman (11/2006/Puremusic.Com)
    A Conversation with Andy Partridge by Frank Goodman (11/2006/Puremusic.com) Although their notoriety seems not to have popped up on everyone's radar, those of us lucky enough to count XTC as one of our bands seem to agree that they were one of the most musical and important acts of the eighties. Their post punk roots, their pop soul that time brought to bear, and their fierce originality generated a repertoire of song unlike any other in rock history. They had their influences, but processed them uniquely. They are known for their reluctance to break the small town ties of their origin in Swindon, an English railroad town whose "magic roundabout" may be a dubious claim to fame, especially since it brought us not only XTC, but Gilbert O'Sullivan and jazz sensation Jamie Cullum. (However, you get can a magic roundabout t-shit at swindonweb.com/life/lifemagi0.htm.) In fact, their view of the world is seen so keenly through the looking glass that is Swindon, they are to pop music what small town sleuth Miss Jane Marple is to mystery. She rarely needed to go outside the hedgerows of St. Mary Mead to solve the most enigmatic of murders, or to simply find examples of the many dark cupboards of the human condition. Although drummer Terry Chambers and especially guitarist and keyboardist Dave Gregory made long-standing contributions that are forever a part of XTC's colorful history, the songwriters and nucleus of the band are bassist Colin Moulding and guitarist Andy Partridge. Although undeniably, many of the greatest and most successful songs belong to Moulding, Partridge is by far the moreprolific as well as infamous, being by turns more high-energy and socially withdrawn.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Newspeak Volume 15, Issue 05, February 17, 1987 the Tudes Nts of Worcester Polytechnic Institute
    Worcester Polytechnic Institute DigitalCommons@WPI Newspeak All Issues Newspeak 2-17-1987 Newspeak Volume 15, Issue 05, February 17, 1987 The tudeS nts of Worcester Polytechnic Institute Follow this and additional works at: http://digitalcommons.wpi.edu/newspeak Recommended Citation The tudeS nts of Worcester Polytechnic Institute, "Newspeak Volume 15, Issue 05, February 17, 1987" (1987). Newspeak All Issues. Book 336. http://digitalcommons.wpi.edu/newspeak/336 This Book is brought to you for free and open access by the Newspeak at DigitalCommons@WPI. It has been accepted for inclusion in Newspeak All Issues by an authorized administrator of DigitalCommons@WPI. Review "Joseph" is Spellbinding by Michael Wrobleski News~k Staff \\hen I \\COt to see "Jo~eph and the Antal· and the Pharoh. In the original ver~ion of lng Technkolor Dreamcoat" in Alden Hall the play, the Pharoh turns out to be thear ren­ Tuc~c.lay, I "-COt \\lth a lot of c:xpc,tatiOil\. dition of Elvis "the king." As "the times they 1 had "t>)lpcrienced" "Joseph" before, ~o 1 are a-chan gin'," 1 his version had a new twi~t lme" that if it was done right I'd be in for ·a spoof on Michael Jack,on, in a song that a mght ol mu,il:, dan<:t!, minh and fun. like had the audience rolling" ith laughter. The I said I \\Cnt in wuh a lot of e\pectations. only problem was that it wa~ hard to hear I lt'ft, holo\ever, without a sin'!lc.: e~recta· the words of the song which were really uon, all of them bt:ing I ulfilled, The funny.
    [Show full text]