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An Introduction to Vladimir Arsen'ev's Life
INTRODUCTION An Introduction to Vladimir Arsen’ev’s Life Work, Colleagues, and Family AMIR KHISAMUTDINOV Abstract: The article is devoted to the famous explorer and writer Vladimir Klavdievich Arsen’ev (1872–1930). He arrived in the Rus- sian Far East in 1900, where he conducted numerous research ex- peditions and engaged in a comprehensive study of the Far East. Arsen’ev studied the lives of the region’s indigenous peoples and published several books, Dersu Uzala being the most famous one. This article is based on Arsen’ev’s personal archives, which are stored in Vladivostok. The article chronicles his life in the Soviet period. It also discusses the punishment of his wives and children. Keywords: Dersu Uzala, ethnography, indigenous people, purges, Soviet era, Vladimir K. Arsen’ev Beginnings Vladimir Klavdievich Arsen’ev, the most famous Russian explorer of the Far East, said on the eve of his death, “I look to the past and see that for myself I did follow a lucky star.”1 Through the Bolshevik Revolution and through the purges, his fate and that of his relatives were typical for that period. Arsen’ev was born in St. Petersburg on August 29, 1872. A little- known fact is that “Arsen’ev” was not his real last name; rather it was Goppmeier, a Dutch name. Arsen’ev’s grandfather was Fedor (Teodor) Ivanovich Goppmeier, who died in 1866. He was the manager of an estate, who had a son, Klavdii Fedorovich, born on March 11, 1848. Gopp meier did not succeed in having Klavdii legalized, so he was given the surname of a man called Arsenii, who was present at his christen- ing, hence the name “Arsen’ev.” In retrospect, this was a fortunate turn Sibirica Vol. -
The Political Ecology of Vladimir Arsen'ev
The Political Ecology of Vladimir Arsen’ev SERGEY GLEBOV Abstract: The article describes the life and work of Vladimir Klavdievich Arsen’ev in the context of the development of settler colonial project in the Far East. The article argues that Arsen’ev, a military officer and a self-taught geographer and ethnographer, shared in a political ecology, which combined “defense” of native peoples and the nature of the Russian Far East with racialized views of Chinese and Korean immigrants. This political ecology, in par- ticular, led Arsen’ev to take part in military operations designed to cleanse remote parts of the Ussuri region of the Chinese and to de- velop administrative proposals on the governance of native peoples, which foreshadowed Soviet projects. Keywords: Chinese in Russia, ethnography, Far East, Koreans in Russia, native peoples of the Russian Far East, political ecology, Russian empire, settler colonialism, Vladimir Klavdievich Arsen’ev. ladimir Klavdievich Arsen’ev (1872–1930) emerged as arguably Russia’s most popular writer whose works focused on the native Vpeoples of Siberia and the Far East. His texts created a canonical image of a Siberian native. In Arsen’ev’s writings, Dersu Uzala (a native Nanai guide who accompanied Arsen’ev in his travels in the Ussuri region of the Russian Far East) combined ecological sensitivities with a moral compass and became the most recognizable indigenous Siberian. Ar- sen’ev’s prose was light, vivid, and accessible, and his texts drew on a long tradition of adventure literature while claiming the documentary status of travelogues. Still, this canonization was also due to the fact that the Soviet party-state incorporated Arsen’ev into the standard staple of Soviet culture as early as the 1950s. -
UC Berkeley Recent Work
UC Berkeley Recent Work Title Weaving Shuttles and Ginseng Roots: Commodity Flows and Migration in a Borderland of the Russian Far East Permalink https://escholarship.org/uc/item/5r96h3sb Author Holzlehner, Tobias Publication Date 2008-09-01 eScholarship.org Powered by the California Digital Library University of California Weaving Shuttles and Ginseng Roots: Commodity Flows and Migration in a Borderland of the Russian Far East Tobias Holzlehner Fall 2007 Tobias Holzlehner is an Assistant Professor of Anthropology at the University of Alaska, Fairbanks. He was the 2006-2007 Mellon-Sawyer Postdoctoral Fellow at the U.C. Berkeley Program in Soviet and Post-Soviet Studies. Acknowledgments The author is grateful for the Mellon-Sawyer Postdoctoral Fellowship at the Berkeley Program in Soviet and Post-Soviet Studies and a Wenner-Gren dissertation fieldwork grant, which made the different stages of this research possible. He would like to thank all the members of the BPS contemporary politics working group for their valuable comments and suggestions, especially Edward (Ned) Walker and Regine Spector for their time and work spent editing different versions of the paper. All shortcom- ings are the sole responsibility of the author. Abstract: The breakdown of the Soviet Union has transformed the Russian Far East into an economic, national, and geopolitical borderland. Commodity flows and labor migration, especially from China, have created both economic challenges and opportunities for the local population. The article investigates the intricate relationships between commodities, migration, and the body in the borderland between the Russian Far East (Primorskii Krai) and northeastern China (Heilongjiang Province). Small- scale trade and smuggling in the Russian-Chinese borderland represent an important source of income for the local population. -
Note Dersu Uzala, Colonialism and Romance: Some
NOTE DERSU UZALA, COLONIALISM AND ROMANCE: SOME ANTI-IROPOLOGICAL REFLECTIONS ON A KUROSA\WA’S FILM * Iussi Raumolin Centre international de recherches sur l’environnement et le développement, Paris. << The Goldi’s are praised for being good-natured, sincere people who work hard. They worship wooden gods. Shaman witches are their priests, but they also believe that all objects have their own spirit. During the summer the Goldi people fish and during the winter they hunt sable, bear and other animals for pelts... Like many other Siberian peoples, the Goldis are dying out. Scarcely 2,000 individuals survive ».' Movie houses in Helsinki were packed for a year during show- ings of Dersu Uzala, a Soviet-Japanese film set in Siberia. The well- known Japanese director Akira Kurosawa made the film, which is based on the travel diaries of Vladimir K. Arsen’ev, a Russian oflicer-geographerethnographer. The untamed portrait of an exotic, noble savage, brought to life by the cinema technique, stimulated the romantic yearnings of the civilized city dweller. Critics have had nothing but praise for the production. It has received numerous awards, and the -producers are satisfied because their product is in demand. Nevertheless, I believe that something is amiss in the film. For some time I have been interested in Arctic research, and I happened to see the film just as I was in the process of drafting the outline for an article using the ecological approach to the study of religion. Thus the subject matter of the film was rather familiar to me. Moreover I was acquainted with the name of Arsen’ev through studies of colonization. -
The Erased Grave of Dersu Uzala: Kurosawa’S Cinema of Memory and Mourning
JJKC 2 (1) pp. 63–79 Intellect Limited 2010 Journal of Japanese and Korean Cinema Volume 2 Number 1 © 2010 Intellect Ltd Article. English language. doi: 10.1386/jjkc.2.1.63_1 OLGA V. SOLOVIEVA New Haven The erased grave of Dersu Uzala: Kurosawa’s cinema of memory and mourning ABSTRACT KEYWORDS Kurosawa Akira’s Dersu Uzala (1975) represents one of the director’s many attempts Vladimir Arseniev to make his cinema into Japan’s entryway into the global community of nations. The Siberia price of this entry is the acknowledgment as well as forgetting of uncomfortable his- Nanai/Hezhe people torical facts. A revisiting of Kurosawa’s film, set in 1902–1907, against the historical 70mm foil of the two world wars, reveals that this cinematic memorial to a Nanai tribesman Intercultural silently acknowledges and laments Japan’s participation in the extermination of the communication minority peoples of the Manchukuo state and in the destruction of pre-industrial pan- Asian Siberia. Even if Dersu Uzala can be regarded as a turning point in Kurosawa’s career in terms of style, as many critics do to the detriment of the film’s reputation, this film is nonetheless equally indebted to Kurosawa’s world-view and sensibility of the 1950s–1960s, to which he brings new aesthetic means and political concerns. Memory is the most faithful of films – the only one that can register at any height, and right up to the very moment of death. But who can fail to see the difference between memory and that objective image that gives it eternal substance? André Bazin, ‘Cinema and Exploration’ 63 JJJKC_2.1_art_Solovieva_063-080.inddJKC_2.1_art_Solovieva_063-080.indd 6363 112/2/102/2/10 112:23:102:23:10 PPMM Olga V. -
Regional Identity and the Development of a Siberian Literary
REGIONAL IDENTITY AND THE DEVELOPMENT OF A SIBERIAN LITERARY CANON by ALEXIS KATHRYN GUNDERSON A THESIS Presented to the Russian and East European Studies Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2011 THESIS APPROVAL PAGE Student: Alexis Kathryn Gunderson Title: Regional Identity and the Development of a Siberian Literary Canon This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Russian and East European Studies Program by: Dr. Katya Hokanson Chairperson Dr. Julie Hessler Member Dr. Jenifer Presto Member and Richard Linton Vice President for Research and Graduate Studies/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2011 ii © 2011 Alexis Kathryn Gunderson iii THESIS ABSTRACT Alexis Kathryn Gunderson Master of Arts Russian and East European Studies Program June 2011 Title: Regional Identity and the Development of a Siberian Literary Canon Approved: _______________________________________________ Dr. Katya Hokanson Siberia is a space that is more ideologic than it is geographic; it lacks defined physical boundaries and has no precise date of founding. Throughout its contemporary history as a Russian territory, the Siberia of public imagination has been dictated primarily by the views and agendas of external actors, and its culture and literature – despite having multi-ethnic, multi-linguistic, and multi-religious roots – have been subsumed by the greater Russian tradition to which they are uneasily tied. Using an historical framework, this thesis establishes that there is, in fact, a canon of Siberian literature that stands apart from the Russian canon and that incorporates not only Russian texts but also other European and local indigenous ones. -
Taming Tiger Country: Colonization and Environment in the Russian Far East
Taming Tiger Country: Colonization and Environment in the Russian Far East, 1860-1940 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Mark Sokolsky Graduate Program in History The Ohio State University 2016 Dissertation Committee: Nicholas B. Breyfogle (Advisor) John Brooke Alice Conklin David Hoffmann Copyrighted by Mark Sokolsky 2016 Abstract This dissertation examines the relationship between colonization and environmental change in the Russian province of Primor’e between roughly 1860 and 1940. In doing so, it explores the ecological dimensions of Russia’s expansion across Asia and contributes a new perspective to the environmental history of the Russian Empire and Soviet Union. It contends that imperial competition over space and resources was the driving factor behind the environmental changes that occurred in Primor’e after 1860, yet also underlay the emergence of nature protection in the territory. From the outset of Russian colonization, Primor’e’s environment—both as an idea and a material reality—was contested, highly politicized, and intertwined with ethnic and social divisions. This contestation over space, resources, and nature had far-reaching consequences for the territory and its nonhuman environment. Beginning in the late 1850s, the tsarist state sought to acquire Primor’e and colonize it with Russian and European settlers (including Ukrainians, Balts, Finns, and others) in order to take advantage of temporary Chinese weakness and to defend its eastern territories against other imperial powers. A territory that the Qing Empire had long preserved as a lightly-populated borderland, Russian authorities attempted to seize, demarcate, populate, and cultivate. -
Survey of the Series Folklore Monuments of the Peoples of Siberia and the Far East Richard Dauenhauer
30 Survey of the Series Folklore Monuments of the Peoples of Siberia and the Far East Richard Dauenhauer. Juneau, Alaska The Russian Academy of Sciences series Pamiatniki Fo/'ldora Narodov Sibiri i Dal'nego Vostoka [Folklore Monuments of1he Peoples of Siberia and the Far East] has survived the fiscal and reorganizational ambiguities of the post-Soviet era, and is progressing well with sixteen volumes now in print. This survey covers volumes 9-16, published 1995-97. For volumes 1-8, published 1990-1994, please see Dauenhauer 1995a, 1995b, 1996a, 1996b for review articles which contain essentially the same information, but have been edited for different readerships. The series is a project of the Russian Academy of Sciences, Siberian Branch, Institute of Philology, and is being published by Nanka in Novosibirsk. We should appreciate at the outset that the success of the series in these difficult times is due in no small degree to the administrative skills (above and beyond their outstanding achievement as folklorists) of the general series editors and fOlDlders,A P. Derevianko (editor-in-chief), V. M. Gatsak and A B. Soktoev (assistant editors), and the other members of the editorial board It is with great sadness that I report the passing last year of our friend and colleague, the Buriat folklorist and assistant series editor, Aleksandr Badmaevich Soktoev, Director of the Folklore Department and Corresponding Member of the Academy of Sciences. For many of us, the Pamiatniki series will not only provide lasting textual monuments and documentation of the folklore genres of Siberia and the Far East, but will also serve as monuments to all the tradition bearers and folklorists whose lives and won helped make it a success. -
Durham E-Theses
Durham E-Theses Calling Back to the Wild: Postmodernity and the Cultural History of Wilderness SPAIN, NATHANIEL,JOSEPH How to cite: SPAIN, NATHANIEL,JOSEPH (2017) Calling Back to the Wild: Postmodernity and the Cultural History of Wilderness, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12252/ Use policy This work is licensed under a Creative Commons Attribution No Derivatives 3.0 (CC BY-ND) Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk CALLING BACK TO THE WILD: POSTMODERNITY AND THE CULTURAL HISTORY OF WILDERNESS NATHANIEL JOSEPH SPAIN ABSTRACT In postmodernity, wilderness still occupies a space in our cultural imagination. This is perhaps surprising considering the decline of uncontrolled natural spaces in recent history and postmodernity’s typically subversive attitude toward previous cultural ideas and narratives, of which the wilderness image – as a hallmark of religious writing, medieval romances, folklore and many other forms – is evidently a part. While this thesis will explore the possibility that postmodernity is less subversive than typically assumed, it will also uncover the fact that wilderness spaces have thematic commonalities with the intricacies of postmodern critical theory, such as Derridean deconstruction. This thesis will therefore take a comparative approach, examining a selection of postmodern texts against a wide spectrum of earlier manifestations of the wilderness theme. This will demonstrate the prevalence of the wilderness image, reveal trends and narratives concerning its significance throughout history, and explore how postmodernity preserves, critiques or otherwise responds to prior representations of wilderness spaces and the values they promote.