EMIL GILELS FIRE NOTICE: the Exit Indicated by a Red Light and Sign Nearest to the Seat You Occupy Is the Shortest Route to the Street

Total Page:16

File Type:pdf, Size:1020Kb

EMIL GILELS FIRE NOTICE: the Exit Indicated by a Red Light and Sign Nearest to the Seat You Occupy Is the Shortest Route to the Street Thursday Evening, January 16, 1958 115ßs.02o69 #37 THE BROOKLYN INSTITUTE 11110/1 OF ARTS AND SCIENCES ROBERT E. BLUM, President r pp no PK A ,ei BROOKLYN ACADEMY OF MUSIC THURSDAY EVENING, JANUARY 16, 1958, 8:30 P.M. FELIX G. GERSTMAN in association with THE BROOKLYN ACADEMY OF MUSIC by arrangement with S. HUROK presents EMIL GILELS FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire please do not run -WALK TO THAT EXIT. 116 ............ Brahms EDWARD F. CAVANAGH, JR., Fantasia, Opus Fire Commissioner BROOKLYN ACADEMY OF MUSIC announces Sonata, Opus 57 ( "Appassionata") ..... ............................... Beethoven It is urgent for the comfort and safety of all that patrons refrain from lighting matches in this theater. Allegro assai These Distinguished Events of Interest Andante con moto ll Allegro ma non troppo ORCHESTRA Tuesday Evening, January 21 INTERMISSION I , THE WORLD- RENOWNED PIANO VIRTUOSO cm. i ; BENNO MOISEIWITSCH on . Sonata No. 4 in B minor, Opus 56 .. ____.. ... _.. _..... Weinberg FIRST PERFORMANCE IN NEW YORK / Friday Evening, February 14 Allegro moderato. Lento ... >)-- {I4III 'flI .... -` I 1 1 BOSTON SYMPHONY ORCHESTRA Allegretto Munch, Conductor Adagio. Largo. Adagio - - - - -- Charles Allegretto. Largo Marcel Mule, Saxophone Soloist . j 1 Ir 1 s Visions Fugitives, Opus 22 Prokofieff BALCONY Toccata, Opus Il J ........ ......... Tuesday Evening, February 18 ANGEL, WESTMINSTER, Little Gaelic Singers STEINWAY PIANO a RCA VICTOR AND MONITOR RECORDS r( I I 1 Saturday, February 22 Management: HUROK ARTISTS INC., 730 Fifth Avenue, New York 3, N. Y. I MATINEE AND EVENING ' °° Tyrone Power Faye Emerson Arthur Treacher THEATRE GUILD PRODUCTION mil, Bernard Shaw's "Back to Methuselah" Pr II COCKTAIL LOUNGE RESTAURANT (IL r ondola 1a BALCONY FOR PEOPLE OF GOOD TASTE" 20 Lafayette Ave., Brooklyn NEvins 8 -9547 / Across the street from the Academy // Wednesday Evening, February 26 cor Jour £fer the dhow L/ining ¿Pleasure I - LEONID KOGAN, violinist -our Venezia Room is just the place to relax and enjoy the finest in food and drinks. Let us make your evening something to remember for you and your friends. Italian -American Cuisine For Reservations, call bar in town Alfred NEvins 8 -9547 s Best stocked TICKETS NOW ON SALE Open Daily and Sundays P ,E' - " _ _ ANGEL RECORDS presents pianist violinist EMIL GILELS LEONID KOGAN Great Russian Artists now on concert tour in this country pn =t.- s . .... _ e _ J EMIL GILELS at an Angel recording session in London LEONID KOGAN at an Angel recording session in with conductor Leopold Ludwig. London with conductor Basil Cameron. photo Lea Goodman photo Denis de Mameyr Emil Gilels on Angel Records Leonid Kogan on Angel Records Recorded in London Recorded in London BEETHOVEN BACH for Two Violins in D minor Concerto No. 5, Emperor Angel 35476 Concerto (With Elisabeth Gilels) Concerto No. 4 in G Angel 35511 Violin Concerto in E Philharmonia Orchestra Sarabande from Violin Sonata No. 2 Philharmonia String Orchestra Recorded in Paris Angel 35343 with the Paris Conservatoire Orchestra BRAHMS: Violin and Piano Sonatas No. 1 in G; No.2 in A (Andrei Mitnik,Pianist) BEETHOVEN Angel 35332 Concerto No. 3 in C minor Angel 35131 MOZART: Concerto No. 3 in G RACHMANINOFF PROKOFIEV: Concerto No. 2 in G minor Concerto No. 3 in D minor Angel 35230 Philharmonia and London Symphony Angel 35344 SAINT -SAENS Recorded in Paris Concerto No. 2 in G minor MOZART with the Paris Conservatoire Orchestra Piano No. 16 in B flat BRAHMS: Concerto in D Angel 35412 Angel 35132 PAGANINI: Concerto No. 1 in D Cantabile in D Recorded in United States (Andrei Mitnik, Pianist) Angel 35502 TCHAIKOVSKY: Concerto in D CHOPIN VIVALDI: Concerto in G minor Funeral March Sonata in B flat minor LOCATELLI SHOSTAKOVICH Sonata in F Minor (Andrei Mitnik, Pianist) Preludes and Fugues Angel 35308 Angel 35444 ANGEL ,. "Aristocrats of High Fidelity" 44110*- 33.3 .
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
    *l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D.
    [Show full text]
  • Jewish Cemetries, Synagogues, and Mass Grave Sites in Ukraine
    Syracuse University SURFACE Religion College of Arts and Sciences 2005 Jewish Cemetries, Synagogues, and Mass Grave Sites in Ukraine Samuel D. Gruber United States Commission for the Preservation of America’s Heritage Abroad Follow this and additional works at: https://surface.syr.edu/rel Part of the Religion Commons Recommended Citation Gruber, Samuel D., "Jewish Cemeteries, Synagogues, and Mass Grave Sites in Ukraine" (2005). Full list of publications from School of Architecture. Paper 94. http://surface.syr.edu/arc/94 This Report is brought to you for free and open access by the College of Arts and Sciences at SURFACE. It has been accepted for inclusion in Religion by an authorized administrator of SURFACE. For more information, please contact [email protected]. JEWISH CEMETERIES, SYNAGOGUES, AND MASS GRAVE SITES IN UKRAINE United States Commission for the Preservation of America’s Heritage Abroad 2005 UNITED STATES COMMISSION FOR THE PRESERVATION OF AMERICA’S HERITAGE ABROAD Warren L. Miller, Chairman McLean, VA Members: Ned Bandler August B. Pust Bridgewater, CT Euclid, OH Chaskel Besser Menno Ratzker New York, NY Monsey, NY Amy S. Epstein Harriet Rotter Pinellas Park, FL Bingham Farms, MI Edgar Gluck Lee Seeman Brooklyn, NY Great Neck, NY Phyllis Kaminsky Steven E. Some Potomac, MD Princeton, NJ Zvi Kestenbaum Irving Stolberg Brooklyn, NY New Haven, CT Daniel Lapin Ari Storch Mercer Island, WA Potomac, MD Gary J. Lavine Staff: Fayetteville, NY Jeffrey L. Farrow Michael B. Levy Executive Director Washington, DC Samuel Gruber Rachmiel
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON SEVENTY-SEVENTH SEASON I 957- I 958 Carnegie Hall, New York Boston Symphony Orchestra (Seventy-seventh Season, 1957-1958) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster Albeit Bernard George Zazofsky Rolland Tapley George Humphrey Contra-Bassoon Norbert Lauga Jerome Lipson Richard Plaster Vladimir Resnikoff Robert Karol Reuben Horns Harry Dickson Green Gottfried Wilfinger Bernard Kadinoff James Stagliano Vincent Charles Yancich Einar Hansen Mauricci Joseph Leibovici John Fiasca Harry Shapiro Earl Hedberg Harold Meek Emil Kornsand Paul Keaney Roger Shermont Violoncellos Osbourne McConathy Minot Beale Samuel Mayes Herman Silberman Alfred Zighera Trumpets Stanley Benson Jacobus Langendoen Leo Panasevich Roger Voisin Mischa Nieland Andr6 Come Sheldon Rotenberg Karl Zeise Armando Ghitalla Fredy Ostrovsky Josef Zimbler Gerard Goguen Clarence Knudson Bernard Parronchi Trombones Pierre Mayer Martin Hoherman Manuel Zung Louis Berger William Gibson Samuel Diamond Richard Kapuscinski William Moyer Kauko Kahila Victor Robert Ripley Manusevitch Josef Orosz James Nagy Winifred Winograd Melvin Bryant Flutes Tuba Lloyd Stonestreet Doriot Anthony Dwyer K. Vinal Smith Saverio Messina James Pappoutsakis William Waterhouse Phillip Kaplan Harps William Marshall Bernard Zighera Leonard Moss Piccolo George Madsen
    [Show full text]
  • Jewish Cemeteries, Synagogues, and Mass Grave Sites in Ukraine
    JEWISH CEMETERIES, SYNAGOGUES, AND MASS GRAVE SITES IN UKRAINE United States Commission for the Preservation of America’s Heritage Abroad 2005 UNITED STATES COMMISSION FOR THE PRESERVATION OF AMERICA’S HERITAGE ABROAD Warren L. Miller, Chairman McLean, VA Members: Ned Bandler August B. Pust Bridgewater, CT Euclid, OH Chaskel Besser Menno Ratzker New York, NY Monsey, NY Amy S. Epstein Harriet Rotter Pinellas Park, FL Bingham Farms, MI Edgar Gluck Lee Seeman Brooklyn, NY Great Neck, NY Phyllis Kaminsky Steven E. Some Potomac, MD Princeton, NJ Zvi Kestenbaum Irving Stolberg Brooklyn, NY New Haven, CT Daniel Lapin Ari Storch Mercer Island, WA Potomac, MD Gary J. Lavine Staff: Fayetteville, NY Jeffrey L. Farrow Michael B. Levy Executive Director Washington, DC Samuel Gruber Rachmiel Liberman Research Director Brookline, MA Katrina A. Krzysztofiak Laura Raybin Miller Program Manager Pembroke Pines, FL Patricia Hoglund Vincent Obsitnik Administrative Officer McLean, VA 888 17th Street, N.W., Suite 1160 Washington, DC 20006 Ph: ( 202) 254-3824 Fax: ( 202) 254-3934 E-mail: [email protected] May 30, 2005 Message from the Chairman One of the principal missions that United States law assigns the Commission for the Preservation of America’s Heritage Abroad is to identify and report on cemeteries, monuments, and historic buildings in Central and Eastern Europe associated with the cultural heritage of U.S. citizens, especially endangered sites. The Congress and the President were prompted to establish the Commission because of the special problem faced by Jewish sites in the region: The communities that had once cared for the properties were annihilated during the Holocaust.
    [Show full text]
  • Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC JASCHA HEIFETZ, DAVID OISTRAKH, JOSEPH SZIGETI: THEIR CONTRIBUTIONS TO THE VIOLIN REPERTOIRE OF THE TWENTIETH CENTURY By Jae Won (Noella) Jung A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2007 Copyright © 2007 Jae Won (Noella) Jung All Rights Reserved The members of the Committee approve the treatise of Jae Won (Noella) Jung on March 2, 2007. ____________________________________ Karen Clarke Professor Directing Treatise ____________________________________ Jane Piper Clendinning Outside Committee Member ____________________________________ Alexander Jiménez Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS First of all, I would like to express my sincere appreciation to my advisor, Professor Karen Clarke, for her guidance and support during my graduate study at FSU and I am deeply grateful for her advice and suggestions on this treatise. I would also like to thank the rest of my doctoral committee, Professor Jane Piper Clendinning and Professor Alexander Jiménez for their insightful comments. This treatise would not have been possible without the encouragement and support from my family. I thank my parents for their unconditional love and constant belief, my sister for her friendship, and my nephew Jin Sung for his precious smile.
    [Show full text]
  • 75 Years of Shared Music
    75 years of shared music Text edited on the occasion of the 75th anniversary of the Queen Elisabeth Competition in 2012. ‘Competitions are for horses’, said Debussy. That was more than a century ago, but his remark is still popular today (especially with musicians who have been unsuccessful in competitions). The question is, it must be admitted, a complex one that can be approached from a variety of angles. It is permissible, moreover, to see it simply from the point of view of those music-lovers to whom the Queen Elisabeth Competition has – for 75 years now – offered such a wide range of emotions. Passion, joy, sadness, identification, dissent, and more, as well as an opportunity to share the experience of ‘great’ music, in a world that has changed so much and in which this ‘great’ music occupies a less prominent position in the everyday world of the media and thus of people generally. The Queen Elisabeth Competition is, for many, a slice of life, an enchanted interlude in which culture seems to make some slight inroads into the gloom cast by crises, rationalisation, epidemics, rain, and conflict. The audience, like the participants and their repertoire, defies generalisation: it is not a single audience, but thousands of individual audience members and tens of thousands of others watching television or listening to the radio. There is no single group of laureates/racehorses, either, but young people, each of whom has come with his or her own past, present state, and potential – still fragile and dependent on an infinite variety of factors.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia.
    [Show full text]
  • KHACHATURIAN Violin Concerto
    555919bk Khachaturian USA 07/10/2003 08:12 pm Page 4 Theodore Kuchar DDD Theodore Kuchar is one of the most prolifically recorded conductors of the past decade, having recorded over sixty compact discs for the Naxos and Marco Polo labels. He served as Artistic Director and Principal Conductor 8.555919 of the National Symphony Orchestra of Ukraine in a contract spanning 1992-2000; upon completion of that agreement, he was awarded the title of Conductor Laureate for Life. Since 1990, he has served as Artistic Director KHACHATURIAN of the Australian Festival of Chamber Music, an annual event regarded as the pre-eminent chamber music festival of the Southern Hemisphere. He presently serves as Music Director and Conductor of the Fresno Philharmonic Orchestra and Boulder Philharmonic Orchestra, and in September 2003 took on the additional position of Music Director of the Reno Chamber Orchestra. During the past several seasons, guest conducting engagements have Violin Concerto taken him to major musical centres, including Amsterdam, Chicago, Helsinki, Hong Kong, London, Madrid, Prague, Seoul and Sydney. Soloists with whom Kuchar has collaborated include James Galway, Jessye Norman, Concerto-Rhapsody Lynn Harrell, Itzhak Perlman, Yo-Yo Ma, Sarah Chang, Mstislav Rostropovich and Frederica von Stade. He has important conducting engagements with the Berlin Symphony Orchestra in an international tour and in a number of major musical centres throughout Europe and America. Mihaela Martin, Violin National Symphony Orchestra of Ukraine Theodore Kuchar 8.555919 4 555919bk Khachaturian USA 07/10/2003 08:11 pm Page 2 Aram Khachaturian (1903-1978) movement emerged (and note the insinuating presence movement, offers some respite, though the frequently Concerto-Rhapsody in B flat minor • Violin Concerto in D minor of the descending figure from the previous syncopated accompaniment ensures the main theme movement’s main theme at the very end).
    [Show full text]
  • De 3363 0 13491 33632 9
    DE 3363 0 13491 33632 9 DMITRI SHOSTAKOVICH Concerto for Violin No.1 in A Minor, op.77 [37:55] 1. Nocturne (11:41) 2. Scherzo (6:57) 3. Passacaglia (14:24) 4. Burlesque (4:53) Concerto for Violin No.2 in C-Sharp Minor, op.129 [33:41] 5. Moderato (14:42) 6. Adagio (9:45) 7. Adagio. Allegro (9:14) Total Playing Time: 71:38 The year 2006 marks the centenary of Dmitri Shostakovich. It is a great honor for ROSBANK to participate in the release of this CD dedicated to the memory of the great Russian composer. The two violin concertos written by Dmitri Shostakovich in 1948 and 1967 for his friend, the renowned violinist David Oistrakh, have become true gems of Recording Information On-Stage Microphone Preamplifiers: Millenia HV- the world’s musical culture and famous for their brilliance, lyricism and uniqueness 2, Grace 801 Produced by Tatiana Vinnitskaya for SVIP Produc - Analogue to digital converter: Prism Sound ADA-8 of form. They have been noted by David Oistrakh for their “striking earnestness, tion,Ltd depth of the composer’s creative approach, and a truly symphonic thinking.” Engineered and mixed by Tatiana Vinnitskaya Edited and mixed at SVIP Studios, Moscow Recorded 17-20 September 2005 at Studio 5 of the Assistant engineers: Andrew Maygkov We hope that the admirers of Dmitri Shostakovich’s art will be able to ap - Russian TV and Radio Broadcasting Company “Kul - Edited by Dmitri Misailov preciate this unique recording of his Concertos Nos. 1 and No. 2 for Violin and tura,” Moscow, Russia Mastered by Oleg Ivanov Microphones: Holophone 7.1 system, Neumann Special Thanks : Nikolai Bykov, Zina Suave, Eugene Orchestra, made by Dmitri Kogan and the Tchaikovsky Symphony Orchestra TLM 50, Neumann M58, Schoeps CCM 21, CCM Aleshin, Alex Zaitsev and the friendly staff of the Russ - conducted by Maxim Shostakovich, one of the outstanding interpreters of his 21H, CCM 4, BLM 3, DPA 4022 ian TV and Radio Broadcasting Company, Moscow, Interconnecting Monster Cable series Prolink Russia father’s music.
    [Show full text]
  • Leonid Kogan Violin Concerto Mp3, Flac, Wma
    Leonid Kogan Violin Concerto mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Violin Concerto Country: USSR Released: 1981 Style: Classical MP3 version RAR size: 1627 mb FLAC version RAR size: 1669 mb WMA version RAR size: 1874 mb Rating: 4.4 Votes: 933 Other Formats: VOX AIFF TTA DTS APE XM ADX Tracklist Concerto For Violin And Orchestra In D Major, Op. 61 A1 Allegro Ma Non Troppo B1 Larghetto B2 Rondo. Allegro Companies, etc. Copyright (c) – Мелодия Pressed By – Апрелевский Завод Грампластинок Credits Composed By – L. Beethoven* Design [Cover] – A. Grigoriev* Engineer – I. Veprintsev* Photography By – V. Pischalnikov* Supervised By [Editor] – N. Zakhariev* Notes Recorded in 1980 with Symphony Orchestra. Barcode and Other Identifiers Other (State standard): ГОСТ 5289-80 Other versions Category Artist Title (Format) Label Category Country Year Людвиг Ван Бетовен* - Людвиг Ван Леонид Коган*, Павел Бетовен* - Коган* - Концерт Для С10-166956 Мелодия С10-166956 USSR 1980 Леонид Коган*, Скрипки С Оркестром Павел Коган* Ре Мажор, Соч. 61 (LP, Album) Людвиг Ван Бетовен* - Людвиг Ван Леонид Коган*, Павел Бетовен* - Коган* - Концерт Для С10—16695-6 Мелодия С10—16695-6 USSR 1981 Леонид Коган*, Скрипки С Оркестром Павел Коган* Ре Мажор, Соч. 61 (LP, Album) L. Beethoven* - Leonid L. Beethoven* - Kogan, Pavel Kogan - С10 16695 000 Leonid Kogan, Мелодия С10 16695 000 USSR 1981 Violin Concerto (LP, Pavel Kogan Album) Beethoven* - Leonid Beethoven* - Kogan With Pavel Leonid Kogan VIC-28088 Kogan - Violin Concerto Victor VIC-28088 Japan 1983 With Pavel In D Major Op.61 (LP, Kogan Album, RE) Related Music albums to Violin Concerto by Leonid Kogan А.
    [Show full text]
  • Evgeni Mravinsky Discography
    FRANK FORMAN AND KENZO AMOH Evgeni Mravinsky Discography Evgeni Alexandrovich Mravinsky (1903 I 6 I 4 St. Petersburg -1988I1I19 Leningrad) General Notes 1. All records are stereo unless noted as Grammophon's original Tchaikovsky monaural. Symphonies. See the List of Record Labels 2. LPs are 30 centimeters (12 inches) in diam­ below. eter unless stated otherwise. 9. This discography is a revision ofKenzo 3. The orchestra is the Leningrad Amoh, Frank Forman, and Hiroshi Philharmonic Symphony Orchestra unless Hashizume, Mravinsky Discography stated otherwise. (Osaka: The Japanese Mravinsky Society, 4. Recording data are mostly based on infor­ 1993 March 20). Agreat deal of peripheral mation from Alexandr Nevsorov (Moscow). material, such as photographs, a biography Discrepancies are noted. of the conductor, and several lists of con­ 5. ·~ before a recording date means that the certs, was omitted. exact date is unknown. The date given is 10. Grateful acknowledgements are owed to the earliest date that recording engineers several people: 1. Hiroshi Hashizume, sec­ were known to have checked the recording. retary of the Japanese Mravinsky Society; Alexandr Nevzorov (the discographers' cor­ 2. Alexandr Nevzorov, a Russian correspon­ respondent in Moscow) estimates that the dent, for his research in various archives; actual recording was made either on that 3. William D. Curtis, for the first known day or any time during the preceding compilation ofMravinsky's recordings; 4. month. Some anomalies, like the Donald R. Hodgman, a collector in New Ovsyaniko-Kulikovksy Symphony, remain. York City, for the loan of several dozen LPs; 6. Soviet LPs are numbered consecutively on 5. Paul Miller, a Los Angeles collector, for each side of the disc, instead of one number making a great many patient A-B compar­ for the entire disc.
    [Show full text]
  • Shostakovich (1906-1975)
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Piano Concerto No. 1 in C minor with Trumpet and String Orchestra, Op. 35 (1933) Dmitri Alexeyev (piano)/Philip Jones (trumpet)/Jerzy Maksymiuk/English Chamber Orchestra ( + Piano Concerto No. 2, Unforgettable Year 1919, Gadfly: Suite, Tahiti Trot, Suites for Jazz Orchestra Nos. 1 and 2) CLASSICS FOR PLEASURE 382234-2 (2007) Victor Aller (piano)/Murray Klein (trumpet)/Felix Slatkin/Concert Arts Orchestra ( + Hindemith: The Four Temperaments) CAPITOL P 8230 (LP) (1953) Leif Ove Andsnes (piano)/Håkan Hardenberger (trumpet)/Paavo Järvi/City of Birmingham Symphony Orchestra ( + Britten: Piano Concerto and Enescu: Legende) EMI CLASSICS 56760-2 (1999) Annie d' Arco (piano)/Maurice André (trumpet)/Jean-François Paillard/Orchestre de Chambre Jean François Paillard (included in collection: "Maurice André Edition - Volume
    [Show full text]