The Indian National Bibliography
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1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48P
1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48p. Rs.30 It Is the famous rhymes collection of Bengali Literature. 2. Aabol Taabol Roy, Sukumar Kolkata: National Book Agency 2003; 60p. Rs.30 It in the most popular Bengala Rhymes ener written. 3. Aabol Taabol Roy, Sukumar Kolkata: Dey's 1990; 48p. Rs.10 It is the most famous rhyme collection of Bengali Literature. 4. Aachin Paakhi Dutta, Asit : Nikhil Bharat Shishu Sahitya 2002; 48p. Rs.30 Eight-stories, all bordering on humour by a popular writer. 5. Aadhikar ke kake dei Mukhophaya, Sutapa Kolkata: A 'N' E Publishers 1999; 28p. Rs.16 8185136637 This book intend to inform readers on their Rights and how to get it. 6. Aagun - Pakhir Rahasya Gangopadhyay, Sunil Kolkata: Ananda Publishers 1996; 119p. Rs.30 8172153198 It is one of the most famous detective story and compilation of other fun stories. 7. Aajgubi Galpo Bardhan, Adrish (ed.) : Orient Longman 1989; 117p. Rs.12 861319699 A volume on interesting and detective stories of Adrish Bardhan. 8. Aamar banabas Chakraborty, Amrendra : Swarnakhar Prakashani 1993; 24p. Rs.12 It is nice poetry for childrens written by Amarendra Chakraborty. 9. Aamar boi Mitra, Premendra : Orient Longman 1988; 40p. Rs.6 861318080 Amar Boi is a famous Primer-cum-beginners book written by Premendra Mitra. 10. Aat Rahasya Phukan, Bandita New Delhi: Fantastic ; 168p. Rs.27 This is a collection of eight humour A Mystery Stories. 12. Aatbhuture Mitra, Khagendranath Kolkata: Ashok Prakashan 1996; 140p. Rs.25 A collection of defective stories pull of wonder & surprise. 13. Abak Jalpan lakshmaner shaktishel jhalapala Ray, Kumar Kolkata: National Book Agency 2003; 58p. -
Ce Document Est Le Fruit D'un Long Travail Approuvé Par Le Jury De Soutenance Et Mis À Disposition De L'ensemble De La Communauté Universitaire Élargie
AVERTISSEMENT Ce document est le fruit d'un long travail approuvé par le jury de soutenance et mis à disposition de l'ensemble de la communauté universitaire élargie. Il est soumis à la propriété intellectuelle de l'auteur. Ceci implique une obligation de citation et de référencement lors de l’utilisation de ce document. D'autre part, toute contrefaçon, plagiat, reproduction illicite encourt une poursuite pénale. Contact : [email protected] LIENS Code de la Propriété Intellectuelle. articles L 122. 4 Code de la Propriété Intellectuelle. articles L 335.2- L 335.10 http://www.cfcopies.com/V2/leg/leg_droi.php http://www.culture.gouv.fr/culture/infos-pratiques/droits/protection.htm Ecole doctorale Stanislas Centre de Recherche sur les Cultures et les Littératures Européennes Doctorat d’histoire contemporaine M. Noël MOTTAIS Les acteurs fascistes du dialogue indo-italien : l’exemple de GiuseppeTucci, (1922-1944). Thèse co-dirigée par M. Didier FRANCFORT, professeur d'histoire contemporaine et Mme Marie-Anne MATARD-BONUCCI, professeur d'histoire contemporaine Année 2017 Président du jury : M. Paul DUMONT, professeur émérite des universités, Membres du jury :Mme Meropi ANASTASSIADOU, professeur à l’Inalco, M. Didier FRANCFORT, professeur à l‘Université de Lorraine (co-directeur de recherche), Mme Marie-Anne MATARD-BONUCCI, professeur à l‘Université de Paris VIII (co- directrice de recherche), M. Stéphane DE TAPIA, directeur de recherche au CNRS, université de Strasbourg A Auguste et Myriam, mes parents 2 REMERCIEMENTS ...................................................................................................................... 7 Introduction ..................................................................................................................................... 9 PREMIERE PARTIE : Les débuts d'une carrière orientaliste dans l'Italie libérale .............. 36 Chapitre I.L’initiation à l’Orient ..................................................................................................... -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Unni Menon…. Is Basically a Malayalam Film Playback Singer
“FIRST ICSI-SIRC CSBF MUSICAL NITE” 11.11.2012 Sunday 6.05 p.m Kamarajar Arangam A/C Chennai In Association With Celebrity Singers . UNNI MENON . SRINIVAS . ANOORADA SRIRAM . MALATHY LAKSHMAN . MICHAEL AUGUSTINE Orchestra by THE VISION AND MISSION OF ICSI Vision : "To be a global leader in promoting Good Corporate Governance” Mission : "To develop high calibre professionals facilitating good Corporate Governance" The Institute The Institute of Company Secretaries of India(ICSI) is constituted under an Act of Parliament i.e. the Company Secretaries Act, 1980 (Act No. 56 of 1980). ICSI is the only recognized professional body in India to develop and regulate the profession of Company Secretaries in India. The Institute of Company Secretaries of India(ICSI) has on its rolls 25,132 members including 4,434 members holding certificate of the practice. The number of current students is over 2,30,000. The Institute of company Secretaries of India (ICSI) has its headquarters at New Delhi and four regional offices at New Delhi, Chennai, Kolkata and Mumbai and 68 Chapters in India. The ICSI has emerged as a premier professional body developing professionals specializing in Corporate Governance. Members of the Institute are rendering valuable services to the Government, Regulatory `bodies, Trade, Commerce, Industry and society at large. Objective of the Fund Financial Assistance in the event of Death of a member of CBSF Upto the age of 60 years • Upto Rs.3,00,000 in deserving cases on receipt of request subject to the Guidelines approved by the Managing -
+91-99117-75120 TRAVEL PLAN Detailed Itinerary
Website: www.alifetimetrip.co.in Email: [email protected] Contact Numbers: +91-99117-75120 Follow us "We specialize in bringing you in-line with the real India - traditions, rituals, beauty, heauty, heritage, festivals, adventures,wild life, carnivals and many more different facets of our country- INDIA". TRAVEL PLAN Dear Traveler Greetings from ALifetimeTrip Thank you for choosing us for your travel needs. Please find herewith all the relevant details (Itinerary, Accommodation) for your trip to Kolkata, Mayapur & Nabadwip.Kindly take a moment to review these. The travel plan is totally customizable. Please reach your tour planner and ask for changes that you would like to incorporate in your vacation. We value your business and look forward to assist you. Detailed Itinerary Tour Itinerary: Kolkata(2N)-Nabadwip(2N) Day 1: Kolkata Arrival to Nabadwip Arrival & welcome to Kolkata. The City of Joy. Meet & greet with our representative at Kolkata airport or Railway station & proceed to Nabadwip. Visit ISCKON Temple of Mayapur. Evening is free for leisure. Overnight stay at Nabadwip. Day 2: Nabadwip & Mayapur Trip After breakfast proceed to visit Conch Shell Handicraft of Nabadwip and Samudragar and its Treasure Trove of handloom Sarees. Also visit Ballal Mound, which is a reminiscent of Bengal king Ballal Sen and the tomb of Chand Kazi etc. Overnight stay at Nabadwip. Day 3: Nabadwip to Kolkata After breakfast check out from the hotel and transfer to Kolkata. Visit Town Hall, Indian Museum, St. Paul Cathedral, Victoria Memorial, and Mother House etc. Reach Kolkata & transfer to your respective hotel & overnight stay in Kolkata. Day 4: Kolkata Sightseeing After breakfast starts for full day tour of Kolkata surrounding - Drive through Howrah Bridge & visit to Belur Math. -
+91-99117-75120 TRAVEL PLAN Detailed Itinerary
Website: www.alifetimetrip.co.in Email: [email protected] Contact Numbers: +91-99117-75120 Follow us "We specialize in bringing you in-line with the real India - traditions, rituals, beauty, heauty, heritage, festivals, adventures,wild life, carnivals and many more different facets of our country- INDIA". TRAVEL PLAN Dear Traveler Greetings from ALifetimeTrip Thank you for choosing us for your travel needs. Please find herewith all the relevant details (Itinerary, Accommodation) for your trip to Excursion to Gangasagar.Kindly take a moment to review these. The travel plan is totally customizable. Please reach your tour planner and ask for changes that you would like to incorporate in your vacation. We value your business and look forward to assist you. Detailed Itinerary Tour Itinerary: Kolkata(3N) Day 1: Arrival at Kolkata Arrival & welcome to Kolkata, The City of Joy. At airport or Railway station, our representative will meet you & transfer to your respective hotel. On arrival check in to the hotel for refreshment. Then start city tour of Kolkata- Visit-Drive pass BBD Bagh, Writers Building, GPO, Raj Bhavan, Eden Garden, Akashbani Bhawan, High Court etc. Evening is free for leisure or you can enjoy shopping at local market (at your own). Overnight stay at Kolkata. Day 2: Kolkata Sightseeing After breakfast starts for full day tour of Kolkata surrounding - Drive through Howrah Bridge & visit to Belur Math. Drive through Vivekananda Setu & side view of Nivedita setu & to visit Dakshineswar Kali Temple etc. Overnight stay at the hotel. Day 3: Kolkata - Gangasagar - Kolkata After Breakfast full day excursion to Gangasagar - An island in the confluence of river Ganga & embayment of Bengal & well known for Kapil Muni Ashram which is advised to be a great devout significance. -
Top 10 Male Indian Singers
Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *. -
OFFICE of the PRINCIPAL CHIEF OPERATIONS MANAGER METRO RAILWAY METRO RAIL BHAVAN (7Th FLOOR) 33/1 J L NEHRU ROAD, KOLKATA – 700 071
OFFICE OF THE PRINCIPAL CHIEF OPERATIONS MANAGER METRO RAILWAY METRO RAIL BHAVAN (7th FLOOR) 33/1 J L NEHRU ROAD, KOLKATA – 700 071 Open Tender No. Metro/T-Comml./AD-CP/TKT/IN/2018 TENDER NOTICE 1.0 Name & Scope of the work : Display of advertisement on the body ( through vinyl stickers) of Card Balance Checking Terminals (CBCTs) and digital display of advertisements on the monitor of Card Balance Checking Terminals (CBCTs) at specific locations inside Noapara, Dum Dum, Belgachia, Shyambazar, Shovabazar-Sutanuti, Girish Park, Mahatma Gandhi Road, Central, Chandni Chawk, Esplanade, Park Street, Maidan, Rabindra Sadan, Netaji Bhawan, Jatin Das Park, Kalighat, Rabindra Sarabar, Mahanayak Uttam Kumar, Netaji, Master Da Surya Sen, Gitanjali, Kavi Nazrul, Sahid Khudiram & Kavi Subash Metro Railway stations. 2.0 Location : At Metro Railway Premises within Metropolitan limits in Kolkata. At Annexure-I, Annexure-II & Annexure- III. 3.0 Period of License : 10(Ten)years. 4.0 (i) Estimated Value : At Annexure – IV. (For the 1st year) (ii) Earnest Money : 1,45,800.00 (Rupees One Lakh Forty Five Thousand Eight Hundred) only. (iii) Validity of the offer : 90 days from the date of opening. Tenders if received with less than 90 days validity time are liable to be rejected. (iv) Cost of tender document : 5900 /- (Rupees Five Thousand Nine Hundred) only. 5.0 Principal Chief Operations Manager, Metro Railway, Kolkata for and on behalf of the President of India invites sealed tenders from bonafide agencies/firm/companies having adequate experience, capacity and reputation for the above work. Agencies/parties/firms blacklisted by Railway Administration, other offices/establishments of Central government, State Government/Civic bodies or parties/firms/agencies against whom any complaints/suits have been raised by Metro Railway, Kolkata need not require applying. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
Famous Son: Dr. K J Yesudas
Issue 6 May 2012 Page 4 World celebrates 50 years of Musical Wonder by Kerala`s famous son: Dr. K J Yesudas. This year, world renowned musician legend Dr. KJ Yesudas celebrates 50 years in the music industry, Varnakairali pays tribute to the legend himself in this edition. K. J. Yesudas was born in Cochin, on 10th January 1940 to Latin Catholic parents Augustine Joseph and Alice kutty. Jesudas has recorded more than 50,000 songs in various languages including Malayalam, Tamil, Hindi, Kannada, Telugu, Bengali, Gujarati, Oriya, Marathi, Punjabi, Sanskrit, Tulu, Malay, Russian, Arabic, Latin and English during a career spanning five decade. He sings Indian classical, devotional, and pop music songs. His singing prowess earned him the India`s National Award for the Best Male Playback Singer seven times (the most by any Indian singer), and the State Award for the Best Playback Singer 43 times which comprises of awards by the State Governments of Kerala(23), Tamil Nadu(8), Andhra Pradesh(6), Karnataka(5), and West Bengal(1). He was awarded the Padma Shri in 1975, followed by the Padma Bhushan in 2002 by the Indian Government for his contributions towards the art. He was awarded Swathi Sangeetha Puraskaram in 2011, the highest music award given by the Kerala Government. After winning the Kerala State Award for Best Playback singer on numerous occasions, he requested to be ruled out of contention to give his peers and newcomers a chance of winning the award. Despite his humble request, he was still given this award several times in the following years. -
Kolkata Stretcar Track
to BANDEL JN. and DANKUNI JN. to NAIHATI JN. to BARASAT JN. Kolkata 22./23.10.2004 M DUM DUM Streetcar track map: driving is on the left r in operation / with own right-of-way the second track from the right tracks seeming to be operable e is used to make the turns of the regular passenger trains track trunks which are not operable v other routes in 1996 according to Tasker i other suspended routes according to CTC map TALA 11 [13] R actual / former route number according to CTC ULTADANGA ROAD Suburban trains and ‘Circular Railway’ according to Narayanan: Galif [12] i BELGATCHIA in operation under construction l Street [13] 1 2 11 PATIPUKUR A.P.C. Rd[ 20 ] M Note: The route along the Hugly River can’t be confirmed by my own g 12 Belgatchia observations. Bagbazar SHYAM BAZAR R.G. Kar Rd u BAG BAZAR M M metro railway pb pedestrian bridge 1 2 [4] 11 H Shyambazar BIDHAN NAGAR ROAD pb TIKIAPARA [8] 5 SOVA SOVA BAZAR – M BAZAR 6 AHIRITOLA Bidhan Nagar to PANSKURA JN. Aurobinda Sarani 17 housing block [4] 20 20 [12] [13] [ 12 ] 17 loop Esplanade [10] Rabindra Setu Nimtala enlargement (Howrah Bridge) pb [4] 1 [8] GIRISH 2 Howrah [10] M PARK 5 BURRA 6 15 Bidhan Sarani Rabindra Sarani 11 BAZAR 11 12 20 [21] [26] V.I.P. Rd 15 HOWRAH 11 12 M.G. 30Rd MAHATMA Maniktala Main Rd RAILWAY GANDHI 20 30 Acharya Profullya Chandra Rd STATION M ROAD M.G. Rd 20 Howrah [16] 17 17 Northbound routes are [12] [13] [16] M turning counterclockwise, Bridge 15 Mahatma Gandhi Rd 20 20 southbound routes are [4] 11 12 15 17 [ 12 ] 17 ESPLANADE 12 20 turning clockwise. -
Bricks and Bridges-2
Subject: Social Science Topic : Bricks and Bridges Standard: IV No. of periods: 10 Teaching Aids : Images of stilt house, tent, bungalow, building, images of bridges- suspension, truss, cable stayed, movable bridge, cantilever bridge, text book, smart board, PPT, Crafts,Music,Sports and Computer. Message: This lesson makes the student aware about the scientific development in construction of bridges. Value : Science teaches us about how technology is developed and used. Social Science helps us to understand the impact of technology on common man’s life. It shows the extent of his dependence on modern technology and also his dependence on them like modern houses and bridges. Learning Objectives: 1. Students will be able to identify different types of materials used in constructing the house. 2. They will also be able to tell about different steps involved in brick making and thus understand the importance of using strong materials in constructing houses as well as bridges. 3. Students can easily tell about different types of bridges and their uses. Period 1: Warm up session: The teacher starts the session by showing some pictures of houses like stilt house, tent, bungalow and buildings. The teacher asks the students, 1. Identify the different types of houses? 2. Are all these houses made up of same material? 3. Which materials do you think we use to build them? Expected answers: 1. Stilt house, tent, bungalow and buildings. 2. No, they are made of different materials. 3. Mud, cloth, bricks, cement, steel, glass, cement, wood etc. The teacher tells students that different types of materials are used for building houses, in olden days as well as in modern times.