Billy Joel 50 Mi WHAT's the COLOUR of MONEY? 5 7 Nu Shooz Atlantic A9446(T) OE BM Hollywood Beyond WEA YZ 76(T)

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Billy Joel 50 Mi WHAT's the COLOUR of MONEY? 5 7 Nu Shooz Atlantic A9446(T) OE BM Hollywood Beyond WEA YZ 76(T)

I I I 5 •SINGLES MUSIC WEEK Compiled by Gallup for the BPI, Music Week and BBC, based on a sample of 250 record outlets. l*siRecords to be featured on this week's Top of the Pops Nol 2 hiP,,LA nDON'T PREACH 0 53 59 BORROWED LOVE Sire W8636(T) The S.O.S. Band Tabu (T)A 7241 THE EDGE OF HEAVEN 54 54 JOE 90 (Theme)/CAPTAIN SCARLET 2 Wham! Epic FIN(T) 1 Barry Gray Orchestra PRT 7PX 354 (12 —128P 354) MY FAVOURITE WASTE OF TIME CC 49 DON'T LET LOVE GET YOU DOWN 3 3Owen Paul tge'doe. Epic )TlA7125 'eye, Archie Bell &The Drells Portrait (T)A7254 HAPPY HOUR 5A 7, GOING DOWN TO LIVERPOOL 3 4 The Housemartins Go! Discs GOD(X) 11 `dOE Bangles CBS (T) A7255 TOO GOOD TO BE FORGOTTEN 57 34 THE TEACHER o 5 Amazulu Island (12)15 284 1 Big Country Mercury/Phonogram BIGC(X) 2 LET'S GO ALL THE WAY 58 iffl CALLING ALL THE HEROES 6 23 Sly Fox Capitol (12)CL 403 iridi It Bites Virgin VS 872(12) ICAN'T WAIT G Billy Joel 50 mi WHAT'S THE COLOUR OF MONEY? 5 7 Nu Shooz Atlantic A9446(T) OE BM Hollywood Beyond WEA YZ 76(T) VENUS co LISTEN LIKE THIEVES 9 8 , 60 Bananarama 140 London NANA 10 (12 .— NANX 10) INXS Mercury/Phonogram INXS 6(12) 9 8 NEW BEGINNING (Mamba Seyra) 61 63 I WOULDN'T LIE Bucks Fizz Polydor POSP(X) 794 Yarbrough &Peoples Total Experience/RCA FB 49841 (12 — FT 49842) DO YA DO YA (WANNA PLEASE ME) 42 THE CHICKEN SONG O 10 12 Samantha Fox Jive FOXY (T) 2 (A) 62 Spitting Image Virgin SPIT 1(12) MINE ALL MINE/PARTY FREAK 11 HUNTING HIGH AND LOW (REMIX) 63 56 A-Ha Warner Brothers W6663M Cathflow Club/Phonogram JAB(X) 30 (BANG ZOOM) LET'S GO GO al• Cooltempo/ NEW STRAIGHT FROM THE HEART 12 18 the Real Roxanne with Hitm anHowie Ter Chrysalis COOL(X) 124 64 Bryan Adams A&M AM(Y) 322 IT'S 'ORRIBLE BEING IN LOVE (WHEN YOU'RE 81/2) OLUTION TO) THE PROBLEM 13 19 65 66 S Claire and Friends BBC RESL 189 (12 ,— 12R51. 189) Streehvave (M)KHAN 67 PARANOIMIA DREAMS 14 26 The Art Of Noise with Max Headroom China WOK(X) 9 66 Van Halen Warner Brothers W8642(1) SPIRIT IN THE SKY LOVE OF ALIFETIME )5to 67 NEW Dr and The Medics I.R.S./MCA IRM(T) 113 Chaka Khan Warner Brothers W8671(T) Oi• HEADLINES 44 WHEN TOMORROW COMES 16 17 Midnight Star 14" Solar/MCA MCA(T) 1065 68 Eurythmics RCA DA(T) 7 STAY A LITRE WHILE, CHILD 17 E/dEsRtYB rtEAT OF MY HEART 69 61 Warner Brothers W8625(T) Loose Ends Virgin VS 819(12) CAN'T GET BY WITHOUT YOU (2nd Decade Remix) 70 69 LOVE TOUCH (From the Motion Picture "Legal Eagles") 18 The Real Thin g POT 7P 352 (12- —12P 352) Rod Stewart Warner Brothers W8668(T) 71 IlErli IN THE SPRINGTIME (The Summertime Rem ix) 15 HOLDING BACK THE YEARS 19 Simply Red WEA YZ 70(T) ilida Maxi Priest 10/Virgin TEN (T) 127 WorldRadioHistory 14 FRIENDS WILL BE FRIENDS 72 min LONELY NIGHT 20 Queen EMI (1210LJEEN IMO Magnum Polydor POSPIX) 798 ^. • •••••••.•••• WA -- A7TFC nol n ___ ITV Tfi.,.. i,,,• ds. lAbs..1,4 r.... .

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Resolution May/June 08 V7.4.Indd
craft Horn and Downes brieﬂ y joined legendary prog- rock band Yes, before Trevor quit to pursue his career as a producer. Dollar and ABC won him chart success, with ABC’s The Lexicon Of Love giving the producer his fi rst UK No.1 album. He produced Malcolm McLaren and introduced the hitherto-underground world of scratching and rapping to a wider audience, then went on to produce Yes’ biggest chart success ever with the classic Owner Of A Lonely Heart from the album 90125 — No.1 in the US Hot 100. Horn and his production team of arranger Anne Dudley, engineer Gary Langan and programmer JJ Jeczalik morphed into electronic group Art Of Noise, recording startlingly unusual-sounding songs like Beat Box and Close To The Edit. In 1984 Trevor pulled all these elements together when he produced the epic album Welcome To The Pleasuredome for Liverpudlian bad-boys Frankie Goes To Hollywood. When Trevor met his wife, Jill Sinclair, her brother John ran a studio called Sarm. Horn worked there for several years, the couple later bought the Island Records-owned Basing Street Studios complex and renamed it Sarm West. They started the ZTT imprint, to which many of his artists such as FGTH were signed, and the pair eventually owned the whole gamut of production process: four recording facilities, rehearsal and rental companies, a publisher (Perfect Songs), engineer and producer management and record label. A complete Horn discography would fi ll the pages of Resolution dedicated to this interview, but other artists Trevor has produced include Grace Jones, Propaganda, Pet Shop Boys, Band Aid, Cher, Godley and Creme, Paul McCartney, Tina Turner, Tom Jones, Rod Stewart, David Coverdale, Simple Minds, Spandau Ballet, Eros Ramazzotti, Mike Oldfi eld, Marc Almond, Charlotte Church, t.A.T.u, LeAnn Rimes, Lisa Stansfi eld, Belle & Sebastian and Seal.
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