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Eastern Progress Eastern Progress 1949-1950
Eastern Progress Eastern Progress 1949-1950 Eastern Kentucky University Year 1950 Eastern Progress - 10 Mar 1950 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1949-50/9 EASTERN PROGRESS Student Publication of Eastern Kentucky State College Volume 28 Richmond, Kentucky, Friday, March 10, 1950 ' - Numbers' Students Select "Big Three^For 1949-50 Name Choices 125 Earn 40 Points Results of the election held on For First Semester the campus Tuesday, Februapy 21, show that Eastern's favorites One hundred twenty-five stu- arc Jenny Lou Eaves, Doris Cro- dents earned forty or more qual- ley, and Paul Hicks. " ity grade points for the first se- Jenny Lou Eaves, voted Miss mester, 1949-60. They are: Eastern, is an Ashland junior, Donald Meredith Akin, Danville; A Anita Claire Allen, Bardstown; majoring in English and history. Corazon S. Baldos, Manila, Philip- She is a member of the Canter- pines; Nancy Carroll Baldwin, Hop- cury Club, secretary of the House kinsville; William Samuel Bald- Council of Burnam Hall, and was win. Hopkinsville; Dana Lee Ball, k Harlan; John William Ballard, elected this year's ROTC battal- Richmond; Luther Willis Baxter, J ion sponsor. In 1948 Jenny Jr, Lawrenceburg; James Curtis reigned as Snow Queen of the Bevins, Pikevllle; Jack Daris Bil- Christmas formal. As Miss East- lingsley, Middlesboro; Eula Lee Bingham, Burlington; Jack Ken- i ern she will represent the college neth Bradley, McRoberts; Ray at the Mountain Laurel Festival Thomas Brown, Cynthiana; Grigs- to be held at Pineville in May. by Gordon Browning. Dry Ridge, Doris Croley, a senior from In- Richard Lee Browning Cawood; sull, was elected Miss Popularity. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Permanent Record
UNLV Retrospective Theses & Dissertations 1-1-2006 Permanent Record Jonathan Bauch University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Bauch, Jonathan, "Permanent Record" (2006). UNLV Retrospective Theses & Dissertations. 2037. http://dx.doi.org/10.25669/r6c9-lgmt This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. PERMANENT RECORD by Jonathan Bauch Associate in Arts The College of Staten Island 1990 Associate in Applied Science The College of Staten Island 1990 Bachelor of Arts The College of Staten Island 1990 Master of Arts The College of Staten Island 1992 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts Degree in Creative Writing Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas August 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1440231 Copyright 2006 by Bauch, Jonathan All rights reserved. -
Treading Lightly in Baxter State Park
JOURNEYS THE MAGAZINE OF T HE APPALACHIAN T RAIL CONSERVANCY Fall 2015 TREADING LIGHTLY IN BAXTER STATE PARK Footpath Solutions in Northern New England Take a Brisk and Beautiful Fall Hike JOURNEYS THE M AGAZINE OF T HE A PPALACHIAN TRAIL C ONSERVANCY Volume 11, Number 4 Fall 2015 Mission The Appalachian Trail Conservancy’s mission is to preserve and manage the Appalachian Trail — ensuring that its vast natural beauty and priceless cultural heritage can be shared and enjoyed today, tomorrow, and for centuries to come. Create Board of Directors A.T. Journeys Sandra Marra ❘ Chair Wendy K. Probst ❘ Managing Editor Greg Winchester ❘ Vice Chair Traci Anfuso-Young ❘ Graphic Designer Elizabeth (Betsy) Pierce Thompson ❘ Secretary Arthur Foley ❘ Treasurer Contributors your legacy Beth Critton Laurie Potteiger ❘ Information Services Manager Norman P. Findley Brittany Jennings ❘ Proofreader On the Cover: Edward R. Guyot Lindsey “Flash Gordon” Gordon heads Mary Higley The staff of A.T. Journeys welcomes with The down the Hunt Trail in Baxter State Park Daniel A. Howe editorial inquiries, suggestions, and comments. after finishing her 2013 thru-hike. Robert Hutchinson Email: [email protected] Photo by John Gordon John G. Noll Colleen T. Peterson Observations, conclusions, opinions, and product Appalachian Rubén Rosales endorsements expressed in A.T. Journeys are those Nathaniel Stoddard of the authors and do not necessarily reflect those of members of the board or staff of the Appalachian Trail Conservancy. Trail ATC Senior Staff Ronald J. Tipton ❘ Executive Director/CEO Stacey J. Marshall ❘ Senior Director of Advertising Finance & Administration A.T. Journeys is published four times per year. -
Recording the National Blues
Preacher Boy The National Blues Preacher Boy The National Blues Lyrics by Christopher “Preacher Boy” Watkins (p)2016 PreachSongsMusic/KobaltMusic/BMI (c)2016 Coast Road Records Obituary Writer Blues Cornbread A Person’s Mind Blister and a Bottle Cap My Car Walks On Water There Go John Setting Sun Seven’s In The Middle, Son A Little More Evil Watered Down Down The Drain Obituary Writer Blues began with two things: a visual idea, and a musical one. Visually, it was the parallel imagery of a murdered black body lying on a white sheet, and black letters being laid onto white paper by a writer at a typewriter, charged with drafting an obituary for the murdered. Musically, the song began with a slide riff, borrowed fairly wholesale from Son House, but by way of Will Scott. The thing was then reshaped into a 15-bar cycle—a kind of country blues counting. Two other sections came together later; the 2-chord minor-major interlude, and the chorus, which also quotes from the country blues, borrowing from Sleepy John Estes about knowing right from wrong. The “rock, paper, scissors” image in the final verse came from our daughter, who at the age of 7 has determined that this game is the solution to the problems of violence in the world. I put it in the song because she’s right. obituary writer blues well now, i’m gon’ quit writin’, i’m gonna lay down this pen that i use 2X and you know by that i got them obituary blues well now, i been at that typer lord, honey, ‘til my fingers sore 2X well now, i ain’t gon’ write no obituaries anymore well now, black -
Trent Hamilton Songlist
TRENT HAMILTON SONGLIST ...and it stoned me - Van Morrison 1000 miles away - Hoodoo Gurus 1979 – Smashing Pumpkins 3am -Matchbox 20 Africa - Toto Age of reason - John Farnham Ain't no sunshine - Bill Withers Alive - Pearl Jam All I need - Air All I want is you - U2 All night long - Lionel Ritchie All over now - Rolling Stones All the small things- Blink 182 All your reasons - Matchbox 20 Alone with You - The Sunnyboys Amazing - Alex Lloyd Am I ever gonna see your face again - the Angels Angel of Harlem - U2 Another brick in the wall - Pink Floyd April Sun In Cuba - Dragon Are you old enough - Dragon Babylon - David Gray Baker Street - Jerry Rafferty Bad moon rising- CCR Band on the run - Wings Barbados - the Models Beast of burden - Rolling Stones Because I love you - Masters apprentices Be Mine - David Gray Beautiful people - Aus. Crawl Before too long - Paul Kelly Beloved one - Ben Harper Better - Screaming Jets Better be home soon - Crowded House Better Days - Pete Murray Betterman - John Butler Trio Betterman - Pearl Jam Big jet plane - Angus and Julia Stone Billy Jean - Michael Jackson Bittersweet symphony - the Verve Blackbird - Beatles Blame it on me - George Ezra Blister in the sun - Violent Femmes Blue sky mine - Midnight Oil Born to run - Bruce Springstein Boys of summer - Don Henley Boys light up - Aus Crawl Breakfast at Sweethearts - Cold Chisel Breakfast at Tiffany's - Deep Blue Something Breaking the girl - Red Hot Chilli Peppers Bright side of the road - Van Morrison Brown eyed girl - Van Morrison Budapest - Georg Ezra By -
Volume 40 - Issue 17 - Friday, February 4, 2005
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Winter 2-4-2005 Volume 40 - Issue 17 - Friday, February 4, 2005 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 40 - Issue 17 - Friday, February 4, 2005" (2005). The Rose Thorn Archive. 237. https://scholar.rose-hulman.edu/rosethorn/237 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY T ERRE HAUTE, INDIANA Friday, February 4, 2005 Volume 40, Issue 17 News Briefs SGA sponsors 2015 forum State of the Union Angela Smiley some felt that it should be Another student cited the not because I can’t make it, Staff Writer smaller. -
'Classical Capitalism Is Gone,' Kerensky Says in Interview; Planned Economy Inevitable Baxter, Local Ministers to Spark U.C.'S R
"Plain dealing is a jewel, but 'All things that are good and they that wear it are out of beautiful make us more fashion." religious." —Disraeli Vol. XLVI THE UNIVERSITY OF CHATTANOOGA, FEBRUARY 14, 1947 No.jS^ Symphony Plans Two Concerts for Baxter, Local Ministers to Spark Week of Feb. 16 U.C.'s Religious Emphasis Week Chattanooga audiences are eager ly looking forward to two days With Formal and Informal Talks of excellent music when the Chat tanooga Symphony Orchestra will Dr. Rollo A. Kilburn, University of Chattanooga chaplain, announced today the present its second and third per schedule for Religious Emphasis Week, which begins next Monday, Feb. 17, and continues formances of this season. The per throughout the week until Friday, Feb. 21. It's features are public worship services with formance of Sunday afternoon, addresses by Christian leaders, personal counseling, and special interest group meetings Feb. 16, at 4 p.m. wil) be a special for discussions. Dr. Bruce R. Baxter, bishop of the Methodist Church of Oregon, Idaho, concert for young people. Arthur Washington and Alaska, will be the guest of the university during the week and will be Plettner, Juilliard professor of mu entertained at Dr. and Mrs. Lock- sic at U. C, and permanent con miller's home while here on the ductor of the Symphony Orchestra, RELIGIOUS EMPHASIS . campus. WEEK has asked Charles David Mc "He is a well recognized leader February 17-20 Naughton to conduct this young of young people in the religious people's concert. This will be Mr. Monday, 10:20 — Sophomore field. -
PLAYLIST 16.0 - AUG 2020 - FEB 2021 900 Songs, 2.3 Days, 5.50 GB
Page 1 of 17 INDIGO FM - PLAYLIST 16.0 - AUG 2020 - FEB 2021 900 songs, 2.3 days, 5.50 GB Name Time Album Artist 1 The Bond - with intro 4:35 Adrian Clark 2 Kelly Watch The Stars 3:46 Electrospective Air 3 I Believe To My Soul 4:28 Rare & Well Done D1 (Rare) Al Kooper 4 Rib Cage 3:36 Alana Wilkinson Alana Wilkinson 5 Good For You 3:37 Good For You Alana Wilkinson 6 Hard Rock Gold 4:33 Hidden Hand Alaska String Band 7 Workin' Man Blues 3:57 Working Man Albert Cummings 8 The Barrel 4:53 Uncut 2020.01 The Sound of 2019 - 15 Tracks of the Year's… Aldous Harding 9 Before Too Long 3:04 Alex Cameron 104:05 4:07 Alex Lleo 11 Everybody's Laughing 3:50 Watching Angels Mend Alex Lloyd 12 I Think You're Great 3:47 I Think You're Great Alex the Astronaut 13 Split The Sky 4:07 Split the Sky Alex the Astronaut 14 Steppenwolf Express 3:47 On The Move To Chakino Alexander Tafintsev 15 The Captain (Live From Inside) 3:40 Live From Inside Ali Barter 16 I Won't Lie (Live From Inside) 3:49 Live From Inside Ali Barter 17 Ticket To Heaven feat. Thelma Plum 4:17 Alice Ivy 18 Don't Sleep 3:24 Alice Ivy 19 King Of The World 3:45 triple j Unearthed Alice Night 20 Rainbow Song 3:59 triple j Unearthed Alice Night 21 Friends With Feelings 4:15 Alice Skye 22 Grand Ideas 3:12 Alice Skye 23 Sacred 4:44 Amaringo 24 Endangered Man 4:35 Rituals Amaya Laucirica 25 I Said Hi 2:50 Love Monster Amy Shark 26 Never Coming Back 3:14 Love Monster Amy Shark 27 Me & Mr. -
Featuring Terry Chatkupt, Michelle Dizon and Camilo Ontiveros, Jennifer Hayashida and Benj Gerdes, Adriana Lara, Elana Mann, RJ Messineo April 29 – June 27, 2010
NEVER VERY FAR APART CURATED BY RYAN INOUYE FEATURING TERRY CHATKUPT, MICHELLE DiZON AND CAmiLO ONTIVEROS, JENNifER HAYASHIDA AND BENJ GERDES, ADRIANA LARA, ELANA MANN, RJ MESSINEO April 29 – June 27, 2010 631 West 2nd Street, Los Angeles, California USA 90012 Visit www.redcat.org or call +1 213 237 2800 for more information Gallery Hours: noon-6pm or intermission, closed Mondays NEVER VERY FAR APART The exhibition Never Very Far Apart brings together Pre-dating the multi-national conglomerates and behind- structured as a duet—an orderly back and forth between sparsely populated landscapes, the artist’s adds voiceover six projects that cross the poetic and political ground the-scene maneuverings of the current economic crisis, Mack’s recollections and Mann’s performance— narrative, contemplating how his own personal recol- between the individual and the group, the local and the Kreuger transformed his family’s matchstick business ultimately excavates the compounded physical and lections may resonate with other’s memories, walking a global, this moment in time and that place in history. by establishing large-scale production and distribution psychological terrain that stretches between the two. line between the familiar and the foreign. The intimate Proceeding from the particular conditions in which they facilities and raising capital to merge with or acquire register of these videos explore what it means to be at live and work, these artists explore distance as both competing companies and those in related industries. Although working through a different vocabulary, home, moving through the internal mechanisms that border and bridge—considering how a position may also Between 1917–1932, Kreuger borrowed money at low Adriana Lara’s practice also proceeds from a simple underlie notions of belonging. -
Steve Ripley a Rock and Roll Legend in Our Own Backyard Who Has Worked with Some of the Greats
Steve Ripley A rock and roll legend in our own backyard who has worked with some of the greats. Chapter 01 – 1:10 Introduction Announcer: Steve Ripley grew up in Oklahoma, graduating from Glencoe High School and Oklahoma State University. He went on to become a recording artist, record producer, songwriter, studio engineer, guitarist, and inventor. Steve worked with Bob Dylan, playing guitar on the Shot of Love album and on the Shot of Love tour. Dylan listed Ripley as one of his favorite guitarists. The term Red Dirt was first used by Ripley’s band Moses when the group chose the label name Red Dirt Records. Steve founded Ripley Guitars in Burbank, California, creating guitars for musicians like Ry Cooder, J.J. Cale, and Eddie Van Halen. In 1987, Steve moved to Tulsa to buy Leon Russell’s recording studio called The Church Studio. He formed the country band The Tractors and was the co-writer of the country hit “Baby Likes to Rock It.” The first Tractors album sold over two million copies. Steve Ripley was inducted into the Oklahoma Music Awards Red Dirt Hall of Fame, along with Bob Childers and Tom Skinner. Ripley currently is Music Archivist and Curator of the Leon Russell collection for OKPOP. What you are about to hear is a segment from Steve Ripley’s yet-to-be-posted oral history interview, but we wanted you to hear these chapters as he talks about his relationship with Bob Dylan, dining with the Beatles, and his friendship with Leon Russell. Chapter 02 – 10:45 Concept of The Tractors John Erling: Today’s date, April 17, 2018. -
View the Minstrels Songbook
1 Making Music With Heart Rock The House! 2 Making Music With Heart First Edition September 2013 3 Stagecraft Notes 1. Our goal at gigs is to create a safe and comfortable environment so that people, strangers sometimes, will feel at ease to participate in group singing and dancing. 2. When you arrive at the gig, make an effort to shake the hand of every audience member. Ask people where are they from, what’s their favorite music, do you like to sing? Create connection. Mingle with everybody. 3. As a singer, you are performing. You are seen, admired, listened to, and believed in. You transmit an essence to the audience. Whatever you express, it will be read by the observer/listener. They will read and echo your energy. Give off positive vibes, smile, move and have fun. You will touch many with your vibe. 4. Memorize vs. reading the book. Your eyes are the window to your heart. Use your eyes to connect with people. 5. Maintain good posture, erect with head up. Slouching, arms folded, hands in pockets – no good. Talking with others during a song transmits a bad signal to the audience. 6. Breath is fundamental. Breathe deep into your abdomen and exhale by sending your stomach muscles into your spine. Tank up every chance you have. 7. Drop the jaw, widen the sides of your mouth and let the sound out. Aim the sound from your throat to the back of your top front teeth. Sing forward in the mouth. All voices sing to this place.