2017 Duff & Phelps Youniversity Deal Challenge
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Frequency and Network Planning Aspects of DVB-T2
Report ITU-R BT.2254 (09/2012) Frequency and network planning aspects of DVB-T2 BT Series Broadcasting service (television) ii Rep. ITU-R BT.2254 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio-frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Annex 1 of Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Reports (Also available online at http://www.itu.int/publ/R-REP/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management Note: This ITU-R Report was approved in English by the Study Group under the procedure detailed in Resolution ITU-R 1. -
Photograph by Candace Dicarlo
60 MAY | JUNE 2013 THE PENNSYLVANIA GAZETTE PHOTOGRAPH BY CANDACE DICARLO Showtime CEO Matt Blank has used boundary-pushing programming, cutting-edge marketing, and smart management to build his cable network into a national powerhouse. By Susan Karlin SUBVERSIVE PRACTICALLY PRACTICALLY THE PENNSYLVANIA GAZETTE MAY | JUNE 2013 61 seems too … normal. “Matt runs the company in a very col- Showtime, Blank is involved with numer- This slim, understated, affa- legial way—he sets a tone among top man- ous media and non-profit organizations, Heble man speaking in tight, agers of cooperation, congeniality, and serving on the directing boards of the corporate phrases—monetizing the brand, loose boundaries that really works in a National Cable Television Association high-impact environments—this can’t be creative business,” says David Nevins, and The Cable Center, an industry edu- the guy whose whimsical vision has Showtime’s president of entertainment. cational arm. Then there are the frequent turned Weeds’ pot-dealing suburban “It helps create a sense of, ‘That’s a club trips to Los Angeles. mom, Dexter’s vigilante serial killer, and that I want to belong to.’ He stays focused “I’m an active person,” he adds. “I like Homeland’s bipolar CIA agent into TV on the big picture, maintaining the integ- a long day with a lot of different things heroes. Can it? rity of the brand and growing its exposure. going on. I think if I sat in a room and did Yet Matt Blank W’72, the CEO of Showtime, Matt is very savvy at this combination of one thing all day, I’d get frustrated.” has more in common with his network than programming and marketing that keeps his conventional appearance suggests. -
DTT) Multiplex Licences Expiring in 2022 and 2026
Consultation on the renewal of Digital Terrestrial Television (DTT) multiplex licences expiring in 2022 and 2026 18 December 2020 Department for Digital, Culture, Media and Sport Foreword By the Rt Hon. John Whittingdale OBE MP, Minister of State for Media and Data UK television audiences are fortunate to enjoy an incredibly broad range of programming and to possess a variety of methods by which to watch it. The Digital Terrestrial Television platform, better known as Freeview, is one of the most popular methods of accessing TV content in the UK. Since its launch in 1998 it has become one of the biggest and best-loved platforms, transmitting the nation’s favourite programmes to 18 million homes across the country. Freeview is also a vital part of the public service broadcasting (PSB) system, ensuring that PSB content is free at the point of use and widely accessible, with nearly 99% coverage across the UK. Public service broadcasting plays an important role in the economic, cultural and democratic life of our country; keeping people informed, educated and entertained. The value of PSB - and the Freeview platform that continues to underpin it - has been particularly evident during the Covid-19 pandemic, as an important source of news, in countering misinformation, and in bringing the nation together through shared moments. PSB and commercial content is provided on the Freeview platform through separate digital networks known as multiplexes, of which there are six nationally. Two of the national multiplex licences - Multiplex 2 and Multiplex A - are expiring in 2022. To renew these licences, the government is required to make secondary legislation. -
Why We Watch Television 2 Foreword
Why we watch television 2 Foreword Television is facing Sony has a long tradition of But now, in the era of connected unprecedented leading and supporting the television and online video industry through transformation available on demand, it’s disruptive change. and technology innovation. possible to focus on the needs of the individual viewer. This report provides a personal Companies are placing big view to help inform the way we We’re all individuals, with different bets on new forms of video think about television and video. backgrounds, identities and distribution, without necessarily perspectives. understanding why people might It aims to address the apparently want to watch. simple question of why we watch We all have our own reasons for television. watching television and they vary There’s a popular perception that according to the viewing context. the traditional model of television It considers what we mean by is broken, but it’s far from clear television, what television means By studying the fundamental how it will be replaced. to us and how that might evolve. psychology and sociology of our behaviours as human beings, we To understand this transformation Television has typically provided can better understand why we of television, we really need to mass audiences with shared watch television, and how we appreciate the nature of the experiences. And it will continue may view in the future. medium, the needs it addresses to do so. and the ways it’s used. Dr William Cooper Media Consultant informitv Why we watch television 3 Contents Introduction 4 Television features 7 Television research 17 Television viewing 23 Television evolution 33 Conclusions 39 Why we watch television 4 Introduction What do we mean by The idea of television includes: These are now becoming television? absorbed into a wider domain of • The screen on which it’s video media, which can deliver generally seen many of the features we have traditionally associated with The very concept of what • The medium of broadcast, television. -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
The Future of Digital Terrestrial Television
THE FUTURE OF DIGITAL TERRESTRIAL TELEVISION Purpose of this document This document sets out the BBC Trust’s response to the Ofcom consultation document on the future of digital terrestrial television (DTT). Context The Trust’s consideration of Ofcom’s proposals must take into account a number of different aspects of our remit: • Our duties under the BBC Charter and Agreement to act as guardian of the licence fee and the public interest, to represent the interests of licence fee payers and to exercise rigorous stewardship of public money • Our regulatory interest in ensuring the efficient use of spectrum by the BBC • Our regulatory obligations with respect to any ‘non-service’ application that might be made to the Trust by the BBC Executive This response has been prepared with each of those interests in mind. The Trust welcomes Ofcom’s consultation. As noted in our conclusions on the Public Value Test for the BBC Executive’s proposed high definition (HD) service, we would like to see the BBC’s HD service launched on Freeview as soon as possible. We also recognise that there are advantages, in terms of achieving the critical mass necessary for existing Freeview users to upgrade to HD-compatible equipment, in seeking ways to establish other PSB HD services on the DTT platform in a co-ordinated way. Ofcom shared this view in its MIA work, concluding that the Trust should: “…ensure that the launch of any BBC HD channel on DTT is considered in the context of the potential delivery of a wider range of HD services on DTT. -
Digital Multi–Programme TV/HDTV by Satellite
Digital multi–programme TV/HDTV by satellite M. Cominetti (RAI) A. Morello (RAI) M. Visintin (RAI) The progress of digital technology 1. Introduction since the WARC’77 is considered and the perspectives of future The significant progress of digital techniques in applications via satellite channels production, transmission and emission of radio are identified. Among these, digital and television programmes is rapidly changing the established concepts of broadcasting. multi–programme television systems, with different quality levels (EDTV, SDTV) and possible The latest developments in VLSI (very–large scale evolution to HDTV, are evaluated in integration) technology have significantly contrib- uted to the rapid emergence of digital image/video terms of picture quality and service compression techniques in broadcast and informa- availability on the satellite channels tion–oriented applications; optical fibre technolo- of the BSS bands (12 GHz and gy allows broadband end–to–end connectivity at 22 GHz) and of the FSS band (11 very high bit–rates including digital video capabil- GHz) in Europe. A usable channel ities; even the narrow–band terrestrial broadcast capacity of 45 Mbit/s is assumed, as channels in the VHF/UHF bands (6–7 MHz and 8 well as the adoption of advanced MHz) are under investigation, in the USA [1] and channel coding techniques with in Europe [2], for the future introduction of digital QPSK and 8PSK modulations. For television services. high and medium–power satellites, in operation or planned, the The interest for digital television in broadcasting receiving antenna diameters and multimedia communications is a clear exam- required for correct reception are ple of the current evolution from the analogue to reported. -
Starz Subscription Pay Television Features Output Deal
DRAFT Starz Subscription Pay Television Features Output Deal Presentation to the Group Executive Committee January 16, 2013 Executive Summary • SPE is seeking approval to extend the feature film output agreement in the US market with Starz for five additional slate years (2017-21) • The agreement provides an essential component for the financing of SPE’s feature films through the 2021 slate • SPE strongly recommends executing an agreement now when we have the greatest leverage over Starz. This leverage may dissipate if the negotiations are postponed • The five year term extension (2017-21) is estimated to generate an additional $1.3BN in license fees and bonus and presents the opportunity for significant additional compensation from Internet exploitation and the ability to carve-out certain titles • Starz also offers additional compensation in the near term (2014-16) (e.g., an increased bonus and Internet fees and the ability to carve-out titles ) that wouldn’t be offered by other partners • The value of the new Starz deal from 2014 – 2021 represents an improvement of $331M as compared to the license fees and bonus of the current Starz deal ($739M if an additional 25M Internet subscribers are assumed) • The Starz deal provides better flexibility for Sony content services than those offered by other providers in the market and the current2 Starz deal, including more favorable terms for EST/Home Theater, SVOD and carriage of Starz service Background Considerations • Premium Pay Television Output Deals • Major motion picture studios rely -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Expect More with Wabash Television (618) 665-3311 •
Expect More with Wabash Television (618) 665-3311 • www.wabash.net 280 Escape TV (Marion & Clay SILVER - $37.98/mo. GOLD - $79.98/mo. Counties Only) (Includes Silver) 401 American Movie Classics HD # CHANNEL 403 Lifetime 100 Catch TV # CHANNEL HD Movie Network 611 101 Create TV (WSIU TV) 122 CNN 404 Turner Classic Movies 107 WTVW - Independent 123 Headline News 406 Bravo 617 108 WSIU - PBS 124 Fox News 640 407 Syfy 616 109 WGNA 127 truTV 634 408 WE 116 iOnTV 130 MSNBC 619 501 MTV 121 Weather Channel 641 131 Bloomberg TV 505 VH1 128 C-Span 132 Fox Business Network 635 509 CMT 129 C-Span 2 144 ESPNews 510 UP 133 Weather Channel (Salem 145 ESPN Classic NBC Sports Chicago 643 Customers Only) 146 ESPN2 638 (where available) 163 TBS 632 147 Fox Sports Central NBC SportsPlus Chicago 644 250 North Clay High School 148 ESPN 601 HD (where available) 251 North Wayne School 149 Fox Sports Midwest 630 252 Flora High School 150 Big Ten Network 600 261 QVC PLATINUM - $99.98/mo. 153 MLB 599 (Includes Silver & Gold) 262 HSN 157 Pursuit Channel 636 263 EVINE Live 158 Sportsman Channel 637 HD 272 TBN 160 TV Land # CHANNEL 273 Daystar 161 USA Network 620 126 The Blaze 276 EWTN 162 TNT 633 140 ESPNU 642 540 WNOI Radio 165 A&E 604 141 Golf Channel 645 166 Comedy Central 143 FXX 627 LOCAL NETWORKS 179 Hallmark Movies (Included in the Silver Package) 151 CBS Sports 628 & Mysteries 152 NFL Network 629 Clay & Marion Counties 180 The Cowboy Channel 104 KMOV - CBS 154 SEC Network 639 181 Lifetime 105 KSDK - NBC - St. -
Nexgentv.Biz
USA Channels Freeform hd Starz Cinema hd Golf Channel hd Freeform hd pacific Starz Encore hd ABC 6 HD Longhorn Network hd Fuse hd Starz Action hd A&E hd Mav TV hd Fusion hd Starz Encore Edge hd AMC hd MLB Network hd FX hd east Starz Encore Suspense hd American Heroes hd MLB Strikezone hd FXM hd Starz Encore Western hd Animal Planet hd Motor Trend hd FXX hd East Starz In Black hd Animal Planet hd Pacific FYI hd Starz Kids & Family hd MSG 1 hd Antenna Tv hd GSN hd Sundance hd MSG + hd Aspire hd Hallmark hd SYFY hd MSG + 2 hd AXS TV hd Hallmark Drama hd TBS hd NBCSN hd BBC AMERICA hd Hallmark Movies & Mysteries hd TBS hd pacific BET hd NESN hd HBO Comedy hd Teen Nick hd BET Her hd NESN Plus hd HBO Family hd The Blaze hd BET Jams NFL Network hd HBO hd The CW network hd Boomerang Olympic hd HBO hd pacific The Movie Channel east hd Bounce sd Outdoor Channel hd HBO Signature hd The Movie Channel xtra hd Bravo Outside hd HBO Zone hd The Weather Channel Buzzer hd HDNET Movies hd TLC hd PAC 12 Arizona hd Cartoon Network hd HGTV hd TNT hd east PAC 12 Bay Area hd Cartoon Network hd pac HGTV hd pacific TNT West hd PAC 12 Los Angeles hd CBS hd History hd Travel Channel hd PAC 12 Mountain hd CMT hd H2 Travel Channel hd pacific Comedy Central hd PAC 12 Network hd HLN hd Tru TV hd Cine Sony hd PAC 12 Oregon hd IFC hd Tru TV hd pacific 5 Star Max hd PAC 12 Washington hd Indieplex hd Turner Classic Movies hd Actionmax hd SEC Network hd INSP hd TVG hd Actionmax hq Spectrum Sportsnet LA hd Investigation Discovery hd TV one hd Cinemax hd TYC Sports hd Investigation