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The Caramel Variations by Ian Spencer Bell from Ballet Review Spring 2012 Cover Photograph by Stephanie Berger, BAM : Silas Riener in Merce Cunningham’S Split Sides
Spring 2012 Ball et Review The Caramel Variations by Ian Spencer Bell from Ballet Review Spring 2012 Cover Photograph by Stephanie Berger, BAM : Silas Riener in Merce Cunningham’s Split Sides . © 2012 Dance Research Foundation, Inc. All rights reserved. 4 Moscow – Clement Crisp 5 Chicago – Joseph Houseal 6 Oslo – Peter Sparling 9 Washington, D. C. – George Jackson 10 Boston – Jeffrey Gantz 12 Toronto – Gary Smith 13 Ann Arbor – Peter Sparling 16 Toronto – Gary Smith 17 New York – George Jackson Ian Spencer Bell 31 18 The Caramel Variations Darrell Wilkins 31 Malakhov’s La Péri Francis Mason 38 Armgard von Bardeleben on Graham Don Daniels 41 The Iron Shoe Joel Lobenthal 64 46 A Conversation with Nicolai Hansen Ballet Review 40.1 Leigh Witchel Spring 2012 51 A Parisian Spring Editor and Designer: Marvin Hoshino Francis Mason Managing Editor: 55 Erick Hawkins on Graham Roberta Hellman Joseph Houseal Senior Editor: 59 The Ecstatic Flight of Lin Hwa-min Don Daniels Associate Editor: Emily Hite Joel Lobenthal 64 Yvonne Mounsey: Encounters with Mr B 46 Associate Editor: Nicole Dekle Collins Larry Kaplan 71 Psyché and Phèdre Copy Editor: Barbara Palfy Sandra Genter Photographers: 74 Next Wave Tom Brazil Costas 82 London Reporter – Clement Crisp 89 More Balanchine Variations – Jay Rogoff Associates: Peter Anastos 90 Pina – Jeffrey Gantz Robert Gres kovic 92 Body of a Dancer – Jay Rogoff George Jackson 93 Music on Disc – George Dorris Elizabeth Kendall 71 100 Check It Out Paul Parish Nancy Reynolds James Sutton David Vaughan Edward Willinger Cover Photograph by Stephanie Berger, BAM : Silas Riener Sarah C. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Emotional Storytelling Choreography—A Look Into the Work of Mia Michaels
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2011 Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels Bethany Emery Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2534 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Bethany Lynn Emery 2011 All Right Reserved Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Bethany Lynn Emery M.F.A., Virginia Commonwealth University, 2011 M.A.R., Liberty Theological Seminary, 2003 BA, Alma College, 2001 Directors: Amy Hutton and Patti D’Beck, Assistant Professors, Department of Theatre Virginia Commonwealth University Richmond, Virginia July 2011 ii Acknowledgement The author would like to thank several people. I would like to thank my committee members Professor Amy Hutton, Dr. Noreen Barnes and Professor Patti D’Beck for sticking with me through this process and taking time during their summer plans to finish it out. I especially would like to thank Professor Hutton for her guiding hand, honest approach while also having an encouraging spirit. I would like to thank friends Sarah and Lowell for always being there for me though the happy and frustrating days. -
Technique Vs. Talent: Narration, Participation, and So You Think You Can Dance Kirsten Pullen Texas A&M University
Technique Vs. Talent: Narration, Participation, and So You Think You Can Dance Kirsten Pullen Texas A&M University I wish I could dance. Like many, I took dance lessons as a child, and like many, I quit as soon as my mother would let me. But now, when I watch those old Gap khakis ads, or see Chris Brown’s videos, I get the urge to set up a ballet bar in the guest room and let my inner dancer twirl, leap, and glide. I suspect I’m not alone, and the success of the 19E Entertainment-produced, FOX-broadcast So You Think You Can Dance (SYTYCD) seems to confirm my suspicions. There are several reasons behind SYTYCD’s success: it features lithe and lovely boys and girls gyrating against each other; the host, Cat Deeley, is gorgeous and charming; the audience votes for the winner. One reason, however, must be its narrative of talented but less technically proficient dancers triumphing through expressiveness, audience connection, and determination to master unfamiliar idioms. Lythgoe and the other judges appeal to viewers by suggesting that anyone, regardless of training and technique, can dance. In the words of producer and judge Nigel Lythgoe, SYTYCD is the search for America’s favorite dancer. I didn’t watch the first season, when Nick Lazzarini beat his friend Melody Lacayanga and the professionally experienced Blake McGrath for the title. Season 2 pit charismatic swing dancer Benji Schwimmer against twirling Travis Wall, a lyrical dancer who had trained for years; Benji won. Travis’ brother Danny Tidwell, a professional dancer who had studied at the Kirov Academy of Ballet and danced with the American Ballet Theatre was vanquished by Sabra Johnson, a former gymnast with just four years of formal dance training, in Season 3. -
Hamilton | December 31, 2019 – January 19, 2020 | Andrew Jackson Hall
present Hamilton | December 31, 2019 – January 19, 2020 | Andrew Jackson Hall WHAT’S NEXT? – TPAC.ORG • 615-782-4040 Drum TAO 2020 Mandy Patinkin My Fair Lady Blue Man Group Alvin Ailey JAN 28 JAN 29 FEB 4-9 FEB 11-16 FEB 28-29 Vanderbilt Orthopaedics Announcing So much more than bones and joints LINDA MILLER Run at the speed of light—or just until you can see the light at the end of the tunnel. Whatever your goal, Vanderbilt Orthopaedics is here to help you achieve it without pain. Providing comprehensive care for your orthopaedic needs, REAL ESTATE our nationally recognized Vanderbilt experts offer a full range of services from WHO’S WHO IN LUXURY REAL ESTATE sports medicine to joint replacement to pediatric orthopaedics and more. LINDALINDALINDA MILLER,MILLER, MILLER, THETHE SMILESMILE OF OFOF 30A, 30A,30A, To learn more, call (615) 913-5716 or visit VanderbiltOrthopaedics.com. HASHAS MOVED MOVED TO TO THETHE HEARTHEART OFOF 30A!30A! HAS MOVED TO THE HEART OF 30A! Franklin Mt. Juliet Spring Hill 206 Bedford Way 5002 Crossings Circle, Suite 230 1003 Reserve Blvd., Suite 130 Franklin, TN 37064 Mt. Juliet, TN 37122 Spring Hill, TN 37174 Gallatin Nashville CallCall5417 Me! Me!East County •• 850-974-8885850-974-8885 Highway 30A 300 Steam Plant Road, Suite 420 Medical Center East, South Tower Call54175417 Me!EastEast CountyCounty • 850-974-8885 HighwayHighway 30A30A Gallatin, TN 37066 1215 21st Ave. S., Suite 4200 Seagrove Beach, FL Nashville, TN 37232 SeagroveSeagrove Beach,Beach, FLFL Vanderbilt Orthopaedics is the exclusive healthcare provider for: As a teenager, Ming fought valiantly to escape one of history's darkest eras - China's Cultural Revolution - during which millions of innocent youth were deported to remote areas to face a life sentence of poverty and hard labor. -
FASHION DANCE MUSIC POP CULTURE As a Lifestyle YIN OR YANG ?
FASHION DANCE MUSIC POP CULTURE AS A LIFESTYLE YIN OR YANG ? FOLLOWING LIGHTS ATTRACTIVE COVERS DRIVEN BY STUNNING VISUALS LARGE DOUBLE-PAGE FEATURE SPREADS SENIOR TALENT WITH REAL EXPERIENCE INNOVATIVE FASHION LAYOUTS FROM ARTISTS, PHOTOGRAPHERS AND YOUNG GRAPHIC DESIGNERS FROM ALL OVER THE WORLD Pop culture is part of our heritage. The challenge is to raise the stakes and add to its legacy instead of recycling it. Co-founded by French journalist David Benaym and performer Danny Tidwell (American Ballet Theatre, So You Think You Can Dance, Memphis on Broadway) in 2006 for the fashion-forward, arts-oriented and socially conscious web 2.0 generation, Movmnt Magazine aspires to bridge the gap between pop culture and today’s real talent, and recognize artists over fame junkies. FASHION DANCE MUSIC POP CULTURE AS A LIFESTYLE N E V N I E arR ti$tic T I O N From high fashion to maintstream to urban brands, Movmnt is a credible way to reach trend-setting (and trend-following) buyers as well as a powerful consumer group that mainstream magazines do not reach. For dance related advertisers, Movmnt is selective in our advertising. Our magazine focuses on broad content over every genre of dance, yet highlights specific advertisers. Your visual marketing will not get lost in Movmnt. Movmnt maintains a close relationship with both major and independent music labels. In an age driven by technology, we are seen on MySpace, Facebook, Twitter, YouTube, Flickr, Digg, Delicious, our own network movmnt.net and more Web 2.0 exclusives. The growing Movmnt team of editors, writers, columnists, graphic desiners, photographers, stylists and contributors hail from all over the world and from publications such as The New York Times, Vogue, Vanity Fair, InStyle, Dig, L’Officiel, L’Uomo and L’Optimum. -
Summer Series!
Premier ONLINE EDUCATION for All For 75 years, the Pittsburgh CLO has been in the forefront of developing world-class musical theater. For the past three decades, it has also been an industry leader in creating innovative arts education programs. With the inception of the CLO Academy in 1989, to creating the first High School Musical Theater Awards program of its kind in 1991 (Gene Kelly Awards) and co-founding Broadway’s Jimmy Awards in 2009, the organization has a rich history of nurturing the unique potential of theater artists. Today, the CLO continues to build on its successful tradition by announcing a brand new series of online programs. Students and adults alike will have special access to the teachings and insights of an impressive array of working professionals in all aspects of the industry. The Pittsburgh CLO invites you to discover this new way of learning with us, and exciting possibilities that await. The Institute of Performing Arts will offer several programming options to meet the diverse interests and practical needs of our registrants, including: Weeklong Workshops, Weekend Seminars, Master Classes, Private Lessons and Professional Development Symposiums. ANNOUNCING THE NEW ONLINE SUMMER SERIES! June 29-August 21 Featuring some of the industry’s top talent, including: ROB MARSHALL GAVIN CREEL ANDREW GREY HENSON Director/Choreographer for films: The Book of Mormon, BARTH FELDMAN Mean Girls, Mary Poppins Returns, Chicago, Hello, Dolly, Dear Evan Hansen The Book of Mormon Into the Woods, Pirates of the Thoroughly Modern -
The Hamilcast: a Hamilton Podcast Episode #71: Ready for the Moment of Adrenaline // Part One
The Hamilcast: A Hamilton Podcast Episode #71: Ready for the moment of adrenaline // Part One Host: Gillian Pensavalle and Bianco Soto Guest: Gregory Haney, Hamilton on Broadway Description: Hamilton’s Gregory Haney is on the podcast this week and we are thrilled to have him! Gregory tells us what it’s like playing some of the grimiest characters in the show: James Reynolds, Charles Lee, and George Eacker. We also talk to Gregory about his experience as La Ceienega, Broadway’s first transgender high school student in Bring it On, and he dished about being in Grease Live! Not to mention the fact that he WON GLOBAL GUTS ON NICKELODEON WHEN HE WAS 13 YEARS OLD NBD. Transcribed by: Alona Fransen, Proofed by: Kathy Wille The Hamilcast‘s Transcribing Army Ok, so we are doing this . ___________________________________________________ [Intro Music: Alexander Hamilton Instrumental (15 seconds)] GILLIAN PENSAVALLE: Hello everybody. Welcome back to the Hamilcast. I am Gillian. BIANCA SOTO: I’m Bianca. G.PEN: Today we are joined by Gregory Haney of a little show called Hamilton. GREGORY HANEY: Hello! G.PEN: Hello! B.SO: Hello! [laughter] G.PEN: Gregory, can you tell people who you play? I know Charles Lee, James Reynolds, the doctor... G.HANEY: Philip Schuyler G.PEN: Philip Schuyler G.HANEY: Uh, James Eack- George Eacker. Ooh, I don’t even know my names. [laughter] G.HANEY: George Eacker. G.PEN: Swing life. #swinglife G.HANEY: I know. I’m a swing in the show, I cover six roles, and Seabury’s one of them, George Eacker… G.PEN: It’s funny that you combine James Reynolds and George Eacker because people hate both of them. -
NOTICE of PUBLIC MEETING April 1, 2020 12 Pm – 4:30 Pm
NOTICE OF PUBLIC MEETING April 1, 2020 12 pm – 4:30 pm http://arts.ca.gov/aboutus/councilmeetings.php 1. Call to Order N. Lindo 2. Acknowledgment of Tribal Land A. Bown-Crawford 3. Roll Call and Establishment of a Quorum L. Barcena 4. Approval of Minutes from February 5, 2020 Council Meeting (TAB A) N. Lindo 5. Public Comment N. Lindo Public comment will be accepted online at http://arts.ca.gov/aboutus/councilmeetings.php beginning 24 hours prior to the Council meeting 6. Voting Items: Council will vote to approve the grant award amounts and total Programs allocations as presented by the Program Allocations Committee Allocations (TAB B) Committee a) Artists in Communities (TAB C) b) Artists in Schools (TAB D) c) Arts Integration Training (TAB E) d) Cultural Pathways (TAB F) e) Local Impact (TAB G) f) JUMP StArts (TAB H) g) Statewide and Regional Networks (TAB I) h) Veterans in the Arts (TAB J) i) Youth Arts Action (TAB K) j) Arts Education Exposure – Addendum (TAB L) k) Arts and Public Media – Addendum (TAB M) l) Organizational Development and Professional Development – Addenda (TAB N) m) Reentry Through the Arts – Addendum (TAB O) 10. Discussion Item: COVID-19 Programs Allocations General discussion on the impacts of the COVID-19 emergency for Committee the CAC grant processes 11. Adjournment (TAB P) N. Lindo Meetings adjourn in honor of members of the creative community whose lives were recently lost, as acknowledged by the Chair Notes 1. All times indicated and the orders of business are approximate and subject to change. -
DANZEOFF 2017 CONVENTION COMPETITION Dance Faculty and Judges Include Debbie Allen, Savion Glover, Danielle Polanco, Alexandre Proia, Mme
HINTON BATTLE’S 2017 CONVENTION COMPETITION PRESS RELEASE FOR IMMEDIATE RELEASE CONTACT: Denise Saunders Thompson 202/345-6887, [email protected] DATE: November 23, 2016 3x TONY AWARD WINNER HINTON BATTLE in association with YOSHIMOTO PRESENT DANZEOFF 2017 CONVENTION COMPETITION Dance Faculty and Judges include Debbie Allen, Savion Glover, Danielle Polanco, Alexandre Proia, Mme. Adrienne Dellas Thornton, Janelle Ginestra, Djuan Ballinger PERFORMANCES & MASTER CLASSES in BALLET | CONTEMPORARY | HIP HOP | JAZZ | LYRICAL | MODERN | MUSICAL THEATER | STEP | TAP WASHINGTON, D.C. – From nationally acclaimed three-time Tony Award winner HINTON BATTLE, in association with YOSHIMOTO comes the 1st Annual DANZEOFF 2017 CONVENTION COMPETITION. DANZEOFF “the newest dance convention competition on the circuit,” takes place Friday, February 3 – Sunday, February 5, 2017 at the Gaylord National Hotel, Washington, D.C. A spectacular dance event that features more than forty (40) top dance studios, collegiate teams, and dance artists from all over the United States competing in one of the largest annual dance competitions in the Washington, D.C., Maryland, Virginia (DMV) area. DANZEOFF will reveal the talents of both local and visiting dance artists in events in all genres of dance. It is designed to support young aspiring dancers, pre-professionals performing artists, honor them for their accomplishments in the exciting world of dance, and provide a positive dance competition experience. There will be five (5) different levels of competition, ranging from minis (age 6-8) to pre-professionals (age 18-up). Winning performances receive cash prizes and awards, while obtaining instant critical feedback from expert judges, making DANZEOFF a learning tool for performers and a showcase of talent. -
UNIVERSITY of CALIFORNIA RIVERSIDE Competition Dance: Redefining Dance in the United States a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Competition Dance: Redefining Dance in the United States A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Alexis Arnow Weisbrod June 2010 Dissertation Committee: Dr. Derek Burrill, Co-Chairperson Dr. Anthea Kraut, Co-Chairperson Dr. Dylan Rodriguez Copyright by Alexis Arnow Weisbrod 2010 Signature Approval Page The Dissertation of Alexis A Weisbrod is approved: __________________________________________ __________________________________________ __________________________________________ Committee Chairperson University of California, Riverside Acknowledgments The process leading up to this dissertation project has been a long one that requires many thank yous. First, I’d like to thank Coby Richardson who introduced me to my first dance competition. If it had not been for your love of dance and constant support I may have deviated from this path many years ago. Thank you for all your encouragement and for being the first to instill me with a life long love for dance. I’d also like to extend a huge thank you to Jackie DelPrete and Arthur & Nancy Stone. Thank you for not only giving me a job and research experience but also great friendship and support. And to all the staff and faculty at Dance Olympus and International Dance Challenge, thank you for being my second family. Thank you for all the energizing conversations and bits of history and thoughts. There is also endless gratitude to my committee for your constant support and interest in my work. To my chair Dr. Derek Burrill, thank you for constantly pushing me to grow and for always seeing me for what I am and what I can be. -
The 36Th Annual New York Dance & Performance Awards
THE 36TH ANNUAL NEW YORK DANCE & PERFORMANCE AWARDS 7:30PM ET DECEMBER 14, 2020 VIRTUAL BESSIES CEREMONY Justice. Transformation. Education. Reimagining the dance ecology. MARCH 17–20 2021 VIRTUAL PLATFORM Register at Dance.NYC @DanceNYC #DanceSymp Leadership support is provided by The Andrew W. Mellon Foundation and the Howard Gilman Foundation. The Symposium is also supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, from the New York State Council on the Arts, with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the National Endowment for the Arts. CONGRATS TO ALL BESSIE ARTISTS... AND TO ANGEL, LUCY SEXTON! Join us for Live Artery in January! Featuring full digital remounts including 2020 Bessie Nominee Kimberly Bartosik I daela’s through the mirror of their eyes. Photo: Dancers Joanna Kotze, Dylan Crossman, NEW YORK LIVE ARTS and 2020 Bessie Nominee Burr Johnson in 219 W 19th Street through the mirror of their eyes New York 10011 by Maria Baranova newyorklivearts.org NOTE Enjoy The Bessies while sipping our very own original Bessies cocktail recipes! Mixology courtesy of Salty Brine. WaLK THE BALL! 1 half lime, quartered 3 slices cucumber 1 small handful cilantro 2 oz tequila Tonic 1 teaspoon mezcal (optional) Muddle limes, cucumber and cilantro in a chilled Collins glass. Add tequila and ice. Top with tonic and stir. Float mezcal on top for some smoky goodness, if desired. Get down with your bad self, and dance and strut and vogue it out! THE SHOW MUST GO ON 2 parts lemon juice (SOFT COCKtaIL) 2 parts grapefruit juice 1 part real maple syrup Seltzer Add lemon juice, grapefruit juice and maple syrup to a cocktail shaker and shake vigorously for ten seconds.