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Allentown Symhpony Orchestra Audition

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Allentown Symhpony Orchestra Audition ALLENTOWN SYMHPONY ORCHESTRA AUDITION REQUIREMENTS VIOLIN SECTION ASSOCIATE CONCERTMASTER & ASSISTANT PRINCIPAL SECTION: Orchestral Excerpts: Brahms Symphony No. 4, Movement I 1. m. 392 to the downbeat of m. 426 Mozart Symphony no. 39, Movement II 2. m. 1 to the end of m. 56 Mozart Symphony no. 39, Movement IV 3. m. 1 to m. 53 Mendelssohn Midsummer’s Night Dream - Scherzo 4. m. 17 to the downbeat of 7 ms. after reh. D Schumann Symphony no. 2 – Movement II - Scherzo 5. Coda (pick-ups to m. 362 to end of m. 397) Prokofiev Symphony no. 1 “Classical” – Movement I 6. beginning to 4 ms. after reh. E R. Strauss Don Juan 7. beginning to the downbeat of 13 ms. after reh. C Beethoven Symphony no. 9 – Movement III 8. Lo’stesso tempo (m. 99 to the end of m. 114) Brahms Symphony no. 1 – Movement IV 9. Reh. A to 2 ms. before reh. B (m. 22 to the end of m. 28) 10. Pick-up to 1 m. before reh. D to the downbeat of 5ms. after reh. F Smetana Bartered Bride Overture (violin 2 part) 11. beginning to the end of m. 33. CONCERTMASTER ASSOCIATE CONCERTMASTER ASSISTANT PRINCIPAL (In addition to Section Repertoire) Rimsky-Korsakov Scheherazade, op. 35 (solos) Movement I 12. m. 14 to the downbeat of m. 18 13. Reh. C to the downbeat of reh. D 14. Reh G to the downbeat of reh. H Movement II 15. m. 1 to the downbeat of m. 5 Movement III 16. 8 ms. after reh. K to the end of b. 6, 1 ms. before reh. M Movement IV 17. m. 8 to the end of m. 9 18. Reh. Z, m. 7 to the end of the movement Brahms Symphony no. 1 – Movement II – upper divisi (solo) 19. pick-ups to m. 91 [reh E] to the end of the movement 1. Brahms–Symphonyno.4Mvmt.I (m.392tothedownbeatofm.426) 2. Mozart–Symphonyno.39–MovementII (m.1totheendofm.56) 3. Mozart–Symphonyno.39–MovementII (pickuptom.1totheendofm.53) 4. Mendelssohn–Midsummernight’sDreamScherzo (m.17tothedownbeatof7ms.afterreh.D) 5. Schumann–Symphonyno.2Mvmt.IIScherzo (Coda–pickupstom.362totheendofm.397) 6. Prokofiev–Symphonyno.1“Classical”Mvmt.I (beginningto4ms.afterreh.E) 7. R.Strauss–DonJuan (beginning to the downbeat of 13 ms. after reh. C) 8. Beethoven–Symphonyno.9–MovementIII ( Lo’stesso tempo - m. 99 to the end of m. 114) 9. Brahms–Symphonyno.1–Movement4 (Reh. A to 2 ms. before reh. B [m. 22 to the end of m. 28]) 10.Brahms–Symphonyno.1–Movement4 (pick-up to 1 m. before reh. D to the downbeat of 5 ms. after reh. F) 11.Smetana–BarteredBrideOverture(violin2part) (beginning to the end of m. 33) 12.Rimsky–Korsakov–Scheherazade–MovementI (m. 14 to the downbeat of m. 18) 13.Rimsky–Korsakov–Scheherazade–MovementI (Reh. C to the downbeat of reh. D) 14.Rimsky–Korsakov–Scheherazade–MovementI (Reh. G to the downbeat of reh. H) 15.Rimsky–Korsakov–Scheherazade–MovementII (m. 1 to the downbeat of m. 5) 16.Rimsky–Korsakov–Scheherazade–MovementIII (8 ms. after reh. K to the end of b. 6, 1 ms. before reh. M) 17.Rimsky–Korsakov–Scheherazade–MovementIV (m. 8 to the end of m. 9) 18.Rimsky–Korsakov–Scheherazade–MovementIV (Reh. Z, m. 7 to the end of the movement) 19.Brahms–Symphonyno.1–MovementII (pick-ups to m. 91 [reh E] to the end of the movement) .
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