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Jazzweek Jazz Album Chart Jan

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Jazzweek Jazz Album Chart Jan airplay data JazzWeek Jazz Album Chart Jan. 7, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 3 3 1 Doctor Lonnie Smith Too Damn Hot Palmetto 288 248 40 8 51 0 2 1 2 1 Steve Turre The Spirits Up Above HighNote 286 283 3 8 55 0 3 2 1 1 Eric Alexander Dead Center HighNote 273 261 12 9 50 0 4 4 4 2 Houston Person To Etta With Love HighNote 238 226 12 9 45 0 5 8 6 5 Jim Snidero Close Up Milestone 214 155 59 10 46 0 6 5 11 5 Queen Latifah The Dana Owens Album Qwest 162 213 -51 9 33 1 7 16 16 7 Deep Blue Organ Trio Deep Blue Bruise Delmark 143 112 31 10 30 2 8 15 9 8 Paradigm Shift Shifting Times Nagel Heyer 141 115 26 8 41 2 9 9 7 2 Phil Woods This Is How I Feel About Quincy Jazzed Media 140 128 12 13 35 0 10 27 26 6 Ray Charles Genius Loves Company Concord 139 90 49 21 28 1 11 12 13 8 Wallace Roney Prototype HighNote 137 121 16 7 39 0 11 10 7 7 Ken Peplowski Easy To Remember Nagel Heyer 137 127 10 9 35 1 13 18 14 13 Martijn van Iterson Quartet The Whole Bunch Munich Records 135 104 31 9 33 1 14 11 44 11 Orbert Davis Blue Notes 3 Sixteen 133 126 7 3 32 5 15 7 22 5 Madeleine Peyroux Careless Love Rounder 128 170 -42 15 33 0 16 17 17 16 Tony Monaco Firey Blues Summit 126 111 15 10 28 0 17 14 12 12 Pucho & His Latin Soul Brothers The Hideout Milestone 124 119 5 7 29 2 18 23 10 7 New Stories Hope Is the Air: Music of Elmo Hope Origin 116 100 16 10 30 2 19 30 25 19 Manuel Valera Forma Nueva MAVO Records 113 83 30 10 32 1 20 19 21 13 Joe Sample Soul Shadows Verve Music Group 111 103 8 11 26 0 21 20 18 18 Michael Wolff Dangerous Vision Artimas 104 102 2 7 27 1 21 20 14 5 Clark Terry Porgy & Bess Americana Music/A440 104 102 2 16 29 1 Music Group 23 24 NR 3 Al Jarreau Accentuate The Positive Verve Music Group 101 99 2 22 28 0 24 27 24 23 Elvin Jones Jazz Machine The Truth Half Note Records 96 90 6 10 31 0 25 20 27 9 The Great Jazz Trio Someday My Prince Will Come Eighty-Eights/Columbia 93 102 -9 15 21 0 26 40 49 7 Jessica Williams Live At Yoshi’s Volume One MAXJAZZ 91 70 21 20 22 1 27 35 32 27 Denise Perrier Live At Yoshi’s Chez Perrier Records 90 76 14 6 26 1 28 32 22 7 Mike Longo and the New York State of the Oasis CAP 89 80 9 12 21 0 Art Jazz Ensemble 29 42 35 29 George Kahn Compared To What? Playing Records 88 69 19 4 24 0 29 25 20 20 Maurice Brown Hip To Bop Brown Records 88 97 -9 11 21 0 31 26 40 21 Alice Coltrane Translinear Light Impulse 87 96 -9 13 25 0 32 37 46 32 Linda Ronstadt Hummin’ to Myself Verve Music Group 80 73 7 3 24 1 33 37 44 29 Bob Dorough Sunday At Iridium Arbors 79 73 6 7 24 0 34 36 28 2 Nancy Wilson R.S.V.P. MCG Jazz 76 75 1 18 24 0 34 39 33 14 Norman Simmons In Private Savant 76 72 4 13 19 0 34 29 35 29 Chaka Khan Classikhan AGU Sanctuary Records 76 86 -10 7 23 0 37 NR NR 13 Peter Cincotti On The Moon Concord 75 57 18 18 15 0 38 40 42 38 Leslie Pintchik So Glad To Be Here Ambient 73 70 3 3 19 0 39 NR NR 39 The William Ash Trio The Phoenix Smalls Records 71 48 23 1 8 2 40 NR NR 40 Shelly Berg Trio Blackbird Concord Jazz 70 30 40 1 18 13 41 31 34 19 Rene Marie Serene Renegade MAXJAZZ 68 82 -14 12 25 0 41 48 31 5 Royce Campbell Six By Six Moon Cycle Records 68 61 7 15 29 0 43 33 28 11 Papa John DeFrancesco Walking Uptown Savant 67 78 -11 13 23 0 44 NR 39 6 Ray Mantilla Man-Ti-Ya Savant 65 58 7 12 21 1 44 46 NR 5 Lynne Arriale Come Together Motema 65 62 3 16 20 0 46 48 42 9 Patricia Barber Live: A Fortnight In France Blue Note 64 61 3 16 22 0 47 NR NR 47 Caribbean Jazz Project Here and Now: Live In Concert Concord Picante 62 NR 62 1 17 15 47 NR NR 3 Jane Monheit Taking A Chance On Love Sony Classical 62 43 19 18 21 0 47 NR NR 47 Randy Halberstadt Parallel Tracks Origin Records 62 44 18 1 22 3 50 43 NR 38 Michael James Turre Compositions Illusory 60 67 -7 7 19 0 Most Added Increased Airplay Chartbound Caribbean Jazz Project Here and Now: Live In Concert Caribbean Jazz Project Here and Now: Live In Concert David Berger and the Sultans of Swing Marlowe (Such Sweet Thunder) David Sills Eastern View (Origin Records) (Concord Picante) +15 (Concord Picante) +62 The Dynamic Les DeMerle Band Hittin’ the Blue Notes – Vol. Two Shelly Berg Trio Blackbird (Concord Jazz) +13 Jim Snidero Close Up (Milestone) +59 (Origin Records) Orbert Davis Blue Notes (3 Sixteen) +5 Ray Charles Genius Loves Company (Concord) +49 Jan Garbarek In Praise of Dreams (ECM) Mort Weiss The Three of Us (SMS Jazz) David Sanborn Closer (Verve Music Group) +5 Shelly Berg Trio Blackbird (Concord Jazz) +40 Enrico Pieranunzi Fellini Jazz (CAM) Randy Halberstadt Parallel Tracks (Origin Records) +3 Doctor Lonnie Smith Too Damn Hot (Palmetto) +40 Dom Minasi Quick Response (CDM) Deep Blue Organ Trio (Delmark) +31 Ximo Tebar Champs (Sunnyside) Tim McNamara Quartet Earth Sign (Blujazz) Don Grusin The Hang (Sovereign Records) jazzweek.com • January 12, 2005 JazzWeek 22 airplay data JazzWeek Jazz Album Chart Jan. 12, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 2 1 1 Steve Turre The Spirits Up Above HighNote 327 286 41 9 55 0 2 3 2 1 Eric Alexander Dead Center HighNote 297 273 24 10 53 0 3 1 3 1 Doctor Lonnie Smith Too Damn Hot Palmetto 284 288 -4 9 53 0 4 4 4 2 Houston Person To Etta With Love HighNote 268 238 30 10 49 0 5 5 8 5 Jim Snidero Close Up Milestone 209 214 -5 11 46 0 6 18 23 6 New Stories Hope Is the Air: Music of Elmo Hope Origin 180 116 64 11 30 0 7 6 5 5 Queen Latifah The Dana Owens Album Qwest 162 162 0 10 36 0 8 14 11 8 Orbert Davis Blue Notes 3 Sixteen 158 133 25 4 35 3 9 7 16 7 Deep Blue Organ Trio Deep Blue Bruise Delmark 157 143 14 11 37 0 9 11 12 8 Wallace Roney Prototype HighNote 157 137 20 8 45 0 11 11 10 7 Ken Peplowski Easy To Remember Nagel Heyer 149 137 12 10 40 1 12 9 9 2 Phil Woods This Is How I Feel About Quincy Jazzed Media 148 140 8 14 34 0 13 16 17 13 Tony Monaco Firey Blues Summit 144 126 18 11 34 0 14 17 14 12 Pucho & His Latin Soul Brothers The Hideout Milestone 143 124 19 8 34 0 14 8 15 8 Paradigm Shift Shifting Times Nagel Heyer 143 141 2 9 40 1 16 13 18 13 Martijn van Iterson Quartet The Whole Bunch Munich Records 141 135 6 10 35 1 17 21 20 17 Michael Wolff Dangerous Vision Artimas 122 104 18 8 33 0 18 21 20 5 Clark Terry Porgy & Bess Americana Music/A440 116 104 12 17 32 0 Music Group 19 15 7 5 Madeleine Peyroux Careless Love Rounder 109 128 -19 16 30 0 20 40 NR 20 Shelly Berg Trio Blackbird Concord Jazz 103 70 33 2 28 6 21 27 35 21 Denise Perrier Live At Yoshi’s Chez Perrier Records 101 90 11 7 27 0 21 20 19 13 Joe Sample Soul Shadows Verve Music Group 101 111 -10 12 26 0 23 19 30 19 Manuel Valera Forma Nueva MAVO Records 100 113 -13 11 27 1 24 28 32 7 Mike Longo and the New York State of the Oasis CAP 93 89 4 13 25 0 Art Jazz Ensemble 24 10 27 6 Ray Charles Genius Loves Company Concord 93 139 -46 22 23 0 26 32 37 26 Linda Ronstadt Hummin’ to Myself Verve Music Group 91 80 11 4 29 1 26 24 27 23 Elvin Jones Jazz Machine The Truth Half Note Records 91 96 -5 11 28 0 28 29 42 28 George Kahn Compared To What? Playing Records 90 88 2 5 30 0 29 34 29 29 Chaka Khan Classikhan AGU Sanctuary Records 89 76 13 8 25 0 30 29 25 20 Maurice Brown Hip To Bop Brown Records 88 88 0 12 27 0 31 26 40 7 Jessica Williams Live At Yoshi’s Volume One MAXJAZZ 86 91 -5 21 20 0 32 23 24 3 Al Jarreau Accentuate The Positive Verve Music Group 83 101 -18 23 22 0 33 25 20 9 The Great Jazz Trio Someday My Prince Will Come Eighty-Eights/Columbia 81 93 -12 16 26 0 34 38 40 34 Leslie Pintchik So Glad To Be Here Ambient 79 73 6 4 24 1 35 34 36 2 Nancy Wilson R.S.V.P.
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    SWEET SOUL MUSIC REVUE A Change Is Gonna Come It is August 1955 in Mississippi and a 14-year-old African American, Emmet Louis Till, is being dragged out of his bed by white men. They brutally torture and then drown the boy, because Emmet had whistled at the white village beauty queen and called Bye, bye babe after her. The court acquits the murderers. On December 1, 1955, Rosa Parks, an elderly African American lady, refuses to give up her seat on a bus to a white man. She is arrested and taken to court for violating segregation laws. These events in 1955 mark the beginning of the African American Civil Rights Movement, which will grow into a proud political force under the leadership of Dr. Martin Luther King. By 1968 it will have put an end to arbitrary injustice caused by racial segregation in the U.S. There have been times that I thought I couldn‘t last for long / But now I think I‘m able to carry on / It‘s been a long time coming, but I know a change is gonna come – This soul anthem, composed by Sam Cooke in 1963, speaks of the hope for change during these times. Sam himself had been arrested for offences against the laws relating to civil disorders and rioting, because he and his band had tried to check in to a “whites only” motel. Closely linked to the Civil Rights Movement, soul music delivers the soundtrack for this period of political change and upheaval in the United States.
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