Realbook Software Volume 2 for Windows, Mac Or Realbook Software Plugin Each Chart Is Rendered 4 Times to Include C, Bb, Eb and Bass Clef Transpositions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Top 100 Jazz Cds the Best Jazz Ever Released on CD
Top 100 Jazz CDs The Best Jazz Ever Released on CD The list below is based on a comprehensive statistical survey of jazz critics, record stores and popular polls. I hope you find this useful as we continue to study a largely aural tradition of jazz study. To study jazz is to listen to it. As we work this year to define and re-define what our definition of jazz is, let’s use this list as a starting place. Enjoy. Rank Artist Title Year 1 Miles Davis Kind of Blue 1959 2 John Coltrane A Love Supreme 1964 3 Duke Ellington The Blanton-Webster Band 1942 4 Charles Mingus Mingus Ah Um 1959 5 Thelonious Monk Brilliant Corners 1956 6 Sonny Rollins Saxophone Colossus 1956 7 Louis Armstrong 25 Greatest Hot Fives & Sevens 1928 8 Bill Evans Trio Sunday At the Village Vanguard 1961 9 Charlie Parker Best of Complete Savoy & Dial 1948 10 Ornette Coleman The Shape of Jazz to Come 1959 11 Count Basie Orchestra The Complete Atomic Basie 1957 12 Art Blakey & the Jazz Messengers Moanin' 1958 13 Herbie Hancock Maiden Voyage 1965 14 Miles Davis Sketches Of Spain 1960 15 Stan Getz & João Gilberto Getz/Gilberto 1963 16 Ella Fitzgerald The Best of the Song Books 1964 17 Dizzy Gillespie Groovin' High [Indigo] 1946 18 Clifford Brown & Max Roach Study in Brown 1955 19 Eric Dolphy Out to Lunch! 1964 20 Miles Davis In a Silent Way 1969 21 Billie Holiday & Lester Young A Musical Romance 1944 22 Various Artists Best of Blue Note (Vols 1 & 2) 1965 23 John Coltrane Blue Train 1957 24 The Gerry Mulligan Quartet The Best Of… With Chet Baker 1953 25 The Horace Silver Quintet -
Page 1 ED 333 726 AUTHOR TITLE INSTITUTION SPONS AGENCY
DOCUXENT REM= ED 333 726 FL 019 215 AUTHOR Weiser, Ernest V., Ed.; And Others TITLE Foreign Languages: Improving and Expanding Instruction. A Compendium of Teacher-Authored Activities for Foreign Language Classes. INSTITUTION Florida Atlantic Univ., Boca Raton. SPONS AGENCY Department of Education,Washington, DC. PUB DATE May 90 NOTE 295p. PUB TYPE Guides - Classroom Use -Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC12 Plus Postage. DESCRIPTORS Audiovisual Aids; *Classroom Communication; Classroom Techniques; *Communicative Competence (Languages); Inservice Teacher Education; Instructional Improvement; Intermediate Grades; *Lesson Plans; Secondary Education; *Second Lenguage Instruction; *Teacher Developed Materials ABSTRACT This collection of 98 lesson plans for foreign language instruction is the result of a series of eight Saturday workshops focusing on ways that language teachers can develop their own communicative activities for application in the classroom. The ).essons wert produced by 30 foreign language teachers, each of whom was required to write a brief report on how techniques and methods of instruction covered in each workshop session could be incorporated into lesson planning, and to create an actual lesson plan based on the report. Most were successfully implemented before inclusion in the collection. While the reports and plans are language-specific, the activities can be adapted for any modern language. Strategies on which the lessons are built include confidence-building, student-centered communication, use of audio-visual materials, development of oral/aural skills, increasing motivation, introducing and stimulating cultural awareness and appreciation, and evaluating skill development. Some lesson plans are illust.rated or contain reproducible materials. (MSE) illeft*********************A*********************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
RCM Clarinet Syllabus / 2014 Edition
FHMPRT396_Clarinet_Syllabi_RCM Strings Syllabi 14-05-22 2:23 PM Page 3 Cla rinet SYLLABUS EDITION Message from the President The Royal Conservatory of Music was founded in 1886 with the idea that a single institution could bind the people of a nation together with the common thread of shared musical experience. More than a century later, we continue to build and expand on this vision. Today, The Royal Conservatory is recognized in communities across North America for outstanding service to students, teachers, and parents, as well as strict adherence to high academic standards through a variety of activities—teaching, examining, publishing, research, and community outreach. Our students and teachers benefit from a curriculum based on more than 125 years of commitment to the highest pedagogical objectives. The strength of the curriculum is reinforced by the distinguished College of Examiners—a group of fine musicians and teachers who have been carefully selected from across Canada, the United States, and abroad for their demonstrated skill and professionalism. A rigorous examiner apprenticeship program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become not only an important partner with The Royal Conservatory in the development of creativity, discipline, and goal- setting, but also an active participant, experiencing the transcendent qualities of music itself. In a society where our day-to-day lives can become rote and routine, the human need to find self-fulfillment and to engage in creative activity has never been more necessary. The Royal Conservatory will continue to be an active partner and supporter in your musical journey of self-expression and self-discovery. -
Reviews: Baby It's Cold Outside
Reviews: Baby It’s Cold Outside Chris Pasin, trumpet; Patricia Dalton Fennell, vocals; Armen Donelian, piano; Ira Coleman, bass; Rich Syracuse, bass; Peter Einhorn, guitar; Jeff Siegel, drums Today’s Deep Roots Christmas Pick. December 20, 2017: Chris Pasin and Friends – ‘Baby It’s Cold Outside’ Deep Roots, David McGee Here’s a holiday outing that should satisfy traditionalists and adventurous spirits alike, a true rarity. Trumpeter/flugelhorn master Chris Pasin, whose resume includes several years touring as a soloist with Buddy Rich and backing giants on the order of Sinatra, Torme, Sarah Vaughn, Nancy Wilson, Ray Charles and Tony Bennett, as well crafting his own projects with some of New York’s finest jazz players, has brought some Gotham friends together, along with upstate New York-based vocalist Patricia Dalton Fennell (in a dual role as vocalist and producer), and given the holiday season the scintillating Baby It’s Cold Outside. For those more interested in new insights into seasonal warhorses, Pasin and friends offer a five-and-a- half-minute journey through “Santa Claus Is Coming to Town,” featuring discursive solos by Pasin on trumpet and pianist Armen Donelian, as well as a tasty drum-and-bass dialogue between Jeff Siegel and Ira Coleman, respectively, plus a couple of nice tempo changes for added texture. Similarly, “We Three Kings of Orient Are” is almost unrecognizable when Pasin soars into upper register impressionistic flurries before giving way to Donelian skittering across the keys and taking the melody line into uncharted waters over the course of six-and-a-half minutes. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Al Biles & Genjam Song List
Al Biles & GenJam Song List Song Title Composer Style Song Title Composer Style Gimme Five Abercrombie, John 5 Pumston Neverland Biles, Al Slow Work Song Adderley, Nat Pop Rake, The Biles, Al 7 Nature Boy/Mad Men ahbez, eden MovTV All Over Again Blanchard, Terrance Latin Rise Alpert, Herb Waltz Wherever You Might Go Boehlee, Karel Bossa Serenata Anderson, Leroy Pop Do It Again Bolden, Walter Slow Affreusement Votre Ansallem, Franck Pop Black Orpheus Bonfa, Luis MovTV Look of Love Bacharach, Burt MovTV Gentle Rain Bonfa, Luis Bossa Goodbye Barbieri, Gato MovTV Dhyana Brooks, Tina Med It's Over Barbieri, Gato 16 Good Old Soul Brooks, Tina Slow Jeanne Barbieri, Gato Waltz Gypsy Blue Brooks, Tina Latin Last Tango in Paris Barbieri, Gato MovTV Open Sesame Brooks, Tina Fast Sun Shower Barron, Kenny Latin Street Singer Brooks, Tina Slow Brazil Barroso, Ary 16 Theme for Doris Brooks, Tina Fast Diamonds Are Forever Barry, John MovTV Waiting Game Brooks, Tina Fast Thunderball Barry, John MovTV Episode fm Village Dance Brown, Donald Latin Jive at Five Basie, Count Med Far More Blue Brubeck, Dave 5 Mambo Inn Bauza, Maurio Latin French Spice Byrd, Donald Med What Now My Love Becaud, Gilbert Bossa Secrets of Love Cables, George Pop Putcha-Putcha Benson, Warren Slow Think on Me Cables, George Latin Johnny Staccato Bernstein, Elmer 5 What U Won't Do 4 Luv Caldwell, Bobby Pop AGT Blues Biles, Al Latin Windflower Cassey, Sara Slow Analog Blues Biles, Al 12 Cool Struttin’ Clark, Sonny Slow Even Dozen Odd Biles, Al 5 Dial S for Sonny Clark, Sonny Med Gentle Descent Biles, Al 16 Melody for C Clark, Sonny Med Here's How Biles, Al Slow News for Lulu Clark, Sonny Med Lady Bug Biles, Al Med Sonny's Mood Clark, Sonny Slow Last Tangle Biles, Al Pop Blessing, The Coleman, Ornette Med Lovey Biles, Al 5 Giant Steps Coltrane, John Fast Minor Changes Biles, Al Fast Louisiana Fairy Tale Coots, J. -
[email protected] 1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master Interview Was Provided by the Nati
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ORRIN KEEPNEWS NEA Jazz Master (2011) Interviewee: Orrin Keepnews (March 2, 1923 – March 1, 2015) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: December 10, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 20 pp. Orrin Keepnews: I wonder if you didn’t—or you could do it when you come back, make sure you didn’t get to show off Lennie. Anthony Brown: The dog? Keepnews: The dog. I remember right now the one strain she couldn’t remember to put in there. He’s part Jack Russell. Brown: Okay. That’s it. Okay so we’ll go from the room tone. Keepnews: Okay so. Brown: Oh we haven’t got it yet. Keepnews: We don’t have it? Brown: Just talk to it. Go ahead. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Keepnews: (Laughs) Brown: Today is December 10th, 2010. This is the Smithsonian/ NEA Jazz Masters Award interview with Orrin Keepnews at his house in El Cerrito, California. And it is a foggy day outside, but a lot of warmth in this house. Good afternoon Orin Keepnews. Keepnews: Good afternoon. Brown: We’re no strangers and so this is, for quite a joy, and a privilege. We’ve done several projects together, well let me just say we’ve done a few projects together, of which I’m very proud. Again, its an honor to be able to conduct this interview with you, to be able to share this time with you so that you could help the listening audience, and the historians, understand—further understand your contribution to this music since our last interview, which was in 1997. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Round Midnight”
Thelonious Monk’s “‘Round Midnight” Selected Bibliography/Discography Michael McClimon M539 – Introduction to Music Bibliography Prof. Phil Ponella 28 April, 2010 1 Bibliography Aikin, Jim. “Two Views of ‘‘Round Midnight’: A Classic Tune Then and Now.” Keyboard 11 (April 1985): 36-42. This article contains one page of text and two transcriptions of “‘Round Midnight,” one by Monk (from Thelonious Himself, April 1957) and another recorded by Richie Beirach. The article is intended primarily for keyboardists interested in Monk's music, but contains some other useful information too. Aikin pays a lot of attention to the mood of the tune, and is careful to point out that Monk's unusual piano technique is not "careless or sloppy," as some have criticized. Most of the insight into the music is available elsewhere, but the article remains valuable for Tom Darter's transcription of Monk's solo. Bowen, José A. “The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances.” The Journal of Musicology 11, no. 2 (Spring 1993): 139-73. Bowen uses Monk’s “‘Round Midnight” as a case study in describing the fluid nature of a musical work. The work, he asserts, is not the score, but the many and varied performances of the work itself. He uses the history of Monk’s tune, first as recorded by Cootie Williams, and with later interpretations by Dizzy Gillespie and Miles Davis, to illustrate that there is no strict requirement to constitute a musical work, but rather a set of family resemblances (following Wittgenstein). -
Roosevelt Center Will Groove to Jazz Festival Saturday
GREENBELT News ReviewAn Independent Newspaper VOL. 80, No. 46 15 Crescent Rd., Suite 100, Greenbelt, MD 20770-1887 OCTOBER 5, 2017 Roosevelt Center Will Groove Election 2017 To Jazz Festival Saturday Four More Candidates by Peter Reppert Offer Their Biographies Thirteen candidates have now been certified for the Greenbelt The Greenbelt Jazz Festival mer Wyman Lester and bassist City Council by City Clerk Bonita Anderson. The biographies are will be held on Saturday, October Kwame Mfume have also ap- prepared by the candidates and are published in the order in which 14 starting at 1 p.m. at the Roos- peared at the New Deal Café. we receive them. More biographies start on page 10. evelt Center and from 8 to 11:30 Lester and Mfume play with Pete p.m., in the New Deal Café. Five Reppert for jazz brunch weeks different groups, ranging in style, alternating with Not Too Cool. will perform. Brilliant Corners likes to blend Aaron Marcavitch Big Band Tradition starts with modern jazz standards with funk Aaron Marcavitch is a historic preserva- a big bang at 1 p.m. This full- and even go-go and will invite tion and community development profes- sized, seasoned jazz orchestra selected soloists in the spirit of sional with over 15 years of experience. plays songs of the big band era the jam sessions they frequently With degrees in historic preservation from by the likes of Glenn Miller, host. Roger Williams University and public his- Duke Ellington, Harry James, Moving indoors, pianist John tory from Middle Tennessee State Univer- Count Basie and Bennie Good- Guernsey will play standards at sity, Marcavitch has previously overseen man as well as postwar groups 6:30 p.m. -
LP Inventory
Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie -
Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Erna SACK: Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded August 30, 1934 in Berlin 107685 WENN SICH EINE SCHÖNE FRAU VERLIEBT 3.30 19991-1 Tel A1676 Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded October 1934 in Berlin 107121 ICH BIN VERLIEBT 3.32 19990 --- aus der Operette "Clivia" Erna Sack war eine der bedeutendsten Sopranistinnen Deutschlands im 20.