2018/19 Season
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Past Commissions 2014/15
Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No. -
London Mozart Players Wind Trio When He Left to Focus on His Freelance Career
Timothy Lines (Clarinet) Timothy studied at the Royal College of Music with Michael Collins and now enjoys a wide- ranging career as a clarinettist. He has played with all the major symphony orchestras in London as well as with chamber groups including London Sinfonietta and the Nash Ensemble. From 1999 to 2003 he was Principal Clarinet of the London Symphony Orchestra and was also chairman of the orchestra during his last year there. From September 2004 to January 2006 he was section leader clarinet of the City of Birmingham Symphony Orchestra, London Mozart Players Wind Trio when he left to focus on his freelance career. He plays on original instruments with the English Baroque Soloists, the Orchestre Revolutionnaire et Romantique and the Orchestra of Thursday 12th March 2020 at 7.30 pm the Age of Enlightenment and is also frequently engaged to record film music and pop music Cavendish Hall, Edensor tracks. Timothy is Professor of Clarinet at both the Royal College of Music and the Royal Academy of Music, and is the clarinet coach for the National Youth Orchestra of Great Britain. In March 2016 he was awarded a Fellowship of the Royal College of Music and was later that year invited to become Principal Clarinet of the London Mozart Players. Concert Champêtre H. TOMASI Gareth Hulse (Oboe) (1901-1971) After reading music at Cambridge, Gareth Hulse studied with Janet Craxton at the Royal Divertimento K439b W.A. MOZART Academy of Music, and with Heinz Holliger at the Freiburg Hochschule fur Musik. On his (1756-1791) return to England he was appointed Principal Oboe with the Northern Sinfonia, a position he has since held with English National Opera and the London Philharmonic. -
Spring 2018/2 by Brian Wilson and Dan Morgan
Second Thoughts and Short Reviews - Spring 2018/2 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson unless signed [DM]. Spring 2018/1 is here. Links there to earlier editions. Index: ADAMS Absolute Jest; Naïve and Sentimental Music_Chandos BACH Keyboard Music: Volume 2_Nimbus - Complete Organ Works Volume 7_Signum BEETHOVEN Triple Concerto_DG (+ BRAHMS) BORENSTEIN Violin Concerto, etc._Chandos BRAHMS Double Concerto_DG (+ BEETHOVEN) BRUCKNER Symphony No. 3_Profil - Symphony No. 4 in E-flat ‘Romantic’_LSO Live BUSONI Orchestral Works_Chandos ELGAR Violin Sonata, etc._Naxos_Chandos GERSHWIN Rhapsody in Blue_Beulah GUILMANT Organ Works_Chandos (+ WIDOR, FRANCK, SAINT-SAËNS) IRELAND Downland Suite, etc._Chandos - Mai Dun, Overlanders Suite, etc._Hallé JANITSCH Rediscoveries from the Sara Levy Collection_Chandos KARAYEV Symphony No.1; Violin Concerto_Naxos - Seven Beauties Suite, etc._Chandos LIDSTRÖM Rigoletto Fantasy_BIS (+ SHOSTAKOVICH Cello Concerto) LISZT A Faust Symphony_Alpha LUDFORD Missa Videte miraculum, etc._Hyperion MAHLER Symphony No.1_CAvi - Symphonies Nos. 4-6_Signum - Symphony No. 6_BIS MONTEVERDI Lettera Amorosa_Ricercar - Clorinda e Tancredi: Love scenes_Glossa - Night - Stories of Lovers and Warriors_Naïve PALUMBO Three Concertos_BIS RACHMANINOV The Bells, Symphonic Dances_BRKlassik ROSSINI Overtures – Gazza Ladra, Guillaume Tell_Beulah SAUER Piano Concerto No.1_Hyperion (+ SCHARWENKA) SCHARWENKA Piano Concerto No.4_Hyperion (+ SAUER) SHOSTAKOVICH Cello Concerto No.1_BIS (+ LIDSTRÖM) TALLIS Lamentations and Medieval Chant_Signum TIPPETT Symphonies Nos. 1 and 2_Hyperion VIVALDI Concertos Op.8/1-12_Chandos - Double Concertos_Chandos WESLEY, Samuel Symphonies_Chandos WESLEY, Samuel Sebastian Ascribe unto the Lord - Sacred choral works_Chandos WIDOR Organ Works_Chandos (see GUILMANT) Electric Django (Reinhardt)_Beulah *** MusicWeb International April 2018 Second Thoughts and Short Reviews - Spring 2018/2 Nicholas LUDFORD (c.1490-1557) Ninefold Kyrie (at Ladymass on Tuesday, Feria iii) [4:45] Alleluia. -
Richard O'neill
Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society -
Download Booklet
MOZART Violin Concertos Nos. 3, 4 and 5 Henning Kraggerud, Violin Norwegian Chamber Orchestra Wolfgang Amadeus Mozart (1756-1791) Norwegian Chamber Orchestra Violin Concertos Nos. 3, 4 and 5 Photo: Mona Ødegaard Since its formation in 1977 the Wolfgang Amadeus Mozart was born in Salzburg in 1756, describe as a disgrace to his profession, coarse and dirty. Norwegian Chamber Orchestra has the son of a court musician who, in the year of his Brunetti, a Neapolitan by birth, had been appointed secured a reputation for itself for its youngest child’s birth, published an influential book on Hofmusikdirektor and Hofkonzertmeister in Salzburg in innovative programming and violin-playing. Leopold Mozart rose to occupy the position 1776 and in the following year he succeeded Mozart as creativity. The artistic directors and of Vice-Kapellmeister to the Archbishop of Salzburg, but Konzertmeister, when the latter left the service of the guest leaders of the orchestra have sacrificed his own creative career to that of his son, in Archbishop of Salzburg to seek his fortune in Mannheim included Iona Brown, Leif Ove whom he detected early signs of precocious genius. With and Paris. In 1778 Brunetti had to marry Maria Judith Andsnes, Martin Fröst, François the indulgence of his patron, he was able to undertake Lipps, the sister-in-law of Michael Haydn, who had Leleux and Steven Isserlis together extended concert tours of Europe in which his son and already born him a child. Mozart himself was fastidious with the current artistic director Terje older daughter Nannerl were able to astonish audiences. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
July 2018 by Special Request of the Director, John Gilhooly
International Ernest Bloch Society President Steven Isserlis CBE Associate musicians: Natalie Clein, Danny Driver, Rivka Golani, Jack Liebeck, Malcolm Singer, Raphael Wallfisch, Benjamin Wolf www.ernestblochsociety.org News Sheet no 2 – August 2018 In this News Sheet: Page 1 Ernest Bloch Anniversaries Page 1 Anniversary Events Page 3 News from International Partners in Israel and France Page 4 Dedication of Memorial near where Bloch lived in Agate Beach, Newport, Oregon Page 6 Appreciation of Ernest Bloch II who died on 10 August 2018 Page 7 Appreciation of J Audrey Ellison who died on 14 June 2018 Page 8 Ernest Bloch Studies Review Page 9 Short Biography of Ernest Bloch Ernest Bloch Anniversaries 2019 and 2020 July was a significant month for Swiss-American Composer, Ernest Bloch. He was born in Geneva on 24 July 1880 and died in Portland, Oregon, on 15 July 1959 aged nearly 79. That means that two fairly significant anniversaries are coming up: 2019 will mark the 60th anniversary of his death and 2020 will mark the 140th anniversary of his birth. The International Ernest Bloch Society, based in London, and our international partners in Switzerland, Oregon USA, France and Israel, will be marking both these anniversaries with a two-year programme ‘Out of the Wilderness’. It will highlight outstanding artists in their performances of Bloch works and endeavour to bring some lesser known works to attention and to introduce Ernest Bloch and his music to students and musicians young and old. Anniversary Events: Wigmore Hall: Natalie Clein Sunday 23 September 2018, 11.30am The opening event heralding the celebration of these anniversaries is on Sunday 23 September this year, 2018 at 11.30am, when renowned cellist Natalie Clein, International Ernest Bloch Society (IEBS) Associate Musician, includes Bloch’s first Solo Cello Suite as well as his suite ‘From Jewish Life’ in her programme at the Wigmore Hall. -
November 2016
November 2016 Igor Levit INSIDE: Borodin Quartet Le Concert d’Astrée & Emmanuelle Haïm Imogen Cooper Iestyn Davies & Thomas Dunford Emerson String Quartet Ensemble Modern Brigitte Fassbaender Masterclasses Kalichstein/Laredo/ Robinson Trio Dorothea Röschmann Sir András Schiff and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats. -
STEVEN ISSERLIS STEPHEN HOUGH Cello Piano
STEVEN ISSERLIS STEPHEN HOUGH Cello Piano Antonin Dvorák Waldesruhe, Op. 68, No. 5 (1841– 1904) Josef Suk Ballade and Serenade for Cello and Piano, Op. 3 (1874 – 1935) Franz Schubert Sonata in A minor for Arpeggione and Piano, (1797 – 1828) D. 821 Allegro moderato Adagio Allegretto ***Intermission*** Stephen Hough Sonata for Cello and Piano, Left Hand, (b. 1961) “Les Adieux” i) Moderato mesto ii) Allegretto placido (Im Legendenton) iii) Adagio sereno Edvard Grieg Cello Sonata in A minor, Op. 36 (1843 – 1907) Allegro agitato Andante molto tranquillo Allegro Wednesday, March 9, 2016 8:00 p.m. Chapin Hall Williamstown, Massachusetts See music.williams.edu for full details and additional happenings as well as to sign up for the weekly e-newsletters. Upcoming Events: Fri Mar 11 4:15pm Alex Ross – Class of 1960 Lecture Bernhard, room 30 Fri Mar 11 8pm Williams Chamber Players Brooks-Rogers Recital Hall Wed Mar 16 12:15pm MIDWEEKMUSIC Chapin Hall Thu Mar 17 7pm Brass Ensemble “Brass Bash” Brooks-Rogers Recital Hall Wed Apr 6 4:15pm Master Class: Orion Weiss and Anna Polonsky - Brooks-Rogers Recital Hall Visiting Artist Series Wed Apr 6 8pm Orion Weiss and Anna Polonsky, piano duo - Chapin Hall Visiting Artist Series Stephen Hough Named by The Economist as one of 20 Living Polymaths, British pianist Stephen Hough is a rare renaissance man of our time. Over the course of a long and distinguished career as one of the world’s leading concert pianists, he has also excelled as a writer and composer. Mr. Hough combines an exceptional facility and tonal palette with a uniquely inquisitive musical personality, and his musical achievements have resulted in many awards and accolades for his concerts and a discography of more than fifty recordings. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Robert Levin Selected Reviews
Robert Levin Selected Reviews Beethoven Piano Concerto No. 3 Scottish Chamber Orchestra (November 2017) “Playing along quietly in the normally orchestra-only exposition, adding in his own improvised lead-ins and interruptions, pedalling freely, stretching rhythms and inserting impromptu melodic embellishments, he treated what we normally hear as nothing more than the Concerto’s bare bones, a framework for spontaneous, in-the-moment creation – all backed up by serious historical scholarship, of course. The result was edge-of-your-seat stuff, sometimes raising a smile, often raising eyebrows, but carried through with utter conviction and brilliant, sometimes rather hard-edged clarity. Most captivating, though, was the breathtaking immediacy of Levin’s account, and its disarming honesty – maybe this’ll work, maybe not, he seemed to say, but we’ll do it anyway.” – David Kettle, The Scotsman **** “Robert Levin, who has just celebrated his 70th birthday, brought his renowned erudition to the solo part, as well as the flair of his own improvised cadenzas, always staying clearly within the embrace of Beethoven’s own themes.” – Keith Bruce, The Herald **** Alte Oper Recital Mozart Saal, Frankfurt (May 2017) “Erfolgreich Musik machen und erfolgreich über sie reden können wenige. Ein solcher Universalkünstler, bekannt auch als Vollender berühmter Fragmente wie etwa Mozarts Requiem, ist der Pianist Robert Levin.” – Gerhard Schroth, Frankfurter Allgemeine Zeitung Hilary Hahn Recitals European and US Tour (March 2017) “A Mozart sonata, K. 481, followed. Again it was Levin whose dynamism collared our ears… it was clear that our musicians were enjoying a conversation. …Levin’s solo turn followed in Hans Peter Türk’s Träume , another welcome UK premiere. -
Cello Home Learning
CELLO HOME LEARNING Some ideas to keep you busy :- 1. Practice your Vamoosh pieces you’ve worked on in your lessons (eg. Cancan, Manhattan Blues, At the Ballet etc) . 2. Tips for practicing: i) First clap the rhythm using your ta and tay tay rhythm words ii) Play the rhythms on just one string (no fingers) iii) Then look at just the fingers. Work out what finger and which string each note needs, then play each note slowly without rhythm. iv) Pluck through the whole piece slowly v) Play with the bow once you have done all the other steps and are confident 3. Try recording yourself playing your piece, then listen back to yourself and give yourself 2 stars and a wish. (2 things you feel you did really well, and one thing you would like to get better at.) Next time you play the piece think about what you would like to improve. 4. Try writing your own music (draw yourself a ‘Steve the Stave' with five lines to get started) 5. Listen to and watch you tube clips of players and Orchestras such as • Yoyo Ma • Jacqueline du Pré • Pablo Casals • Steven Isserlis • Mischa Maisky • Mstislav Rostropovich • Sol Gabetta • The piano guys • The two cellos • Scottish Chamber Orchestra • London Symphony Orchestra • BBC Scottish symphony Orchestra • Maxwell String Quartet Look for more orchestras and players and find out about them alongside any composers you might like! Try downloading a tuning app for cello Use the tuners at the bottom to make small adjustments and the pegs to make bigger ones.