The Perfect Pitch 2012
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MURDERDOLLS 09.09.2010 Stuttgart Die Röhre Es Ist Nichts
MURDERDOLLS 09.09.2010 Stuttgart Die Röhre Es ist nichts Ungewöhnliches, dass sich Musiker einer erfolgreichen Band ein persönlicher gestaltetes Zweitprojekt gönnen. Für Joey Jordison, den Schlagzeuger und Haupt-Songwriter der Metal-Wucht Slipknot, ist seine Nebenbeschäftigung MURDERDOLLS allerdings weit mehr als ein Seitenprojekt. Gemeinsam mit dem Gitarristen Wednesday 13 entwickelt er seit 1999 eine hitzige, unverblümte und zuweilen verstörende Melange aus Hard- und Glamrock, Heavy Metal und offensiv-blutrünstigen Texten. Dies gefiel nicht nur den Slipknot-Fans so gut, dass die MURDERDOLLS seit Erscheinen ihres 2002er-Debüts „Beyond The Valley Of The Murderdolls“ zu den wichtigsten Bands des Horrorpunk-Genres zählen. Ende August erscheint nach einer längeren Pause ihr zweites Album „Women And Children Last“, mit dem sie im Anschluss auf Tournee gehen. Die deutschen Station en ihrer Konzertreise im September sind Frankfurt, Stuttgart, Bochum und Köln. Joey Jordison gehört seit mehr als einer Dekade zu den umtriebigsten Musikern der amerikanischen Rock-Szene. Mit seiner neun Mann starken Metal- und Splatter-Formation Slipknot führt er regelmäßig die US-Hitlisten an, Tourneen der Band sind konstant restlos ausverkauft. Zudem gehört er zu den meistbeschäftigten Schlagzeugern der Welt und half bereits bei Tourneen von Metallica, Korn, Ministry und Rob Zombie als Taktgeber aus. Der 35-jährige Musiker aus Des Moines/Iowa kennt wenige stilistische Scheuklappen und vermengt bald jede Form härterer Rockmusik aufs Natürlichste zu einem schauerlich-schönen audiovisuellen Ereignis, zu dem man ebenso gut moshen wie sich gruseln kann. Entsprechend stellen sich die MURDERDOLLS, die 1999 von Jordison und dem Dope- und Static X-Gitarristen Tripp Eisen gegründet wurden, inhaltlich und stilistisch vollkommen anders dar als seine Hauptbeschäftigung Slipknot. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
Past Commissions 2014/15
Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No. -
London Mozart Players Wind Trio When He Left to Focus on His Freelance Career
Timothy Lines (Clarinet) Timothy studied at the Royal College of Music with Michael Collins and now enjoys a wide- ranging career as a clarinettist. He has played with all the major symphony orchestras in London as well as with chamber groups including London Sinfonietta and the Nash Ensemble. From 1999 to 2003 he was Principal Clarinet of the London Symphony Orchestra and was also chairman of the orchestra during his last year there. From September 2004 to January 2006 he was section leader clarinet of the City of Birmingham Symphony Orchestra, London Mozart Players Wind Trio when he left to focus on his freelance career. He plays on original instruments with the English Baroque Soloists, the Orchestre Revolutionnaire et Romantique and the Orchestra of Thursday 12th March 2020 at 7.30 pm the Age of Enlightenment and is also frequently engaged to record film music and pop music Cavendish Hall, Edensor tracks. Timothy is Professor of Clarinet at both the Royal College of Music and the Royal Academy of Music, and is the clarinet coach for the National Youth Orchestra of Great Britain. In March 2016 he was awarded a Fellowship of the Royal College of Music and was later that year invited to become Principal Clarinet of the London Mozart Players. Concert Champêtre H. TOMASI Gareth Hulse (Oboe) (1901-1971) After reading music at Cambridge, Gareth Hulse studied with Janet Craxton at the Royal Divertimento K439b W.A. MOZART Academy of Music, and with Heinz Holliger at the Freiburg Hochschule fur Musik. On his (1756-1791) return to England he was appointed Principal Oboe with the Northern Sinfonia, a position he has since held with English National Opera and the London Philharmonic. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Geoffrey Gilbert
I Letters to the Editor 3 Why I Play the Flute John Francis 4 Developing Baroque Ornamentation Skills Berry Bang Mather 8 PAN I BFS Rules the World 12 The Journal of the British Flute Society Richard Adeney talks to The Editor 14 President James Galway Portrait Gallery 22 President for 1988 Patricia Lynden Vice President Albert Cooper ( Member's Platform 23 from 1st January 1988 I History Pages 25 Council: Edward Blakeman Chairman Reflections of a "London West End Super Juliet Keeling Secretary Mole" on four seasons in the Royal Opera Simon Hunt Ediror House Pit Patricia Lynden 28 Jenny Wray Membership Secretary Jonathan Myall Treasurer James Dower Events Co-ordinator 'Friend! Look for the first allegro': Trevor Wye Events Co-ordir~aror Some thoughts on the flute in Haydn's Andrew Thomson Publicity O//icer Symphonies Edward Blakeman 3 1 Adrian Brett Publiciry Oflicer Robin Soldan Educational and FIute Clubs Representative The Season in Malta Tom Cotterell 36 Susan Bruce Hon. Legal Adviser I Jonathan Pickford Hon. Auditor The British Flute Society was formed in January 1983. 1 The Flute Player in Art 38 from the constitution: 'The objects of the Society shall be to advance the education of the public I East Anglian Flute Group 39 in the Art and Science of Music and in particular the Art and Science of Flute playing in all its aspects by the presentation of public concerts Flute Events Section 40 and recitals and by such other ways as the Society through its Council I shaU determine from time to time.' Bath Summer School of Baroque Music 43 The Editor warmly welcomes contributions to Pan, and invites manuscripts - typed if possible - by post to 40 Portland Road, Lon- don W 11 4LG. -
A More Attractive ‘Way of Getting Things Done’ Freedom, Collaboration and Compositional Paradox in British Improvised and Experimental Music 1965-75
A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75 Simon H. Fell A thesis submitted to the University of Huddersfield in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield September 2017 copyright statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. ii. Copies of this thesis, either in full or in extracts, may be made only in accordance with the regulations of the University Library. Details of these regulations may be obtained from the Librarian. This page must form part of any such copies made. iii. The ownership of any patents, designs, trade marks and any and all other intellectual property rights except for the Copyright (the “Intellectual Property Rights”) and any reproductions of copyright works, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property Rights and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property Rights and/or Reproductions. 2 abstract This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that of a group of British composers and performers contemporaneously exploring experimental possibilities within composed music; it investigates how these practices overlapped and interpenetrated for a period. -
Interview with Jb (Rastagrafix) by Michael Erlewine
Interview with jb (rastagrafix) by Michael Erlewine Interview with jb (rastagrafix) by Demetrios and his florescent puppets Michael Erlewine upstairs at the Avalon (whatever [email protected] happened to him), that darned white rabbit poster above my refrigerator... Michael Erlewine: When and how did you get interested in art? Michael Erlewine: What was your first concert-music poster? Jb: One of my earliest memories was of my dad drawing an Indian. I was Jb: After a sailing trip to the Lesser stunned that you could just make a Antilles in '72, I started seriously picture of something like that! Later, in hanging out at Kingston Records on high school, I knew I was going to be an Fillmore Street, Ruel Mill's tiny enclave artist, and I worked hard at it, even of riddim and vibes. One day I saw Ruel drawing up a flyer for a concert he was winning an award or two. I went to work early-on in a local art gallery, and then producing with Toots, Dennis Brown, during the Vietnam era enlisted in the air and Jacob Miller at Winterland. He was force, ended up at the Defense doing such a lousy job that I offered to Language Institute studying Chinese whip something together overnight, during the week and dropping out on the gratis. The result was crude, but after weekends. When I got out in 1968, I hanging out later with the talent I figured lived in the Haight and worked in it was a pretty cool gig. galleries again, but as time passed I Michael Erlewine: What are the main became more interested in restoring art bands you have done posters for? than in creating it. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
Bob Marley Poems
Bob marley poems Continue Adult - Christian - Death - Family - Friendship - Haiku - Hope - Sense of Humor - Love - Nature - Pain - Sad - Spiritual - Teen - Wedding - Marley's Birthday redirects here. For other purposes, see Marley (disambiguation). Jamaican singer-songwriter The HonourableBob MarleyOMMarley performs in 1980BornRobert Nesta Marley (1945- 02-06)February 6, 1945Nine Mile, Mile St. Ann Parish, Colony jamaicaDied11 May 1981 (1981-05-11) (age 36)Miami, Florida, USA Cause of deathMamanoma (skin cancer)Other names Donald Marley Taff Gong Profession Singer Wife (s) Rita Anderson (m. After 1966) Partner (s) Cindy Breakspeare (1977-1978)Children 11 SharonSeddaDavid Siggy StephenRobertRohan Karen StephanieJulianKy-ManiDamian Parent (s) Norval Marley Sedella Booker Relatives Skip Marley (grandson) Nico Marley (grandson) Musical careerGenres Reggae rock Music Instruments Vocals Guitar Drums Years active1962-1981Labels Beverly Studio One JAD Wail'n Soul'm Upsetter Taff Gong Island Associated ActsBob Marley and WailersWebsitebobmarley.com Robert Nesta Marley, OM (February 6, 1945 - May 11, 1981) was Jamaican singer, songwriter and musician. Considered one of the pioneers of reggae, his musical career was marked by a fusion of elements of reggae, ska, and rocksteady, as well as his distinctive vocal and songwriting style. Marley's contribution to music has increased the visibility of Jamaican music around the world and has made him a global figure in popular culture for more than a decade. During his career, Marley became known as the Rastafari icon, and he imbued his music with a sense of spirituality. He is also considered a global symbol of Jamaican music and culture and identity, and has been controversial in his outspoken support for marijuana legalization, while he has also advocated for pan-African. -
Wednesday 13'S Frankenstein Drag Queens 6 Years, 6 Feet Under the Influence Mp3, Flac, Wma
Wednesday 13's Frankenstein Drag Queens 6 Years, 6 Feet Under The Influence mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 6 Years, 6 Feet Under The Influence Country: US Released: 2010 Style: Psychobilly, Punk MP3 version RAR size: 1305 mb FLAC version RAR size: 1279 mb WMA version RAR size: 1663 mb Rating: 4.3 Votes: 515 Other Formats: MIDI TTA APE MPC MP2 AUD MOD Tracklist Hide Credits 1 Too Dead To Die 2:16 2 Evil Is Good 3:16 3 Rambo 2:25 4 Good Mourning Dolly 0:42 5 We Have To Kill You Now 3:27 6 Nightbreed 4:43 7 Transmission - D.E.A.D 0:36 8 Scary Song 2:41 9 Rocketship Oddity 13 3:41 10 Kung Fu You 1:59 11 Darkside Of The Tomb 1:15 12 I Wanna Rot 2:14 13 Chop Off My Hand 2:27 14 The Wolfman Stole My Baby 3:49 15 Planet Of The Apes 3:00 16 The Witch Is Dead 4:08 17 Death Theme Thirteen 0:32 Your Mother Sucks Cocks In Hell 18 2:38 Piano – Jamie Hoover Credits Artwork [Coverartwork], Design – Axel Herman* Artwork [Wednesday 13 Artwork] – Mari Lagerroos Co-producer, Engineer – Jamie Hoover Drums [Performed By] – Scabs Music By, Lyrics By – Wednesday 13 Photography By [All Photos By] – Mrs.13 - Roxanne* Producer – Wednesday 13 Vocals, Guitar, Bass, Keyboards, Performer [Song Introductions Performed By] – Wednesday 13 Notes ©P 2010 "I Used To Fuck People Like You In Prison" Records. Barcode and Other Identifiers Barcode: 5052146700622 Other versions Category Artist Title (Format) Label Category Country Year "I Used To Fuck People Like You 6 Years, 6 Feet Wednesday 13's In Prison" Prison081-2, Under The Prison081-2, Frankenstein Records, "I Used US 2004 Prison 081-2 Influence (CD, Prison 081-2 Drag Queens* To Fuck People Comp) Like You In Prison" Records 6 Years, 6 Feet Wednesday 13's Under The Roadrunner RRCY-21228 Frankenstein RRCY-21228 Japan 2004 Influence (CD, Japan, Inc. -
November 2016
November 2016 Igor Levit INSIDE: Borodin Quartet Le Concert d’Astrée & Emmanuelle Haïm Imogen Cooper Iestyn Davies & Thomas Dunford Emerson String Quartet Ensemble Modern Brigitte Fassbaender Masterclasses Kalichstein/Laredo/ Robinson Trio Dorothea Röschmann Sir András Schiff and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats.