DOCSLIB.ORG

Christopher Taylor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Christopher Taylor Christopher Taylor 1958 Born in Skegness, United Kingdom. 1977-1980 Studied zoology, University of Sheffield, United Kingdom. 1981-1984 Researcher, departement of Zoology, University of Hull, United Kingdom. 1986-1988 Travel in Asia. Self taught photographer. Solo exhibitions 2019 Steinholt, Mind Set Art Center, Taipei, Taiwan Toi qui franchis ce seuil, Musée Verlaine, Juniville, France Steinholt, Itineraire des Photographes Voyageurs, Bordeaux, France. 2018 Steinholt, NegPos/Fotoloft, Nîmes, France Toi qui franchis ce seuil, Musée Rimbaud, Maison des ailleurs, Charleville-Mézières, France Steinholt, galerie Focale, Nyon, Switzerland 2017 Steinholt, galerie Camera Obscura, Paris Steinholt, National Museum of Iceland, Reykjavik, Iceland Steinholt, Safnahus, Husavik, Iceland Steinholt, Meicheng gallery, Shenzhen, China 2016 Steles, Chapelle des Pénitents bleus, Narbonne, France. Steinholt, MoArtSpace, Henan, China Photography Triennale of Tianshui, Gansu, China 2015 Steinholt, Fundacio Forvm, Tarragona, Spain Steinholt, OFOTO Gallery, Shanghai, China. 2014/5 Institutions, Exhibit 320/Tasveer, New Delhi; Harrington Street Art Centre, Kolkata; Tasveer Bangalore; Story Ltd, Mumbai ; National Institute of Design, Ahmedabad; India. 2013 Stèles, Fondazione Gesualdo Bufalino, Comiso, Sicily, Italy. Calcutta – la persistence de l’oubli, La Fenêtre, Montpellier, France. 2012 Close-up, Seagull foundation for the arts, Calcutta, India. 2011 Le silence est l’espace, OFOTO Gallery, Shanghai, China. 2010 Le silence est l’espace, Hôtel Fontfreyde centre pour la photographie, Clermont Ferrand, France. Galeria Bacelos, Vigo, Spain. Gucang Photography Space, Lanzhou, China. 2009 Red square, Gallery Out of Place, Tokyo/Nara, Japan. Steles, OFOTO Gallery, Shanghai, China. Red square, Galerie Camera Obscura, Paris. 2008 Steles, OFOTO Gallery, Beijing, China. Red square, La Cartonnerie, Reims, France. Châteaux de sable, Stimultania, Strasbourg, France. 2007 Seagull Foundation for the Arts, Calcutta, India. Tasveer Arts, Delhi / Bangalore / Mumbai, India. Galerie Auga fyrir auga, Reykjavik, Iceland. 2006 Fadeur, OFOTO Gallery, Shanghai, China. Stèles, Itineraire des Photographes Voyageurs, Bordeaux, France. 2005 Lianzhou Photography Festival, Lianzhou, China. Stèles, Atelier de visu, Marseille, France. Galerie Toshi-seitatu-kobo, Osaka, Japan. Gallery Out of Place, Nara, Japan. 2004 Galeria Bacelos, Vigo, Spain. Steles, Galerie Camera Obscura, Paris. Centre Atlantique de la Photographie, Galerie du Quartz, Brest, France. Steles, Galerie Le Bleu du Ciel, Lyon, France. 2003 Steles, Pingyao International Photography Festival, China. Steles, Palais du Tau, Reims, France. 2002 Arthropoda, Galerie des Grands Bains Douches de la Plaine, Marseille, France. 2001 Photofestival Noordelicht, Groningen, Netherlands. Islande/Menues actions, Galeria Maria Martin, Madrid. 2000 Islande, Rencontres Photographique en Sud Gironde, France. Islande, Galerie Camera Obscura, Paris. Galerie Municipale du Chateau-d’Eau, Toulouse, France. 1999 Arthropoda, Galeria Forvm, Tarragone, Spain. 1996 Primavera Fotographica, Barcelone, Spain. 1994 Mai de la Photo, Reims, France. Galerie de l’Opera, Ostrava, Czech Republic. 1993 Espace Photo Angle, Le Corum, Montpellier, France 1992 Tom Hopkinson Room, Photographers’ Gallery, London. 1990 Portfolio Room, Photographers’ Gallery, London. Collective exhibitions 2016 PhotoFairs Shanghai, Shanghai Exhibition Center, Shanghai, China The Silk Road under the lens…, Luoyang Museum, Luoyang, China Water, Xishuangbanna Photo festival, China 2015 Delhi Art fair / Photo London (Tasveer), India Des îles, Galerie le Bleu du Ciel, Lyon, France. 2014 Regards sur Guizhou, (avec Luo Yongjin), Confucius centre, Angers, France. Pagoda, Ofoto gallery, Shanghai, China. Oltre la materia, Mo art space, Xinmi, Zhengzhou, Chine & Academie des Beaux Arts Bologne, Italy. Paris Photo 2014, Tasveer Arts 2013 Regards sur le Guizhou (avec Luo Yongjin), Cité de l’Architecture et du Patrimoine, Paris. 2012 Vision with two eyes (avec Luo Yongjin), OFOTO Gallery, Shanghai, China. Regrouping, Bend in the River, Sheffield & Gainsborough, United Kingdom Visioni di Cina, Deposito A, Verone, Italy L’Art de voir des choses, galerie Camera Obscura, Paris. Delhi Art fair, India 2011 Dali festival de photographie, China. Delhi festival de photographie, India. 2009 Steles, Photo Beijing, The Agricultural Exhibition Centre of China, Beijing. L’évocation documentaire, Artraction, Genève, Switzerland. 2008 AERA, Toulouse, Megacity en Chine, France. 2007 Visioni di Cina, Centro Culturale Trevi, Bolzano, Italy. Tokyo Art Fair, Out of Place Gallery, Japan. 2006 ARCO, Madrid, Spain. 2002 ARCO, Madrid, Spain. Et le 5 Jour, Images au Centre, Chateau de Fougeres-sur-Bievre, France. 2001 Urbi and Orbi, Biennale de la photographie et de la ville, Sedan, France. 2000 5e Salon d’Art contemporain, The National Natural History Museum, Paris. 1999 Le Presidial, Castelnaudary, France. 1993 Audio Visual, Rencontres International Photographiques, Arles, France. 1992 From the Humber to the Thames, Usher Gallery, Lincoln, United Kingdom. 1989 Image and Imagination, Untitled Gallery, Sheffield, United Kingdom. 1987 The Wall, Impression Gallery, York, United Kingdom 1986 Architecture, Formalism, Photography, Untitled Gallery, Sheffield, United Kingdom. 1985 Image and Exploration, Photographers’ Gallery, London. Awards 2019 Aide individuelle à la création, DRAC (Direction régionale des affaires culturelles) Occitanie 2001 Bourse pour de la recherche et sejour a l’etranger, FIACRE - Centre National des arts plastiques, Paris 1999 Aide individuelle à la création, DRAC (Direction régionale des affaires culturelles) Languedoc Rousillon PUBLICATIONS 2017 Steinholt, Kehrer Verlag, Heidelberg, Germany. 2015 Des îles, Galerie le Bleu du Ciel, Lyon, France. 2014 Regards sur Guizhou, Cité de l’Architecture et de la Patrimoine, Paris. Institutions, Tasveer exhibition catalogue, Bangalore, India. Jadughar-200 years of the Indian Museum, The Director, Indian Museum, Kolkata, India. 2013 Immersions : Mumbai/Bombay, Niyogi Books, New Delhi, India. Animal, de l’Air magazine, Paris, France. 2011 Close to water, Ofoto gallery catalogue, China. 2009 White & Black (Journey to the Centre of Imperial Calcutta), Niyogi Offset, New Delhi, India. 2007 Catalogue, Tasveer Arts, Bangalore, India. 2004 Steles, Le Point du Jour Editeur, Cherbourg, France. Poiesis No.15, Inventer la Ville, L’Oeuvre Collective, Editions Poiesis. 2003 Blind Spot magazine(Spring), New York. 2001 Noordelicht catalogue 2, Stichting Aurora Borealis, Netherlands. Carnets de Voyages, A contrecoeur, Le Point du Jour Editeur, France. 2000 Histoires naturelles 5e Salon d’Art contemporain, Editions du Museum, national d’Histoire naturelle. Catalogue, Galerie du Chateau d’Eau, Toulouse, France. 1999 Source Magazine (Autumn), Belfast. 1996 Source Magazine (Autumn), Belfast. Primavera Fotographica, Festival Catalogue, Spain. 1994 Mai de la Photo, Festival Catalogue, Reims, France. 1989 Creative Camera (April), London. 1986 Creative Camera (January), London. 1985 Image and Exploration, Photographers’ Gallery Catalogue. COLLECTIONS Fonds National d’Art Contemporain, Paris Artotheques de Brest, Grenoble et Angers, France Musée National d’Islande, Reykjavik, Iceland La collection de M+M Auer, Hermance, Switzerland Galerie municipale du Chateau d’Eau, Toulouse, France Fundació Forvm per la Fotografia, Tarragona, Spain. Musée Rimbaud, Charleville-Mézières, France. .
Load more

Recommended publications
  • 17 August 2021 Aperto
    AperTO - Archivio Istituzionale Open Access dell'Università di Torino Managing Cultural Heritage in China. A view from the outside This is the author's manuscript Original Citation: Availability: This version is available http://hdl.handle.net/2318/1632687 since 2017-05-08T15:31:29Z Published version: DOI:10.1017/S0305741012000434 Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 29 September 2021 File: Zanboninifinal.Doc, 10/03/2011 16.01.00 MANAGING CULTURAL HERITAGE IN CHINA. A VIEW FROM THE OUTSIDE Luca Zan and Sara Bonini Baraldi * Abstract The paper investigates change processes regarding the managerial aspects of organizing Cultural Heritage activities in China. The focus is not on the historical and artistic meanings of archeological discoveries in themselves; nor on the technical, scientific, and methodological repercussions of conservation and restoration; nor finally on the evolution of museology per se. Rather, the core of the analysis is on new managerial problems along the “archaeological chain” (archeological discoveries, restoration, museum definition and public access to cultural heritage) posed by new professional discourse and the overall evolution of the economic and political context. The paper is based on field research carried out in Luoyang, Henan province. The micro view adopted (managing practices more than policies), and the unusual access to data (including financial figures on individual entities) represent a unique opportunity for a sort of “journey” inside the Chinese public sector.
    [Show full text]
  • 07 Louis 1 Gold+Silver
    CATALOGUE François Louis Gold and Silver François Louis Gold and Silver mong the most precious and unexpected dis- I. Vessels A coveries of the Belitung wreck are over thirty exquisitely manufactured gold and silver vessels. All of the seven gold vessels (nos 1–7), the gold leaf, These include one octagonal gold cup and three the gold bracelet (no. 9), and nine small silver boxes oblong, gold, drinking bowls (nos 1, 5–7), three (cf. nos 12–18) were discovered in 1998. Another gold dishes (nos 2–4), and two dozen richly deco- fourteen silver vessels, the gold bracelet fragments rated silver vessels. In addition, the divers recovered (no. 8 a, b), and additional silver vessel fragments eighteen silver ingots (cf. no. 11 a, b), over two kilo- were salvaged in 1999 from a small area at the stern grams of gold foil, a small gold coin (no. 10), a gold and slightly to port. Three large silver bowls with bracelet (no. 9), and several fragments of various foot rings (cf. nos 19, 20) were found stacked on gold and silver items. In quality as well as in size, top of a fine white ceramic bowl of similar size and this find figures among the most important discov- shape (no. 106). Next to these bowls, fragments of eries of Tang gold and silver made to date. It is the two large platters (cf. figs 1,7 and p. 108, figs 11a, first such discovery outside of China. b) with three feet were recovered – presumably the platters had originally also been stacked on top of While the gold vessels have been entirely cleaned, each other.
    [Show full text]
  • Download Article
    Advances in Computer Science Research (ACSR), volume 83 8th International Conference on Mechatronics, Computer and Education Informationization (MCEI 2018) Construction and Application of Heluo Culture Big Data Platform Based on Basic Framework of Hadoop Hongsheng Xu1,2 a *, Ganglong Fan1,2 and Xiaokang Qin1,2 1Luoyang Normal University, Luoyang, 471934, China 2Henan key Laboratory for Big Data Processing & Analytics of Electronic Commerce, Luoyang, 471934, China [email protected] *The corresponding author Keywords: Heluo culture; Big data; Hadoop; VR; Animation production Abstract. Heluo culture is the core of Chinese culture and Yellow River culture and it is an important part of the Central Plains culture, and also the essence and mainstream of Chinese traditional culture. Through collecting, cleaning, analyzing, sharing, visual research and development of big data of Heluo culture, this paper improves the technical service ability and application development level of big data. The paper presents construction and application of Heluo Culture big data platform based on basic Framework of Hadoop. Big data sharing platform including Heluo culture digital museum, animation and visual cloud services. Introduction Heluo culture is the core of Chinese culture and Yellow River culture. It is extensive and profound and has a long history. It is an important part of the Central Plains culture and also the essence and mainstream of Chinese traditional culture. In view of this, the project application team bases on talents. Geographical location and other advantages of the selection of national characteristics of Heluo culture, the construction of big data heluo culture sharing platform, in order to provide reference for the construction of national culture big data sharing platform [1].
    [Show full text]
  • SHAOLIN TEMPLE + XI'an 8 Days (AIR CHINA) Departure Date: 04 Jun 2019
    SHAOLIN TEMPLE + XI'AN 8 Days (AIR CHINA) Departure Date: 04 Jun 2019 Travel Highlight ZHENGZHOU - DENGFENG (SHAOLIN TEMPLE & KUNGFU SHOW) - LUOYANG (LONGMEN GROTTOES) Itinerary Hari 1: 04 Jun 2019 JAKARTA Malam ini para peserta berkumpul di Bandara International Soekarno - Hatta untuk penerbangan menuju ibukota China - Beijing. Bermalam di pesawat. Hari 2: 05 Jun 2019 D JAKARTA – BEIJING CA 978 CGK PEK 00.15 - 08.35 BEIJING – ZHENGZHOU BY BULLET TRAIN Setibanya di Beijing, Anda kami antar menuju Zhengzhou dengan bullet train untuk mengunjungi Zhengzhou CBD. Lalu Anda juga akan kami ajak photo stop dengan latar belakang Outlook of International Convention dan Exchibition Center, Arts Center dan melanjutkan menuju hotel untuk beristirahat. Hotel : Guangdong Hotel atau setaraf Hari 3: 06 Jun 2019 B, L, D ZHENGZHOU – DENGFENG BY BUS Acara tour hari ini menuju DENGFENG mengunjungi SHAOLIN TEMPLE (termasuk 1 way battery car) yang terkenal sebagai “Kuil nomor satu di bawah Surga” untuk mengunjungi TALIN. Lalu Anda juga diberikan kesempatan untuk menyaksikan Shaolin Kungfu show. Selesai makan malam, menuju hotel untuk beristirahat. Hotel : Chanwu Hotel atau setaraf Hari 4: 07 Jun 2019 B, L, D DENGFENG – LUOYANG BY BUS Dengan bus, Anda akan diajak city tour mengunjungi WHITE HORSE TEMPLE, LUOYANG MUSEUM yang terletak di pusat kota dimana terdapat peninggalan budaya dan LIJINGMEN (tidak naik ke atas). Anda juga diberikan waktu bebas selama di ANCIENT STREET. Bermalam di Luoyang. Hotel : Wudo Hotel atau setaraf Hari 5: 08 Jun 2019 B, L, D LUOYANG – XI'AN BY BULLET TRAIN Setelah makan pagi,diantar ke Luoyang. Tiba di Luoyang mengunjungi LONGMEN GROTTOES (termasuk 1x battery car) yang terletak disebelah Selatan provinsi Henan, yang terkenal dengan Patung Buddha yang sudah berumur ribuan tahun.
    [Show full text]
  • Of the Chinese Bronze
    READ ONLY/NO DOWNLOAD Ar chaeolo gy of the Archaeology of the Chinese Bronze Age is a synthesis of recent Chinese archaeological work on the second millennium BCE—the period Ch associated with China’s first dynasties and East Asia’s first “states.” With a inese focus on early China’s great metropolitan centers in the Central Plains Archaeology and their hinterlands, this work attempts to contextualize them within Br their wider zones of interaction from the Yangtze to the edge of the onze of the Chinese Bronze Age Mongolian steppe, and from the Yellow Sea to the Tibetan plateau and the Gansu corridor. Analyzing the complexity of early Chinese culture Ag From Erlitou to Anyang history, and the variety and development of its urban formations, e Roderick Campbell explores East Asia’s divergent developmental paths and re-examines its deep past to contribute to a more nuanced understanding of China’s Early Bronze Age. Campbell On the front cover: Zun in the shape of a water buffalo, Huadong Tomb 54 ( image courtesy of the Chinese Academy of Social Sciences, Institute for Archaeology). MONOGRAPH 79 COTSEN INSTITUTE OF ARCHAEOLOGY PRESS Roderick B. Campbell READ ONLY/NO DOWNLOAD Archaeology of the Chinese Bronze Age From Erlitou to Anyang Roderick B. Campbell READ ONLY/NO DOWNLOAD Cotsen Institute of Archaeology Press Monographs Contributions in Field Research and Current Issues in Archaeological Method and Theory Monograph 78 Monograph 77 Monograph 76 Visions of Tiwanaku Advances in Titicaca Basin The Dead Tell Tales Alexei Vranich and Charles Archaeology–2 María Cecilia Lozada and Stanish (eds.) Alexei Vranich and Abigail R.
    [Show full text]
  • Three Kingdoms Unveiling the Story: List of Works
    Celebrating the 40th Anniversary of the Japan-China Cultural Exchange Agreement List of Works Organizers: Tokyo National Museum, Art Exhibitions China, NHK, NHK Promotions Inc., The Asahi Shimbun With the Support of: the Ministry of Foreign Affairs of Japan, NATIONAL CULTURAL HERITAGE ADMINISTRATION, July 9 – September 16, 2019 Embassy of the People’s Republic of China in Japan With the Sponsorship of: Heiseikan, Tokyo National Museum Dai Nippon Printing Co., Ltd., Notes Mitsui Sumitomo Insurance Co.,Ltd., MITSUI & CO., LTD. ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. With the cooperation of: ・Designation is indicated by a symbol ☆ for Chinese First Grade Cultural Relic. IIDA CITY KAWAMOTO KIHACHIRO PUPPET MUSEUM, ・Works are on view throughout the exhibition period. KOEI TECMO GAMES CO., LTD., ・ Exhibition lineup may change as circumstances require. Missing numbers refer to works that have been pulled from the JAPAN AIRLINES, exhibition. HIKARI Production LTD. No. Designation Title Excavation year / Location or Artist, etc. Period and date of production Ownership Prologue: Legends of the Three Kingdoms Period 1 Guan Yu Ming dynasty, 15th–16th century Xinxiang Museum Zhuge Liang Emerges From the 2 Ming dynasty, 15th century Shanghai Museum Mountains to Serve 3 Narrative Figure Painting By Qiu Ying Ming dynasty, 16th century Shanghai Museum 4 Former Ode on the Red Cliffs By Zhang Ruitu Ming dynasty, dated 1626 Tianjin Museum Illustrated
    [Show full text]
  • Relational Authenticity and Reconstructed Heritage Space: a Balance of Heritage Preservation, Tourism, and Urban Renewal in Luoyang Silk Road Dingding Gate
    sustainability Article Relational Authenticity and Reconstructed Heritage Space: A Balance of Heritage Preservation, Tourism, and Urban Renewal in Luoyang Silk Road Dingding Gate Xiaoyan Su 1,2, Gary Gordon Sigley 3 and Changqing Song 1,* 1 State Key Laboratory of Earth Surface Processes and Resource Ecology, Faculty of Geographical Science, Beijing Normal University, Beijing 100875, China; [email protected] 2 Central Plains Economic Zone Smart Tourism Cooperative Innovation Center in Henan Province, School of Land and Tourism, Luoyang Normal University, Luoyang 471934, China 3 School of Human Geography, Faculty of Geographical Science, Beijing Normal University, Beijing 100875, China; [email protected] * Correspondence: [email protected] Received: 16 June 2020; Accepted: 13 July 2020; Published: 20 July 2020 Abstract: Authenticity is a controversial concept in heritage studies. This is particularly the case where the reconstruction of heritage spaces is carried out to facilitate multiple objectives, namely, preservation, tourism development and improving the quality of life of local residents. Based on a qualitative methodology with a case study approach, this paper uses participant observation, in-depth interviews and textual analysis to explore the varying perceptions of authenticity for a reconstructed heritage site from the point of view of heritage experts, tourists and local residents. We identify a form of ‘relational authenticity’. Using the Dingding Gate, part of the Luoyang World Heritage section of the Silk Road, this paper highlights the phenomenon of ‘reconstructed heritage space’ with the relational authenticity of different actors in the Chinese context. We argue that relational authenticity is embedded in the networks between people, place, and (re)materialized space, which is the assemblage of excavated original objects and reconstructed buildings and spaces.
    [Show full text]
  • A City with Many Faces: Urban Development in Pre-Modern China (C
    A city with many faces: urban development in pre-modern China (c. 3000 BC - AD 900) WANG TAO Introduction Urbanism is an important phenomenon in human history. Comparative studies have, however, shown that each city possesses its own characteristics within a particular historical context. The fundamental elements that determine the construction and functions of a city, such as the economic, political, military and religious factors, play different roles in different cases. In other words, each city may potentially be unique. Modern scholars have now realised that the most appropriate way to approach a city is to approach it in its own cultural tradition. To understand the cultures of different cities and the idea of urbanism and its manifestations in various contexts, we must consider the experiences and feelings of the people who lived in these cities rather than just the half-buried city walls and broken roof tiles. In this chapter I will examine different models and the crucial stages of urbanisation in pre-modern China, mainly from an archaeological perspective, but also in conjunction with some contemporary historical sources. The aim is to reveal a general pattern, if there is one, and the key elements that underlay the development of Chinese cities from 3000 BC to AD 900. The ideal city and some basic terms: cheng/yi, du, guo, she, jiao, li/fang, shi A good way to detect what people think of their cities is to find out what they call them. The most common word in the Chinese language for city is cheng, meaning a walled settlement.
    [Show full text]
  • Spatiotemporal Distribution Patterns of Archaeological Sites In
    HOL0010.1177/0959683616641743The HoloceneHosner et al. 641743research-article2016 Research paper The Holocene 2016, Vol. 26(10) 1576 –1593 Spatiotemporal distribution patterns of © The Author(s) 2016 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav archaeological sites in China during the DOI: 10.1177/0959683616641743 Neolithic and Bronze Age: An overview hol.sagepub.com Dominic Hosner,1 Mayke Wagner,1 Pavel E Tarasov,2 Xiaocheng Chen1 and Christian Leipe1,2 Abstract A total of 51,074 archaeological sites from the early Neolithic to the early Iron Age (c. 8000–500 BC), with a spatial extent covering most regions of China (c. 73–131°E and c. 20–53°N), were analysed over space and time in this study. Site maps of 25 Chinese provinces, autonomous regions and municipalities, published in the series ‘Atlas of Chinese Cultural Relics’, were used to extract, digitalise and correlate its archaeological data. The data were, in turn, entered into a database using a self-developed mapping software that makes the data, in a dynamic way, analysable as a contribution to various scientific questions, such as population growth and migrations, spread of agriculture and changes in subsistence strategies. The results clearly show asynchronous patterns of changes between the northern and southern parts of China (i.e. north and south of the Yangtze River, respectively) but also within these macro-regions. In the northern part of China (i.e. along the Yellow River and its tributaries and in the Xiliao River basin), the first noticeable increase in the concentration of Neolithic sites occurred between c. 5000 and 4000 BC; however, highest site concentrations were reached between c.
    [Show full text]
  • LIU Yang, Ph.D. Head of the Department of Chinese and S
    _____________________________________________________________________ LIU Yang, Ph.D. Head of the Department of Chinese and South and Southeast Asian Art & Curator of Chinese Art Minneapolis Institute of Art 2400 Third Avenue South Minneapolis, MN 55404 _____________________________________________________________________ EDUCATION Ph.D. in Chinese Art History and Archaeology, School of Oriental and African Studies, University of London, 1997 M.A. in Chinese Art History, Southwest University, China, 1988 PROFESSIONAL EXPERIENCE 2015 - Present, Head of the Department of Chinese and South and Southeast Asian Art & Curator of Chinese Art, Minneapolis Institute of Art 2011 – 2015, Head of the Asian Art Department & Curator of Chinese Art, Minneapolis Institute of Art 1997 – 2011, Senior Curator of Chinese Art, Art Gallery of New South Wales, Sydney, Australia 2006 – Present, Specialist, Australian Centre for Asian Art and Archaeology, University of Sydney, Australia 2006 – Present, Honorary Associate, Department of Art History and Film Studies, University of Sydney, Australia 2010 – 2012, Adjunct Professor, Department of Art History and Film Studies, University of Sydney, Australia 2010 – 2012, Conjoint Professor, Chinese Studies, Faculty of Arts and Social Science, University of New South Wales, Australia 2007 – 2010, Honorary Associate, School of Letters, Arts and Media, University of Sydney, Australia 2006 – 2009, Professorial Visiting Fellow, Department of Art History and Theory, College of Fine Arts, University of New South Wales, Australia
    [Show full text]
  • ISORA'2015 Announcement and Call for Papers
    ISORA'2015 Announcement and Call for Papers The 12th International Symposium on Operations Research and Its Applications August 21-24, 2015, Luoyang, China GENERAL INFORMATION: The 12th International Symposium on Operations Research and Its Applications (ISORA’2015), organized by Asia-Pacific Operations Research Center (APORC) under APORS and the Chinese Academy of Sciences (CAS), will be held in Luoyang, from August 21 (Friday) to 24 (Monday), 2015. Luoyang ISORA is a series international symposium with goals to provide an international forum for scientists, researchers, educators, and practitioners in OR/MS to exchange ideas and approaches, to present research findings and state-of-the-art solutions, to share experiences on potentials and limits, and to open new avenues of research and developments, on all issues and topics related to the theories and applications of Operations Research. The previous 11 ISORAs under the support of CAS and National Science Foundation of China (NSFC) were successful and attracted many international scholars. Themes of the ISORA’2015 will be focused on “OR Applications in solving our today’s problems”. We are particularly interested in submissions that report on experimental and applied research motivated by practical social and industrial problems. Theoretical and applied papers are expected to show convincingly the usefulness and efficiency of models, algorithms, and decision supporting tools discussed in a practical setting. Typical, but not exclusive, topics of interest are: Optimization theory & applications Determinative and stochastic models Algorithms and design Logistics Management Telecommunication Networks Complex networks Emergency and disaster management Health care models OR practices in industry, service, finance, business and Military and biology.
    [Show full text]
  • Changing Patterns of Pottery Production During The
    CHANGING PATTERNS OF POTTERY PRODUCTION DURING THE LONGSHAN PERIOD OF NORTHERN CHINA, CA'. 2500-2000 B.C. by Anne P. Underbill B.A., Duke University, Durham, North Carolina, 1977 M.A., University of British Columbia, 1983 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Department of Anthropology and Sociology) We accept this dissertation as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA July 1990 (c) Anne P. Underhill In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of fW^^'kyj ^ ^^".^ The University of British Columbia Vancouver, Canada Date TW^£ l"7| (ITO DE-6 (2/88) ABSTRACT This study investigates how systems of pottery production change in relation to increasing cultural complexity. A revised version of the important model outlined by Rice (1981) is presented and tested with ceramic data from the Longshan Period of northern China-. At the end of the period, at least one state evolved in the Huanghe (Yellow River) valley region. The model describes social factors that may cause ceramic change in chiefdoms. It describes three alternative strategies of producers: diversification, simplification, and conservatism.
    [Show full text]