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JUNE 23 Bing Concert Hall Joshua Redman Quartet presented by JUNE 22 – AUGUST 4 28 BRILLIANT CONCERTS STANFORDJAZZ.ORG presented by JUNE JULY FRI FRI FRI FRI SAT SAT SAT SAT SAT MON SUN SUN 22 23 SUN 24 29 30 1 6 7 7 13 14 15 16 Indian Jazz Journey JUNE 22 – AUGUST 4 with Jazz on 28 BRILLIANT CONCERTS George the Green: Brooks, Early Bird Miles STANFORDJAZZ.ORG Jazz featuring Jazz for Electric Ruth Davies’ Inside Out Mahesh Dick Kids: An Band, Kev Tommy Somethin’ Blues Night with Joshua Kale and Tiffany Christian Hyman Jim Nadel American Choice, Igoe and Else: A with Special Jim Nadel Redman Bickram Austin McBride’s and Ken and the Songbook Sidewalk the Art of Tribute to Guest Eric & Friends Quartet Ghosh Septet New Jawn Or Bareket Peplowski Zookeepers Celebration Chalk Jazz Cannonball Bibb JULY AUGUST FRI FRI SAT SAT SAT TUE WED THU THU SUN SUN WED WED MON 18 19 21 22 23 25 26 27 28 29 MON 30 31 1 3 4 SJW All-Star Jam Wycliffe Gordon, Melissa Aldana, Taylor Eigsti, Yosvany Terry, Charles McPherson, Jeb Patton, Tupac SJW CD Mantilla, Release Jazz Brazil: Dena Camila SJW CD Regina Party: Anat DeRose Jeb Patton Meza, Release Carter Caroline Cohen/ Terrence Trio with Trio and Yotam party: An & Xavier Davis’ Romero Brewer Anat Yosvany Tupac Silberstein, Debbie Evening Davis: Heart Tonic Lubambo/ Acoustic Cohen and Charles Terry Taylor Mantilla’s Mike Andrea Poryes/ with Duos and Bria and Jessica Vitor Remembering Jazz Jimmy McPherson Afro-Cuban Eigsti Trio Point of Rodriguez, Motis Sam Reider Victor Lin Quartet Skonberg Jones Gonçalves Ndugu Quartet Heath Quintet Sextet and Friends View and others. -
TKA APAP Brochure 20
2017 - 2018 SQUIRREL NUT ZIPPERS DAVINA and the VAGABONDS Table of Contents Afro-Cuban All Stars 1 Ann Hampton Callaway 2 Arturo Sandoval 3 Béla Fleck 4 Bettye LaVette 5 Agents Bill Charlap 6 Brian Blade & The Fellowship Band 7 Catherine Russell 8 Cécile McLorin Salvant 9 Agents Charles Lloyd 10 Chick Corea 11 Jack Randall - [email protected] Davina & The Vagabonds 12 AK, AZ, CA, HI, IL, IA, MI, MN, NE, NV, OR, WA, WI, & CANADA Eileen Ivers 13 Ellis Marsalis 14 Jamie Ziefert - [email protected] Elvin Bishop 15 CT, DE, ME, MD, MA, NH, NJ, NY, PA, RI, VT, VA, WV, & D.C. Harold López-Nussa 16 Herlin Riley 17 Dan Peraino - [email protected] Hot Club of Cowtown 18 AL, AR, CO, FL, GA, KY, ID, IN, KS, LA, MS, MO, MT, NC, ND, NM, Jack Broadbent 19 OH, OK, SC, SD, TN, TX, UT, WY, PR, & US VIRGIN ISLANDS James Cotton 20 Jamison Ross 21 Gunter Schroder - [email protected] JLCO with Wynton Marsalis 22 EUROPE, NORTH AFRICA, SOUTH AFRICA, MIDDLE EAST Joey Alexander 23 Joey DeFrancesco 24 Matt McCluskey - [email protected] John Pizzarelli 25 ASIA/PACIFIC, AUSTRALIA AND NEW ZEALAND, John Sebastian 26 LATIN/SOUTH AMERICA, CARIBBEAN Lisa Fischer 27 Marcia Ball 28 Ted Kurland - [email protected] Melissa Aldana 29 PRESIDENT Meshell Ndegeocello 30 Pat Metheny 31 Ravi Coltrane 32 Red Baraat 33 Savion Glover 34 APAP BOOTH #1003 Sonny Knight and The Lakers 35 Soul Rebels 36 Squirrel Nut Zippers 37 Stacey Kent 38 The Kurland Agency 173 Brighton Avenue Boston, MA 02134 p | (617) 254-0007 e | [email protected] www.thekurlandagency.com AFRO-CUBAN ALL STARS Juan de Marcos González, founder of Sierra Maestra and AFRO-CUBAN ALL STARS and one of the key creators of the Buena Vista Social Club, began his career paying tribute to the traditional Cuban music of the 1950’s, considered the golden age of Cuban music. -
2020Virtualfestivalpartnershipd
THREE DAYS IN SUPPORT OF THREE NONPROFITS • The NAACP Legal Defense Fund (LDF) is America’s premier legal organization fighting for racial justice. Through litigation, advocacy, and public education, LDF seeks structural changes to expand democracy, eliminate disparities, and achieve racial justice in a society that fulfills the promise of equality for all Americans. LDF is a 501(c)(3) nonprofit organization • The Thurgood Marshall College Fund (TMCF) is the nation’s largest nonprofit organization exclusively representing the Black College Community. TMCF member-schools include the publicly-supported Historically Black Colleges and Universities (HBCUs) and Predominantly Black Institutions (PBIs). • The Monterey Jazz Festival is the oldest continuously-running jazz festival in the world established as a nonprofit organization in 1958. MJF will support participating jazz artists who are disproportionately impacted and losing their livelihoods due to COVID-19. The Monterey Jazz Festival’s mission is to inspire the discovery and celebration of jazz, anchored by an iconic festival. Even though we are not able to host an in-person festival in 2020, our work is anchored by an annual communion around jazz, a music rooted in black culture. A Virtual Festival in 2020 allows us to: • support our community of jazz musicians who have been disproportionately impacted by COVID-19; • celebrate student musicians who have lost so many celebratory moments in 2020, such as proms and graduations; • take action to support trusted nonprofit organizations doing important work to promote social justice, end racism, provide equal opportunity and celebrate black culture. Black Lives Matter! Title Partnership Opportunity MJF Partnership $100,000 level includes 2 Years of benefits! • Designation as the Presenting Sponsor of the 2020 Virtual Monterey Jazz Festival benefiting THREE trusted nonprofit organizations playing critical roles in solving racial injustice and inequality. -
Satoko Fujii in NYC Satokofujii.Com
power. The excitement stems from Aldana’s Never Be Another You” and melting tone on “The precociously mature lyric intelligence wedded to a Nearness Of You”. Worthy of mention, too, is di sensitive but restrained romanticism. The pared-down Martino’s lightly swinging work on “Moonglow” and format of her Crash Trio, with bassist Pablo Menares (a inspired pianistics on a bossa treatment of “Say It Isn’t fellow Chilean) and Cuban drummer Francisco Mela, So”. Other highlights are Kozlov’s arco introduction to gives her full freedom to explore, along with the “For All We Know” and Takahashi’s outstanding consequent responsibility to imply harmony in lieu of brushwork on “It Could Happen To You” and pulsing chording instruments. drumming on the Latin-ized “For All We Know”. The setlist contains two covers and tunes by each The ingredients in this album—a talented vocalist, Root of Things bandmember, mostly straightforward compositions five most able musicians and some of the best songs to Matthew Shipp Trio (Relative Pitch) with quirky twists, Mela’s catchy samba “Dear Joe” be found—all make for a most delicious treat. Enjoy! by Jeff Stockton probably the most memorable of the lot. But what jumps off the CD is the graceful, unbroken logic and For more information, visit barbaralevydaniels.com. Daniels Pianist Matthew Shipp is frequently labeled “cerebral” syntax of Aldana’s improvisations, a mix of extended is at Metropolitan Room Jun. 18th. See Calendar. and his playing is usually described using a math phrases and shorter exclamations, glued together with metaphor. Yet his musicianship with the David S. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
Readers Poll
84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat. -
Melissa Aldana Wins 2013 Thelonious Monk Competition
washingt o ncit ypaper.co m http://www.washingtoncitypaper.com/blogs/artsdesk/music/2013/09/17/melissa-aldana-wins-2013-thelonious-monk-competition Melissa Aldana Wins 2013 Thelonious Monk Competition Posted by Michael J. West on Sep. 17, 2013 at 11:30 am Jazz history was made at the Kennedy Center Monday night. In the 27-year history of jazz's most prestigious international competition, a woman has never won in the instrumental categories. (Conversely, only women have won the vocal competitions, raising discomf iting questions about women's "place" in the music.) That precedent was shattered in this year's Thelonious Monk International Saxophone Competition, when Melissa Aldana, a 24-year-old tenor saxophonist f rom Santiago, Chile, won the grand prize of a $25,000 scholarship and record contract with Concord Music Group. Better yet, she got to take a victory lap in a blowing session with f ellow saxophonists (and judges) Jimmy Heath, Bobby Watson, Jane Ira Bloom, Branford Marsalis, and Wayne Shorter, plus a kaleidoscope of other musicians, on Heath's classic "Gingerbread Boy." Aldana, who graduated f rom Boston's Berklee Conservatory and has lived in New York since 2009, is a legacy. Her f ather, Chilean saxophonist Marco Aldana, was a semif inalist in the 1991 Thelonious Monk Competition. She took f irst place on the strength of her two perf ormances: the 1930s standard "I Thought About You"— which she played in a bluesy, noirish mode—and the self -composed title track to her 2010 debut recording, Free Fall. Aldana played both tunes with considerable subtlety and a sof t touch on the keys, but also with caref ul attention to detail and, most distinctively, descending slurs that served as a musical signature. -
Modern Spiritualism: Its Quest to Become a Science Creative Works
Southern Illinois University Carbondale OpenSIUC Modern Spiritualism: Its Quest to Become A Science Creative Works 2021 Modern Spiritualism: Its Quest to Become A Science John Haller Jr Follow this and additional works at: https://opensiuc.lib.siu.edu/histcw_ms Copyright © 2020, John S. Haller, Jr. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior written permission of the publisher. ISBN (print): 9798651505449 Interior design by booknook.biz This Article is brought to you for free and open access by the Creative Works at OpenSIUC. It has been accepted for inclusion in Modern Spiritualism: Its Quest to Become A Science by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Modern Spiritualism: Its Quest to Become A Science By John S. Haller, Jr. Copyright © 2020, John S. Haller, Jr. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior written permission of the publisher. ISBN (print): 9798651505449 Interior design by booknook.biz Spiritualism, then, is a science, by authority of self-evident truth, observed fact, and inevitable deduction, having within itself all the elements upon which any science can found a claim. (R. T. Hallock, The Road to Spiritualism, 1858) TABLE OF CONTENTS Introduction 1 Chapters 1. Awakening 11 2. Rappings 41 3. Poughkeepsie Seer 69 4. Architect of the Spirit World 95 5. Esoteric Wisdom 121 6. American Portraits 153 7. -
Program Guide July 2021
WXXI-TV | WORLD | CREATE | WXXI KIDS 24/7 | WXXI NEWS | WXXI CLASSICAL | WRUR 88.5 SEE CENTER PAGES OF CITY PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSFOR WXXI SHOW JULY/EARLY AUGUST 2021 HIGHLIGHTS! WXXI-TV DAYTIME SCHEDULE JULY/EARLY AUGUST PLEASE NOTE: WXXI-TV’s daytime schedule listed here runs from 6:00am to 7:00pm. The complete Saturday prime time television schedule begins on page 2. The PBS Kids programs below are shaded in gray. 6:00am Mister Roger’s Neighborhood 6:30am Arthur 7vam Molly of Denali Monday-Friday 7:30am Wild Kratts 8:00am Hero Elementary 6:00am Ready Jet Go! 8:30am Xavier Riddle and the Secret Museum 6:30am Arthur 9:00am Curious George 7:00am Molly of Denali 9:30am A Wider World 7:30am Wild Kratts 10:00am This Old House 8:00am Hero Elementary 10:30am Ask This Old House 8:30am Xavier Riddle and the Secret Museum 11:00am Woodsmith Shop 9:00am Curious George 11:30am Ciao Italia 9:30am Daniel Tiger’s Neighborhood 12:00pm Lidia’s Kitchen 10:00am Donkey Hodie 12:30pm Christopher Kimball’s Milk Street Television 10:30am Elinor Wonders Why 1:00pm The Great British Baking Show 11:00am Sesame Street 2:00pm America’s Test Kitchen 11:30am Pinkalicious & Peterrific 2:30pm Cook’s Country 12:00pm Dinosaur Train 3:00pm Second Opinion with Joan Lunden (WXXI) 12:30pm Clifford the Big Red Dog 3:30pm Rick Steves’ Europe 1:00pm Sesame Street 1:30pm Donkey Hodie 2:00pm Daniel Tiger’s Neighborhood Sunday 2:30pm Let’s Go Luna! 6:00am Mister Roger’s Neighborhood 3:00pm Nature Cat 6:30am Arthur 3:30pm Wild Kratts 7:00am -
Psychoanalytic Perspectives on Puberty and Adolescence
Psychoanalytic Perspectives on Puberty and Adolescence Puberty is a time of tumultuous transition from childhood to adulthood activated by rapid physical changes, hormonal development and explosive activity of neurons. This book explores puberty through the parent-teenager relationship, as a “normal state of crisis”, lasting several years and with the teenager oscillating between childlike tendencies and their desire to become an adult. The more parents succeed in recognizing and experiencing these new challenges as an integral, ineluctable emotional transformative process, the more they can allow their children to become independent. In addition, parents who can also see this crisis as a chance for their own further development will be ultimately enriched by this painful process. They can face up to their own aging as they take leave of youth with its myriad possibilities, accepting and working through a newfound rivalry with their sexually mature children, thus experiencing a process of maturity, which in turn can set an example for their children. This book is based on rich clinical observations from international settings, unique within the field, and there is an emphasis placed by the author on the role of the body in self-awareness, identity crises and gender construction. It will be of great interest to psychoanalysts, psychotherapists, parents and carers, as well as all those interacting with adolescents in self, family and society. Gertraud Diem-Wille is Professor Emeritus at the University of Klagenfurt in the field of Psychoanalytic Education. She is a training analyst for children, adolescents and adults (IPA) and has pioneered and supported the training in psychoanalytic observational approaches to training in psychoanalytic and educational fields in Austria. -
Making Links Between Group Analysis and Music Therapy
Making Links between Group Analysis and Group Music Therapy Alison Davies ARCM, LRAM, Cert.Ed., RMTh Department of Music Therapy, Guildhall School of Music and Drama, London, UK Eleanor Richards MA, BMus, ARCM, RMTh Department of Music Therapy, Anglia Ruskin University, Cambridge, UK Corresponding Author: Eleanor Richards Department of Music Therapy, Anglia Ruskin University, East Road, Cambridge, UK Tel 0845 196 2370 [email protected] Key Words: Music therapy, psychoanalysis, group analysis, improvisation, unconscious processes Provided by seminar leader for use in SAP Psychodynamic Psychotherapy Training only. Not for general circulation. Abstract This paper discusses the nature of group music therapy when its practice involves both free musical improvisation and verbal exchange. It considers in particular how music therapists may valuably draw upon group analytic theory, both traditional and contemporary, to inform their thinking about clinical events and their practice as group conductors. Music therapists and group analysts have much to offer one another. The language of group analysis helps us to bring into words, when we need to, something of the meaning of the group’s interactions in its music; the music itself and our implicit understanding of it may enable the group to pursue its processes, conscious and unconscious, through shared, non verbal expression. Provided by seminar leader for use in SAP Psychodynamic Psychotherapy Training only. Not for general circulation. Making Links between Group Analysis and Group Music Therapy “I was not the composer who wrote the music, but the conductor who interpreted it, the conductor who brought it to light. I remember saying to my colleagues: ‘I feel like a conductor but I don’t know in the least what the music is which will be played’.”-S. -
Melissa Aldana Wins Thelonious Monk Competition for Saxophonists
npr.o rg http://www.npr.org/blogs/ablogsupreme/2013/09/17/223433259/melissa-aldana-wins-thelonious-monk-competition-for- saxophonists Melissa Aldana Wins Thelonious Monk Competition For Saxophonists From NPR Jazz Enlarge image Paul Morigi/Getty Images f or the Thelonious Monk Institute of Jazz At a ceremony and concert last night in Washington, D.C., the Thelonious Monk Institute of Jazz named Melissa Aldana, 24, the winner of its annual competition f or young musicians. The highest- prof ile event of its kind, this year's competition was open to saxophonists. Aldana, who plays tenor sax, is the f irst f emale instrumentalist to take f irst prize in the event's history, held every year since 1987. She wins $25,000 in scholarship money and a recording contract with Concord Music Group. Fellow tenor player Tivon Pennicott, 27, won second prize and a $15,000 scholarship; alto saxophonist Godwin Louis, 28, f inished third and took home $10,000 in scholarship f unds. All three f inalists are currently based in New York City. "I'm really good f riends with Godwin and Tivon," Aldana said f ollowing the competition. "They are like my brothers, so I was really honored to be next to them." In the f inal round, she perf ormed a medium-slow take on the standard "I Thought About You," showcasing her dark tone, motivic development and creative ornamentation; she also called an original Me lissa Ald ana p e rfo rms at the 2013 The lo nio us Mo nk Inte rnatio nal Jazz Saxo p ho ne Co mp e titio n at The Jo hn F.