DOCSLIB.ORG

Satoko Fujii in NYC Satokofujii.Com

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Satoko Fujii in NYC Satokofujii.Com power. The excitement stems from Aldana’s Never Be Another You” and melting tone on “The precociously mature lyric intelligence wedded to a Nearness Of You”. Worthy of mention, too, is di sensitive but restrained romanticism. The pared-down Martino’s lightly swinging work on “Moonglow” and format of her Crash Trio, with bassist Pablo Menares (a inspired pianistics on a bossa treatment of “Say It Isn’t fellow Chilean) and Cuban drummer Francisco Mela, So”. Other highlights are Kozlov’s arco introduction to gives her full freedom to explore, along with the “For All We Know” and Takahashi’s outstanding consequent responsibility to imply harmony in lieu of brushwork on “It Could Happen To You” and pulsing chording instruments. drumming on the Latin-ized “For All We Know”. The setlist contains two covers and tunes by each The ingredients in this album—a talented vocalist, Root of Things bandmember, mostly straightforward compositions five most able musicians and some of the best songs to Matthew Shipp Trio (Relative Pitch) with quirky twists, Mela’s catchy samba “Dear Joe” be found—all make for a most delicious treat. Enjoy! by Jeff Stockton probably the most memorable of the lot. But what jumps off the CD is the graceful, unbroken logic and For more information, visit barbaralevydaniels.com. Daniels Pianist Matthew Shipp is frequently labeled “cerebral” syntax of Aldana’s improvisations, a mix of extended is at Metropolitan Room Jun. 18th. See Calendar. and his playing is usually described using a math phrases and shorter exclamations, glued together with metaphor. Yet his musicianship with the David S. Ware parallel melodic contours or mirrored gestures or Available at CD Baby and iTunes Quartet was always as passionately spiritual as that of displaced counterlines, all infused with subtle its leader and Shipp’s solo work has always been ornamentation and tonal detail. Indeed, musical Anna Elizabeth Kendrick informed by the sounds of his time, including hip-hop thoughts that begin nonchalantly often gather Debut Album: In Out of The Rain and electronic dance beats. Consistently prolific, momentum and density as they unfold such that, just Shipp’s recent work as a soloist and as a leader has as a melodic thread seems to be winding down, a bit been a return to the basics of acoustic instruments. more skein is unraveled, revealing an unexpected Basics, however, doesn’t quite cover it, because it twist, all in the same breath. Menares, featured to good sounds as if Shipp and his trio are putting it all together effect on “Tirapié”, is a strong accompanist with a on Root of Things. buoyant beat while Mela, who on “Peace, Love & The disc opens with the title track, which finds Music” mimics a whole batá drum ensemble with a Shipp and bassist Michael Bisio laying down lines that single drumkit, provides flexibility and finesse. come together and apart while drummer Whit Dickey Aldana’s soloing, consistently strong, is particularly so adds seasoning on cymbal and hi-hat. “Jazz It” begins on the aforementioned tracks, the standard “You’re My with a walking bassline and proceeds as an exercise in Everything” and a closing soliloquy reading of “Ask rhythm parried back, forth and around among the Me Now”, where she gently squeezes out a high players. “Code J” rounds out the first half of the climactic note, followed by a long chromatic program in a gentle collision of controlled melodic downwards slide, crafting a gripping narrative without statements and ideas freely expressed. resorting to melodrama. The second half of Root of Things puts the annaelizabethkendrick.com individuals in the spotlight as each performer gets a For more information, visit concordmusicgroup.com. This solo moment. “Path” highlights Bisio as he mixes project is at Dizzy’s Club Jun. 16th. See Calendar. bowing with strumming before Shipp and Dickey come in to quicken the pace and bring the song to its Satoko Fujii in NYC conclusion. Dickey then solos to start “Pulse Code” and Shipp opens “Solid Circuit” unaccompanied. The Saturday, June 14 - 7 pm effect of these solo segments is captivating for their Satoko Fujii New Trio + 1 Vision Jazz Festival, NYC exploration of tempo and touch, but also leave the Roulette listener anxious for the complete trio to reform. This is 509 Atlantic Avenue music-making at its highest level, in performances that (Entrance at corner of contain elements of jazz history, certainly, but also 3rd Avenue), Brooklyn, NY artsforart.org classical accents and an overall presentation informed by a chamber sensibility. The trio manages a magic Love Lost and Found New CDS trick: they are concise and expansive, seemingly at the Barbara Levy Daniels (Bldproductions Inc.) Satoko Fujii New Trio same time. For Shipp, it’s a career high: the years, his by Marcia Hillman technique, his understanding of free jazz and swing Spring Storm Libra 203-034 and the avant garde and what he’s learned playing The Great American Songbook is rich in material standards, composing and improvising, as a leader about the two states of love—to have and have not. “huge sound… and as a member of a working trio. It’s all here. Vocalist Barbara Levy Daniels explores both in her new enthralling melodies... CD, a collection of familiar favorites with pianist and wild abandon.” - DownBeat For more information, visit relativepitchrecords.com. This musical director John di Martino, cornetist Warren trio is at Roulette Jun. 14th as part of Vision Festival. See Vache, guitarist Paul Meyers, bassist Boris Kozlov and “...one of 2013’s Calendar. drummer Shinnosuke Takahashi as her musical best releases.” accompaniment. The songs are all mostly from the - Pop Matters ‘30s, written by some of the most creative and well- known songwriters of all times, including Johnny Gato Libre Burke-Jimmy Van Heusen, Richard Rodgers-Lorenz DuDu Hart, Hoagy Carmichael-Ned Washington and Irving Libra 104-035 Berlin, among others. Daniels delivers straightforward renditions of Satoko Fujii Orchestra NY each song, singing either two choruses or a chorus and Shiki a half of each, interspersed with either a piano or a Libra 215-036 cornet solo. She possesses a flair for storytelling well Oscar Noriega, Briggan Klauss – as, suited for the chosen repertoire, almost speaking the Tony Malaby, Ellery Eskelin – ts, Melissa Aldana & Crash Trio Andy Laster – bs, Herb Robertson, Melissa Aldana (Concord) words at appropriate times. Her vocal quality swings Steven Bernstein, Natsuki Tamura, by Tom Greenland from edginess to a softer tone depending on the lyric Dave Ballou– tp, Joey Sellers, but the warmth is always there. She displays her most Curtis Hasselbring, Joe Fiedler – tb, enor saxophonist Melissa Aldana has enjoyed a innovative phrasing on “Willow Weep For Me” and Satoko Fujii – p, T Tsutomu Takeishi – b, rising profile following her 2013 first place showing at “There Will Never Be Another You”, bringing a Aaron Alexander – dr the Thelonious Monk Institute’s prestigious annual freshness to these overdone songs. competition, but her third release, and first for Concord Vache plays behind Daniels on some of the songs, (a contract with the label being a notable perk of her punctuating her vocals and then taking a solo turn. win), offers compelling evidence that she’s got staying Most notable is his inventive work on “There Will satokofujii.com THE NEW YORK CITY JAZZ RECORD | JUNE 2014 23.
Load more

Recommended publications
  • Brochure1516.Pdf
    Da Camera 15-16 Season Brochure.indd 1 3/26/15 4:05 PM AT A SARAH ROTHENBERG SEASONGLANCE artistic & general director SEASON OPENING NIGHT ő Dear Friends of Da Camera, SNAPSHOTS OF AMERICA SARAH ROTHENBERG: Music has the power to inspire, to entertain, to provoke, to fire the imagination. DAWN UPSHAW, SOPRANO; THE MARCEL PROUST PROJECT It can also evoke time and place. With Snapshots: Time and Place, Da Camera GILBERT KALISH, PIANO; WITH NICHOLAS PHAN, TENOR Sō PERCUSSION AND SPECIAL GUESTS Thursday, February 11, 2016, 8:00 PM takes the work of pivotal musical figures as the lens through which to see a Saturday, September 26, 2015; 8:00 PM Friday, February 12, 2016, 8:00 PM decade. Traversing diverse musical styles and over 600 years of human history, Cullen Theater, Wortham Theater Center Cullen Theater, Wortham Theater Center the concerts and multimedia performances of our 2015/16 season offer unique perspectives on our past and our present world. ROMANTIC TITANS: BRENTANO QUARTET: BEETHOVEN SYMPHONY NO. 5 AND LISZT THE QUARTET AS AUTOBIOGRAPHY Our all-star Opening Night, Snapshots of America, captures the essence of the YURY MARTYNOV, PIANO Tuesday, February 23, 2016, 7:30 PM American spirit and features world-renowned soprano Dawn Upshaw. Paris, city Tuesday, October 13, 2015, 7:30 PM The Menil Collection of light, returns to the Da Camera stage in a new multi-media production The Menil Collection GUILLERMO KLEIN Y LOS GUACHOS inspired by the writings of Marcel Proust. ARTURO O'FARRILL Saturday, March 19, 2016, 8:00 PM Two fascinating
    [Show full text]
  • Download 2018 Catalog
    JUNE 23 Bing Concert Hall Joshua Redman Quartet presented by JUNE 22 – AUGUST 4 28 BRILLIANT CONCERTS STANFORDJAZZ.ORG presented by JUNE JULY FRI FRI FRI FRI SAT SAT SAT SAT SAT MON SUN SUN 22 23 SUN 24 29 30 1 6 7 7 13 14 15 16 Indian Jazz Journey JUNE 22 – AUGUST 4 with Jazz on 28 BRILLIANT CONCERTS George the Green: Brooks, Early Bird Miles STANFORDJAZZ.ORG Jazz featuring Jazz for Electric Ruth Davies’ Inside Out Mahesh Dick Kids: An Band, Kev Tommy Somethin’ Blues Night with Joshua Kale and Tiffany Christian Hyman Jim Nadel American Choice, Igoe and Else: A with Special Jim Nadel Redman Bickram Austin McBride’s and Ken and the Songbook Sidewalk the Art of Tribute to Guest Eric & Friends Quartet Ghosh Septet New Jawn Or Bareket Peplowski Zookeepers Celebration Chalk Jazz Cannonball Bibb JULY AUGUST FRI FRI SAT SAT SAT TUE WED THU THU SUN SUN WED WED MON 18 19 21 22 23 25 26 27 28 29 MON 30 31 1 3 4 SJW All-Star Jam Wycliffe Gordon, Melissa Aldana, Taylor Eigsti, Yosvany Terry, Charles McPherson, Jeb Patton, Tupac SJW CD Mantilla, Release Jazz Brazil: Dena Camila SJW CD Regina Party: Anat DeRose Jeb Patton Meza, Release Carter Caroline Cohen/ Terrence Trio with Trio and Yotam party: An & Xavier Davis’ Romero Brewer Anat Yosvany Tupac Silberstein, Debbie Evening Davis: Heart Tonic Lubambo/ Acoustic Cohen and Charles Terry Taylor Mantilla’s Mike Andrea Poryes/ with Duos and Bria and Jessica Vitor Remembering Jazz Jimmy McPherson Afro-Cuban Eigsti Trio Point of Rodriguez, Motis Sam Reider Victor Lin Quartet Skonberg Jones Gonçalves Ndugu Quartet Heath Quintet Sextet and Friends View and others.
    [Show full text]
  • David S. Ware in Profile
    Steve Coleman: The Most Influential Figure Since Coltrane? AMERICA’s JAZZ MAGAZINE Win a Trip for Two on The Jazz Cruise! TBetweenia Fuller Bop&Beyoncé David S. Ware Fred Ho in Profile His Harrowing BY DAVID R. ADLER Fight Against Cancer Before & After Lee Konitz Nate Chinen on Kirk Whalum John Ellis A $250,000 Turntable? Audiophile Gear to Die For Stan Getz & Kenny Barron Reviewed 40 JAZZTIMES >> JUNE 2010 A f te r the here were torrential rains, and gusts up to 60 miles per hour, on the night in mid- March when saxophone icon David S. Ware played solo before an intimate crowd in Brooklyn. Seated in the cozy home office of host Garrett Shelton, a music industry con- sultant, Ware began with an assertive, envel- Still coping with the oping improvisation on sopranino—a new Thorn in his arsenal—and followed it with an S toaftermath of a rkidney m extended tenor display, rigorously developed, with mounting sonic power. transplant, David S. Ware After he finished, Ware played up the salon-like atmosphere by inviting questions forges ahead with solo from listeners. Multi-instrumentalist Cooper- Moore, Ware’s good friend and one-time saxophone, a new trio roommate, who (like me) nearly missed the show on account of a subway power outage, and a return to the Vision was among the first to speak. He noted that the weather was also perfectly miserable on Festival this summer Oct. 15, 2009, the night of Ware’s previous solo concert. So one had to wonder, “What’s goin’ on with you, man?” Laughing, Ware By David R.
    [Show full text]
  • Shipp / Lehn / Butcher
    SHIPP / LEHN / BUTCHER John Butcher [UK] • soprano- & tenor saxophone, feedback Thomas Lehn [AT/DE] • analogue synthesizer Matthew Shipp [USA] • piano © painting by Gina Southgate @ Konfrontationen 2016 The combination of personalities is winningly combustible. The rhythmic push and pull between Butcher, Shipp and Lehn is a delight, with all three conjuring up graciously dissonant figures whose frequent crisscrossing gives the music a kaleidoscopic character. All of the players are drumming with razor sharp focus, but they also have more serene impulses and create glistening soundscapes in which the analogue keyboard is well complemented by the two acoustic instruments that are inspired to match the strange and beautiful noise that fills the air. Music with an on-the-edge intensity that is nonetheless handled with considerable rigour and attention to detail. - Kevin Le Gendre | Jazzwise Magazine | Feb 2017 CD release Tangle label: Fataka cat.-no.: fataka 14 release date: November 17, 2016 https://f-a-t-a-k-a.bandcamp.com/album/tangle 1. – 3. Cluster 37:09 4. Tiefenschärfe 5:59 recorded on Februay 19th 2014 at Cafe Oto, London cover photo by Andy Moor liner notes by Nate Wooley "Tangle is the standout album of 2016 in my book, across the board. The ideas are flowing thick and fast, with everyone at the top of their game and perfectly in sync. There's a raw vitality to the performance, and the music is unabashed and direct in channeling relatively conventional lyricism. This is thrilling, peerless stuff, played with vivacity and animation. I was at the concert, and in my diary I jotted down a rare post-gig note that reads simply "!!!! f******k", but I'd forgotten it was quite this good." - Tim Owen | Dalston Sound | Nov.
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • TKA APAP Brochure 20
    2017 - 2018 SQUIRREL NUT ZIPPERS DAVINA and the VAGABONDS Table of Contents Afro-Cuban All Stars 1 Ann Hampton Callaway 2 Arturo Sandoval 3 Béla Fleck 4 Bettye LaVette 5 Agents Bill Charlap 6 Brian Blade & The Fellowship Band 7 Catherine Russell 8 Cécile McLorin Salvant 9 Agents Charles Lloyd 10 Chick Corea 11 Jack Randall - [email protected] Davina & The Vagabonds 12 AK, AZ, CA, HI, IL, IA, MI, MN, NE, NV, OR, WA, WI, & CANADA Eileen Ivers 13 Ellis Marsalis 14 Jamie Ziefert - [email protected] Elvin Bishop 15 CT, DE, ME, MD, MA, NH, NJ, NY, PA, RI, VT, VA, WV, & D.C. Harold López-Nussa 16 Herlin Riley 17 Dan Peraino - [email protected] Hot Club of Cowtown 18 AL, AR, CO, FL, GA, KY, ID, IN, KS, LA, MS, MO, MT, NC, ND, NM, Jack Broadbent 19 OH, OK, SC, SD, TN, TX, UT, WY, PR, & US VIRGIN ISLANDS James Cotton 20 Jamison Ross 21 Gunter Schroder - [email protected] JLCO with Wynton Marsalis 22 EUROPE, NORTH AFRICA, SOUTH AFRICA, MIDDLE EAST Joey Alexander 23 Joey DeFrancesco 24 Matt McCluskey - [email protected] John Pizzarelli 25 ASIA/PACIFIC, AUSTRALIA AND NEW ZEALAND, John Sebastian 26 LATIN/SOUTH AMERICA, CARIBBEAN Lisa Fischer 27 Marcia Ball 28 Ted Kurland - [email protected] Melissa Aldana 29 PRESIDENT Meshell Ndegeocello 30 Pat Metheny 31 Ravi Coltrane 32 Red Baraat 33 Savion Glover 34 APAP BOOTH #1003 Sonny Knight and The Lakers 35 Soul Rebels 36 Squirrel Nut Zippers 37 Stacey Kent 38 The Kurland Agency 173 Brighton Avenue Boston, MA 02134 p | (617) 254-0007 e | [email protected] www.thekurlandagency.com AFRO-CUBAN ALL STARS Juan de Marcos González, founder of Sierra Maestra and AFRO-CUBAN ALL STARS and one of the key creators of the Buena Vista Social Club, began his career paying tribute to the traditional Cuban music of the 1950’s, considered the golden age of Cuban music.
    [Show full text]
  • The New York City Jazz Record
    BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 THE NEW YORK CITY JAZZ RECORD BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR ANTHONY BRAXTON—Solo (Victoriaville) 2017 (Victo) BILL CHARLAP WITH CAROL SLOANE DARCY JAMES ARGUE’S SECRET SOCIETY PHILIPP GERSCHLAUER/DAVID FIUCZYNSKI— January 11th, Jazz Standard Dave Pietro, Rob Wilkerson, Chris Speed, John Ellis, UNEARTHED GEMS BOXED SETS TRIBUTES Mikrojazz: Neue Expressionistische Musik (RareNoise) Carl Maraghi, Seneca Black, Jonathan Powell, Matt Holman, ELLA FITZGERALD—Ella at Zardi’s (Verve) WILLEM BREUKER KOLLEKTIEF— TONY ALLEN—A Tribute to Art Blakey REGGIE NICHOLSON BRASS CONCEPT Nadje Noordhuis, Ingrid Jensen, Mike Fahie, Ryan Keberle, Out of the Box (BVHaast) and The Jazz Messengers (Blue Note) CHARLES LLOYD NEW QUARTET— Vincent Chancey, Nabate Isles, Jose Davila, Stafford Hunter Jacob Garchik, George Flynn, Sebastian Noelle, TUBBY HAYES QUINTET—Modes and Blues Passin’ Thru (Blue Note) February 4th, Sistas’ Place Carmen Staaf, Matt Clohesy, Jon Wikan (8th February 1964): Live at Ronnie Scott’s (Gearbox) ORNETTE COLEMAN—Celebrate Ornette (Song X) KIRK KNUFFKE—Cherryco (SteepleChase) THE NECKS—Unfold (Ideological Organ) January 6th, Winter Jazzfest, SubCulture STEVE LACY—Free For A Minute (Emanem) WILD BILL DAVISON— WADADA LEO SMITH— SAM NEWSOME/JEAN-MICHEL PILC— ED NEUMEISTER SOLO MIN XIAO-FEN/SATOSHI TAKEISHI THELONIOUS MONK— The Danish Sessions:
    [Show full text]
  • Vision Festival 21 Brochure
    THE CREATIVE OPTION TOGETHER WE CONTINUE TO MAKE VISIONS REAL Our goal is to keep alive, in hearts and minds, the idealism, integrity and sense of responsibility that has inspired generations. We support the Present by remembering & respecting the Past & Prepare a Future where Improvisation and Freedom have a place. THIS IS ONLY POSSIBLE WITH YOUR HELP Charlotte Ka, ‘Dance a Celebration of Life’ Arts for Art presents Free Jazz as a sacred art-form, based in the Ideals of Freedom, Artist Info Page 24 Marcy Rosenblat, ‘Reveal’ Justice and Excellence. The art expresses our sense of hope and belief in the possibility of freedom, A Freedom to be our most unique self. So we push ourselves to do more, to redefine our self, our art and our communities. The music was built by self-determination. Where the artist defines, presents their work, not waiting for permission. Hope, Freedom, Self-determination are powerful ideas in any time, and particularly in this time. VISUAL ART AT VISION 21 AT ART VISUAL What we do or don’t do – does matter. We make a difference in our world and in our Lives by supporting what feeds our Souls. Bill Mazza, If the Vision Festival and the Work of Arts for Art feeds Souls then you should support it. ‘Vision 20, Day 5, Set 3, Wadada Leo Smith/Aruan Ortiz Duo’’ Our Humanity and Creativity needs a community of supporters who share our ideals. Jonas Hidalgo ENSURE ARTS FOR ART’S FUTURE ■ BE A MEMBER / DONATE TO ARTS FOR ART ■ BECOME ACTIVE IN THE AFA COMMUNITY Visit: www.artsforart.org/support or stop by the Arts for Art table at the Vision Festival.
    [Show full text]
  • 2020Virtualfestivalpartnershipd
    THREE DAYS IN SUPPORT OF THREE NONPROFITS • The NAACP Legal Defense Fund (LDF) is America’s premier legal organization fighting for racial justice. Through litigation, advocacy, and public education, LDF seeks structural changes to expand democracy, eliminate disparities, and achieve racial justice in a society that fulfills the promise of equality for all Americans. LDF is a 501(c)(3) nonprofit organization • The Thurgood Marshall College Fund (TMCF) is the nation’s largest nonprofit organization exclusively representing the Black College Community. TMCF member-schools include the publicly-supported Historically Black Colleges and Universities (HBCUs) and Predominantly Black Institutions (PBIs). • The Monterey Jazz Festival is the oldest continuously-running jazz festival in the world established as a nonprofit organization in 1958. MJF will support participating jazz artists who are disproportionately impacted and losing their livelihoods due to COVID-19. The Monterey Jazz Festival’s mission is to inspire the discovery and celebration of jazz, anchored by an iconic festival. Even though we are not able to host an in-person festival in 2020, our work is anchored by an annual communion around jazz, a music rooted in black culture. A Virtual Festival in 2020 allows us to: • support our community of jazz musicians who have been disproportionately impacted by COVID-19; • celebrate student musicians who have lost so many celebratory moments in 2020, such as proms and graduations; • take action to support trusted nonprofit organizations doing important work to promote social justice, end racism, provide equal opportunity and celebrate black culture. Black Lives Matter! Title Partnership Opportunity MJF Partnership $100,000 level includes 2 Years of benefits! • Designation as the Presenting Sponsor of the 2020 Virtual Monterey Jazz Festival benefiting THREE trusted nonprofit organizations playing critical roles in solving racial injustice and inequality.
    [Show full text]
  • The Piano Equation
    Edward T. Cone Concert Series ARTIST-IN-RESIDENCE 2020–2021 Matthew Shipp The Piano Equation Saturday, November 21 2020 8:00 p.m. ET Virtual Concert, Live from Wolfensohn Hall V wo i T r n tu so osity S ea Institute for Advanced Study 2020–2021 Edward T. Cone Concert Series Saturday, November 21, 2020 8:00 p.m. ET MATTHEW SHIPP PROGRAM THE PIANO EQUATION Matthew Shipp Funding for this concert is provided by the Edward T. Cone Endowment and a grant from the PNC Foundation. ABOUT THE MUSIC David Lang writes: Over the summer I asked Matthew Shipp if he would like to play for us the music from his recent recording The Piano Equation. This album came out towards the beginning of the pandemic and I found myself listening to it over and over—its unhurried wandering and unpredictable changes of pace and energy made it a welcome, thoughtful accompaniment to the lockdown. My official COVID soundtrack. Matthew agreed, but he warned me that what he would play might not sound too much like what I had heard on the recording. This music is improvised, which means that it is different every time. And of course, that is one of the reasons why I am interested in sharing it on our season. We have been grouping concerts under the broad heading of ‘virtuosity’–how music can be designed so that we watch and hear a musical problem being overcome, right before our eyes and ears. Improvisation is a virtuosity all its own, a virtuosity of imagination, of flexibility, of spontaneity.
    [Show full text]
  • August 1905) Winton J
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1905 Volume 23, Number 08 (August 1905) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 23, Number 08 (August 1905)." , (1905). https://digitalcommons.gardner-webb.edu/etude/506 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETUDE WILL SUPPLY ANYTHING iN MUSIC 306 THE etude Just Published MUSIC SUPPLIES BY MAIL TO $1.00 Postpaid Teachers, Schools, Convents We will send any of the music in this list, or any of our other publi¬ and Conservatories of Music cations, “On Selection.” Complete catalogue mailed to any address WE SUPPLY ANYTHING IN MUSIC upon request. We grade all piano music from PROMPTLY, ECONOMICALLY, and SATISFACTORILY 1 (easy) to 7 (difficult). .• eiated with musical work in our colleges and other institutions of higher education, and the program Music Teachers’ National drew largely on men of this stamp. Among those INSTRUMENTAL present were Messrs.
    [Show full text]
  • Downbeat.Com February 2021 U.K. £6.99
    FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]