Criss-Crossing in Global Space and Time
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Situating German Multiculturalism in the New Europe
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 6-1-2011 A Country of Immigration? Situating German Multiculturalism in the New Europe Julia Khrebtan-Hörhager University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the European Languages and Societies Commons, and the Film and Media Studies Commons Recommended Citation Khrebtan-Hörhager, Julia, "A Country of Immigration? Situating German Multiculturalism in the New Europe" (2011). Electronic Theses and Dissertations. 337. https://digitalcommons.du.edu/etd/337 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. A COUNTRY OF IMMIGRATION? SITUATING GERMAN MULTICULTURALISM IN THE NEW EUROPE __________ A Dissertation Presented to The Faculty of Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Julia Khrebtan-Hörhager June 2011 Advisor: Dr. Kate Willink ©Copyright by Julia Khrebtan-Hörhager 2011 All Rights Reserved Author: Julia Khrebtan-Hörhager Title: A COUNTRY OF IMMIGRATION? SITUATING GERMAN MULTICULTURALISM IN THE NEW EUROPE Advisor: Dr. Kate Willink Degree Date: June 2011 Abstract This dissertation addresses a complex cultural and social phenomenon: German multiculturalism in the framework of the European Union in the century of globalization and global migration. I use selected cinematographic works by Fatih Akin, currently the most celebrated German and European filmmaker, as cultural texts. -
Fatih Akins Cinema and Cityscape: a Comparison Between Hamburg
The Journal of International Scientific Researches Uluslararası Bilimsel Ara ştırmalar Dergisi 2016,1(32016,1(3)))) Fatih Akin`s Cinema and Cityscape: A Comparison Between Hamburg and Istanbul Through His Films 1 Fatih Akın Sineması ve Kent-Mekanı: Akın’ın Filmleri Üzerinden Hamburg ve İstanbul Kar şıla ştırması Sertaç Timur Demir 2 ABSTRACT Fatih Akin and his films may be interesting for sociologists and political scientists, but not for philosophers and psychologists, because he is interested in social reality and norms rather than individual differences. Moreover, his films may be of interest to those who focus on architecture and spatiality. For this reason, in this paper, I compare between urban experiences of Hamburg and Istanbul by using his three important films: Head on (2004), Crossing the Bridge: The Sound of Istanbul (2005), and Soul Kitchen (2009). These films are not only films of Fatih Akin, but also of Hamburg and Istanbul themselves. Keywords: Fatih Akin, Hamburg, Istanbul, Urban experience, Social life. ÖZ Fatih Akın ve sineması filozoflar ve psikologlar için de ğil sosyologlar ve siyaset bilimciler için de ilginç olabilir. Çünkü o bireysel farklılıklardan ziyade toplumsal gerçeklik ve normlarla ilgilenmektedir. Ayrıca, onun filmleri mimari ve mekansallı ğa odaklananları da ilgilendirebilir. Bu sebeple, bu çalı şmada, Fatih Akın’ın üç önemli filmini kullanarak Hamburg ve İstanbul’daki kentsel deneyimi kar şıla ştırmaktayım. Bu filmler Duvara Kar şı (2004), İstanbul Hatırası: Köprüyü Geçmek (2005) ve A şka Ruhunu Kat (2009) filmleridir. Bu filmler yalnızca Fatih Akın’ın de ğil; Hamburg ve İstanbul’un kendi filmleridir. Anahtar Kelimeler: Fatih Akın, Hamburg, Istanbul, Kentsel Deneyim, Sosyal ya şam. -
The Politics of Space in the Cinema of Migration
The Politics of Space in the Cinema of Migration Barbara Mennel, Gainesville, Florida ISSN 1470 – 9570 Barbara Mennel 40 The Politics of Space in the Cinema of Migration Barbara Mennel, Gainesville, Florida This article offers a reading of three films associated with migration and mobility between Turkey and Germany organized around the cinematic representation of space. Focusing on the politics of space, instead of national and/or ethnic identity, I propose, allows us to account for larger cultural shifts from a national to a transnational framework for cultural production, but also to be mindful of representational continuities from filmmaking in Turkey to Germany. My reading of Tevfik Başer‟s 40m² Germany (1986) in the context of Yilmaz Güney‟s The Father (1973) and Fatih Akın‟s Crossing the Bridge: The Sound of Istanbul (2005) proposes that the film was significantly misread by the West German public at the time. The comparison of the three films reads their spatial aesthetics as responding to the shift from national to transnational contexts and left-wing ideological to multicultural politics. 1. From “Cinema of Duty” to “Pleasures of Hybridity” In scholarship on Turkish-German cinema, it has become commonplace to read the brief history of films by and about Turkish migrants in Germany as a shift from, in the words of Deniz Göktürk, the “cinema of duty” to a cinema portraying the “pleasures of hybridity” (1999: 7). Films and literature by and about the first generation of labor migrants who arrived in Germany in the 1960s portrayed one-dimensional alienated Turks in Germany, either embodied by a figure of a silent male guestworker or by an oppressed female victim of Turkish patriarchy. -
Kein Sex Ist Auch Keine Lösung
Regie: Fatih Akin Drehbuch: Lars Hubrich nach dem Roman von Wolfgang Herrndorf Mit TRISTAN GÖBEL ANAND BATBILEG MERCEDES MÜLLER ANJA SCHNEIDER UWE BOHM UDO SAMEL u.v.a. PRESSEHEFT Pathé Films AG Jessica Oreiro TEL.: 044 277 70 83 Neugasse 6 [email protected] 8031 Zürich 5 www.pathefilms.ch INHALT BESETZUNG .....................................................................................................................................................................................3 STAB ....................................................................................................................................................................................................3 TECHNISCHE DATEN ...................................................................................................................................................................3 KURZINHALT ................................................................................................................................................................................... 4 PRESSENOTIZ ................................................................................................................................................................................. 4 ÜBER DIE PRODUKTION ............................................................................................................................................................. 5 PRODUKTIONSNOTIZEN ......................................................................................................................................................... -
Winner- Golden Bear (Top Prize) 54Th International Film Festival Berlin Winner – FIVE LOLAS (GERMAN ACADEMY AWARDS)
Winner- Golden Bear (Top Prize) 54th International Film Festival Berlin Winner – FIVE LOLAS (GERMAN ACADEMY AWARDS) Mongrel Media presents Head-On German Title: GEGEN DIE WAND A film by Fatih Akin with Sibel Kekilli, Birol Ünel, Catrin Striebeck, Güven Kiraç, Meltem Cumbul Running Time: 118 mins In German/Turkish with English subtitles Distribution 1028 Queen Street West Toronto, Ontario, Canada, M6J 1H6 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Publicity Bonne Smith Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] High res stills may be downloaded from http://mongrelmedia.com/press.html 1 THE CAST Cahit Birol Ünel Sibel Sibel Kekilli Maren Catrin Striebeck Seref Güven Kıraç Selma Meltem Cumbul Yilmaz Güner Cem Akin Birsen Güner Aysel Iscan Yunus Güner Demir Gökgöl Nico Stefan Gebelhoff Dr. Schiller Hermann Lause Lukas Adam Bousdoukos Ammer Ralph Misske Hüseyin Mehmet Kurtulu THE CREW Director/Script Fatih Akin Producers Ralph Schwingel Stefan Schubert Wüste Filmproduktion Coproducers NDR / arte CORAZÓN International Coproducers Fatih Akin Mehmet Kurtulu Andreas Thiel Story Editors Jeanette Würl, NDR Andreas Schreitmüller, arte Production Manager Ingrid Holzapfel Director of Photography Rainer Klausmann, bvk Editor Andrew Bird Assistant Director & Artistic Director Andreas Thiel Unit Photographer Kerstin Stelter Gaffer Torsten Lemke Sound Engineer Kai Lüde Set Design Tamo Kunz Costumes Katrin Aschendorf Make-Up Daniel Schröder & Nursen Balci Casting Mai Seck Sound Mix Richard Borowski Music Consultant Klaus Maeck 2 Synopsis 40-year-old Cahit (Birol Unel) is brought to a German psychiatric clinic after attempting suicide and sets out to start a new life, even as he longs for drugs and alcohol to numb his pain. -
Fatih Akä±N╎s the Edge of Heaven
UC Berkeley TRANSIT Title Criss-Crossing in Global Space and Time: Fatih Akın’s The Edge of Heaven (2007) Permalink https://escholarship.org/uc/item/28x3x9r0 Journal TRANSIT, 5(1) Author Mennel, Barbara Publication Date 2009 DOI 10.5070/T751009745 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Turkish-German Cinema between the National and the Transnational During the last five years of the twentieth century, films by the children of the so-called Turkish “guest workers” exploded onto the German film landscape. By then “guest worker” had become an outdated term from the vocabulary of the West German government’s recruitment program from the late 1950s to the early 1970s addressing the labor shortage produced by the “economic miracle” and exacerbated by the closing of the “Iron Curtain” that prevented labor migration from East to West. These films ushered a new minority subject onto the silver screen: young, self-confident, outspoken, multi-ethnic, and self-proclaimed German. Gone was the iconic image of the lone, suffering, and silent foreign worker of famed director Rainer Werner Fassbinder’s exemplary film Ali: Fear Eats Soul ( Angst essen Seele auf , 1974). Film directors Buket Alaku ş, Fatih Akın, Thomas Arslan, Aysun Bademsoy, Seyhan Derin, Ay şe Polat, Yüksel Yavuz, and Turkish director Kutlu ğ Ataman made films that marked, according to Deniz Göktürk, the shift from a “cinema of duty” to the “pleasures of hybridity” (1999). What was then an emerging generation of filmmakers on the margin of German society has since become an integral part of German national cinema, out of which Fatih Akın—the director of The Edge of Heaven ( Auf der anderen Seite , 2007)—has emerged as the nationally and internationally most successful director. -
Un Film De FATIH AKIN
p y r a m i d e p r é s e n t e Un film de FATIH AKIN polluting paradise Pyramide présente polluting paradise un film de Fatih Akin Produit par Corazón International en coproduction avec NDR en coopération avec Dorje Film avec le soutien de Filmförderung Hamburg Schleswig-Holstein · Deutscher Filmförderfonds · Filmförderungsanstalt Durée: 98 min SORTIE lE 29 maI 2013 RELATIONS PRESSE DISTRIBUTION FRANCE LE PUBLIC SYSTÈME CINÉMA Pyramide Céline PETIT 5 rue du Chevalier de Saint George, 75008 Paris 40 rue anatole France, 92594 levallois-Perret cedex 01 42 96 01 01 01 41 34 23 50 www.pyramidefilms.com [email protected] www.lepublicsystemecinema.fr photos et dossier de presse téléchargeables sur www.pyramidefilms.com SYNOPSIS En 2006, Fatih akin tourne la scène finale de son film « De l’autre côté » à Çamburnu, village natal de ses grands-parents au nord-est de la Turquie, où les habitants vivent depuis des générations de la pêche et de la culture du thé, au plus près de la nature. Il entend alors parler d’une catastrophe écologique qui menace le village : un projet de décharge construit dans un mépris total de l’environnement et contre lequel s’élèvent le maire et les habitants. Il décide de lutter par ses propres moyens. Pendant plus de cinq ans, il filme le combat du petit village contre les puissantes institutions et témoigne des catastrophes inéluctables qui frappent le paradis perdu : l’air est infecté, la nappe phréatique contaminée, des nuées d’oiseaux et des chiens errants assiègent le village. -
Diane Kruger a Film by Fatih Akin
DIANE KRUGER A FILM BY FATIH AKIN Out of nowhere, Katja’s life falls apart when her husband Nuri and little son Rocco are killed in a bomb attack. Her friends and family try to give her the support she needs, and Katja somehow manages to make it through the funeral. But the mind-numbing search for the perpetrators and reasons behind the senseless killing complicate Katja‘s painful mourning, opening wounds and doubts. Danilo, a lawyer and Nuri’s best friend, represents Katja in the eventual trial against the two suspects: a young couple from the neo-Nazi scene. The trial pushes Katja to the edge, but there’s simply no alternative for her: she wants justice. Diane Kruger was born in Germany. She trained with the Royal Ballet from an early age, but an injury ended her dance career. She went on to enjoy great success as one of Paris’ best-known models. She also took acting lessons at the Cours Florent, where she received the “Classe Libre” award as the best actress in her year. Kruger made her screen debut in 2002, appearing opposite Dennis Hopper and Christopher Lambert in the independent film The Piano Player. She was nominated for a César for her role in the award-winning French film Mon Idole (Whatever You Say). In 2003, she appeared in the French feature film Michel Vaillant. Kruger’s US debut came with the romantic thriller Wicker Park, in which she appeared opposite Josh Hartnett and Rose Byrne. She went on to have roles in Wolfgang Petersen’s legendary epic Troy (as Helena), National Treasure with Nicolas Cage, Joyeux Noel, Copying Beethoven starring Ed Harris as Ludwig van Beethoven, Bille August’s The Color of Freedom, The Hunting Party with Richard Gere, the sequel film National Treasure: Book of Secrets, Anything for Her, Quentin Tarantino’s Inglourious Basterds, Jaco Van Dormael’s Mr. -
Gegen Die Wand
ABSTRACT Title of Thesis: FATIH AKIN’S LOVE, DEATH, AND THE DEVIL TRILOGY: A TRIAD OF CROSS- CULTURAL TALES Abigail Margaret Trozenski, Master of Arts, 2017 Thesis Directed By: Dr. Hester Baer, Germanic Studies Tracing Fatih Akin’s directorial oeuvre, this thesis focuses on Akin’s films Gegen die Wand (Head-On, 2004), Auf der anderen Seite (The Edge of Heaven, 2007), and The Cut (2014), which comprise the Love, Death, and the Devil trilogy. Emphasizing the tropes of mobility and language, I specifically trace the thematic and cinematic links between the films as they draw upon concepts of hybridity and migration. FATIH AKIN’S LOVE, DEATH, AND THE DEVIL TRILOGY: A TRIAD OF CROSS-CULTURAL TALES by Abigail Margaret Trozenski Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2017 Advisory Committee: Associate Professor Hester Baer, Chair Professor Peter Beicken Associate Professor Julie Koser © Copyright by Abigail Margaret Trozenski 2017 Dedication To Reagan Murphy and Brittany Meyer ii Table of Contents Dedication ..................................................................................................................... ii Table of Contents ......................................................................................................... iii List of Figures .............................................................................................................. iv Chapter 1: Fatih Akin and his -
Maquette Recto Verso
PORTRAITS DE FEMMES ET D ’HOMMES QUATRE MINUTES / VIER MINUTEN HOMMAGE A FATIH AKIN CINÉMA « GERMANO-TURC » Les un(e)s ont marqué l‘Histoire des arts et des idées, Réal : Chris Kraus - 2006 - 112’ IN THE FADE / AUS DEM NICHTS Une sélection d’œuvres d’un cinéma original d‘autres ont ajouté des pages à l‘histoire ordinaire —————————————————————————– Réal : Fatih Akin - 2017 - 106’ L’ÉTRANGÈRE / DIE FREMDE EGON SCHIELE LES OUBLIÉS / UNTER DEM SAND ————————————————————————— Réal : Feo Aladag - 2010 - 109’ EGON SCHIELE, TOD UND MÄDCHEN Réal : Martin Zandvliet - 2015 - 101’ DE L‘AUTRE CÔTÉ / AUF DER ANDEREN SEITE ——————————————————————–——- Réal : Dieter Berner - 2016 - 110’ —————————————————————————– Réal : Fatih Akin - 2006/07 - 120’ ALMANYA, BIENVENUE EN ALLEMAGNE ——————————————————— —————————————————————————- ALMANYA, WILLKOMMEN IN DEUTSCHLAND LA BLESSURE / THE CUT Réal : Yasemin Şamdereli - 2012 - 101’ PAULA, MA VIE DOIT ÊTRE UNE FÊTE PAULA, MEIN LEBEN SOLL EIN FEST SEIN Réal : Fatih Akin - 2013/2014 - 135’ ————————————————————————— Réal : Christian Schwochow - 2016 - 123’ ————————————————————————-- ———————————————————–—--———– SOUL KITCHEN LE JEUNE KARL MARX / DER JUNGE KARL MARX Réal : Fatih Akin - 2008/2009 - 99’ Réal : Raoul Peck - 2017 - 118’ ——————————————————————————— TSCHICK ————————————————————–-———— ———————————————————————————-- LOU ANDREAS SALOME Réal : Fatih Akin - 2016 - 112’ FILMS JEUNE PUBLIC Réal : Cordula Kablitz-Post - 2016 - 113’ ————————————————————————— MON AMI RAFFI / RETTET RAFFI STEFAN ZWEIG, ADIEU L’EUROPE Réal -
Gender and Turkish-German Cinema
From Margins to the Center Through the Film Lens: Gender and Turkish-German Cinema Filiz Cicek Submitted to the Faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department The Department of Central Eurasian Studies, Indiana University December, 2012 Accepted by the Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee: Chair: Professor Cigdem Balim Harding, Ph.D Emeritus Professor Gustave Bayerle, Ph.D Professor Paul Edward Losensky, Ph.D Professor Jennifer Elizabeth Maher, Ph.D Professor Colin J. Williams, Ph.D Date of Dissertation Defense: November 2, 2012 ii Copyright © 2012 Filiz Cicek iii To My Little Sparrow who left this earth all too untimely. To My family and Friends. To My Committee Members. To all the Others. iv Preface The knowledge that isn’t transformed into compassionate wisdom is useless thinking. Hindu proverb. I come from the East, the Middle East, from the oral tradition of story telling and record keeping in memory. And I have been living in the West, where most everything is written down, intended for posterity. East might have been East and West West for Kipling, but they have been meeting in continued fluidity in my life and in my work for the past twenty years by necessity of a life as an immigrant. It was in the silent hiking with my grandmother, up and down the Caucasus Mountains. It was in the voice of my 110-year old great-grandmother, chiming her stories from the potato ditch where she was hiding from the Russians. -
Soul Kitchen
Mongrel Media Presents SOUL KITCHEN A Film by Fatih Akin (99 min., Germany, 2010) www.soul-kitchen-film.de Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html a Film by Fatih Akin with Adam Bousdoukos, Moritz Bleibtreu, Birol Ünel, Pheline Roggan, Anna Bederke, Dorka Gryllus, Lucas Gregorowicz, Wotan Wilke Möhring and more! (John Lennon) SOUL KITCHEN is about family and friends, about love, trust and loyalty and about the struggle to protect a place called home in an increasingly unpredictable world. Fatih Akin has gathered a best-of cast from his previous films - Adam Bousdoukos (SHORT SHARP SHOCK, HEAD-ON), Moritz Bleibtreu (SOLINO, IN JULY), Birol Ünel (HEAD- ON, IN JULY). the story Young restaurant owner Zinos is down on his luck. His girlfriend Nadine has moved to Shanghai, his Soul Kitchen customers are boycotting the new gourmet chef, and he‘s having back trouble! Things start looking up when the hip crowd embraces his revamped culinary concept, but that doesn‘t mend Zinos’s broken heart. He decides to fly to China for Nadine, leaving the restaurant in the hands of his unreliable ex-con brother Illias. Both decisions turn out disastrous: Illias gambles away the restaurant to a shady real estate agent and Nadine has found a new lover! But brothers Zinos and Illias might still have one last chance to get Soul Kitchen back if they can stop arguing and work together as a team.