Connotations Volume 17 Issue 02
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TPTV Schedule March 8Th to March 14Th
th th TPTV Schedule March 8 to March 14 Date Time Programme Synopsis Mon 08 00:15 The Face Of Fu 1965. Thriller. Directed by Don Sharp. Starring Christopher Lee, Nigel Green and Howard Mar 21 Manchu Marion-Crawford. New murders alert Officer Nayland Smith to the possibility that Fu Manchu may not be dead. Mon 08 02:05 Dark City 1950. Thriller. Directed by William Dieterle. Stars: Charlton Heston, Dean Jagger, Lizabeth Scott, Mar 21 Viveca Lindfors. When a man kills himself after a poker game, his brother looks for revenge. (SUBTITLES AVAILABLE) Mon 08 04:00 Lytton's Diary Rabid Dingo: Shock Horror. 1985. Stars: Peter Bowles, Anna Nygh, Sylvester Williams. Lytton Mar 21 tries to dig up dirt on an Australian tycoon interested in buying the Daily Post. (S1, E01) Mon 08 05:00 The Westerner Going Home. 1962. Western Series created by Sam Peckinpah and starring Brian Keith. One of Mar 21 the most sophisticated westerns for its time or any other. (S1, E11) Mon 08 05:30 Tate The Gunfighters. 1960. Western. Stars David McLean. Tate takes on a train car full of fast guns Mar 21 when a simmering rancher vs. homesteader dispute escalates. (S1, E11) Mon 08 06:00 No Kidding 1960. Comedy. Directed by Gerald Thomas. Stars Leslie Phillips, Geraldine Mcewan, Julia Mar 21 Lockwood, Noel Purcell & Irene Handl. A couple inherit an estate and turn it into a summer camp for children. Mon 08 07:45 Guilt Is My 1950. Drama. Directed by Roy Kellino. Stars Patrick Holt, Elizabeth Sellars and Peter Reynolds. -
French Animation History Ebook
FRENCH ANIMATION HISTORY PDF, EPUB, EBOOK Richard Neupert | 224 pages | 03 Mar 2014 | John Wiley & Sons Inc | 9781118798768 | English | New York, United States French Animation History PDF Book Messmer directed and animated more than Felix cartoons in the years through This article needs additional citations for verification. The Betty Boop cartoons were stripped of sexual innuendo and her skimpy dresses, and she became more family-friendly. A French-language version was released in Mittens the railway cat blissfully wanders around a model train set. Mat marked it as to-read Sep 05, Just a moment while we sign you in to your Goodreads account. In , Max Fleischer invented the rotoscope patented in to streamline the frame-by-frame copying process - it was a device used to overlay drawings on live-action film. First Animated Feature: The little-known but pioneering, oldest-surviving feature-length animated film that can be verified with puppet, paper cut-out silhouette animation techniques and color tinting was released by German film-maker and avante-garde artist Lotte Reiniger, The Adventures of Prince Achmed aka Die Abenteuer des Prinzen Achmed , Germ. Books 10 Acclaimed French-Canadian Writers. Rating details. Dave and Max Fleischer, in an agreement with Paramount and DC Comics, also produced a series of seventeen expensive Superman cartoons in the early s. Box Office Mojo. The songs in the series ranged from contemporary tunes to old-time favorites. He goes with his fox terrier Milou to the waterfront to look for a story, and finds an old merchant ship named the Karaboudjan. The Fleischers launched a new series from to called Talkartoons that featured their smart-talking, singing dog-like character named Bimbo. -
Chapter 3 Heroines in a Time of War: Nelvana of the Northern Lights And
Chapter 3 Heroines in a Time of War: Nelvana of the Northern Lights and Wonder Woman as Symbols of the United States and Canada Scores of superheroes emerged in comic books just in time to defend the United States and Canada from the evil machinations of super-villains, Hitler, Mussolini, and other World War II era enemies. By 1941, War Nurse Pat Parker, Miss America, Pat Patriot, and Miss Victory were but a few of the patriotic female characters who had appeared in comics to fight villains and promote the war effort. These characters had all but disappeared by 1946, a testament to their limited wartime relevance. Though Nelvana of the Northern Lights (hereafter “Nelvana”) and Wonder Woman first appeared alongside the others in 1941, they have proven to be more enduring superheroes than their crime-fighting colleagues. In particular, Nelvana was one of five comic book characters depicted in the 1995 Canada Post Comic Book Stamp Collection, and Wonder Woman was one of ten DC Comics superheroes featured in the 2006 United States Postal Service (USPS) Commemorative Stamp Series. The uniquely enduring iconic statuses of Nelvana and Wonder Woman result from their adventures and character development in the context of World War II and the political, social, and cultural climates in their respective English-speaking areas of North America. Through a comparative analysis of Wonder Woman and Nelvana, two of their 1942 adventures, and their subsequent deployment through government-issued postage stamps, I will demonstrate how the two characters embody and reinforce what Michael Billig terms “banal nationalism” in their respective national contexts. -
TPTV Schedule March 1St to March 7Th
st th TPTV Schedule March 1 to March 7 Date Time Programme Synopsis Mon 01 00:05 King David 1985. Drama. Directed by Bruce Beresford. Stars Richard Gere, Alice Krige, Denis Quilley & Mar 21 Edward Woodward. Epic historical drama about the life of the second King of the Kingdom of Israel, David. (AVAILABLE SUBTITLES) Mon 01 02:15 The Immortal Orson 2019. Documentary. Director: Chris Wade. Stars: Dorian Bond, Norman Eshley & Henry Jaglom. Mar 21 Welles A documentary exploring the life and career of the esteemed Orson Welles. Mon 01 03:30 The Hideout 1956. Drama. Director: Peter Graham Scott. Cast: Dermot Walsh, Rona Anderson & Sam Kydd. Mar 21 An insurance investigator receives a suitcase full of cash. His search leads him to the sister of a smuggler. Mon 01 04:45 The Girl From Willow 1975. Drama. Director: Gay Ashby. A man offers a young woman a lift, only to discover later Mar 21 Green that she went missing two years ago. Part of the Women Amateur Filmmakers Collection. Mon 01 05:00 The Westerner Line Camp. 1962. Western Series created by Sam Peckinpah and starring Brian Keith. One of Mar 21 the most sophisticated westerns for its time or any other. (S1, E10) Mon 01 05:30 Tate The Reckoning. 1960. Western. Stars David McLean. The adventures of a one-armed gun Mar 21 fighter who lost his arm in the Civil War. (S1, E10) Mon 01 06:00 Blind Corner 1965. Drama. Director: Lance Comfort. Stars William Sylvester, Barbara Shelley & Elizabeth Mar 21 Shepherd. The wife of a blind composer plots to murder her husband after he learns of her affair. -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター ＮＯ 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 （1924） バクダッドの盗賊 １･２ （1924） 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock！ マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード（２種有り） 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
Rio Content Market 2015 Newsletter
Rio Content Market 2015 Newsletter > 5 ANCIENT HISTORY > 6 GREAT MYTHS (THE) AUTHOR Tales of love, sex, power, betrayal, heinous crimes, unbearable François BUSNEL DIRECTOR separations, atrocious revenge, and metamorphoses - the poetic François BUSNEL force of the myths has crossed the centuries. COPRODUCERS ARTE FRANCE, ROSEBUD PRODUCTIONS "The Great Myths" documentary series sets out to recount these ancient stories using FORMAT animations created especially for the occasion, and illustrations chosen from the entire 20 x 26 ', 2015 history of art. This dynamic blend, a bridge between modernity and history, ancient AVAILABLE RIGHTS TV - DVD - VOD - Non-theatrical rights - narrative and contemporary dramatic art, is a new way to discover or re-discover this part Internet of our universal heritage. VERSIONS English - German - French TERRITORY(IES) PREVISIONAL DELIVERY: NOVEMBER 2015 Worldwide. Episodes : THESEUS - ORPHEUS - PERSEUS - MEDEA - APOLLO - PROMETHEUS - OEDIPUS - DIONYSUS - HADES - ANTIGONE - ZEUS - ATHENA - ICARUS - CHIRON - HERA - APHRODITE - HERCULES - HERMES - BELLEROPHON - EROS. CONTEMPORARY HISTORY > 7 ACTION T4: A DOCTOR UNDER NAZISM DIRECTOR This documentary recounts his story and through the man's story, Catherine BERNSTEIN COPRODUCER that of the so-called "Action T4", which consisted of eliminating ZADIG PRODUCTIONS physical and mental disabilities and those people considered by the FORMAT Nazi regime to be useless or "asocial". 1 x 52 ', 2014 AVAILABLE RIGHTS Doctor Julius Hallervorden, a major name in the science of brain pathology, first benefited TV - DVD - VOD - Non-theatrical rights - from, then contributed to the systematic assassination ordered by Hitler of German Internet mentally ill persons, by recovering the brains of 690 victims. He nevertheless pursued a VERSIONS English - French brilliant post-war career, in all impunity, and died covered in honours. -
Desk Set VOT V13 #1
Carl Denham presents THE BIRTH OF KONG by Ray Morton ing Kong was written by explorer and the brainchild naturalist W. Douglas Kof filmmaker Burden called THE Merian C. Cooper, DRAGON LIZARDS OF one of the pioneers of KOMODO. In 1926, the “Natural Drama” Burden led an expedition – movies created by to the Dutch East Indian traveling to exotic island of Komodo, lands, shooting home of the famed documentary footage Komodo Dragons, a of the native people species of large, vicious and events, and then, lizards thought to have through creative editing been extinct since (and by occasionally prehistoric times until staging events for the the living specimens camera), shaping that were discovered in 1912. footage into a dramatic narrative that had all of the Borrowing the idea of an expedition to a remote island thrills and excitement of a fictional adventure film. for his story, Cooper also decided that the Dragons A former merchant seaman, newspaper reporter and would make ideal antagonists for his ape and began military aviator, Cooper and his partner, former combat dreaming up scenes in which the creatures would fight cinematographer Ernest B. Schoedsack, traveled to Persia --scenes he planned to realize by filming the animals and Thailand to produce two classic Natural Dramas separately in their natural habitats and then intercutting – Grass: A Nation’s Battle for Life (1925) and Chang the footage. Learning that Burden had captured two (1927) -- and used their talents to create unique location Dragons, brought them to New York, and exhibited them footage for Paramount’s 1929 African-set adventure The at the Bronx Zoo until they died, Cooper decided to do Four Feathers. -
Exploring Trauma Through Fantasy
IN-BETWEEN WORLDS: EXPLORING TRAUMA THROUGH FANTASY Amber Leigh Francine Shields A Thesis Submitted for the Degree of PhD at the University of St Andrews 2018 Full metadata for this thesis is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this thesis: http://hdl.handle.net/10023/16004 This item is protected by original copyright This item is licensed under a Creative Commons Licence https://creativecommons.org/licenses/by-nc-nd/4.0/ 4 Abstract While fantasy as a genre is often dismissed as frivolous and inappropriate, it is highly relevant in representing and working through trauma. The fantasy genre presents spectators with images of the unsettled and unresolved, taking them on a journey through a world in which the familiar is rendered unfamiliar. It positions itself as an in-between, while the consequential disturbance of recognized world orders lends this genre to relating stories of trauma themselves characterized by hauntings, disputed memories, and irresolution. Through an examination of films from around the world and their depictions of individual and collective traumas through the fantastic, this thesis outlines how fantasy succeeds in representing and challenging histories of violence, silence, and irresolution. Further, it also examines how the genre itself is transformed in relating stories that are not yet resolved. While analysing the modes in which the fantasy genre mediates and intercedes trauma narratives, this research contributes to a wider recognition of an understudied and underestimated genre, as well as to discourses on how trauma is narrated and negotiated. -
TPTV Subtitles March 22Nd to March 28Th
nd th TPTV Subtitles March 22 to March 28 Date Time Programme Synopsis Mon 22 00:15 The Fan 1981. Thriller. Directed by Edward Bianchi. Stars Lauren Bacall, Michael Biehn, James Garner Mar 21 & Maureen Stapleton. An actress is stalked by a violent, deranged fan, who begins killing those around her. (SUBTITLES AVAILABLE) Mon 22 14:00 Enemy At The Door After The Ball. 1978. Stars: Alfred Burke, Bernard Horsfall & Emily Richard. Reinicke organizes Mar 21 a dance for soldiers and local girls to attract good publicity. (SUBTITLES AVAILABLE) Mon 22 15:00 Talking Pictures TV Talking Pictures talks exclusively to Joss Ackland. Star of stage and screen. We discuss his Mar 21 with Joss Ackland life in film, on stage and TV- a life filled with 'tragedy, farce and fate'. (SUBTITLES AVAILABLE) Mon 22 15:40 Call Northside 777 1948. Drama. Directed by Henry Hathaway. Stars James Stewart, Richard Conte & Helen Mar 21 Walker. A Chicago reporter looks into an old murder and realises the man jailed for the crime is innocent. (SUBTITLES AVAILABLE) Mon 22 18:00 Interpol Calling The Long Weekend. 1959. Stars Charles Korvin, Edwin Richfield, Roland Bartrop & George Mar 21 Pastell. The body of a man lost at sea washes up in Dover stopping Duval starting his holiday. Mon 22 18:30 The Green Man 1956. Comedy. Stars Alastair Sim, Raymond Huntley, George Cole & Terry-Thomas. A Mar 21 watchmaker turns out to be an assassin whose target is a leading politician but his plans are stalled. (SUBTITLES AVAILABLE) Mon 22 20:05 The Canadians 1961. -
El Poder Y El Cine:" Superman, El Supersímbolo Del Poder"
Razón y Palabra ISSN: 1605-4806 [email protected] Universidad de los Hemisferios Ecuador Erreguerena, Josefa EL PODER Y EL CINE: "SUPERMAN, EL SUPERSÍMBOLO DEL PODER" Razón y Palabra, núm. 59, octubre-noviembre, 2007 Universidad de los Hemisferios Quito, Ecuador Disponible en: http://www.redalyc.org/articulo.oa?id=199520703008 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Razón y Palabra ISSN Impreso: 1605-4806 Número 59, año 12, octubre ‐ noviembre 2007 Instituto Tecnológico y de Estudios Superiores de Monterrey, México. EL PODER Y EL CINE "SUPERMAN, EL SUPERSÍMBOLO DEL PODER" Por Josefa Erreguerena Número 59 INTRODUCCIÓN En la era informática los medios de comunicación son fundamentales como transmisores de símbolos reforzando y transformando el imaginario social. Con la posmodernidad y la globalización los medios hacen circular discursos que construyen un imaginario que ve el mundo como "natural y universal". Sí pudiéramos expresar algún símbolo que sintetice el poder simbólico de Estados Unidos como el principal productor y distribuidor de discursos es en Superman. Personaje que ha transitado por todos y cada uno de los medios desde su nacimiento en 1934 hasta " Superman Returns " en el 2006. El objetivo de este trabajo es describir cómo Superman en sus diferentes versiones va describiendo el Imaginario Social hegemónico de los Estados Unidos, conformando una síntesis de ese imaginario que nos revela cuáles son los valores de esa sociedad, cómo son vistas las instituciones sociales, y que salida propone para la sociedad así como para cada uno de los sujetos que lo conforman. -
Up, up and Across: Superman, the Second World War and the Historical Development of Transmedia Storytelling’
Freeman, M. (2015) ‘Up, up and across: Superman, the Second World War and the historical development of transmedia storytelling’. Historical Journal of Film, Radio and Television, 35 (2): 215-239. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Historical Journal of Film, Radio and Television on 08/08/2014 available online: http://www.tandfonline.com/10.1080/01439685.2014.941564 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Up, Up and Across: Superman, World War II, and the Historical Development of Transmedia Storytelling Abstract: Re-contextualising the industrial evolution of transmedia storytelling – itself typically branded a product of contemporary media convergence – this article examines the industrial role of transmedia storytelling during a period of Classical Hollywood. Exploring the roles of licensing, corporate authorship, and cross-industrial relations amidst the cultural context of World War II, the article draws on Superman and the expansions of the character’s storyworld across multiple media during the 1940s and 1950s to assess how the media of comics, radio, cinema, and television can be recognised during this period as convergent industry platforms where transmedia narratives unfolded. -
Comics, Cartoons, and Graphic Storytelling
NACAE National Association of Comics Art Educators Media in Cultural Context: Comics, Cartoons, and Graphic Storytelling "Comics are just words and pictures. You can do anything with words and pictures." -- Harvey Pekar This is a course about words, pictures, and stories. We hope over the term to map as broad a range of different things you can do with words and pictures as possible. Our central focus will be on two important strands of graphic storytelling -- comix (understood as both comic strips and comic books) and cartoons (understood as moving images). We will also be looking along the way at other forms of graphic storytelling, ranging from tapestries to children's book illustrations. We will be examining some of the groundbreaking work which helped define comics as a medium in the early part of the 20th century as well as cutting edge work in classical and contemporary comic books (both independent and mainstream). We will be talking about superheros and funny animals, since they have been at the heart of the American comics tradition, but we will be reading a broad range of work which has nothing to do with either genres. We will be looking at issues of visual style, narrative and narration, myth and genre, authorship, ideology, and audience. A word of warning: comics are expensive and we are going to be reading lots and lots of them, so the course readings are going to be astronomically expensive compared with any other CMS subject you have taken before. I will be working with the class to make this material as accessible as possible, but be ready to explain to your parents why you just spent several hundred dollars on funnybooks.