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A Feminist Dialogics Approach in Reading Kee Thuan Chye's Plays
3L: The Southeast Asian Journal of English Language Studies – Vol 22(1): 97 – 109 Reclaiming Voices and Disputing Authority: A Feminist Dialogics Approach in Reading Kee Thuan Chye’s Plays ERDA WATI BAKAR School of Language Studies and Linguistics Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia, Malaysia [email protected] NORAINI MD YUSOF School of Language Studies and Linguistics Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia, Malaysia RAVICHANDRAN VENGADASAMY School of Language Studies and Linguistics Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia, Malaysia ABSTRACT Kee Thuan Chye in all four of his selected plays has appropriated and reimagined history by giving it a flair of contemporaneity in order to draw a parallel with the current socio-political climate. He is a firm believer of freedom of expression and racial equality. His plays become his didactic tool to express his dismay and frustration towards the folly and malfunctions in the society. He believes that everybody needs to rise and eliminate their fear from speaking their minds regardless of race, status and gender. In all four of his plays, Kee has featured and centralised his female characters by empowering them with voice and agency. Kee gives fair treatment to his women by painting them as strong, liberated, determined and fearless beings. Armed with the literary tools of feminist dialogics which is derived from Bakhtin’s theory of dialogism and strategies of historical re-visioning, this study investigates and explores Kee’s representations of his female characters and the various ways that he has liberated them from being passive and silent beings as they contest the norms, values and even traditions. -
THE UNREALIZED MAHATHIR-ANWAR TRANSITIONS Social Divides and Political Consequences
THE UNREALIZED MAHATHIR-ANWAR TRANSITIONS Social Divides and Political Consequences Khoo Boo Teik TRENDS IN SOUTHEAST ASIA ISSN 0219-3213 TRS15/21s ISSUE ISBN 978-981-5011-00-5 30 Heng Mui Keng Terrace 15 Singapore 119614 http://bookshop.iseas.edu.sg 9 7 8 9 8 1 5 0 1 1 0 0 5 2021 21-J07781 00 Trends_2021-15 cover.indd 1 8/7/21 12:26 PM TRENDS IN SOUTHEAST ASIA 21-J07781 01 Trends_2021-15.indd 1 9/7/21 8:37 AM The ISEAS – Yusof Ishak Institute (formerly Institute of Southeast Asian Studies) is an autonomous organization established in 1968. It is a regional centre dedicated to the study of socio-political, security, and economic trends and developments in Southeast Asia and its wider geostrategic and economic environment. The Institute’s research programmes are grouped under Regional Economic Studies (RES), Regional Strategic and Political Studies (RSPS), and Regional Social and Cultural Studies (RSCS). The Institute is also home to the ASEAN Studies Centre (ASC), the Singapore APEC Study Centre and the Temasek History Research Centre (THRC). ISEAS Publishing, an established academic press, has issued more than 2,000 books and journals. It is the largest scholarly publisher of research about Southeast Asia from within the region. ISEAS Publishing works with many other academic and trade publishers and distributors to disseminate important research and analyses from and about Southeast Asia to the rest of the world. 21-J07781 01 Trends_2021-15.indd 2 9/7/21 8:37 AM THE UNREALIZED MAHATHIR-ANWAR TRANSITIONS Social Divides and Political Consequences Khoo Boo Teik ISSUE 15 2021 21-J07781 01 Trends_2021-15.indd 3 9/7/21 8:37 AM Published by: ISEAS Publishing 30 Heng Mui Keng Terrace Singapore 119614 [email protected] http://bookshop.iseas.edu.sg © 2021 ISEAS – Yusof Ishak Institute, Singapore All rights reserved. -
Interrogating Malaysian Literature in English: Its Glories, Sorrows and Thematic Trends
Kunapipi Volume 30 Issue 1 Article 13 2008 Interrogating Malaysian literature in English: Its glories, sorrows and thematic trends Mohammad Quayum Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Quayum, Mohammad, Interrogating Malaysian literature in English: Its glories, sorrows and thematic trends, Kunapipi, 30(1), 2008. Available at:https://ro.uow.edu.au/kunapipi/vol30/iss1/13 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Interrogating Malaysian literature in English: Its glories, sorrows and thematic trends Abstract Malaysian literature in English has just attained its sixtieth anniversary since its modest inception in the late 1940s, initiated by a small group of college and university students in Singapore. Singapore was the academic hub of British Malaya and the only university of the colony was located there, therefore it was natural that a movement in English writing should have started from there. Nonetheless, given the current cultural and political rivalries between Singapore and Malaysia, it is rather ironic that a Malaysian tradition of writing started in a territory that now sees Malaysia as the ‘other’. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol30/iss1/13 149 MoHAMMAD QuayUm Interrogating Malaysian Literature in English: Its Glories, Sorrows and Thematic Trends Malaysian literature in English has just attained its sixtieth anniversary since its modest inception in the late 1940s, initiated by a small group of college and university students in Singapore. -
Sufism in Writings: Mysticism and Spirituality in the Love Poems of Salleh Ben Joned
International Journal of Comparative Literature & Translation Studies ISSN 2202-1817 (Print), ISSN 2202-1825 (Online) Vol. 1 No. 2; July 2013 Copyright © Australian International Academic Centre, Australia Sufism in Writings: Mysticism and Spirituality in the Love Poems of Salleh Ben Joned Nadiah Abdol Ghani Faculty of Modern Languages and Communication University Putra Malaysia Received: 30-05- 2013 Accepted: 30-06- 2013 Published: 31-07- 2013 doi:10.7575/aiac.ijclts.v.1n.2p.33 URL: http://dx.doi.org/10.7575/aiac.ijclts.v.1n.2p.33 Abstract Salleh Ben Joned is seen as a notorious figure in the Malaysian literary scene as a result of his use of profanities and vulgarities, interlacing them into ideas or texts that are seen to be sacred by the society. He is most infamously known for his vivid descriptions of carnal images and sex and its vicissitudes in his poems, thus earning the accusations of being an apostate and his works to be blasphemous. This essay is an attempt at reappraising his love poetry, by explicating the poems using the doctrine of Sufism and its central theme of love and the Beloved/Divine. My view is that his poems are not just describing the ‘profane’ act of sexual copulation, but rather would be more apt in describing a devotee’s spiritual journey towards finding his Beloved or the Divine. Keywords: Salleh Ben Joned, Sacred, Profane, Sufism, Poetry, Love 1. Love Poetry of Salleh Ben Joned In contemporary studies of modern Malaysian literature, Salleh Ben Joned occupies a unique place in the literary imagination of the nation. -
For Justice, Freedom & Solidarity
For Justice, Freedom & Solidarity PP3739/12/2010(025927) ISSN 0127 - 5127 RM4.00 2010:Vol.30No.6 Aliran Monthly : Vol.30(6) Page 1 A change is going to come sing my beloved country a change is going to come when the hornbill flies from the white-haired rajah and the dog's head comes to its senses from Kinabalu to the Kinta Valley the monsson flood will cleanse the dirt list, Gilgamesh, to the words of Utnapishtun resore the order of Hammurabi the tainted and the greedy will be swept away and the earth will swallow the rent collectors arise my beloved country a change is going to come when the ghosts of the murdered are finally appeased and we dance on the graves of unjust judges embrace the Kingdom of Heavenly Peace where no one calls himself a lord go forth, Yuanzhang, make bright the light that shines for Umar on his nightly rounds as he seeks out the hungry and cares for the weak while the city sleeps in the lap of justice rejoice my beloved country a change is going to come when the immigrant sheds the skin of the lion and becomes his genuine self again the scales that are gaulty will no more serve to weight out favours in unequal parts give us instead Ashoka's wheel, his welcome to all faiths, his love for all children Martin will see the promised land and the imam will sit down with priest a change is going to come, my beloved country, so sing, arise, rejoice Kee Thuan Chye May 2010 Kuala Lumpur Written specially for Aliran Dinner 26 June 2010 Aliran Monthly : Vol.30(6) Page 2 EDITOR'S NOTE Challenges to press freedom have emerged as oppo- sition parties run into difficulties in renewing per- CONTENTS mits for their party newspapers. -
Society for Ethnomusicology 58Th Annual Meeting Abstracts
Society for Ethnomusicology 58th Annual Meeting Abstracts Sounding Against Nuclear Power in Post-Tsunami Japan examine the musical and cultural features that mark their music as both Marie Abe, Boston University distinctively Jewish and distinctively American. I relate this relatively new development in Jewish liturgical music to women’s entry into the cantorate, In April 2011-one month after the devastating M9.0 earthquake, tsunami, and and I argue that the opening of this clergy position and the explosion of new subsequent crises at the Fukushima nuclear power plant in northeast Japan, music for the female voice represent the choice of American Jews to engage an antinuclear demonstration took over the streets of Tokyo. The crowd was fully with their dual civic and religious identity. unprecedented in its size and diversity; its 15 000 participants-a number unseen since 1968-ranged from mothers concerned with radiation risks on Walking to Tsuglagkhang: Exploring the Function of a Tibetan their children's health to environmentalists and unemployed youths. Leading Soundscape in Northern India the protest was the raucous sound of chindon-ya, a Japanese practice of Danielle Adomaitis, independent scholar musical advertisement. Dating back to the late 1800s, chindon-ya are musical troupes that publicize an employer's business by marching through the From the main square in McLeod Ganj (upper Dharamsala, H.P., India), streets. How did this erstwhile commercial practice become a sonic marker of Temple Road leads to one main attraction: Tsuglagkhang, the home the 14th a mass social movement in spring 2011? When the public display of merriment Dalai Lama. -
Cultural Policies to the Creation of Nation-States in the Former Colonies
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS THE POLITICS OF DRAMA: POST-1969 STATE POLICIES AND THEIR IMPACT ON THEATRE IN ENGLISH IN MALAYSIA FROM 1970 TO 1999. VELERIE KATHY ROWLAND (B.A. ENG.LIT. (HONS), UNIVERSITY MALAYA) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE ACKNOWLEDGEMENTS Theatre practice is largely undocumented in Malaysia. Without the many practitioners who gave of their time, and their valuable theatre programme collections, my efforts to piece together a chronology of theatre productions would not have been possible. Those whose contribution greatly assisted in my research include Ivy Josiah, Chin San Sooi, Thor Kah Hoong, Datuk Noordin Hassan, Datuk Syed Alwi, Marion D’Cruz, Shanti Ryan, Mano Maniam, Mervyn Peters, Susan Menon, Noorsiah Sabri, Sabera Shaik, Faridah Merican, Huzir Sulaiman, Jit Murad, Kee Thuan Chye, Najib Nor, Normah Nordin, Rosmina Tahir, Zahim Albakri and Vijaya Samarawickram. I received tremendous support from Krishen Jit, whose probing intellectualism coupled with a historian’s insights into theatre practice, greatly benefited this work. The advice, feedback and friendship of Jo Kukathas, Wong Hoy Cheong, Dr. Sumit Mandal, Dr. Tim Harper, Jenny Daneels, Rahel Joseph, Adeline Tan and Eddin Khoo are also gratefully acknowledged. The three years spent researching this work would not have been possible without the research scholarship awarded by the National University of Singapore. For this I wish to thank Dr. Ruth Bereson, for her support and advice during the initial stages of application. I also wish to thank Prof. -
Les Minorités Tamoules À Colombo, Kuala Lumpur Et Singapour : Minorités, Intégrations Socio-Spatiales Et Transnationalités Delon Madavan
Les minorités tamoules à Colombo, Kuala Lumpur et Singapour : Minorités, intégrations socio-spatiales et transnationalités Delon Madavan To cite this version: Delon Madavan. Les minorités tamoules à Colombo, Kuala Lumpur et Singapour : Minorités, inté- grations socio-spatiales et transnationalités. Géographie. Université Paris IV - Paris Sorbonne, 2013. Français. tel-01651800 HAL Id: tel-01651800 https://hal.archives-ouvertes.fr/tel-01651800 Submitted on 29 Nov 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ PARIS-SORBONNE ÉCOLE DOCTORALE de Géographie de Paris Laboratoire de recherche Espaces, nature et culture T H È S E pour obtenir le grade de DOCTEUR DE L’UNIVERSITÉ PARIS-SORBONNE Discipline/ Spécialité : Géographie Présentée et soutenue par : Delon MADAVAN le : 26 septembre 2013 Les minorités tamoules à Colombo, Kuala Lumpur et Singapour : Minorités, intégrations socio-spatiales et transnationalités Sous la direction de : Monsieur Olivier SEVIN, Professeur, Université Paris-Sorbonne JURY : Monsieur Christian HUETZ DE LEMPS, Professeur -
Hindu Religious Practices Exposed in Malaysian Tamil Movies
Hindu Religious Practices Exposed in Malaysian Tamil Movies K. SillIalee I M. Rajantherarr' Abstract Late 19th and ear1y 20th centuries marks the mass migration of people from India to Malaya to work in estates while minority of them came as merchants and to work incivil service. The majority group started their religious practice by worshiping the demigods. On the other hand, the minority group settled in urban areas and they initiated the proper religious practice by building temples for the main deities such as Lord Siva, Lord Muruga as well as Lord Vishnu. After the independence of Malaya, many of those residing in the estates began to shift to urban areas for improvements in their life. These people began to have realisation on the actual way of religious practice and were attracted to the prayers to the main deities such as Lord Shiva and Lord Muruga. Currently, besides the prayers to the main deities, Malaysian Indians have high level or spiritual awareness such as meditation and Siddha philosophy. Though there is a significant evidence or religious awareness among Malaysian Indians, Tamil movies produced in Malaysia still centres in the olden religious practice and the worship to demigods. As such, this research intends to explore the reason for the production of such themes in local Tamil movies. Besides, the researcher also wants to find out the reality in comparison to the movie projections. This research also would shed light the movie of the local Tamil movie producer in exposing the olden religious practice rather than the reality. Keywords: Hindu Religious, Malaysian Tamil Movies, Malaysian Indians, Beliefs, Great Traditions Mr K S~lllalec is currently a Ph.D research candidate at the Department of Indian Studies, Faculty of Arts and SocIal Science, University of Malaya (Malaysia) who has a keen interest in tile field of Hindu religion and CUlture. -
Malaysian Literature in English
Malaysian Literature in English Malaysian Literature in English: A Critical Companion Edited by Mohammad A. Quayum Malaysian Literature in English: A Critical Companion Edited by Mohammad A. Quayum This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Mohammad A. Quayum and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-4929-1 ISBN (13): 978-1-5275-4929-6 TABLE OF CONTENTS Introduction ................................................................................................ 1 Mohammad A. Quayum Chapter One .............................................................................................. 12 Canons and Questions of Value in Literature in English from the Malayan Peninsula Rajeev S. Patke Chapter Two ............................................................................................. 29 English in Malaysia: Identity and the Market Place Shirley Geok-lin Lim Chapter Three ........................................................................................... 57 Self-Refashioning a Plural Society: Dialogism and Syncretism in Malaysian Postcolonial Literature Mohammad -
Mahathir's Islam: Mahathir Mohamad on Religion and Modernity In
University of Hawai'i Manoa Kahualike UH Press Book Previews University of Hawai`i Press Fall 10-1-2018 Mahathir’s Islam: Mahathir Mohamad on Religion and Modernity in Malaysia Sven Schottmann Follow this and additional works at: https://kahualike.manoa.hawaii.edu/uhpbr Part of the Asian History Commons, Islamic Studies Commons, and the Political Theory Commons Recommended Citation Schottmann, Sven, "Mahathir’s Islam: Mahathir Mohamad on Religion and Modernity in Malaysia" (2018). UH Press Book Previews. 15. https://kahualike.manoa.hawaii.edu/uhpbr/15 This Book is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in UH Press Book Previews by an authorized administrator of Kahualike. For more information, please contact [email protected]. MAHATHIR’S ISLAM MAHATHIR’S ISLAM Mahathir Mohamad on Religion and Modernity in Malaysia Sven Schottmann University of Hawai‘i Press Honolulu © 2018 University of Hawai‘i Press All rights reserved Printed in the United States of America 23 22 21 20 19 18 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Names: Schottmann, Sven, author. Title: Mahathir’s Islam: Mahathir Mohamad on religion and modernity in Malaysia/Sven Schottmann. Description: Honolulu: University of Hawai‘i Press, [2018] | Includes bibliographical references and index. Identifiers: LCCN 2018001939 | ISBN 9780824876470 (cloth ; alk. paper) Subjects: LCSH: Mahathir bin Mohamad, 1925—Religion. | Mahathir bin Mohamad, 1925—Political and social views. | Islam and state—Malaysia. | Malaysia—Politics and government. Classification: LCC DS597.215.M34 S36 2018 | DDC 959.505/4092—dc23 LC record available at https://lccn.loc.gov/2018001939 University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. -
The Paradigm of Malayness in Literature
THE PARADIGM OF MALAYNESS IN LITERATURE IDA BAIZURA BAHAR Thesis submitted for the degree of PhD in the Languages and Cultures of South East Asia 2010 Department of South East Asia School of Oriental and African Studies University of London ProQuest Number: 11010464 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010464 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 | SOAP LIRDARY 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. Signed: Ida Baizura Bahar Date: 7 December 2010 3 ABSTRACT This study is a study on the paradigm of Malayness in literature, taking as its point of departure the understanding of Malayness in Malaysia.