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Boston Symphony Orchestra Concert Programs, Season 47,1927

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WOOLSEY HALL .... NEW HAVEN Wednesday Evening, February 1, at 8.15 PROGRWVAE Under the Auspices of the Yale School of Music " . the mechanism is so perfect as to respond to any demand and, in fact, your piano ceases to be a thing of wood and wires, but becomes a sympathetic friend." Wilhelm BachailS, most exacting of pianists, finds in the Baldwin the perfect medium of musical ex- pression. Acclaimed the pianist of pianists, beloved by an ever-growing public, Bachaus has played the Baldwin exclusively for twelve years, in his home and on all his American tours. That loveliness and purity of tone which appeals to Bachaus and to every exacting musician is found in all Baldwins; alike in the Concert Grand, in the smaller Grands, in the Uprights. The history of the Baldwin is the history of an ideal. pquette pano Company 183 FAIRFIELD AVENUE BRIDGEPORT, GONN. WOOLSEY HALL NEW HAVEN FORTY-SEVENTH SEASON 1927-1928 INC. SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, FEBRUARY 1, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1928, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN. Manager G. E. JUDD, Assistant Manager STEIN WAY the instrument of the immortals Not only the best piano, but the best piano value It IS possible to build a piano to beauty of line and tone, it is the sell at any given price, but it is not greatest piano value ever offered! often possible to build a good . Convenient terms will be piano under such conditions. arranged, if desired. Steinway pianos are not—and There is a Steinway dealer in your com- never have been built to a — meet munity, or near you, through whom you price. They are made as well as may purchase a new Steinway piano with human skill can make them, and a small cash deposit, and the balance will the price is determined later. The be extended over a period of two years. result is the world's finest piano. Used pianos accepted in partial exchange. Such an instrument costs more Prices: <fPO and up than a commonplace product—yet * O in point of long life, prestige, and Plus transportation STEINWAY & SONS, Steinway Hall, 109 W. 57th Street, New York Represented by the foremost dealers everywhere Host© Forty-seventh Season, 1927-1928 SERGE KOUSSEVITZKY, Conductor OMNEI Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, ?. Concert-master Kreinin, B. Eisler, D. Hamilton, V Kassman, N. Theodorowicz, J. Hansen, E. Graeser, H. Fedorovsky, P. Leibovici, J. Pinfield, C. Mariotti, V. Leveen, P. Siegl, F. Mayer, P. Zung, M. Knudsen, C. Gorodetzky, L. Tapley, R. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger, S. Violas Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Fiedler, A. Artieres, L. Cauhap6, J. Werner, H. Shirley, P. Avierino, N. Gerhardt, S. Bernard, A. Deane, C. Violoncellos. Bedetti, J. Zighera, A. Langendoen, J. Stockbridge, C. Fabrizio, E. Keller, J. Barth, C. Droeghmans H. Warnke, J. Marjollet L, Basses. Kunze, M. Lemaire, J. Ludwig, 0. Girard, H. Kelley, A. Vondrak, A. Oliver, F. Frankel, I. Dufresne, G Demetrides, L Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gilletj F. Hamelin, G. Laus, A. Bladet, G. Devergie, J. Arcieri, E. AUard, R. Amerena, P Stanislaus, H. Allegra, E. Bettoney, F. (E-flat Clarinet) Piccolo. English Horn Bass Clarinet. ( ^ontra-Bassoon Battles, A. Speyer, L. Mimart, P. Piller, B. Horns. Horns. Trumpets. Trombones. Wendler, G. Valkenier, W. Mager, G. Rochut, J. Pogrebniak, S. Schindler, G. Perret, G. Hansotte, L. Van Den Berg, C. Lannoye, M. Voisin, R. Kenfield, L. Lorbeer, H. Blot, G. Mann. J. Raichman, J. Jones, 0. Adam, E. Tubas. Harps. Timpani. Percussion. Sidow, P. Holy, A. Ritter, A. Ludwig, C. Adam, E. Zighera, B. Polster, M. Sternburg, S. Seiniger, S. Organ. Piano. Celesta. Librarian. Snow, A. Zighera B. Fiedler, A. Rogers, L. J. YOUR OWN TRIP TO EUROPE the first step 5PECI U iinSBAH for MB. AgD ggS. CHARLES BLAMCbg 12 5 2 Saturday April 7 >-. ., ... Sail from Sew Xork at noon on the S.s. BOHA, Pier 59 North River, Foot of West 19th Street. Sunday April 8 ) to ) .:. .... At Sea. Saturday April 14 ) Sunday April 15 ...... Arrive at Funchal, Hadeira at 8.00 AM « Leave " 5.00 Pli Transfer by bullock sled or automobile to the railway station. Hide up Terreiro da Lucta Mountain by the famous Funicular Railroad and descend in the local wicker sleds to the town. Luncheon on shore. Monday April 16 ...... At Sea. Tuesday April 17 .. ..;.. Arrive at Gibraltar 3.00 A» Leave « 5.00 Pis Carriage drive in and about the fortress- town, including the Alameda Gardens and the tieutral Ground. fi'eetoesday .. April Xii ... ...;. At Sea. Thursday April 19 .... ..Arrive at Algiers 8.00 AH Autoaoblle will be waiting to transfer you to the HOTEL ST. GEOhGE. Friday At April 20 J .. .. .. Algiers. Private automobile and guide will be . Tuesday April 24 } supplied for two days' sightseeing in the city and vicinity, visiting the Kasbah, the Poiiite Pescade and the RAYMOND-WHITCOMB will prepare an itinerary for the trip that meets your own special desires in dates, places visited, time spent, cost and other details. They will also make complete advance arrangements for your trip, and their extensive chain of European offices and repre- sentatives will see that they are carried out to your satisfaction. Send for the Raymond-Whitcomb Quide to European Travel RAYMOND & WHITCOMB CO. H. E. SWEEZEY, 80 Center Street 4 Instead of Ravel's Rapsodie Espagnole there will be played the same Composer's Second " Suite from the Ballet "Daphnis et Chloe WOOLSEY HALL NEW HAVEN B©§ Forty-seventh Season, 1927-1928 SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, FEBRUARY 1 AT 8.15 PROGRAMME Mozart . Symphony in E-flat major (Koechel No. 543) I. Adagio; Allegro. II. Andante. III. Menuetto; Trio. IV. Finale; Allegro. Brahms 1 Academic Festival" Overture, Op. 80 Ravel Rapsodie Espagnole I. Prelude a la Nuit. II. Malaguena. III. Habanera. IV. Feria ("The Fair"). Beethoven .... Symphony No. 7, in A major, Op. 92 I. Poco sostenuto; Vivace. II. Allegretto. III. Presto; Assai meno presto: Tempo primo. IV. Allegro con brio. There will be an intermission of ten minutes before Beethoven's symphony 5 — Symphony in E-flat Major (K. 543) Wolfgang Amadeus Mozart (Born at Salzburg, January 27, 1756; died at Vienna, December 5, 1791 ) Mozart wrote his three greatest symphonies in 1788. The one in E-flat is dated June 26, the one in G minor July 25, the one in C major with the fugue-finale August 10. His other works of that year are of little importance with the exception of a piano concerto in D major which he played at the coronation festivities of Leopold II. at Frankfort in 1790. There are canons and piano pieces; there is the orchestration of Handel's "Acis and Galatea" ; there are six German dances and twelve min- uets for orchestra. Nor are the works composed in 1789 of interest with the exception of the clarinet quintet and a string quartet dedi- cated to the King of Prussia. Again we find dances for orchestra, twelve minuets and twelve German dances. Why is this? 1787 was the year of "Don Giovanni"; 1790, the year of "Cosii fan tutte." Was Mozart, as some say, exhausted by the feat of producing three symphonies in such a short time? Or was there some reason for discouragement and consequent idleness ? The Hitter Gluck, composer to the Emperor Joseph II., died No- vember 15, 1787, and thus resigned his position with salary of two Revised Edition FROM By ARTHUR ELSON A Unique and Invaluable Aid to Music Study Practical for Clubs and Schools Completely up to date, covering music from the Early times to the Modernists as well as music of the United States Special Advance of Publication Offer to March 1st, $1.50 the will be ( Thereafter price $2.25) OLIVER DITSON COMPANY 179 Tremont Street, Boston CHAS. H. DITSON & CO., 10 East 34th St., New York thousand florins. Mozart was appointed his successor, but the thrifty Joseph cut down the salary to eight hundred florins. And Mozart at this time was sadly in need of money, as his letters show. In a letter of June, 1788, he tells of his new lodgings, where he could have better air, a garden, quiet. In another, dated June 27, he says: "I have done more work in the ten days that I have lived here than in two months in my other lodgings, and I should be much better here, were it not for dismal thoughts that often come to me. I must drive them resolutely away; for I am living comfortably, pleasantly, and cheaply." He borrowed from Puchberg, a merchant with whom he became acquainted at a Masonic lodge : the letter with Puchberg's memorandum of the amount is in the collection edited by Nohl. Mozart could not reasonably expect help from the Emperor. The composer of "Don Giovanni" and the "Jupiter" symphony was un- fortunate in his Emperors. The first movement begins with a short and slow introduction, Adagio, E-flat major, 4-4, which opens with harmonies for full orchestra. The movement grows sombre, as 'cellos and double basses repeat a rhythm on an organ-point beneath sustained chords (wind instruments and drums) against scale passages for violins and arpeggios for flute.
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  • Nicola Antonio Porpora GERMANICO in GERMANIA

    Nicola Antonio Porpora GERMANICO in GERMANIA

    Season 2015/16 Nicola Antonio Porpora GERMANICO IN GERMANIA New release in August 2015 GERMANICO IN GERMANIA PARNASSUS ARTS PRODUCTIONS Nicola Antonio Porpora GERMANICO IN GERMANIA As interest in the Italian opera serie of the eighteenth century has grown apace in recent years, Handel’s operas are now seen as increasingly mainstream, and several works by Vivaldi and other contemporaries have again seen the light of day, including a few by Nicola Porpora. However, until now, Germanico in Germania has, with the exception of one or two arias, remained firmly hidden on library shelves scattered around Europe. During his lifetime Porpora was as famous as a teacher of singing as for his compositions, so it is little wonder that his score is a veritable feast of vocal delights ripe for resurrection. Born in Naples on 17August 1686 and educated at the city’s Conservatorio dei Poveri di Gesù Cristo, Porporas first opera, Agrippina, was given at the Neapolitan court in 1708. During the period 1715 to 1721, while maestro di cappella at the Naples Conservatorio di In a new co-production with the San Onofrio he also gained a reputation Innsbrucker Festwochen and the as a singing teacher: his most famous Academia Montis Regalis under the pupil was the castrato Farinelli. Almost baton of Alessandro De Marchi and contemporary reports of vocal instruction with set and costumes designed by at such institutions give some idea of the Alfred Peter, Parnassus Arts presents students’ rigorous daily routine: Porpora’s long- forgotten drama, a story from the strange borderlands of the “Before lunch: one hour singing difficult ancient Roman Empire.