WALT DISNEY STUDIOS MOTION PICTURES RELEASE SCHEDULE (Page 1 of 2)

Total Page：16

File Type：pdf, Size：1020Kb

WALT DISNEY STUDIOS MOTION PICTURES RELEASE SCHEDULE (page 1 of 2) 2021 Films 2/19/21 Searchlight NOMADLAND 3/5/21 Disney RAYA AND THE LAST DRAGON 5/7/21 Disney BLACK WIDOW 5/21/21 20th FREE GUY 5/28/21 Disney CRUELLA 6/18/21 Disney LUCA 7/9/21 Disney SHANG-CHI AND THE LEGEND OF THE TEN RINGS 7/16/21 Searchlight NIGHT HOUSE, THE 7/30/21 Disney JUNGLE CRUISE 8/13/21 20th DEEP WATER 8/20/21 20th KING'S MAN, THE 8/27/21 Disney BEATLES: GET BACK, THE 9/17/21 20th DEATH ON THE NILE 9/24/21 Searchlight EYES OF TAMMY FAYE, THE (Limited) 10/15/21 20th LAST DUEL, THE 10/22/21 20th RON'S GONE WRONG 10/29/21 Searchlight ANTLERS 11/5/21 Disney ETERNALS Wed 11/24/21 Disney ENCANTO 12/3/21 Searchlight NIGHTMARE ALLEY (Limited) 12/10/21 20th WEST SIDE STORY 12/17/21 Disney UNTITLED DISNEY LIVE ACTION 2022 Films 1/7/22 20th UNTITLED 20TH CENTURY 2/11/22 20th UNTITLED 20TH CENTURY 3/11/22 Disney TURNING RED 3/25/22 Disney DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS 4/8/22 Disney UNTITLED DISNEY LIVE ACTION 5/6/22 Disney THOR: LOVE AND THUNDER 5/27/22 Disney UNTITLED DISNEY LIVE ACTION 6/10/22 20th UNTITLED 20TH CENTURY 6/17/22 Disney LIGHTYEAR 7/8/22 Disney BLACK PANTHER 2 7/29/22 Disney UNTITLED INDIANA JONES 8/12/22 Disney UNTITLED DISNEY LIVE ACTION 9/16/22 20th UNTITLED 20TH CENTURY 10/7/22 Disney UNTITLED MARVEL 10/21/22 20th UNTITLED 20TH CENTURY 11/4/22 Disney UNTITLED DISNEY LIVE ACTION 11/11/22 Disney CAPTAIN MARVEL 2 Wed 11/23/22 Disney UNTITLED DISNEY ANIMATION 12/16/22 20th AVATAR 2 12/23/22 20th UNTITLED 20TH CENTURY Continued on next page… As Of 2/10/2021 WALT DISNEY STUDIOS MOTION PICTURES RELEASE SCHEDULE (page 2 of 2) 2023 Films 1/13/23 20th UNTITLED 20TH CENTURY 2/17/23 Disney UNTITLED MARVEL 3/10/23 Disney UNTITLED DISNEY LIVE ACTION 3/24/23 20th UNTITLED 20TH CENTURY 5/5/23 Disney UNTITLED MARVEL 5/26/23 Disney UNTITLED DISNEY LIVE ACTION 6/9/23 20th UNTITLED 20TH CENTURY 6/16/23 Disney UNTITLED PIXAR ANIMATION 7/14/23 Disney UNTITLED DISNEY LIVE ACTION 7/28/23 Disney UNTITLED MARVEL 8/11/23 Disney UNTITLED DISNEY LIVE ACTION 9/15/23 20th UNTITLED 20TH CENTURY 10/6/23 Disney UNTITLED DISNEY LIVE ACTION 10/20/23 20th UNTITLED 20TH CENTURY 11/3/23 Disney UNTITLED MARVEL 11/10/23 20th UNTITLED 20TH CENTURY Wed 11/22/23 Disney UNTITLED DISNEY ANIMATION 12/15/23 Disney UNTITLED DISNEY LIVE ACTION 12/22/23 Disney ROGUE SQUADRON 2024 Films 12/20/24 20th AVATAR 3 2025 Films 12/19/25 Disney UNTITLED STAR WARS 2026 Films 12/18/26 20th AVATAR 4 2027 Films 12/17/27 Disney UNTITLED STAR WARS 2028 Films 12/22/28 20th AVATAR 5 As Of 2/10/2021.

Copy Link

Recommended publications

Walt Disney and Animation
Name: _________________________ Walt Disney and Animation Directions: Read the passage and answer the questions. Fascinating facts about Walt Disney, Inventor of the Multiplane Camera in 1936. From http://www.ideafinder.com/history/inventors/disney.htm AT A GLANCE: Walt Disney, inventor of the multiplane camera in 1936, is a legend and a folk hero of the 20th century. His worldwide popularity is based upon the ideas his name represents: imagination, optimism, and self-made success in the American tradition. Through his work he brought joy, happiness, and a universal means of communication. Inventor: Walter Elias Disney Criteria: First to invent. First to patent. Entrepreneur.. Birth: December 5, 1901 in Chicago, Illinois. Death: December 16, 1966 Nationality: American Invention: Multiplane Camera in 1936 Function: noun / still frame motion picture camera Definition: Disney’s invention of the multiplane camera brought better looking, richer animation and in 1937, Snow White and the Seven Dwarfs was the first full-length animated film to use the camera. Patent: 2,201,689 (US) issued May 21, 1940 Milestones: 1923 An aspiring cartoonist leaves for Hollywood 1924 Partnered with older brother Roy, and the Disney Brothers Cartoon Studio was officially born. 1928 First Mickey Mouse sound cartoon "Steamboat Willie" released on November 18, in New York. 1930 Mickey made his debut merchandising appearance on pencil tablets, books and comic strips 1936 Walt invents Multiplane Camera to improve the filming quality of his first picture film. 1937 First full-length animated film "Snow White and the Seven Dwarfs" was released. 1954 "Disneyland" anthology series premiered on network television.
[Show full text]
SCENE 6: VANYA WE LICKED POSTAGE STAMPS! We Didn't Have
SCENE 6: VANYA WE LICKED POSTAGE STAMPS! We didn't have answering machines. You had to call people back. (MASHA moves away.) , We ate Spam, just like the soldiers in World War II did. (to SPIKE) Have you heard of World War II? We played Scrabble and Monopoly. We didn't play video games, in some virtual reality, where we would kill policeman and prostitutes as if that was some sort of entertainment. The popular entertainment wasn't so insane back then. It was sometimes corny, but sincere. We all saw the movie "Davy Crockett" and wore coonskin caps. That may not sound sane, wearing those caps, but it was very innocent. And we all did it, there was a solidarity about it, unlike being alone in your room killing prostitutes in a video game. We followed The Adventures of Ozzie and Harriet. Which starred the real life Ozzie and Harriet Nelson.But "Adventures" was a strange word for the show because it was extremely uneventful. They did things like ...make popcorn in the kitchen. Or ...Iook for missing socks. In retrospect they seemed medicated. It was a stupid show, but it was calming. You didn't feel it was stirring people up and creating serial killers. I'm sorry I'm getting off the point. But my point is the 50s were idiotic but I miss parts of them. When I was 13 I saw Goldfingerwith Sean Connery as James Bond, and I didn't get the meaning of the character name of "Pussy Galore." Went right over my head.
[Show full text]
Goldwyn-Mayer Studios Inc., Paramount Pi
Before the Federal Communications Commission Washington, D.C. 20554 __________________________________________ ) Implementation of Section 304 of the ) Telecommunications Act of 1996 ) CS Docket No 97-80 ) Commercial Availability of Navigation Devices ) ) Compatibility Between Cable Systems and ) Consumer Electronics Equipment ) PP Docket No. 00-67 __________________________________________) PETITION FOR RECONSIDERATION OF THE MOTION PICTURE ASSOCIATION OF AMERICA, INC., METRO- GOLDWYN-MAYER STUDIOS INC., PARAMOUNT PICTURES CORPORATION, SONY PICTURES ENTERTAINMENT INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, AND THE WALT DISNEY COMPANY Jon A. Baumgarten Bruce E. Boyden Proskauer Rose LLP 1233 Twentieth Street NW, Suite 800 Washington, DC 20036 (202) 416-6800 Counsel for the Petitioners February 27, 2004 Before the Federal Communications Commission Washington, D.C. 20554 __________________________________________ ) Implementation of Section 304 of the ) Telecommunications Act of 1996 ) CS Docket No 97-80 ) Commercial Availability of Navigation Devices ) ) Compatibility Between Cable Systems and ) Consumer Electronics Equipment ) PP Docket No. 00-67 __________________________________________) PETITION FOR RECONSIDERATION OF THE MOTION PICTURE ASSOCIATION OF AMERICA, INC., METRO- GOLDWYN-MAYER STUDIOS INC., PARAMOUNT PICTURES CORPORATION, SONY PICTURES ENTERTAINMENT INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, AND THE WALT DISNEY COMPANY The Motion Picture Association of America,
[Show full text]
Walt Disney Imagineering Research & Development, Inc. Request For
Walt Disney Imagineering Research & Development, Inc. Request for Experimental STA ELS File No. 0469-EX-ST-2018 NARRATIVE STATEMENT Pursuant to Section 5.3(a) and (e) and Section 5.61 of the Federal Communications Commission’s (“FCC”) rules, 47 C.F.R. §§ 5.3(a) & (e); 5.61 (2016), Walt Disney Imagineering Research & Development, Inc. (“Disney”) hereby respectfully requests experimental special temporary authority (“STA”) commencing June 1, 2018, to conduct proof-of-concept testing of authorized Part 15 ultra-wideband (“UWB”) equipment within Disney’s park premises at Anaheim, California. Operation of authorized devices on a mobile basis is permitted without an STA. An STA is needed only to test such devices at fixed locations. See generally 47 C.F.R. § 15.519 (2016). Grant of this request would allow Disney to complete the tests it commenced under the STA issued to it under Experimental Licensing System (“ELS”) File No. 1225-EX-ST-2017, call sign WL9XMN. That STA allowed the company to collect initial data to assess the performance and functionality of the equipment, but Disney was unable to complete such tests due to certain limitations. Specifically, Disney’s operations were limited by its access to the the premises. The park has its own schedule for entertainment, maintenance and construction, and the testing had to be scheduled around those activities. In particular, the test operations were limited by the crowd levels during the Thanksgiving and Christmas holiday seasons. Moreover, the ability to conduct tests under the existing STA was affected by the schedules of test personnel, many of whom also work on other projects, or the lack of additional equipment to replace test devices in need of repair.
[Show full text]
The Walt Disney Company and Pixar Inc.: to Acquire Or Not to Acquire?
9-709-462 REV: JANUARY 15, 201 0 J U A N A L C Á CER DAVID COLLIS M A R Y F U R E Y The Walt Disney Company and Pixar Inc.: To Acquire or Not to Acquire? In November 2005, Robert Iger, the newly appointed CEO of the Walt Disney Company, eagerly awaited the box office results of Chicken Little, the company’s second computer-generated (CG) feature film. He knew that, for Disney as a whole to be successful, he had to get the animation business right, particularly the new CG technology that was rapidly supplanting hand-drawn animation.1 Yet the company had been reliant on a contract with animation studio Pixar, which had produced hits such as Toy Story and Finding Nemo, for most of its recent animated film revenue. And the co-production agreement, brokered during the tenure of his predecessor, Michael Eisner, was set to expire in 2006 after the release of Cars, the fifth movie in the five-picture deal. Unfortunately, contract renewal negotiations between Steve Jobs, CEO of Pixar, and Eisner had broken down in 2004 amid reports of personal conflict. When he assumed his new role, Iger reopened the lines of communication between the companies. In fact, he had just struck a deal with Jobs to sell Disney- owned, ABC-produced television shows—such as “Desperate Housewives”—through Apple’s iTunes Music Store.2 Iger knew that a deal with Pixar was possible; it was just a question of what that deal would look like. Did it make the most sense for Disney to simply buy Pixar? Walt Disney Feature Animation Walt Disney Feature Animation began with the production of Snow White and the Seven Dwarfs in 1934.
[Show full text]
Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career.
[Show full text]
Cu-2543 2544 Foreign Claii~S Settlement Comiviission of the United States Washington, D.C
FOREIGN CLAIMS ;SETTLEMENT COMMISSION OF THE UNITED STATES WASHINGTON, D.C. 20579 IN THE M~TTER 0¥ THE CL~I~ OF Claim 2543 Claim No~ CU- 2544 WALT DISNEY PRODUCTIONS Decision No, CU - 6090 ~er ~e In~fio~ Ch~ 8e~ent A~ of 1949. ~ ~endM Counsel ~or clubmen,: Donv~d B. Hag~er~ Esquire Appeal and objections from a Proposed Decision entered on March 3, 1971; No oral hearing requested; hearing on the record. Hearing on the record held on April 28, 1971. FINAL DECIS ION The Commission issued its Proposed Decision in this claim on March 3, 1971, certifying a loss in the amount of $166,704.98 for film product taken from Cuban distributors of claimant’s product in Cuba; and for loss of certain sums due and payable to claimant by Cuban enterprises nationalized by the Government of Cuba° Portions of the claim asserted for loss of future film rentals, damages for copyright infringement, costs of preparation of the claims and attorney fees were denied. Claimant objected to the Proposed Decision, through counsel, and submitted a Brief dated March 19, 1971, in support of the objections. Claimant’s objections were directed only to the denial of the portion of the claim asserted for damages due claimant from the Government of Cuba for copyright infringement arising through exhibition of claimant’s product subsequent to taking of the film product. In the Proposed Decision the Commission determined that claimant’s title to the film product in question was transferred to the Government of Cuba~ along with the usual attributes of such ownership, on the re-
[Show full text]
SPECIAL MEETING/CONVENTION TICKETS Savings Only Available to Attendees and Their Guests
SPECIAL MEETING/CONVENTION TICKETS Savings only available to attendees and their guests. Mixing business with pleasure is easy Network with your colleagues or • Before you arrive, purchase a ticket of 2-Days or longer and save 10% when you make the most of your free reconnect with your friends and family • The more days you play the less you pay per day time with Disney’s Special Meeting/ after a day of meetings. What better • Bonus visit to an additional Disney Experience is included on select tickets • Make it a family vacation with special pricing valid for all of your guests and Convention Theme Park Tickets. place than Walt Disney World® to be customize your tickets with great add-on options awed, inspired & motivated! • Not available at Theme Park Ticket Windows Come for the meeting, then stay for the magic! Star Tours® is a registered trademark of Disney/Lucasfilm, Ltd. ©Disney/ Lucasfilm, Ltd. MAGIC KINGDOM® PARK | EPCOT® | DISNEY’S HOLLYWOOD STUDIOS® | DISNEY’S ANIMAL KINGDOM® THEME PARK ©Disney 2012 MEETING/CONVENTION TICKETS After 2 pm or After 4 pm Meeting/Convention Tickets Days 1 2 Designed with a busy schedule in mind, an “After 2 pm” or an “After 4 pm” Meeting/Convention Ticket allows you to visit one After 2pm $66.00 $116.00 Park Hopper® Option is Walt Disney World® Theme Park after 2 pm or 4 pm each day. Prices are per person and include tax. After 4pm $52.00 available on the After 2 p.m. Meeting/Convention Ticket BONUS VISIT! Specially Priced Meeting/Convention Multi-Day Tickets Included with your purchase of any full/multi-day BONUS VISIT! Buy a 2 days or longer ticket and you also get one visit to your choice of one of the following: (2-Days or longer) Meeting & DisneyQuest® Indoor Interactive Theme Park, Disney’s Typhoon Lagoon Water Park, Disney’s Blizzard Beach Water Park, Convention Ticket.
[Show full text]
Gender, Class and Ethnicity in the Disney Princesses Series – Kirsten Malfroid 1
Universiteit Gent Faculteit Letteren en Wijsbegeerte Gender, Class, and Ethnicity in the Disney Princesses Series Kirsten Malfroid Promotor: Masterproef ingediend met het oog op het behalen van de graad van Dr. Katrien De Moor Master in de Vergelijkende Moderne Letterkunde Academiejaar 2008 - 2009 ii ACKNOWLEDGEMENTS Real heroes and heroines stay in anonymity, but I would still like to extend some words of thankfulness to my family and friends, who “simply” were there with ceaseless support. I would also like to thank the Walt Disney Company, for releasing the movies that became my current material for analysis; my parents, for once taking me to the theater to see them; and Prof. dr. Àngels Carabí Ribera, who teaches at the University of Barcelona, for introducing me to “a whole new world” of gender studies to analyze them. In addition, Sebastian Loll deserves special mention for pointing to Donald Duck‟s collision with fascism, while Kasper Malfroid has spared me the desperation of trying to subdue Microsoft Office. But most of all, I am indebted to my promoter, dr. Katrien De Moor, who guided me with excellent advice and encouraging words until the end. Ghent, augustus 2009 iii TABLE OF CONTENTS Acknowledgements ...................................................................................................... ii Table of Contents ........................................................................................................ iii I. Introduction .........................................................................................................
[Show full text]
Washhtf 5 30, 5' Missouri Ave.) Riggs MONOAR AM RICTURI at Fl:50, 12
KM* NTS columnist. That's just, as well for where he was born, he always an- AMUSFMENTS AMT'S Pete because Keenan shows me his swers, "The United States.” Actually muscles, and boy, oh boy! they’re Eddie was bom in Rumania. “But,” Hollywood: terrific. “I do weight lifting," says he explains on the set of his current Vivien Due to Return Keenan, modestly. “I have a hole picture, “All my sons.” "I don’t con- Leigh June Practices in my head and that's the only sport sider I was born until I came to I can do!” America when I was 10 years old In Romance in 1948 4 Hours Daily * * * * That's a nice way of saying “thank Major Her Paul Henreid goes to Eagle-Lion you” to this country. For Role for “Hollow Triumph.” The reason they changed Charles By Joy Cormody to! Sheiiah Graham Wait ’til you see Ann Miller's Boyer’s picture. “Mortal Coils,” Save for "Caesar and Cleopatra.’’ which was made when she was By hobble skirts in "Easter Parade!” “Vengeance,” is because people been Bob will do his weekly radio V A quite ill and far from looking her fiery best, Vivien Leigh has Hope I hope it won't start the fashion thought the coils had something a stirred broadcast on the S. S. America at 3 v Wierely a beautiful memory to American movie audiences, memory again, because you can't walk in ’em to do with electricity! sea, while coming back from Eng- (Released by North American Newspaper by the recent re-issue of “Gone With the Wind." —you just skip, hop and jump! man who land after the royal command Alliance.) That will be changed, and radically, early in 1948 and the per- Jack Carson has canceled his trip n-ill h p rpsnnncihU frvr t.h* rhflncrp*- foimance! to New York—he says he is too tired houses November lo.
[Show full text]
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers.
[Show full text]
Legal Protection for Literary Titles
6 Legal Protection for Literary Titles A Marxist Case Study Terence P. Ross 946 was a great year for the motion Our Lives – are on the American Film In- picture industry in the United States and stitute’s list of the 100 Greatest Movies. But for movie goers. With the repeal of the at least ten more films from 1946 would be wartime excess profits tax, total net industry recognized by critics and film-goers of today 1profits after taxes soared from $89 million in as classics, still well worth viewing.2 These 1945 to $190 million in 1946. Equally impres- include: sive, 4.7 billion movie tickets were sold in the Alfred Hitchcock’s Notorious, starring United States, making 1946 Hollywood’s all- Cary Grant and Ingrid Bergman; time peak attendance year.1 And, although John Ford’s My Darling Clementine, some might be tempted to attribute these starring Henry Fonda; increases to the expansion of the movie- Charles Vidor’s Gilda, starring Rita going public with the return of soldiers, sail- Hayworth and Glenn Ford; ors and marines from overseas, the more Tay Garnett’s The Postman Always likely reason is simply the phenomenal qual- Rings Twice, starring Lana Turner and ity of movie offerings in 1946. John Garfield; Two films released in 1946 – Frank Cap- Clarence Brown’s The Yearling, starring Gregory Peck and Jane Wyman; ra’s Christmas classic, It’s A Wonderful Life, and William Wyler’s drama of war veterans King Vidor’s Duel in the Sun, starring Joseph Cotton, Gregory Peck and Lio- adjusting to civilian life, The Best Years Of nel Barrymore; Terence Ross is a partner in the Washington, DC, office of Gibson, Dunn s Crutcher LLP engaged in the practice of intellectual property law.
[Show full text]