Sundance Institute Elects Three New Trustees
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The Animated Roots of Wildlife Films: Animals, People
THE ANIMATED ROOTS OF WILDLIFE FILMS: ANIMALS, PEOPLE, ANIMATION AND THE ORIGIN OF WALT DISNEY’S TRUE-LIFE ADVENTURES by Robert Cruz Jr. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Science and Natural History Filmmaking MONTANA STATE UNIVERSITY Bozeman, Montana April 2012 ©COPYRIGHT by Robert Cruz Jr. 2012 All Rights Reserved ii APPROVAL of a thesis submitted by Robert Cruz Jr. This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citation, bibliographic style, and consistency and is ready for submission to The Graduate School. Dennis Aig Approved for the School of Film and Photography Robert Arnold Approved for The Graduate School Dr. Carl A. Fox iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Robert Cruz Jr. April 2012 iv TABLE OF CONTENTS 1. INTRODUCTORY QUOTES .....................................................................................1 -
The World to Come
THE WORLD TO COME Directed by Mona Fastvold *World Premiere - 2020 Venice International Film Festival - Competition* PRESS CONTACTS US Press: Emilie Spiegel, [email protected] Intl Press: Claudia Tomassini, [email protected] SYNOPSIS In this frontier romance framed by the four seasons and set against the backdrop of rugged terrain, Abigail (Katherine Waterston), a farmer’s wife, and her new neighbor Tallie (Vanessa Kirby) find themselves powerfully, irrevocably drawn to each other. As grieving Abigail tends to the needs of her taciturn husband Dyer (Casey Affleck) and Tallie bristles at the jealous control of her husband Finney (Christopher Abbot), both women are illuminated and liberated by their intense bond, filling a void in their lives they never knew existed. Director Mona Fastvold (The Sleepwalker, co-writer of CHILDHOOD OF A LEADER and VOX LUX) examines the interior lives of two women resisting constraints, giving voice to their experiences. Scripted by Jim Shepard and Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford), THE WORLD TO COME explores how isolation is overcome by the power of imagination and human connection. Q&A with Director Mona Fastvold First of all, tell me how the material came your way. It’s an interesting pairing of a novelist adapting a short story — was this a script that came to you fully formed? The script came to me from one of our producers, Whitaker Lader, who had seen my previous film. She and Casey had been developing the script with the screenwriters, Ron Hansen and Jim Shepard, for some time. I was immediately struck by it. -
Transcript Sidney Lumet
TRANSCRIPT A PINEWOOD DIALOGUE WITH SIDNEY LUMET Sidney Lumet’s critically acclaimed 2007 film Before the Devil Knows You’re Dead, a dark family comedy and crime drama, was the latest triumph in a remarkable career as a film director that began 50 years earlier with 12 Angry Men and includes such classics as Serpico, Dog Day Afternoon, and Network. This tribute evening included remarks by the three stars of Before the Devil Knows Your Dead, Ethan Hawke, Marissa Tomei, and Philip Seymour Hoffman, and a lively conversation with Lumet about his many collaborations with great actors and his approach to filmmaking. A Pinewood Dialogue with Sidney Lumet shooting, “I feel that there’s another film crew on moderated by Chief Curator David Schwartz the other side of town with the same script and a (October 25, 2007): different cast, and we’re trying to beat them.” (Laughter) “You know, trying to wrap the movie DAVID SCHWARTZ: (Applause) Thank you, and ahead of them. It’s like a race.” I remember welcome, everybody. Sidney Lumet, as I think all saying that “you know if this movie works, then of you know, has received a number of salutes I’m going to have to rethink my whole idea of and awards over the years that could be process, because I can not imagine that this will considered lifetime achievement awards—which work!” (Laughter) I’ve never seen such a might sometimes imply that they’re at the end of deliberate—I’m going to steal your words, Phil, their career. But that’s certainly far from the case, but—a focus of energy, and use of energy. -
Walt Disney and Animation
Name: _________________________ Walt Disney and Animation Directions: Read the passage and answer the questions. Fascinating facts about Walt Disney, Inventor of the Multiplane Camera in 1936. From http://www.ideafinder.com/history/inventors/disney.htm AT A GLANCE: Walt Disney, inventor of the multiplane camera in 1936, is a legend and a folk hero of the 20th century. His worldwide popularity is based upon the ideas his name represents: imagination, optimism, and self-made success in the American tradition. Through his work he brought joy, happiness, and a universal means of communication. Inventor: Walter Elias Disney Criteria: First to invent. First to patent. Entrepreneur.. Birth: December 5, 1901 in Chicago, Illinois. Death: December 16, 1966 Nationality: American Invention: Multiplane Camera in 1936 Function: noun / still frame motion picture camera Definition: Disney’s invention of the multiplane camera brought better looking, richer animation and in 1937, Snow White and the Seven Dwarfs was the first full-length animated film to use the camera. Patent: 2,201,689 (US) issued May 21, 1940 Milestones: 1923 An aspiring cartoonist leaves for Hollywood 1924 Partnered with older brother Roy, and the Disney Brothers Cartoon Studio was officially born. 1928 First Mickey Mouse sound cartoon "Steamboat Willie" released on November 18, in New York. 1930 Mickey made his debut merchandising appearance on pencil tablets, books and comic strips 1936 Walt invents Multiplane Camera to improve the filming quality of his first picture film. 1937 First full-length animated film "Snow White and the Seven Dwarfs" was released. 1954 "Disneyland" anthology series premiered on network television. -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWA RD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWA RD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES EXODUS: GODS AND KINGS Peter Chernin / Mark Huffam / Michael Schaefer, prods. 20 th Century Fox Ridley Scott, dir. BLACKHAT Jon Jashni / Michael Mann / Thomas Tull, prods. Universal Pictures Michael Mann, dir. THE EQUALIZER Todd Black / Jason Blumenthal / Tony Eldridge / Sony Pictures Mace Neufeld / Alex Siskin / Michael Sloan / Steve Tisch / Denzel Washington / Richard Wenk, prods. Antoine Fuqua, dir. THE EAST Ben Howe / Brit Marling / Jocelyn Hayes-Simpson / Fox Michael Costigan, prods. *theme Zal Matmanglij, dir. TOTAL RECALL Toby Jaffe / Neal H. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell
APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off. -
Litigators of the Week: Latham Duo Clear Clients Caught in Weinstein Scandal
Litigators of the Week: Latham Duo Clear Clients Caught in Weinstein Scandal By Jenna Greene May 3, 2019 Our winners this week are Latham & Watkins partners Marvin Putnam and Laura Washington for their work on behalf of Miramax and a former board member of The Weinstein Company (and current Deputy CEO of Technicolor), Tim Sarnoff, in the Harvey Weinstein-related litigation. Allegations against Weinstein range from sexual harassment to rape, and launched the #metoo movement. Both Miramax and Sarnoff have found themselves Latham partners Laura Washington and Marvin Putnam caught up in the ensuing legal morass, accused in essence of knowingly assisting and enabling with crisis management and deal with the assorted Weinstein to commit sexual assault. resulting government investigations, and this ulti- Putnam and Washington led a Latham team in mately led to our representation of Sarnoff in all of winning dismissal of four separate cases against their the related actions. clients, most recently on April 26. Latham has had a longstanding relationship with They discussed the work with Lit Daily. Miramax, so when they were unfairly sued in the first class action, Miramax reached out for our Lit Daily: Who are your clients? assessment of the suit. Given our involvement with Marvin Putnam and Laura Washington: Miramax, Sarnoff and knowledge of the various media articles which Harvey Weinstein has not been affiliated and claims surrounding Harvey Weinstein, we were with since 2005 when the two parted ways and he best positioned to assist Miramax. went on to start The Weinstein Company; and for- mer board member of The Weinstein Company— Tell us a bit about the scope of the work and (in current Deputy CEO of Technicolor, Tim Sarnoff. -
SCENE 6: VANYA WE LICKED POSTAGE STAMPS! We Didn't Have
SCENE 6: VANYA WE LICKED POSTAGE STAMPS! We didn't have answering machines. You had to call people back. (MASHA moves away.) , We ate Spam, just like the soldiers in World War II did. (to SPIKE) Have you heard of World War II? We played Scrabble and Monopoly. We didn't play video games, in some virtual reality, where we would kill policeman and prostitutes as if that was some sort of entertainment. The popular entertainment wasn't so insane back then. It was sometimes corny, but sincere. We all saw the movie "Davy Crockett" and wore coonskin caps. That may not sound sane, wearing those caps, but it was very innocent. And we all did it, there was a solidarity about it, unlike being alone in your room killing prostitutes in a video game. We followed The Adventures of Ozzie and Harriet. Which starred the real life Ozzie and Harriet Nelson.But "Adventures" was a strange word for the show because it was extremely uneventful. They did things like ...make popcorn in the kitchen. Or ...Iook for missing socks. In retrospect they seemed medicated. It was a stupid show, but it was calming. You didn't feel it was stirring people up and creating serial killers. I'm sorry I'm getting off the point. But my point is the 50s were idiotic but I miss parts of them. When I was 13 I saw Goldfingerwith Sean Connery as James Bond, and I didn't get the meaning of the character name of "Pussy Galore." Went right over my head. -
Goldwyn-Mayer Studios Inc., Paramount Pi
Before the Federal Communications Commission Washington, D.C. 20554 __________________________________________ ) Implementation of Section 304 of the ) Telecommunications Act of 1996 ) CS Docket No 97-80 ) Commercial Availability of Navigation Devices ) ) Compatibility Between Cable Systems and ) Consumer Electronics Equipment ) PP Docket No. 00-67 __________________________________________) PETITION FOR RECONSIDERATION OF THE MOTION PICTURE ASSOCIATION OF AMERICA, INC., METRO- GOLDWYN-MAYER STUDIOS INC., PARAMOUNT PICTURES CORPORATION, SONY PICTURES ENTERTAINMENT INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, AND THE WALT DISNEY COMPANY Jon A. Baumgarten Bruce E. Boyden Proskauer Rose LLP 1233 Twentieth Street NW, Suite 800 Washington, DC 20036 (202) 416-6800 Counsel for the Petitioners February 27, 2004 Before the Federal Communications Commission Washington, D.C. 20554 __________________________________________ ) Implementation of Section 304 of the ) Telecommunications Act of 1996 ) CS Docket No 97-80 ) Commercial Availability of Navigation Devices ) ) Compatibility Between Cable Systems and ) Consumer Electronics Equipment ) PP Docket No. 00-67 __________________________________________) PETITION FOR RECONSIDERATION OF THE MOTION PICTURE ASSOCIATION OF AMERICA, INC., METRO- GOLDWYN-MAYER STUDIOS INC., PARAMOUNT PICTURES CORPORATION, SONY PICTURES ENTERTAINMENT INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, AND THE WALT DISNEY COMPANY The Motion Picture Association of America, -
VOL 30, ISSUE 8 / AUGUST 2021 Celebrate Broadway Celebrate André De Shields De André
VOL 30, ISSUE 8 / AUGUST 2021 thirteen.org 1 EVENING AND NIGHT André De Shields Liza Minnelli Filmmaker Rick McKay (left) with Jane Summerhays, Tommy Tune, and Don Pippin. To view the monthly program guide on our website, visit thirteen.org/schedule CelebrateCelebrate BroadwayBroadway and click on “Program Guide.” ON JUNE 26, after a 15-month shutdown, Chita Rivera, Elaine Stritch, Jane Sum- 11:00 Thou Shalt Not 10:00 POV: “Pier Kids” Broadway officially reopened with Spring- merhays, Tommy Tune, Dick Van Dyke, SYMBOL KEY Kill The homicide of Black, homeless queer Guglielmo Mantovani and trans youth who call steen on Broadway. Hamilton, Hadestown, Ben Vereen, and more, touching on classic Premiere appears to be the New York’s Christopher and Wicked are set to open in September, Broadway shows including Once Upon a consequence of a home Street Pier their home Our productions with more shows welcoming audiences in Mattress, Bye Bye Birdie, Barefoot in the invasion gone wrong. work to carve out coming months. THIRTEEN celebrates this Park, Pippin, and 42nd Street. Aired earlier (Part 3 of 12) REPEATS autonomy and security this month momentous return to the theater with Donna McKechnie shares stories about 3RD, 3AM. in their lives. REPEATS To be announced specials spotlighting Broadway legends, the creation of A Chorus Line. Liza Minnelli 5TH, 4AM AND 9TH, 2:30AM. 8/02 EARLY MON AM hit musicals, and more. recalls stepping into the role of Roxie Hart 12:00 Beyond the Canvas [R] The festivities begin with Broadway: in Chicago in 1975 while Gwen Verdon was 1 SUNDAY 12:30 Austin City Limits: Beyond the Golden Age (Thu 19th, 8 p.m.) on vocal rest. -
Press Releases
Press Releases O’Melveny Guides ViacomCBS Through MIRAMAX Investment April 3, 2020 RELATED PROFESSIONALS FOR IMMEDIATE RELEASE Bruce Tobey CENTURY CITY—April 3, 2020—O’Melveny represented leading media and entertainment company Century City ViacomCBS (Nasdaq: VIACA; VIAC) in its acquisition of a 49percent stake in film and television studio D: +13102466764 MIRAMAX from beIN Media Group. The transaction, previously announced in December 2019, closed today. Amy Siegel ViacomCBS acquired 49 percent of MIRAMAX from beIN for a total committed investment of US$375 million. Century City Approximately US$150 million was paid at closing, while ViacomCBS has committed to invest US$225 million D: +13102466805 —comprised of US$45 million annually over the next five years—to be used for new film and television Silvia Vannini productions and working capital. Century City D: +13102466895 In addition, ViacomCBS’s historic film and television studio, Paramount Pictures, entered an exclusive, long term distribution agreement for MIRAMAX’s film library and an exclusive, longterm, firstlook agreement Eric Zabinski allowing Paramount Pictures to develop, produce, finance, and distribute new film and television projects Century City based on MIRAMAX’s IP. D: +13102468449 Rob Catmull ViacomCBS creates premium content and experiences for audiences worldwide, driven by a portfolio of Century City iconic consumer brands including CBS, Showtime Networks, Paramount Pictures, Nickelodeon, MTV, D: +13102468563 Comedy Central, BET, CBS All Access, Pluto TV, and Simon & Schuster. Eric H. Geffner beIN MEDIA GROUP is a leading independent global media group and one of the foremost sports and Century City entertainment networks in the world.