Honorary Members of the Guild 1886-2017 (By Decade)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
Disseminating Design: the Post-War Regional Impact of the Victoria & Albert Museum’S Circulation Department
DISSEMINATING DESIGN: THE POST-WAR REGIONAL IMPACT OF THE VICTORIA & ALBERT MUSEUM’S CIRCULATION DEPARTMENT JOANNA STACEY WEDDELL A thesis submitted in partial fulfilment of the requirements of the University of Brighton in collaboration with the Victoria & Albert Museum for the degree of Doctor of Philosophy April 2018 BLANK 2 Disseminating Design: The Post-war Regional Impact of the Victoria and Albert Museum’s Circulation Department This material is unavailable due to copyright restrictions. Figure 1: Bill Lee and Arthur Blackburn, Circulation Department Manual Attendants, possibly late 1950s, MA/15/37, No. V143, V&A Archive, © Victoria and Albert Museum, London. Joanna Weddell University of Brighton with the Victoria and Albert Museum AHRC Part-time Collaborative Doctoral Award AH/I021450/1 3 BLANK 4 Thesis Abstract This thesis establishes the post-war regional impact of the Victoria and Albert Museum’s Circulation Department (Circ) which sent touring exhibitions to museums and art schools around the UK in the period 1947-1977, an area previously unexplored to any substantial depth. A simplistic stereotypical dyad of metropolitan authority and provincial deference is examined and evidence given for a more complex flow between Museum and regions. The Introduction outlines the thesis aims and the Department’s role in the dissemination of art and design. The thesis is structured around questions examining the historical significance of Circ, the display and installation of Circ’s regional exhibitions, and the flow of influence between regions and museum. Context establishes Circ not as a straightforward continuation of Cole’s Victorian mission but as historically embedded in the post-war period. -
Arthur Graham Reynolds 1914–2013
GRAHAM REYNOLDS Arthur Graham Reynolds 1914–2013 GRAHAM REYNOLDS (the ‘Arthur’ was firmly suppressed from an early age) was born in Highgate on 10 January 1914. His father, Arthur T. Reynolds, a monu- mental mason, made the tombstones and crosses for Highgate cemetery, priding himself on his lettering. When Graham was about ten, his father died as the result of a war wound and his mother, Eva (née Mullins), daughter of a bank clerk, married Percy Hill, a property manager, who became mayor of Holborn in the 1930s. He was, according to Reynolds, a ‘bad tempered brute’, but he had the saving grace of having acquired a collection of mezzotints which provided the beginnings of a visual education in the home. Furthermore, the family’s move to 82 Gower Street, so near to the British Museum, encouraged Graham’s early interest in art. From Grove House Lodge, a local preparatory school, he obtained a schol- arship to Highgate School. The years there were largely unmemorable, except for the fact that one of the teachers was descended from Sir George Beaumont, Constable’s patron. At school, as he later recollected, he did not suffer unduly from being known as ‘the brain’ and ‘the swot’. In 1932, he went to Cambridge on a maths scholarship at Queens’ College. After the first year he switched to English, but something of the mathematician’s precision remained with him all his life. He used to say that if there had been a faculty of art history in Cambridge at the time, he would have joined that. -
The Organisation and Reception of Eastern Bloc Exhibitions on the British Cold War 'Home Front' C.1956-1979
The Organisation and Reception of Eastern Bloc Exhibitions on the British Cold War 'Home Front' c.1956-1979 VERITY CLARKSON' A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy May 2010 The University of Brighton in collaboration with the Victoria and Albert Museum ABSTRACT This thesis investigates government-sponsored exhibitions originating in the USSR and Eastern Europe held in Britain between 1956-1979. These incoming manifestations of cultural diplomacy were a locus for cultural exchange during the ideological conflict of the Cold War, providing temporary public spaces in which cultural artefacts from the eastern bloc - perceived as an unfamiliar, isolated and rival territory - were displayed and responded to. This research scrutinises the organisation and reception of these usually reCiprocal displays of art, historical artefacts, and commercial goods on the British Cold War 'home front' ~ Taking a British perspective on these exhibitions, this thesis investigates three main research areas. Firstly, organisation: it asks how and why these exhibitions took place and analyses the roles and aims of various British agencies, galleries and museums in facilitating these displays. Secondly, it investigates their cultural diplomatic messages and how they were conveyed through visual and material cultures. Thirdly, it investigates British the responses of British critics and organisational agencies, analysing what these disclose about British attitudes to the Soviet -
Gooding.Joanne Phd.Pdf
Northumbria Research Link Citation: Gooding, Joanne (2012) Design history in Britain from the 1970s to 2012: context, formation, and development. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/14688/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html DESIGN HISTORY IN BRITAIN FROM THE 1970s to 2012: CONTEXT, FORMATION, AND DEVELOPMENT J. V. GOODING PhD 2012 DESIGN HISTORY IN BRITAIN FROM THE 1970s to 2012: CONTEXT, FORMATION, AND DEVELOPMENT Joanne Victoria Gooding M.A. (RCA) A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy January 2012 Abstract This thesis discusses the development of design history in Britain from the 1970s to 2012, arguing that it is a clear example of a network of relationships, intersections of ideas, approaches and intellectual influences that are representative of the complexity of current academic practice. -
Download Publication
COUNCI L 'Sir Ernest Pooley, K .C,V.O ., LL .D . (Chairman) *Dr. B. Ifor Evans, M.A., D.LITT. (Vice-Chairman) The Countess of Albemarle *Sir Bronson Albery Richard Capell, O .B.E., M.M. John Carte r *Sir Kenneth Clark, K .G.B. *Joseph Compton, M .A. *Edric Cundell, C .B.E . Mrs . Hugh Dalton, L.C .C. The Viscount Esher, M .B.E. Sir Cecil Graves, K .C.M .G., M.C . Wyn Griffith, O.B.E. George T. McGlashan, C .B.E. SCOTTISH COMMITTEE George T, McGlashan, C .B.E. (Chairman) Ian Finlay Sir Cecil Graves, K .C.M .G ., M .C . J. A . Henderson The Rev . George F, MacLeod, M.C . J. McNaught Hugh Marshall Miss Isobel Sinclair E. K. Waterhouse, M .B.E. William Wilson WELSH COMMITTE E Wyn Griffith, O .B.E . (Chairman) P. H. Burton Sir William Llewellyn Davies Mrs. Irene Edward s C. E . Gittins John Hughes Professor Gwyn Jones Dewi Llwyd Jones Morgan Nicholas D . H . 1. Powell Miss Frances Rees Dr. W . J. Williams, Hon . LL .D. ART PANE L Sir Kenneth Clark, K .C .B. (Chairman ) Sir Colin Anderson Sir Leigh Ashton Oliver Brown Prof. William Coldstream Trenchard Cox Sir Philip Hend Mrs . Cadet Keir Lynton Lamb Henry Moore Rodrigo Moynihan Ernest Musgrave Herbert Read, D.S .O., John Rothenstein, C.B.E. Gordon Russell, C .B.E., M.C. M.C . E. K. Waterhouse, M .B .E. Care[ Weight Mrs. Somerville DRAMA PANE L Sir Bronson Albery (Chairman) Miss Peggy Ashcroft, C.B.E. Leslie Banks, C.B.E. -
Charles Travis Clay Papers Handlist
Charles Travis Clay Archive of Family Papers with William Snowdon Robson family papers Charles Travis Clay (1885-1978), son of John William Clay of Rastrick and Alice Caroline Pilleau; and Violet Clay (1892 - 1972), daughter of William Snowdon Robson and Catherine Emily Burge Robson, wife of Charles Travis Clay. Collection arranged and catalogued 2018 by Miriam Buncombe Genealogical wheel made by Charles Travis Clay, based on an earlier wheel by his father John William Clay TABLE OF CONTENTS P. Foreword i Note on arrangement iii Box list v I. ARCHIVE INVENTORY 1. CORRESPONDENCE 2 CTC personal correspondence: general mixed correspondence (chronological) 2 Family 8 Friends 9 special occasions (public) 10 special occasions (personal) 11 education 11 CTC professional correspondence: war service 12 Colonial Office; India Office; House of Lords 12 Library research and publications 13 CTC correspondence: other recipients 17 2. CTC DIARIES AND VERSE 18 3. PERSONAL AND FAMILY 19 Clay family photos 19 Charles Travis Clay personal materials 19 Balliol: Charles Travis Clay materials relating to Balliol College, Oxford 20 Rastrick House 21 Clay family 21 4. CTC PROFESSIONAL MATTERS 23 Charles Travis Clay materials relating to military service 23 CTC professional activities in Westminster 23 5. CTC RESEARCH AND PUBLICATIONS 25 6. CTC PERSONAL GENEALOGICAL RESEARCH CLAY/PILLEAU 28 7. EDITH CLAY 36 8. ROBSON 37 Robson family records and correspondence 37 Research on William Snowdon Robson 40 Robson family history 43 II. INDEX OF PERSON NAMES 44 Foreword The Clay collection centres around the papers of Charles Travis Clay (1885 – 1978). It includes his extensive personal and professional correspondence, with materials relating to his military service during the First World War, his employment with Lord Crewe in the Colonial Office and India Office from 1908, and his career as Librarian to the House of Lords from 1922. -
La Gazette Des Beaux-Arts (1859-2002)
Feuille1 Répertoire de cent revues francophones d'histoire et de critique d'art de la première moitié du XXe siècle LA GAZETTE DES BEAUX-ARTS (1859-2002) Les dates extrêmes de la Gazette des beaux-arts dépassant le cadre chronologique appliqué au Répertoire , ce dépouillement ne concerne que la période 1900-1950 AUTEUR ARTICLE REVUE N° DATE PAGES DE CHENNEVIERES, Henri Le legs de la baronne Nathaniel de Rothschild au musée du Louvre Gazette des beaux-arts n° 511 Janvier 1900 p. 5-9 PORTALIS, Roger (Baron) Claude Hoin (deuxième article) Gazette des beaux-arts n° 511 Janvier 1900 p. 10-24 GAUTHIEZ, Pierre Notes sur Bernardino Luini (troisième article) Gazette des beaux-arts n° 511 Janvier 1900 p. 25-38 DE NOLHAC, Pierre Les bosquets de Versailles (deuxième article) Gazette des beaux-arts n° 511 Janvier 1900 p. 39-54 A travers la Souabe. - Stuttgart - Ulm - Blauberure- Sigmaringen. - Notes MÜNTZ, Eugène Gazette des beaux-arts n° 511 Janvier 1900 p. 55-67 d'art et d'archéologie (troisième article) MAETERLINCK, L. [Louis] Une œuvre inconnue de Jérome Bosch (Van Aken) Gazette des beaux-arts n° 511 Janvier 1900 p. 68-74 FRIZZONI, Gustave Une feuille de dessins inédite de la main de Raphaël Gazette des beaux-arts n° 511 Janvier 1900 p. 75-82 Bibliographie. - L'Œuvre gravé de P.-L. Debucourt (1755-1832), par TOURNEUX, Maurice Gazette des beaux-arts n° 511 Janvier 1900 p. 83-85 Maurice Fenaille MARGUILLER, Auguste [Bibliographie]. - Les Saints Evangiles, traduction par l'abbé Glaire Gazette des beaux-arts n° 511 Janvier 1900 p. -
MUSEOS DEL MUNDO- Prof.Dr. Enrique Barmaimon- TOMO III- Año 2016
MUSEOS DEL MUNDO- Prof.Dr. Enrique Barmaimon- TOMO III- Año 2016.- - MUSEOS DEL MUNDO - AUTOR: Prof. Dr. Enrique Barmaimon. Doctor en Medicina. Cátedras de Anestesiología Cuidados Intensivos Neuroanatomía Neurofisiología Psicofisiología Neuropsicología. -AÑO 2016- 1ª Edición Virtual: (15.10.2016)- MONTEVIDEO, URUGUAY. - TOMO III - 245 MUSEOS DEL MUNDO- Prof.Dr. Enrique Barmaimon- TOMO III- Año 2016.- Queda terminantemente prohibido reproducir este libro en forma escrita y virtual, total o parcialmente, por cualquier medio, sin la autorización previa del autor. Derechos reservados. 1ª Edición. Año 2016. Impresión virtual-.svb,smu - email: [email protected]. Montevideo, 15 de octubre de 2016. - 246 MUSEOS DEL MUNDO- Prof.Dr. Enrique Barmaimon- TOMO III- Año 2016.- - TOMO III - -ÍNDICE. - Tomo I- - INDICE. -INTRODUCCIÓN. - I)- GENERALIDADES. -1)- MUSEOS DE ARTE MUNDIALES MÁS VISITADOS. -1.1)- GENERALIDADES. -1.2)- REFERENCIAS DE MUSEOS DE ARTE. - MUSEOS DE CIENCIAS DEL MUNDO. -MUSEO. -HISTORIA. -FILOSOFÍA DE LA HISTORIA. -Tomo II- -1.3)- RELACIÓN MUSEOS DEL ARTE: 1 al 10: Museo del Louvre París Francia 1 Ciudad del 2 Museos Vaticanos Roma Vaticano 3 Museo Británico Londres Reino Unido 4 Museo Metropolitano de Arte Nueva York Estados Unidos 5 Tate Modern Londres Reino Unido 6 National Gallery de Londres Londres Reino Unido Washington 7 Galería Nacional de Arte Estados Unidos D.C. 8 Museo de Arte Moderno de Nueva York Nueva York Estados Unidos 9 Centro Pompidou París Francia Museo Nacional de Corea 10 Seúl Corea del Sur (국립중앙박물관) -Tomo III- -Relación de Museos de Arte. .Relación del 11 al 20. 247 MUSEOS DEL MUNDO- Prof.Dr. Enrique Barmaimon- TOMO III- Año 2016.- 11 Museo de Orsay París Francia 12 Museo del Prado Madrid España 13 Museo de Victoria y Alberto Londres Reino Unido Museo del Hermitage (Государственный San 14 Rusia Эрмитаж) Petersburgo 15 Centro Cultural Banco do Brasil de Rio Rio de Janeiro Brasil 16 Museo Nacional Centro de Arte Reina Sofía Madrid España Estados 17 M. -
Contemporary Art Society Annual Report 1968-69
Front Cover: Bridget Riley - Untitled Screenprint 1965 (acquired 1966) Chairman's Report 27 June 1969 Patron My report which I have pleasure in guinea. As you will know the new rate presenting covers the Society's activities Her Majesty Queen Elizabeth The Queen Mother of two guineas was introduced in 1963 from June last year until today. Mr. and is modest enough. I must appeal Peter Meyer our Treasurer will cover Executive Committee to anyone who has not already done the Society's financial year which ended so to put things right as soon as Whitney Straight CBE MC DFC Chairman in December 1968 in his speech which possible because we badly need the Anthony Lousada Vice-Chairman follows mine. Peter Meyer Honorary Treasurer money in order to maintain, and if The Hon John Sainsbury Honorary Secretary The buyers for 1968, Michael Astor, possible expand our buying programme. G. L. Conran Norman Reid and myself, spent just When we arranged the presentation to The Hon Michael Astor (until June 1968) under £4,000 and acquired between us the Nation of Henry Moore's magnificent The Lord Croft (until June 1968) 22 works. This year the Buyers are sculpture it was also our intention to Alan Bowness David Sylvester and David Thompson. acquire for subsequent presentation a James Melvin We were very sorry to lose Lord Croft, work by one of the younger generation. Dr Kenneth Marsh and Michael Astor when they retired Norman Reid We bought "Span" by Philip King. David Sylvester from the Committee in accordance with Pending a decision on the final David Thompson Article 41 and this year we are to lose location "Span" was shown at the Nancy Balfour James Melvin and Alan Bowness. -
City Research Online
Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth-century British art in Britain. (Unpublished Doctoral thesis, City University, London) City Research Online Original citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) Permanent City Research Online URL: http://openaccess.city.ac.uk/17420/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected]. 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCHEMES AND THEIR 1l\1PACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUl\1 COLLECTIONS OF TWENTIETH-CENTURY BRITISH ART IN BRITAIN VOLUME) Angela Summerfield Ph.D.