The Roots of Comedy: the Double Life of Laurel and Hardy Pdf, Epub, Ebook
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Transnational Sound of Harpo Marx
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo. -
Comedia Cinematográfica.Pdf
Conferencia sobre comedia cinematográfica y propaganda de guerra durante la Segunda Guerra Mundial Universidad del Sagrado Corazón Biblioteca Madre María Teresa Guevara Jueves 22 de julio de 2021 Carlos M. González Morales Objetivo de esta presentación En este coloquio intentaremos acercarnos a las características generales presentes en las producciones cinematográficas hollywoodenses del género de la comedia y que cubrieron una temática alusiva a la Segunda Guerra Mundial en momentos en que ocurría dicho conflicto. Esta presentación no procura decir la última palabra sobre este asunto. Por el contrario, pretende que otras personas se interesen en esta materia y continúen indagando sobre este y otros temas similares. ¿Qué es “propaganda”? La propaganda es la persuasión masiva de la población para encaminarla a la ejecución de un comportamiento convincente y entusiasta con una finalidad política. La misma utiliza una combinación de métodos disuasivos de comunicación que sirven de control social y modo de legitimación de dicho comportamiento. Hollywood y la Segunda Guerra Mundial El impacto de la Segunda Guerra Mundial trastocó todos los aspectos políticos, económicos, religiosos y sociales del pueblo estadounidense. La industria cinematográfica, en su afán de colaborar, puso a disposición de la causa, una considerable cantidad de recursos para generar producciones que contribuyeran a exponer muchos de los aspectos del conflicto bélico. Estas, obraban un efecto positivamente estimulante y moralizante que servía, tanto de entretenimiento, como de propaganda. Cine dramático sobre la guerra Luminarias del cine dramático como Joan Crawford, Anna Lee, Ingrid Bergman, Lauren Bacall, Ann Sheridan, Clark Gable, Edward G. Robinson, Ray Milland, Humphrey Bogart, Errol Flynn, Henry Fonda, John Wayne y Ronald Reagan, entre muchos otros, estuvieron en la mejor disposición de estelarizar dramas y filmes de acción con contenidos relativos al conflicto armado y a los infortunios internacionales que al momento se desarrollaban. -
Music Inside out with Gwen Thompkins
Music Inside Out with Gwen Thompkins www.musicinsideout.org Don Vappie Playlist Classified James Booker The Flying Deuces from The Flying Deuces (also known as Flying Aces (1939) Directed by: A. Edward Sullivan Starring: Stan Laurel and Oliver Hardy Salee Dames, Bon Jour Don Vappie and the Creole Jazz Serenaders Look at Me Don Vappie The World is Waiting for the Sunrise Don Vappie The World is Waiting for the Sunrise from The Flying Deuces Laurel and Hardy Must Be Santa Bob Dylan Froggie Moore Don Vappie and the Creole Jazz Serenaders Skoodle Um Skoo Don Vappie and the Creole Jazz Serenaders Riverside Blues Don Vappie and the Creole Jazz Serenaders Buddy Bolden Blues Don Vappie Careless Love Don Vappie A.T.T. Amadou Toumani Toure Jazz Battle Don Vappie and the Creole Jazz Serenaders Liza (All the Clouds'll Roll Away) Chick Webb and His Orchestra The Joint is Jumpin' Fats Waller Les Oignons Don Vappie Cissy Strut Don Vappie Cissy Strut The Meters That's the Way of the World Don Vappie Carnival (Manha de Carnaval) Freddie Hubbard Fantasy Earth, Wind and Fire Suite for Banjo and Orchestra Richard Rosenberg, Hot Springs Music Festival Orch, & Don Vappie Ran So Hard the Sun Went Down Otis Taylor (with Don Vappie) Theme From the Pink Panther Henry Mancini, (with Plas Johnson) Flying Horses Don Vappie My Bucket's Got a Hole in It Don Vappie Classified James Booker Express Yourself Don Vappie. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Comedy and Work
'You don’t have to be crazy to work, but it helps' : work in film comedies of the 1930s White, G Title 'You don’t have to be crazy to work, but it helps' : work in film comedies of the 1930s Authors White, G Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/37539/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. You don’t have to be a crazy to work, but it helps: Work in comedies of the 1930s Glyn White, University of Salford Having recently published an overview of film, television and radio comedy (Mundy and White 2012) I am curious how relatively seldom work appears in the foreground of comedy texts. Comedy is drawn to controversial areas and ideological fractures in the social structure with issues of taste, class, gender, race and sexuality consistently appropriating the focus. Work is the background, the normal and quotidian against which the comic can emerge. Certainly there is humour to be found in work activities and environments, but work itself is so monolithic in our lives that our fondest wish is often to escape it and its domination of our time. -
Friday 16 November 2018, London. BFI Southbank Kicks Off 2019 with a Major Season Dedicated to the Groundbreaking and Influential Films of Michelangelo Antonioni
ONSTAGE AT BFI SOUTHBANK: PRODUCERS STEPHEN WOOLLEY AND ELIZABETH KARLSEN (COLETTE), WRITER AND BROADCASTER MARK KERMODE, DIRECTOR DEAN DEBLOIS AND PRODUCER BRAD LEWIS (HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD), DIRECTOR JESSICA LESKI (I USED TO BE NORMAL: A BOYBAND FANGIRL STORY), HOST OF THE GUILTY FEMINIST DEBORAH FRANCES- WHITE, VISUAL ARTIST AND BEATBOXER REEPS ONE Film previews: HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD (Dean DeBlois, 2019), BEAUTIFUL BOY (Felix van Groeningen, 2018), DESTROYER (Karyn Kusama, 2018), COLETTE (Wash Westmoreland, 2017), HALE COUNTY THIS MORNING, THIS EVENING (RaMell Ross, 2018) New and Re-Releases: SORRY TO BOTHER YOU (Boots Riley, 2018), FREE SOLO (Elizabeth Chai Vasarhelyi, Jimmy Chin, 2018), THE PASSENGER (Michelangelo Antonioni, 1975), STAN AND OLLIE (Jon S Baird, 2018), BERGMAN: A YEAR IN A LIFE (Jane Magnusson, 2018) Friday 16 November 2018, London. BFI Southbank kicks off 2019 with a major season dedicated to the groundbreaking and influential films of Michelangelo Antonioni. This major two month season ANTONIONI: CONFRONTING THE MODERN WORLD WITH STYLE will include a BFI re-release of Antonioni’s last American film, The Passenger (1975) starring Jack Nicholson and Maria Schneider, which will be back in selected cinemas across the UK from Friday 4 January. This month will also include a season honouring the maverick producer-director whose vision and ambition transformed British cinema; THE GOLDEN AGE OF ALEXANDER KORDA: BRITAIN’S MOVIE MOGUL includes screenings of The Private Life of Henry VIII (Alexander Korda, 1933) in a new BFI 4K restoration; Korda’s collaboration with HG Wells Things to Come (William Cameron Manzies, 1936) and That Hamilton Woman (Alexander Korda, 1941) starring Laurence Olivier and Vivien Leigh. -
Renown Pictures New Dvd Release Includes Everything on These Two Pages
Freeview 81 Film Club Sky 328 newsletter Freesat 306 JULY/AUGUST 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, We are excited to announce that our first confirmed guest for Stockport on Sunday October 10th is the lovely Amanda Barrie, Carry On star and TV soap queen, with many film & TV appearances; you may have seen her on TPTV in What a Whopper, I’ve Gotta Horse, Doctor in Distress and A Pair of Briefs among others. We are delighted to tell you that our hosts for the day will be Frazer Hines & Jenny Hanley. The day before, at the Savoy Cinema in Heaton Moor, our Saturday Morning Pictures show will be great fun for all you kids aged 50+! Tickets include breakfast roll, tea/coffee, free popcorn and a limited edition enamel badge. There will be prizes, a great line up of films & shorts on screen and audience participation. We are also looking forward to meeting our fellow film boffins at the Savoy for a quiz with afternoon tea.To those of you who have booked places for these events, tickets with information packs will be dispatched in August as ‘happy days are here again’ to quote dear Betty Driver! If you haven’t booked yet, grab your tickets quick – more details on page 11 and page 29. We can’t wait to see you all again! This month we are proud to present the latest in our Crime Collection series, Volume 8. This includes 11 rare and previously lost films, such asThe Girl on the Pier with Veronica Hurst; the once lost short, Vacant Possession with Brian Murphy; and Sid James & Bonar Colleano in Escape by Night. -
Ticket to Paradise
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 2nd August 2021 FREESAT 306 | VIRGIN 445 Ticket to Paradise on Talking Pictures TV Patricia Dainton, Emrys Jones, Vanda Hudson, Denis Shaw, Claire Gordon and Gretchen Franklin star in this previously lost romance, unseen for years. Made in 1961 and directed by Francis Searle, the film tells the story of romance between a travel agent and a tourist on holiday in an Italian fishing village.Airs: Monday 2nd August 4:55pm. Monday 2nd August 7:25am Tuesday 3rd August 9pm My Teenage Daughter (1956) Friends (1971) Drama. Director: Herbert Wilcox. Stars: Drama. Director: Lewis Gilbert. Stars: Anna Neagle, Sylvia Syms, Sean Bury, Anicee Alvina and Ronald Norman Wooland & Wilfrid Hyde-White. Lewis. An orphaned French girl and A mother tries to deal with her teenage a rich English boy create a life apart daughter’s descent into delinquency. from the adult world. Monday 2nd August 6:35pm Wednesday 4th August 8:15am Go Kart Go (1963) Hide and Seek (1972) Action. Director: Jan Darnley-Smith. Children’s Film Foundation film with Star: Dennis Waterman, Frazer Hines & Gary Kemp, Roy Dotrice and Robin Askwith. A boy runs away from an Melanie Garland. Rival groups build approved school to convince his dad to go-karts to win the local go-kart race. go to Canada with him. Monday 2nd August 9pm Wednesday 4th August 10:30am The Chairman (1969) Carnival (1946) Action. Director: J Lee Thompson. Drama. Director: Stanley Haynes. Stars: Gregory Peck, Anne Heywood Stars: Sally Gray, Michael Wilding, and Conrad Yama. -
No One Ever Dies» – Burleske Und Tod. Zum Umgang Der „Sahnetorten-Moral“ Mit Einem Genre-Tabu 2008
Repositorium für die Medienwissenschaft Matthias Steinle «No one ever dies» – Burleske und Tod. Zum Umgang der „Sahnetorten-Moral“ mit einem Genre-Tabu 2008 https://doi.org/10.25969/mediarep/2148 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Steinle, Matthias: «No one ever dies» – Burleske und Tod. Zum Umgang der „Sahnetorten-Moral“ mit einem Genre- Tabu. In: AugenBlick. Marburger Hefte zur Medienwissenschaft. Heft 43: ENDE – Mediale Inszenierungen von Tod und Sterben (2008), S. 41–51. DOI: https://doi.org/10.25969/mediarep/2148. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. -
New Mexico Lobo, Volume 042, No 21, 11/21/1939." 42, 21 (1939)
University of New Mexico UNM Digital Repository 1939 The aiD ly Lobo 1931 - 1940 11-21-1939 New Mexico Lobo, Volume 042, No 21, 11/21/ 1939 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1939 Recommended Citation University of New Mexico. "New Mexico Lobo, Volume 042, No 21, 11/21/1939." 42, 21 (1939). https://digitalrepository.unm.edu/ daily_lobo_1939/58 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1931 - 1940 at UNM Digital Repository. It has been accepted for inclusion in 1939 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. - -----------------------------------------,,--------~~~~~~~--~~~-.. 1, ' Page Four u NEW MEXICO LOBO Friday, November 17, 1939 -·~·--.. -·-·-·--:-"_"_,_,_,_,_,_,_,_,_, __ ,_1 FIRST TEACHER TO BUY Former University Art Student Words and Music • • • • • lOBO SUBSCRIPTION I Social Highlights By Woolworth Becoming Foremost State Artist NEW MEXICO LOBO ____.. _,,_,,_ .. _.,_,,_,,_,_ .. _,,_,,_,_, __.. _,,_, __ .. _,. '"===========================..JJ IS DR. MITCHELL Shop From Tibbett: Befo1·e tho concert be- been shown and we should have Martin Shaffer, a former stu- Quid Nunc Christmas NANNINGAS ENTERTAIN Recovering! gun, as the 2,800 chairs were bE;!ing heard many more :fine .son~a. At 11:47 o'clock Thursday morn~ dent of art at the University is Lobo Advertisers Today Publication of the Associated Students of the University of New Mexico taken and the balcony hl\d been Buildhtg: The ncqd of some sort ing Dr. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z DECEMBER 2020 S y 3 Godfathers (1949) 12/12 Hc Berth Marks (1929) 12/7 Ho Colorful Colorado (1944) 12/12 P a ADVENTURE a The 7th Voyage of Sinbad (1958) 12/9 D The Best Years of Our Lives (1946) 12/18 Ho Colorful Holland (1950) 12/5 R Beyond Tomorrow (1940) 12/20, 12/24 Hc Come Clean (1931) 12/14 S –––––––––––––––––––––– ––––––––––––––––––––––– S c COMEDY A Hc Big Business (1929) 12/7, 12/19 D Come to the Stable (1949) 12/21, 12/22 D Above and Beyond (1952) 12/3 D The Big Cube (1969) 12/15 D Cool Hand Luke (1967) 12/14 P z CRIME w Ace of Aces (1933) 12/2 h The Birds (1963) 12/30 u Cover-Up (1949) 12/19, 12/22 c Africa Screams (1949) 12/4 c The Bishop’s Wife (1947) 12/19, 12/24 c Crooks Anonymous (1962) 12/21 o a The African Queen (1951) 12/25 h Black Christmas (1975) 12/18 R Crossing Delancey (1988) 12/1 DOCUMENTARY u After the Thin Man (1936) 12/31 c Blessed Event (1932) 12/3 a The Crowded Sky (1960) 12/1 c Air Raid Wardens (1943) 12/28 S c Block-Heads (1938) 12/14 S D DRAMA o Alert Today - Alive Tomorrow (1956) 12/3 Hc Blotto (1930) 12/7 S –––––––––––––––––––––– D ––––––––––––––––––––––– u Alias Boston Blackie (1942) 12/19 a The Blue Bird (1940) 12/21 u D.O.A. (1950) 12/3 e EPIC D All Mine to Give (1957) 12/13, 12/24 c The Bohemian Girl (1936) 12/7 m The Daughter of Rosie O’Grady (1950) 12/23 D R All That Heaven Allows (1955) 12/23 Bombers B-52 (1957) 12/11 D David Copperfield (1935) 12/8 HORROR/SCIENCE-FICTION S c And So They Were Married (1936) 12/22 c Bonnie Scotland (1935) 12/14 w The Dawn Patrol (1938) 12/2 z Angel -
Vol. 3 Discussion Guide!
Movie Memories - Discussion Guide for Volume Three Show film clips one at a time to a group. Four questions (as noted below) come onscreen at the end of each segment followed by the word “Memories” over a sunset. Pause the DVD on each question for discussion. The group leader can also refer to this Discussion Guide to trigger responses and sharing of memories stirred up by the film. Disc #1 (49 minutes of film) “The Pinky Lee Show” (1954, 10 min.) Would you let your little girl play games with Pinky Lee? Was there a local TV kids show in your city? How much would you need to be paid to dance with Pinky and those embarrassed adults? Which TV kid shows did your kids like? The hyperactive kid show host Pinky Lee appeared on television from 1950 to 1965. This episode is from 1954. Does anyone remember Pinky Lee? Local television kid shows were popular in the 1950s and 1960s in most large cities. They were broadcast live with hosts like Clancy the Cop, who showed cartoons and Our Gang shorts while interacting with the audience similar to the national Howdy Doody Show. Did you ever attend a local live TV show with a host? Did you ever appear on local television? “The Other Fellow” (1940, 9 min.) Did Edgar Kennedy look familiar? How about the Chevrolets? It’s lucky they outlawed tailgating and cutting in! Did anyone ever take your parking spot? What kind of hand signal did you give them? “Slow Burn” Edgar Kennedy was a comic foil for Laurel and Hardy, Our Gang and the Marx Brothers, and he also had his own series of comedy shorts at RKO during the 1930s and 1940s.