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AN UNDERGRADUATE THESIS AN ANALYSIS OF FIGURATIVE LANGUAGE IN THE MAHER ZAIN’S SONG LYRIC By: KHOIRUL NISA Student Number: 1601070023 ENGLISH EDUCATION DEPARTMENT FACULTY OF TARBIYAH AND TEACHERS TRAINING STATE INSTITUTE FOR ISLAMIC STUDIES OF METRO 1441 H / 2020 M AN ANALYSIS OF FIGURATIVE LANGUAGE IN THE MAHER ZAIN’S SONG LYRIC Presented as a Partial Fulfillment of the Requirements for the Degree of SarjanaPendidikan (S.Pd) In English Education Department By: KHOIRUL NISA Student Number: 1601070023 Tarbiyah and Teacher Training Faculty English Education Department Sponsor: Dr. Umi Yawisah, M.Hum Co-sponsor: Ahmad Subhan Roza, M.Pd STATE INSTITUTE FOR ISLAMIC STUDIES OF METRO 1441 H / 2020 M ii iii iv v vi AN ANALYSIS OF FIGURATIVE LANGUAGE IN THE MAHER ZAIN’S SONG LYRIC ABSTRACT By : Khoirul Nisa The objective of this study was to know of figurative language in the song lyric by Maher Zain. Therefore the researcher formulated a problem statement: What types of figurative language can be found in song lyric by Maher Zain ? This research used a qualitative content analysis where the researcher tried to find out the type of figurative language in the song lyric use by Maher Zain. In this research the writer used all of verse that are attached figurative language as the data. The data source was all the song lyric Insha Allah, For The Rest of My Life and Hold My Hand By Maher Zain. From the results of the data analysis, the researcher concluded that there are n the song "Insha Allah", there are 9 types of figurative languages, namely: Persocanfication, Metaphor, Simile, Hyperbole, Irony, Alliteration, Parallelism, Synecdoche, and Euphemism. And in the song "For The Rest of My Life", there are 3 types of figurative language, namely: Hyperbole, Litotes, and Alliteration. In the song "Hold My Hands", the author found 7 types of figurative languages, namely: Personafikasi, Metaphor, Antithesis, Simile, Irony, Parallelism and Synecdoche. and in the song "Insha Allah" the most commonly used figurative language is Euphemism and Alliteration with a percentage of 25%. And For The Rest Of My Life, the figurative language that is widely used is Hyperbole with a percentage of 60%. While in the song Hold My Hand there is a figurative language that is widely used is personification with a percentage of 10%.The table also shows that and type of figurative language is mostly used,From the conclusion of this research the writer, the writer suggests that to improve their knowledge about the figurative language, the readers should apply the analysis of figurative language or the types of figurative language analysis. Keywords :Analysis figurative language, song lyric, maher zain, insha allah, for the rest of my life, hold my hand vii ANALISIS BAHASA KIASAN DALAM LIRIK LAGU-LAGU MAHER ZAIN ABSTRAK Oleh : Khoirul Nisa Tujuan dari penelitian ini adalah untuk mengetahui bahasa kiasan dalam lirik lagu-lagu Maher Zain. Oleh karena itu peneliti merumuskan masalah: Apa jenis bahasa figuratif yang dapat ditemukan di dalam lirik lagu-lagu Maher Zain? Penelitian ini menggunakan analisis isi kualitatif di mana peneliti mencoba mencari tahu jenis bahasa kiasan dalam lirik lagu-lagu yang dinyanyikan oleh Maher Zain. Dalam penelitian ini penulis menggunakan semua lirik yang dilampirkan bahasa kiasan sebagai data. Sumber data adalah semua lirik lagu Insha Allah, For the Rest of My Life dan Hold My Hand Oleh Maher Zain. Dari hasil analisis data, peneliti menyimpulkan bahwa ada lagu "Insha Allah", ada 9 jenis bahasa kiasan, yaitu: Personificasi, Metafora, Simile, Hyperbola, Ironi, Alliterasi, Parallelism, Synecdoche, dan Euphemism . Dan dalam lagu "For The Rest of My Life", ada 3 jenis bahasa kiasan, yaitu: Hyperbole, Litotes, dan Alliteration. Dalam lagu "Hold My Hands", penulis menemukan 7 jenis bahasa kiasan, yaitu: Personifikasi, Metafora, Antitesis, Simile, Ironi, Parallelisme dan Synecdoche. dan dalam lagu "Insha Allah" bahasa kiasan yang paling umum digunakan adalah Eufemisme dan Aliterasi dengan persentase 25%. Dan pada For the Rest of My Life, bahasa kiasan yang banyak digunakan adalah Hiperbola dengan persentase 60%. Sedangkan di lagu Hold My Hand ada bahasa kiasan yang banyak digunakan adalah personifikasi dengan persentase 10%, Tabel ini juga menunjukkan bahwa jenis bahasa kiasan sebagian besar digunakan. Dari kesimpulan penelitian ini penulis menyarankan bahwa untuk meningkatkan pengetahuan mahasiswa tentang bahasa kiasan, pembaca harus menerapkan analisis bahasa kiasan atau jenis analisis bahasa kiasan. Kata kunci :Analisis bahasa kiasan,llirik lagu, maher zain, insha allah, for the rest of my life, hold my hand viii ix x ACKNOWLEDGEMENT Glory be to Allah subhanahu wa-ta‟ala, the most gracious merciful, who always gives all what we need. Allah has given His gift to me so that I could finish my research proposal. Entitled “AN ANALYSIS OF FIGURATIVE LANGUAGE IN THE MAHER ZAIN‟S SONG LYRIC”. In this regard, I would like to thank my parent for their support. My deepest thanks are addressed to my two supervisors. Dr. Umi Yawisah, M. Hum and Ahmad Subhan Roza, M.Pd for their spending time to support and guide me to finish this undergraduate thesis. I also would like to express my grateful thanks to the honorable lecturers of English Education Department who help me, and all the students of English Education Department. They have become my good partners in studying English and friends whatever the situation is, they always supported and prayed for me. I do apologizes for all the mistakes that might found in this thesis. I hope that this work can give a contribution to the readers and to the related knowledge. Metro, 17th July 2020 Sincerely Yours KHOIRUL NISA 1601070023 xi DEDICATION PAGE I highly dedicated this undergraduate thesis to: Allah who always give His full rohmah and blessing. My beloved parents who always support me and as my inspiration. My lovely sisters, younger brother, and brother in-law who always support me and who have helped me. My Sponsors of undergraduate thesis who has guided me well as long as I wrote and finished my undergraduate thesis. All of My beloved best friends who always suppport me. xii MOTTOS "Whoever takes the road to seek knowledge. Surely Allah made it easy for him to go to heaven ". (HR. Muslim) There is no limit of struggling. (Wise Word) xiii TABLE OF CONTENTS TITLE......................................................................................................... i TITLE PAGE ............................................................................................ ii ABSTRACT ............................................................................................... iii ABSTRAK ................................................................................................. iv STATEMENT OF RESEARCH ORIGINALITY ................................. v ORISINALITAS PENELITIAN .............................................................. vi ACKNOWLEDGEMENT ........................................................................ vii DEDICATION PAGE ............................................................................... viii MOTTOS ................................................................................................... ix TABLE OF CONTENTS ......................................................................... x CHAPTER I INTRODUCTION .............................................................. 1 A. Background Of The Study .............................................................. 1 B. Problem Formulation ...................................................................... 3 C. Problem Limitation ......................................................................... 3 D. Objectives and Benefits Of The Study ............................................ 3 1. The Objectives of the study....................................................... 3 2. The Benefits of the study........................................................... 4 E. Prior Research................................................................................... 4 CHAPTER II THEORETICAL REVIEW ............................................. 6 A. The Concept of Semantic ................................................................ 6 1. Definition of Semantic .............................................................. 6 xiv 2. Type of Semantic....................................................................... 7 B. The Concept of Figurative Language .............................................. 10 1. Definition of Figurative Language............................................. 10 2. Type of Figurative Language..................................................... 11 C. Maher Zain Song Lyric ................................................................... 19 1. Maher Zain.......................... ...................................................... 19 2. Song........................................................................................... 22 3. Lyric .......................................................................................... 23 4. Maher Zain Song Lyric ............................................................ 24 CHAPTER III RESEARCH METHODOLOGY .................................. 31 A. Research Design .............................................................................. 31 B. Data Resource ................................................................................. 32 C. Data CollectionTechnique ..............................................................
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    UNIVERSITY OF CALIFORNIA Los Angeles Permanent Change: Rush, Musicians’ Rock, and the Progressive Post-Counterculture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Durrell Scott Bowman 2003 © Copyright by Durrell Scott Bowman 2003 The dissertation of Durrell Scott Bowman is approved. ____________________________________ _ Susan McClary ____________________________________ Mitchell Morris ____________________________________ Christopher Waterman ____________________________________ Robert Walser, Committee Chair University of California, Los Angeles 2003 ii TABLE OF CONTENTS Figures and Tables (lists of) ......................................................................................... iv Musical Examples (lists of).............................................................................................v Acknowledgements ....................................................................................................... vi Vita ............................................................................................................................... viii Publications and Presentations.................................................................................... ix Abstract of the Dissertation ......................................................................................... xi Introduction ....................................................................................................................1 Chapter 1 Cast in This Unlikely