Rare & Collectable Vinyl Records

Total Page:16

File Type:pdf, Size:1020Kb

Rare & Collectable Vinyl Records Day 1: Music Memorabilia | Day 2: Rare & Collectable Vinyl Records (A165) Tue, 14th Sep 2021 Lot 528 Estimate: £20000 - £30000 + Fees THE SEX PISTOLS - MANCHESTER FREE TRADE HALL 1976 CONCERT FOOTAGE WITH COPYRIGHT. An incredible chance to own the original concert footage, sold with full copyright, from two of the most important concerts of the 20th Century: The Sex Pistols shows at Manchester's Lesser Free Trade Hall on 4th June and 20th July 1976. The concerts are legendary and have been generously covered in print and in film through the years, not least in the Factory Records biopic '24 Hour Party People' which documents how the gigs inspired a generation of Mancunian talent and were significantly influential in the creation of Joy Division, and subsequently Factory Records, Happy Mondays, Oasis, The Smiths and others. The concerts were filmed by Mark Roberts at the behest of organiser and promoter Howard Devoto of Buzzcocks, who along with Pete Shelley had been to London to see the Pistols and subsequently organised the Manchester shows. The historic nature of the footage is indisputable and an independent professional valuation of the commercial potential of the films estimates potential income of £100,000+ over the next 25 year period. The report is available to view by interested parties. Notes on the footage: Non-Manchester footage on this tape (the copyright of this material is NOT INCLUDED) The first 2 minutes of film on this tape are NOT from the Lesser Free Trade Hall. This footage was not shot by Mark Roberts. Most likely this is Julien Temple’s footage of the Sex Pistols at Notre Dame Hall, Leicester Square, London from 15 November 1976 4 June 1976 (approx. 6 minutes) The Sex Pistols looks as follows: John Lydon: yellow-cream coloured woollen waistcoat over ripped black t-shirt Steve Jones: dark-blue top with zips and medium-to-long sleeves Glen Matlock: plain grey t-shirt and dark trousers 20 July 1976 (approx. 4 minutes) The Sex Pistols looks as follows: John Lydon: Initially he wears a red woollen sweater. Thereafter, for most of the set Lydon wears a white shirt with a black, loosely knotted tie. Steve Jones: black armless vest Glen Matlock: plain grey t-shirt and red trousers Additional non-Sex Pistols footage (i). Strobe-lit footage (approx 5 seconds): of Solstice, the support band on 4 June 1976. (ii). The last 30 seconds (approx) is non-concert footage shot at Buzzcocks’ house in Manchester. It includes brief shots of Howard Devoto and Pete Shelley. n.b. Additionally, the first 2 minutes of film on this tape are NOT from the Lesser Free Trade Hall. This footage was not shot by Mark Roberts. Most likely this is Julien Temple’s footage of the Sex Pistols at Notre Dame Hall, Leicester Square, London from 15 November 1976. The copyright of this non-Manchester footage is NOT INCLUDED This lot includes: 1 x metal film canister, inscribed Kodak Limited London, approx. 7” / 18cm diameter. Containing 1 x plastic spool of Super 8 film, marked ‘Sex Pistols Manchester 1976 Lesser Free Trade Hall (inscribed by Howard Devoto). The footage features Sex Pistols performing at the Lesser Free Trade Hall, Manchester on 4 June 1976 and 20 July 1976. The duration of the film is 12 minutes 38 seconds. The Sex Pistols feature for 12 minutes. The footage is mute. No sound. The footage was shot and is owned by Mark Roberts. The copyright in the footage is included. A digital copy will be provided to the winning bidder..
Recommended publications
  • Girls Like Us: Linder
    Linder Sterling is a British These include her 13-hour artist and performer whose NICOLE EMMENEGGER improvised dance perfor- career spans the 1970s WORDS mance piece Darktown Cake- B Manchester punk scene to Y walk and her most recent her current collaborations work, The Ultimate Form, a with Tate St. Ives and The 'performance ballet' inspired Hepworth Centre in north- at the photographed by Barbara Hepworth, fea- west England. turing dancers from North- PORTRAITS PORTRAITS ern Ballet and costumes by She has worked in a variety B arbara Pam Hogg. of mediums – from music H B Y DEVIN (as singer/songwriter/gui- Ives St. Tate Museum in epworth We met at the The Barbican B tarist for post-punk band LAIR Centre in London on a crisp Ludus) and collage (using March morning, just days a steady scalpel to splice after the opening of her first pornographic images into big retrospective at Le Musée feminist statements), to her d’Art Moderne in Paris. current durational works. Linder 18 19 Nicole Emmenegger: First off, thank you for send- Yes, I used to have this fascination for the mid-fifties. People ing through the preparatory text about you and your I know at every age seem to have this fascination about the work. It ended up being ten pages in 10-point font! culture that you were born into, climbed into. It’s your own personal etymology and you have to go back and work it Linder: How strange, I don’t even enjoy writing! out. It’s good detective work. It makes sense and how lucky for you that 1976 was such a great year.
    [Show full text]
  • BUZZCOCKS Christmas 1976. Manchester Punk Pioneers
    BUZZCOCKS Christmas 1976. Manchester punk pioneers Buzzcocks formed by Howard Devoto and Pete Shelley have recorded and are just about to have phenomenal success with the groundbreaking, Spiral Scratch EP. Two months later, as the release starts to take off, Howard Devoto leaves. A quick reshuffle and Pete Shelley takes over lead vocals. Over the years, the lineups change. Only Pete Shelley and Steve Diggle remain constant members of this iconic band. The methodology remains constant too: short, sharp slices of sublime guitar punk pop music, revered by a global army of fans and vitally influential to legions of bands coming up behind. Flash-forward to 2018. Buzzcocks have been throttling back a bit, being a bit more exclusive but still very busy. The band signs their catalogue to Domino Records and announce a landmark performance of “Singles Going Steady” at the Royal Albert Hall for June 2019 with The Skids and Penetration. It looks as if Buzzcocks are going to enjoy some well deserved and high profile recognition of their contribution to British culture. On 6th December, that bright prospect is thrown into darkness with Pete's tragic and unexpected death. The Albert Hall show is recast as a tribute to Pete Shelley with remaining members Steve Diggle, Chris Remington, and Danny Farrant, joined by original band members, 'special guest' vocalists and guitarists. For now and into the future Buzzcocks will continue with Steve on lead vocals/guitar, Chris Remington on Bass, and Danny Farrant on Drums with an added guitarist. Commitments will be honoured; you can't hold a good band down.
    [Show full text]
  • Horrorwoodbabbleon.Com :: "There Are Only Four Horsemen of Th
    horrorwoodbabbleon.com :: "There are only four Horsemen of the Apoc... http://horrorwoodbabbleon.com/horror/index.php?module=prodreviews... Hiya Anonymous! Jan 20, 2006 Main Menu BUZZCOCKS • Live At Shepherds Bush Empire 2003 • (2006 MVD) · Home Gery Vermin rates it: · THE BEAST OF 2005!!! BUZZCOCKS · CREDITS/Blame Live At Shepherds Bush Empire 2003 (MVD) · Meat The STAPH Remember them days prior to eBay bootleggers and KISS’ “instant live” swindle? · DISSclaimer When you would stumble out of a show, head still ringing, just WISHING you had some sort of permanent documentation of the greatness you’d just · INTERviews witnessed. Well, such was the case in mid-2003 when T-Mac and I fell out onto · Studies In SCARLET the rubble-cum-sidewalk in front of Lawrence’s Bottleneck having just had our · CRYPTIC COUNTDOWN equilibriums turned upside down by a completely brilliant Buzzcocks set. Although I was clutching a tattered and muddied setlist to commemorate this stellar life event, it just wasn’t the same without Pete Shelley’s incomprehensible 10 MOST POPULAR & · patter and Steve Diggle’s guitar antihero shenanigans. Nearly three years have MOST RECENT Reviews passed - without another opportunity to see the band, mind you - when, lo and huzzah, what does MVD plink forth but a DVD from the very same tour, just several weeks prior (and fresher) to the · PHILGM Reviews spectacle we’d witnessed firsthand, an opening slot with Pearl Jam and a well-deserved night on · MUSICK Reviews Madison Square Garden’s stage. · BOOk Reviews · GT&FP Taped April 27 in their United Kingdom homeland and following a successful sacking of Australia, LIVE AT SHEPHERDS BUSH EMPIRE captures the band doing what they was born to do: delivering a rapid · ALL Reviews (A-Z) fire 32-song bitchslap of some of the greatest pop punk ever created.
    [Show full text]
  • Buzzcocks the Peel Sessions Album Mp3, Flac, Wma
    Buzzcocks The Peel Sessions Album mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Peel Sessions Album Country: UK Released: 1989 Style: Punk MP3 version RAR size: 1475 mb FLAC version RAR size: 1846 mb WMA version RAR size: 1831 mb Rating: 4.4 Votes: 204 Other Formats: AHX ASF ASF WMA VOC AA MP4 Tracklist A1 Fast Cars 2:15 A2 Pulse Beat 4:40 A3 What Do I Get 2:50 A4 Noise Annoys 2:55 A5 Walking Distance 2:00 A6 Late For The Train 5:10 A7 Promises 2:29 B1 Lipstick 2:40 B2 Everybody's Happy Nowadays 2:17 B3 16 Again 3:14 B4 I Don't Know What To Do With My Life 2:40 B5 Mad Mad Judy 2:45 B6 Hollow Inside 3:45 B7 E.S.P 3:35 Companies, etc. Phonographic Copyright (p) – BBC Enterprises Ltd. Copyright (c) – Strange Fruit Records Ltd. Distributed By – Pinnacle Credits Composed By – Howard Devoto (tracks: A1), John Maher (tracks: A6), Pete Shelley (tracks: A1 to A4, A6 to B7), Steve Diggle (tracks: A1, A6, A7), Steve Garvey (tracks: A5, A6) Design [Sleeve] – Vici MacDonald Liner Notes – Richard Boon Photography By – Chris Gabrin Producer – Bob Sargeant (tracks: B1 to B3), Malcolm Brown (tracks: A1 to A3), Tony Wilson (tracks: A4 to A7, B4 to B7) Remastered By [Digitally Remastered] – Don Walker Notes Tracks A1 to A3: Recorded 7-9-77 Tracks A4 to A7: Recorded 10-4-78 Tracks B1 to B3: Recorded 18-10-78 Tracks B4 to B7: Recorded 21-5-79 All titles published by Virgin Music (Publishing) Ltd.
    [Show full text]
  • Smash Hits Volume 8
    1 ia^C^—... i ,<M March22-April419. 50 albums 25p to be won ,t|Vf. ^A Heart Thin Lizz akeYour *i ' 1 AND -< ' ... ! I Skids m 3' & Sira PLUS -f IN Chic J*SNAVY Rob Wake 9in Tom *o om yoor d,m. AND Bee Gee; in colon — ^~ ~ T* r u. Imperial Wizard By David Essex on Mercury Records Free the people don't make 'em wait Pity the people don't make a mistake Let go your press JJjen undo your press gangs Hold up your headTMgh make one honest stand Chorus , "^ 'Cos you know what they want And you're here for the grace of God. You send your generals to the front Any uprising will succumb to your guns. You took free speech from the people that spoke Hungary* is hungry and the people are broke Impjnlf fwizard salt mine king What ffntl of state of mind must your state be in Chorus mice Too many people don't feel like they're free Your high ideals look the lowest to me' Open your window let the sun shine on in There's more to living than killing, killing, killing . Chorus repeat to fade Words and music by David Essex. Reproduced by kind permission Imperial Songs. 2 SMASH HITS 4Way frefL '.fW tfo»L yOU e |5 a eoY ^ AP ri lViess 9 n s&s?*^2 BUZ*' Oeov^ pa9eS ^s d** » t Nee MK'\9] 0/2\ >aQeS 2 - '&$" '<< ' > C ? crt\99 sit,'- < Ceovo CW\C ao?StteW IX \ i V O ; iStffe V«S doSF ,s*> to" a* rr>a eet ,viet ^»fC S St* ^<?^s^^&tt#ess oeV EjtiW ntec i;^ffi#8Sis ,??&: ^%;^'s-'"?iS&" Use P^^ SMASH HITS 3 FRANKIE MILLER ^FALLING IN LOVE** Latest Album Available Now CHR1220 IncludesThe Singles 'GOODTO SEE YOU' D4RJN' and WHEN I'M AWAYFROMTCXJ also available on cassette **0.
    [Show full text]
  • A Unique One-Off Evening with BUZZCOCKS, the SKIDS & PENETRATION at the Royal Albert Hall
    May 28, 2019 01:21 BST A Unique One-Off Evening with BUZZCOCKS, THE SKIDS & PENETRATION at the Royal Albert Hall Buzzcockscan confirm their performance on Friday 21 June 2019 at the Royal Albert Hall. After the tragic death of their frontman and founder member Pete Shelley, the remaining members felt that the evening should become a tribute to Pete and a celebration of his life. They will be performing with some special guest vocalists including Dave Vanian and Captain Sensible (The Damned), Peter Perrett (Only Ones), Thurston Moore (Sonic Youth), Tim Burgess (The Charlatans), Pauline Murray (Penetration), Richard Jobson (The Skids), original Buzzcocks Steve Garvey and John Maher and compere for the evening Paul Morley, with more guests to be announced soon. This will be first time that the Royal Albert Hall have hosted an evening of music featuring a three-band bill of some of the premier artists from the 1970’s punk and new wave scene. Buzzcocks. Formed in Manchester in February 1976 having witnessed the Sex Pistols play, they became the first British punk band to form their own label. They released their debut Spiral Scratch EP on New Hormones later that year. A few months later they signed to United Artists becoming one of the punk and new wave scene’s most enduring and successful bands enjoying consistent chart success with hits such as ‘Ever Fallen In Love (With Someone You Shouldn’t’ve)’, ‘What Do I Get?’ and ‘Promises’. They have toured with Nirvana and Pearl Jam, had a BBC TV show, Never Mind The Buzzcocks named after them.
    [Show full text]
  • Pete Shelley
    Pete Shelley See also: The Buzzcocks, Zip. 1980 SKY YEN (EP) A1.Sky Yen Part 1 B1.Sky Yen Part 2 (orig ep) UK Groovy STP-2 1981.08 A1.HOMOSAPIEN B1.Keats’ Song 7”: UK Genetic WIP-6720 [ps] B1.Guess I Must Have Been in Love with Myself 7”: CAN Arista AS-0690 1.Homosapien (Special Mix) 2.Yesterday’s Not Here (Special Mix) 3.Witness the Change/I Don’t Know What It Is (Extended Combo Version) 12PRO: US Arista SP-133 (1982) A1.Homosapien B1.Love in Vain 7”: UK Genetic WIP-6720, AUSL Island K-8479 1.Homosapien (Dance Version) 2.Love in Vain 3.Homosapien (Elongated Dancepartydubmix) 12: UK Genetic 12WIP-6720 -à Shelley’s first legitimate post-Buzzcocks salvo was surprisingly soft club music that featured pumping synths, strummed guitars and Shelley’s earnest if underwhelming voice. Edgy stuff at the time more for the implied subject matter than the music behind it. Although I never warmed to the idea of a Petey Shiney Synthi Shelley, it’s not the radical departure it seems on the surface. Strip away the synthesizers, speed things up a little and you’ve got the makings of another buzzsaw Buzzcocks classic. The B side’s even better (“Guess I Must Have Been In Love With Myself,” a Buzzcocks title if ever there was). As for the lyrical meaning behind “Homosapiens,” you’ll find the answer (maybe) in Mick Sinclair’s 1982 interview with Mr. Shelley. (http://micksinclair.com/sounds/shelley.html) 1981.11 A1.I DON’T KNOW WHAT IT IS 2..Witness the Change 3.In Love with Somebody Elese 4.Maxine 2-7”: UK Genetic UWIP-6740 [ps] 1981.12 HOMOSAPIEN US.121 Produced
    [Show full text]
  • Dangerfields
    DANGERFIELDS Full Time Professional Disc Jockey Hire PO Box 467 Sherwood Qld 4075 (07) 3277 6534 Mob 0418 878 309 [email protected] You Tube - DangerfieldDJ LIBRARY: Text Only Version 1.Circle the artists and styles that you would like played at your function, then post it to us at the above address. Your Name:_____________________________ Date of Function: ______/______/______ Job Number: #___________(from our "Booking Confirmation" & "Deposit Received" letters) 2.This list has been compiled from both our archive library and our active collections. It represents only a small portion of the estimated 10,000 titles we have available. The more obscure artists may not be in our active collections and so not be available on every function. Therefore, please forward this list to us well in advance of your function to allow us time to compile your requests. (See note at end of listings.) CLASSICAL - String Quartet - Light Classical - Baroque e.g., Handel, Pachelbel, Hayden, Vivaldi, Mozart... (Over 250 CDs to choose from) JAZZ & SWING Ella Fitzgerald, Louis Armstrong, Billie Holliday, Edith Piaf, Harry Connick Jnr, Vince Jones, Grace Knight, Cherry Poppin Daddies, Billy Field/Bad Habits, George Benson, Sade, Frank Sinatra, Glenn Miller, Astrud Gilberto/Girl from Ipanema, Fabulous Baker Bros, Dave Brubeck, Dave Grusen, Oscar Peterson, Manhattan Transfer.... 40's BIG BAND ERA Bing Crosby, Glen Miller, Andrews Sisters, Vera Lynn, Marlene Dietrich, Edith Piaf, Woody Herman, Benny Goodman, Mills Brothers, Tommy Dorsey, Jimmy Dorsey, Carmen Miranda, Duke Ellington, The Ink Spots, Fats Waller, Artie Shaw, Acker Bilk... CORPORATE e.g., Tom Jones, Neil Diamond, Frank Sinatra, Van Morrison, Dean Martin, Perry Como, Buena Vista Social Club..
    [Show full text]
  • Buzzcocks: Live at Shepherds Bush Empire 2003
    Buzzcocks: Live At Shepherds Bush Empire 2003 http://cultclash.777mb.com/films/buzzcocks.html Buzzcocks: Live at Shepherd's Bush Empire 2003 Reviewed by Winslow Leach THE REVIEW: Buzzcocks were formed in Manchester, England in the mid 70s by two kids named Pete Shelley (lead vocals) and Howard Devoto. The name "Buzzcocks" was taken from a local slang word used by the older people which meant "young kids". The group use of the name was mainly influenced by its use in the UK television drama "Rock Follies". After attending a Sex Pistols show in London, the two friends arranged for the Pistols to play in their hometown at the Lesser Free Trade Hall in June 1976. Buzzcocks were going to play at this concert themselves and open for the Pistols but they didnt have any bass player or drummer at the time. They then hired musicians John Maher and Steve Diggle on and they played their first concert with the Sex Pistols the following month in July. At the end of 1976, the Buzzcocks had recorded a 4 track EP called "Spiral Scratch" on their own recording label called "New Hormones". Buzzcocks' music was incredibly energetic and infectious, and their early song "Boredom" was a huge hit with the punk audiences. As soon as the punk rock movement started to become a mainstream fad, Buzzcock's co-founder Howard Devoto split and formed another band called "Magazine" which was something more stage performance based. Pete Shelley continued to sing, but bassist Steve Diggle moved to guitar and the band added Steve Garvey as the bass player.
    [Show full text]
  • 1 Published By
    Published by 1 First published by Buzzcocks 2020 https://www.buzzcocks.com/ Selected artists for the poetry in this collection retain copyright as authors of the original work. All Rights Reserved. No part of this publication may be reproduced in any form or by any means without the written permission of the publishers. Front cover photographs by Eddie McEleney Front cover and inside design by John Paul Lusk 2 I just want this to last or my future is past and all gone Pete Shelley’s quixotic, romantic and ambiguous contribution to the world has been hugely missed – and mourned – since his passing in Estonia on 6 December 2018. As a testimonial to his endowment to the world, this small poetry collection, Pogo Serotonin, has been created on behalf of Buzzcocks. Since editing this collection began, I learned that my dog walker is Pete’s cousin. Something, or someone, was clearly drawing me to begin this project. Without any personal connection to his hometown of Leigh, my aim was to invite the musicians and poets who I believed to know Pete best; who were inspired by his song-writing and lyrics; and who basked in his genius from within the crowd. It was Buzzcocks, above all other punk bands, who had their hoards smiling back at them, mid-pogo. Serotonin for the soul. With sincere thanks, I wish to offer my appreciation to Buzzcocks for making this collection available to readers, to Eddie and JP for stunning photography and editing/design contributions, to Pete’s widow Greta for giving her approval for the collection to proceed, and to the scintillating verse delivered by our invited guests.
    [Show full text]
  • Coming : Being : Going Compiled May 2020
    E ST 2 01 2 The Malcolm Garrett Collection Playlist #12 coming : being : going Compiled May 2020 Nine sleeves and nine songs compiled as a Coronavirus The Chauffeur Lockdown playlist for Michael Clark Company during an Duran Duran @michaelclarkco Instagram takeover on 4 and 5 May 2020 . RIO, 1982 This collection of songs explores themes of lonliness, boredom, The final track on the album RIO which has transience, life and death; each musing in its own way on the very what is by far my best known sleeve design. nature of existence. And each of course was originally housed in a I’d already worked with Duran Duran for record sleeve designed by Malcolm Garrett. well over a year when this second album, packed with hits, was released. The track I’ve chosen captures the band at their most beguiling. The RIO sleeve features a specially Love You More commissioned illustration by American artist Patrick Nagel, which Buzzcocks I displayed wrapping from front to back around the open edge 7”, 1978 of the sleeve. The record is literally accessed through the image by the very act of removing it from the sleeve. The photograph on A classic Pete Shelley song of unrequited the reverse is a segment of a photo of Simon Lebon which also love, loneliness and ultimate despair. My featured in the magaxine ‘New Sounds New Styles’, edited by my design for the sleeve, with its depiction of creative partner Kasper de Graaf. empty rooms, only one of which is occupied, aims to capture a feeling of being alone at home, unable to reach Heroes out to the one you love.
    [Show full text]
  • Pete Shelley Homosapien Mp3, Flac, Wma
    Pete Shelley Homosapien mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Homosapien Country: UK Released: 1982 Style: Synth-pop MP3 version RAR size: 1648 mb FLAC version RAR size: 1868 mb WMA version RAR size: 1166 mb Rating: 4.1 Votes: 178 Other Formats: DTS AUD TTA MP4 ADX AHX WAV Tracklist 1 Homosapien 4:35 2 Yesterday's Not Here 4:09 3 Love In Vain 3:12 4 Just One Of Those Affairs 2:58 5 Qu'est-Ce Que C'est Que Ca? 4:21 6 I Don't Know What It Is 3:30 7 Witness The Change 4:49 8 Guess I Must Have Been In Love With Myself 3:36 9 I Generate A Feeling 3:13 10 In Love With Somebody Else 3:00 Bonus Tracks: 11 Telephone Operator 3:19 12 If You Ask Me (I Won't Say No) 4:23 13 I Know Better Than You Know 5:00 14 (Millions Of People) No One Like You 4:09 15 XL1 3:30 Companies, etc. Produced At – Genetic Sound Engineered At – Genetic Sound Mastered At – DSW Mastering Studios Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Razor & Tie Entertainment, LLC Glass Mastered At – Nimbus Credits Art Direction [Original Homosapien Art Direction] – Paul Henry Artwork [Graphics] – Bruno Christian Tilley* Bass [Additional] – Barry Adamson (tracks: 11 to 15) Drums [Additional] – Jim Russell (tracks: 11 to 15) Keyboards [Additional] – Martin Rushent (tracks: 11 to 15) Mastered By – Elliott Federman Other [Production & A&r Assistance] – Reuben Cervera Other [Project Coordination, Redesign] – David Richman Other [Project Director, Liner Notes] – Mike Ragogna Photography – Trevor Rogers Photography [Additional] – Mike Prior Producer, Engineer – Martin Rushent, Pete Shelley Written-By, Instruments – Pete Shelley Notes Picture disc CD.
    [Show full text]