Pete Shelley Homosapien Mp3, Flac, Wma

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Pete Shelley Homosapien mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Homosapien Country: UK Released: 1982 Style: Synth-pop MP3 version RAR size: 1648 mb FLAC version RAR size: 1868 mb WMA version RAR size: 1166 mb Rating: 4.1 Votes: 178 Other Formats: DTS AUD TTA MP4 ADX AHX WAV Tracklist 1 Homosapien 4:35 2 Yesterday's Not Here 4:09 3 Love In Vain 3:12 4 Just One Of Those Affairs 2:58 5 Qu'est-Ce Que C'est Que Ca? 4:21 6 I Don't Know What It Is 3:30 7 Witness The Change 4:49 8 Guess I Must Have Been In Love With Myself 3:36 9 I Generate A Feeling 3:13 10 In Love With Somebody Else 3:00 Bonus Tracks: 11 Telephone Operator 3:19 12 If You Ask Me (I Won't Say No) 4:23 13 I Know Better Than You Know 5:00 14 (Millions Of People) No One Like You 4:09 15 XL1 3:30 Companies, etc. Produced At – Genetic Sound Engineered At – Genetic Sound Mastered At – DSW Mastering Studios Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Razor & Tie Entertainment, LLC Glass Mastered At – Nimbus Credits Art Direction [Original Homosapien Art Direction] – Paul Henry Artwork [Graphics] – Bruno Christian Tilley* Bass [Additional] – Barry Adamson (tracks: 11 to 15) Drums [Additional] – Jim Russell (tracks: 11 to 15) Keyboards [Additional] – Martin Rushent (tracks: 11 to 15) Mastered By – Elliott Federman Other [Production & A&r Assistance] – Reuben Cervera Other [Project Coordination, Redesign] – David Richman Other [Project Director, Liner Notes] – Mike Ragogna Photography – Trevor Rogers Photography [Additional] – Mike Prior Producer, Engineer – Martin Rushent, Pete Shelley Written-By, Instruments – Pete Shelley Notes Picture disc CD. Tracks 11 to 15 are bonus tracks originally released on the "XL-1" LP in 1983. (P) 1981, 1983 Arista Records, Inc. (C) 1997 Razor & Tie Entertainment, L.L.C. Special thanks to Gary Pacheco, Rick Sahuc, Debbie Randazzo, Teresa, Alex, Numan and Cary E. Mansfield Barcode and Other Identifiers Barcode: 7 93018 21262 5 Matrix / Runout: RE 2126 · :MASTERED: ·BY NIMBUS· Mastering SID Code: IFPI L124 Mould SID Code: IFPI 240D Mould SID Code (Variant 2): IFPI 2421 Other versions Category Artist Title (Format) Label Category Country Year Genetic ILPS 9676 Pete Shelley Homosapien (LP, Album) ILPS 9676 UK 1981 Records ILPS 19676 Pete Shelley Homosapien (LP) Island Records ILPS 19676 Italy 1981 Genetic ICT 9676 Pete Shelley Homosapien (Cass, 1 +) ICT 9676 UK 1981 Records Homosapien (Cass, Album, ATC 6602 Pete Shelley Arista ATC 6602 Canada 1981 Dol) Homosapien (LP, Album, AL 6602 Pete Shelley Arista AL 6602 US 1981 Mon) Related Music albums to Homosapien by Pete Shelley Macc & dgoHn / Genetic Sequence - Shimesot / Love Crisis Pete Shelley - Telephone Operator Del Tha Funky Homosapien - Funk Man (The Stimulus Package) Pete Shelley - No One Like You Del the Funky Homosapien - Phoney Phranchise Del The Funky Homosapien - Dr. Bombay Pete Shelley - XL·1 Pete Shelley VS Power, Wonder & Love - Homosapien II.

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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Afﬁnity-Afﬁnity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
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Girls Like Us: Linder
Linder Sterling is a British These include her 13-hour artist and performer whose NICOLE EMMENEGGER improvised dance perfor- career spans the 1970s WORDS mance piece Darktown Cake- B Manchester punk scene to Y walk and her most recent her current collaborations work, The Ultimate Form, a with Tate St. Ives and The 'performance ballet' inspired Hepworth Centre in north- at the photographed by Barbara Hepworth, fea- west England. turing dancers from North- PORTRAITS PORTRAITS ern Ballet and costumes by She has worked in a variety B arbara Pam Hogg. of mediums – from music H B Y DEVIN (as singer/songwriter/gui- Ives St. Tate Museum in epworth We met at the The Barbican B tarist for post-punk band LAIR Centre in London on a crisp Ludus) and collage (using March morning, just days a steady scalpel to splice after the opening of her first pornographic images into big retrospective at Le Musée feminist statements), to her d’Art Moderne in Paris. current durational works. Linder 18 19 Nicole Emmenegger: First off, thank you for send- Yes, I used to have this fascination for the mid-fifties. People ing through the preparatory text about you and your I know at every age seem to have this fascination about the work. It ended up being ten pages in 10-point font! culture that you were born into, climbed into. It’s your own personal etymology and you have to go back and work it Linder: How strange, I don’t even enjoy writing! out. It’s good detective work. It makes sense and how lucky for you that 1976 was such a great year.
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Pete Shelley See also: The Buzzcocks, Zip. 1980 SKY YEN (EP) A1.Sky Yen Part 1 B1.Sky Yen Part 2 (orig ep) UK Groovy STP-2 1981.08 A1.HOMOSAPIEN B1.Keats’ Song 7”: UK Genetic WIP-6720 [ps] B1.Guess I Must Have Been in Love with Myself 7”: CAN Arista AS-0690 1.Homosapien (Special Mix) 2.Yesterday’s Not Here (Special Mix) 3.Witness the Change/I Don’t Know What It Is (Extended Combo Version) 12PRO: US Arista SP-133 (1982) A1.Homosapien B1.Love in Vain 7”: UK Genetic WIP-6720, AUSL Island K-8479 1.Homosapien (Dance Version) 2.Love in Vain 3.Homosapien (Elongated Dancepartydubmix) 12: UK Genetic 12WIP-6720 -à Shelley’s first legitimate post-Buzzcocks salvo was surprisingly soft club music that featured pumping synths, strummed guitars and Shelley’s earnest if underwhelming voice. Edgy stuff at the time more for the implied subject matter than the music behind it. Although I never warmed to the idea of a Petey Shiney Synthi Shelley, it’s not the radical departure it seems on the surface. Strip away the synthesizers, speed things up a little and you’ve got the makings of another buzzsaw Buzzcocks classic. The B side’s even better (“Guess I Must Have Been In Love With Myself,” a Buzzcocks title if ever there was). As for the lyrical meaning behind “Homosapiens,” you’ll find the answer (maybe) in Mick Sinclair’s 1982 interview with Mr. Shelley. (http://micksinclair.com/sounds/shelley.html) 1981.11 A1.I DON’T KNOW WHAT IT IS 2..Witness the Change 3.In Love with Somebody Elese 4.Maxine 2-7”: UK Genetic UWIP-6740 [ps] 1981.12 HOMOSAPIEN US.121 Produced
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