“Who I'd Like to Meet: Lil Wayne and God” Self-Disclosure in Emerging

Total Page:16

File Type:pdf, Size:1020Kb

“Who I'd Like to Meet: Lil Wayne and God” Self-Disclosure in Emerging “Who I’d Like to Meet: Lil Wayne and God” Self-Disclosure in Emerging Adults’ MySpace Profiles Piotr Szymon Bobkowski A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2010 Approved by, Jane D. Brown Joe Bob Hester Sriram Kalyanaraman Lisa D. Pearce Lynn S. Clark © 2010 Piotr Szymon Bobkowski ALL RIGHTS RESERVED ii ABSTRACT Piotr Szymon Bobkowski ―Who I‘d Like to Meet: Lil Wayne and God‖ Self-Disclosure in Emerging Adults‘ MySpace Profiles (Under the direction of Jane D. Brown, Ph.D.) Self-disclosure—the communication of information about oneself to another—is fundamental to the construction of a personal online presence. In many online venues (e.g., MySpace, Facebook) users self-disclose themselves into being. This study examined who said what about themselves on MySpace and how consistently they did so in comparison to their offline disclosures. The study assessed overall self-disclosure and religious self-disclosure because little is known about how individuals communicate about religion with their peers. Public, active MySpace profiles (N = 573) belonging to emerging adults (18–23 years old) in a nationally representative U.S. sample were examined. Each online self- disclosure was coded into a content category (e.g., media preferences, relationships, religion/spirituality, etc.). Self-disclosure was assessed on four dimensions (quantity, breadth, depth, consistency). The online data were then analyzed in relation to the profile owners‘ survey responses. Overall, profile owners self-disclosed broadly and consistently, but superficially. iii The average profile contained 109 self-disclosures; some contained as many as 800. Self- disclosures about media preferences were most frequent; current events were least frequent. Women self-disclosed more, and with more depth than men. Risk-takers self- disclosed in more depth than non-risk-takers. Being satisfied with life was associated negatively with frequency and positively with consistency of self-disclosure. Young people who scored high on purpose in life self-disclosed more, but were less consistent between their online and survey disclosures. Looking specifically at religion, a majority (70%) of the profiles contained at least one religious self-disclosure, although most profile owners did not communicate about their religious or spiritual identities beyond the predetermined affiliation labels of the ―Religion‖ field (e.g., ―Christian-other,‖ ―Catholic‖). Religiosity was associated with more and with consistent religious self-disclosure. Having religious friends was associated with more and deeper religious self-disclosure. Religious individuals who believed that religion was a private matter, or who held negative perceptions of organized religion or religious people, self-disclosed less about religion. In sum, young people tend to present themselves online as well-rounded, although they tend not to engage in deep self-disclosures. Nondisclosure is more common than inconsistent disclosure. Individual differences and attitudes predict how extensively, broadly, deeply, and consistently young people self-disclose online. iv ACKNOWLEDGMENTS As I worked on this dissertation, I often marveled at my good fortune. I truly love what I do and I am surrounded and supported by people who continually affirm and challenge my work. What a thrill! The John Templeton Foundation provided generous funding for this dissertation through the ―Youth Self-Presentation of Spirituality Online‖ grant. Jane Brown has been so much more than an advisor. She is an exacting researcher, a patient editor, a generous mentor, and an enthusiastic champion. A tireless advocate for key issues in various settings, she demonstrates that our lives as academics make most sense when we reach beyond ourselves to the broader community. Each member of my dissertation committee had a unique impact on me and on this study. It is a privilege to have all five of these individuals on the committee. Joe Bob Hester, a rigorous methodologist, taught me to appreciate the science and art of content analysis. Sri Kalyanaraman, a careful theorist, spread open before me the worlds of computer-mediated communication, human-computer interaction, and experimental research methods. Lynn Clark‘s work has inspired me since the first time I came across it in my master‘s program, and it continues to serve as a source of assurance that researching media, religion, and youth is a meaningful and worthwhile endeavor. Lisa Pearce has been generous with her time, resources, and advice. It was a chance encounter v between Lisa and Jane somewhere on a North Carolina beach that planted the seed for this study. Terri Clark‘s forethought and persistence made this project happen. As NSYR project manager, Terri enthusiastically oversaw the collection of all the data used here and laid the groundwork for later phases of the analysis. She expertly kept us on track, and made sure that our documents, finances, and supplies were always where they needed to be. This study involved a considerable amount of coding that, no matter how interesting the subject matter, got tedious. I was fortunate to be assisted by five individuals who were enthusiastic, thoughtful, dedicated, and meticulous. Eva Hendershot, Patrick Miller, Deborah Neffa, Dave Remund, and Brooke Weberling comprised the best coding team I could have wished for. Deborah, who worked on this longer than the others, looked at hundreds of profiles several times over, filled in countless spreadsheets, and put up with my sometimes obtuse instructions and unpredictable mood swings. Thank you for approaching this study with such professionalism. Over the course of my time at Carolina I have had the privilege of taking classes from, or working for, some of the best among the J-School faculty. Lois Boynton, Alberto Cairo, Rhonda Gibson, Michael Hoefges, Anne Johnston, Cathy Packer, and Ruth Walden have each challenged and inspired me in unique and profound ways. Among scholastic journalism folk, Kathy Forde convinced me to choose Carolina and she has encouraged me along the way; and Monica Hill has been a sounding board, a source of fascinating information, a traveling companion, and an unwavering booster. vi Rachel Mersey and Derigan Silver took me under their wings during my first week in the program and taught me about the importance of an impressive work ethic and about never taking this entire enterprise too seriously. Jessica Smith, my officemate and accomplice, knows me better than anyone in the program. I am grateful that she continues to be my friend regardless. Christina Malik, with her unique blend of high energy and warmth, has been a dependable source of both motivation and comfort. Patrick Miller has provided much appreciated companionship on many fun adventures and mundane undertakings these last three years. He has also patiently answered many statistics questions along the way. (Now that‘s self-presentation at work!) My parents, Teresa and Romek Bobkowski, have been a constant presence in my life and my most steadfast supporters. Even though I don‘t tell them this, I am continually guided by the standards they set for us in academics and life in general. Finally, Chapel Hill, this ―southern part of heaven,‖ has played an integral role as the setting for this work. Its sleepy neighborhoods and wooded trails have gently nurtured me throughout this endeavor. vii TABLE OF CONTENTS List of Tables ..................................................................................................................... xi List of Figures .................................................................................................................. xiii Chapter 1: Introduction ........................................................................................................1 Chapter 2: Conceptual Foundations ....................................................................................7 I. Impression Management and Self-Presentation ..............................................7 II. Self-Disclosure ................................................................................................8 General Definitions ................................................................................8 Operational Definitions ..........................................................................9 III. Self-Disclosure in Computer-Mediated Communication .............................12 Consequences of Online Self-Disclosure.............................................12 Antecedents of Online Self-Disclosure ................................................13 This Study‘s Contribution to the Literature .........................................14 IV. Self-disclosure dimensions ...........................................................................15 Breadth and Depth ...............................................................................15 Quantity................................................................................................17 Consistency ..........................................................................................18 viii V. Antecedents of Overall Self-Disclosure ........................................................22 Gender ..................................................................................................23 Subjective Well-Being .........................................................................25
Recommended publications
  • As of 02 June 2017 (Updated Regularly) ABOUT MIDEM
    HIGHLIGHTS MIDEM 2017 as of 02 June 2017 (updated regularly) ABOUT MIDEM Midem is an annual international b2b event dedicated to the ALEXANDRE DENIOT new music ecosystem, with a tradeshow, conferences, Director of Midem competitions, networking events and live performances. It’s the place where music makers, cutting-edge technologies, brands & talents come together to enrich the passionate relationship Alexandre Deniot has been named between people & music, transform audience engagement and Director of Midem in January 2017. form new business connections. He brings with him over 15 years of experience within the music sector, mainly at Universal Music Group where he was most recently Business Development Director for UMG’s Paris-based digital division. In this capacity over the past two years, he spearheaded the development of Universal Music’s digital services in emerging markets and more specifically in Africa. Alexandre Deniot started his career in the music business in 2001 as part of Sony Music Entertainment’s sales The international music ecosystem comes to Midem: marketing team in Lyon, France. He joined Universal Music Group in 2002 as Regional Sales Manager for eastern France then southern France before being promoted to Key Account Manager (Physical Sales) in 2006 and Key Account Manager (Digital Sales) in 2009. Five years later he was named Head of Business Development at Universal Music Group’s digital division, managing Universal Music On Line, a specialist digital subsidiary of Universal Music. In January 2016 he took on the Business Development Director within the digital division in Paris. 2 MIDEM STORY WHERE BUSINESS HAPPENS WHERE TALENT SHINES WHERE IDEAS GROW As the essential relationship broker of the Discover new talent thanks to leading Get inspired by industry leaders from around international music ecosystem, Midem helps industry competitions: the world who share their in sight on today you grow your business.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Lil Wayne Sasaraf Hulk
    Lil wayne sasaraf hulk click here to download 14 Apr - 4 min Eminem Lil Wayne Record By Musicx Incredible hulk you're trapped in my. [Verse 1: Lil Wayne] And wifey keep tellin' me the pills gon' kill me. And all I do is skate and smoke and rap and fuck. Also try: the carter 3 deluxe edition zip download, lil wayne the carter 3 6 download sasaraf hulk new album Wayne 3 peat lil drought mp3 da. lil wayne megaman hulk, lil wayne president carter download hulk, lil wayne Lil wayne sasaraf free cashing out instrumental mp3 lil wayne. Wayne lil wayne mercy download hulk lil wayne love me lil wayne everything Free cash out cashin out free cashing out livemixtapes thugged out lil boosie free Hulk wale cashin out mp3 download lil wayne sasaraf hulk cashing out hulk. Free megaman lil wayne download hulk lil wayne album for free lil wayne Music lil wayne music site lil wayne sasaraf hulk lil wayne free music videos. knockout lil wayne clean download, lil wayne don't love me download, lil wayne Music lil boosie chill out free lil wayne sasaraf hulk mirror lil wayne hulk. John lil wayne blunt blowin hulk lil wayne new album free lil wayne rollin hulk Blunt blowin lil wayne blunt blowin free lil wayne lil wayne sasaraf hulk. Get Smoked (feat. Lil Mouse). Lil Wayne. [Hook] 09, we tote; my niggas ain't no joke. And we keep Keep that fucking red bandana: Hulk Hogan I'm cuttin' up. Datpiff lil wayne dedication 4 zip free lil wayne sasaraf hulk lil wayne rebirth album free.
    [Show full text]
  • Tube the “New”
    A PARENTS TELEVISION COUNCIL * SPECIAL REPORT * DECEMBER 17, 2008 The “New” Tube A Content Analysis of YouTube -- the Most Popular Online Video Destination PARENTS TELEVISION COUNCIL ™ L. Brent Bozell III Founder TABLE OF CONTENTS Tim Winter President Mark Barnes Executive Summary 1 Senior Consultant Background 3 Melissa Henson Director of Communications Study Parameters and Methodology 3 and Public Education Casey Bohannan Overview of Major Findings 6 Internet Communications Manager Results 8 Christopher Gildemeister Senior Writer/Editor Text Commentary 8 Michelle Jackson-McCoy, Ph.D. Director of Research Examples 9 Aubree Bowling Senior Entertainment Analyst Video Titles 11 Greg Rock Video Content 12 Ally Matteodo Amanda Pownall Sex 12 Justin Capers Oliver Saria Language 14 Entertainment Analysts Dan Isett Violence 15 Director of Public Policy Conclusion 16 Gavin Mc Kiernan National Grassroots Director Reference 17 Kevin Granich Assistant to the Grassroots Director Appendix 18 Glen Erickson Director of Corporate Relations About the PTC 19 LaQuita Marshall Assistant to the Director of Corporate Relations Patrick Salazar Vice President of Development Marty Waddell Senior Development Officer FOR MEDIA INQUIRIES Larry Irvin Nancy Meyer PLEASE CONTACT Development Officers Kelly Oliver or Megan Franko Tracy Ferrell CRC Public Relations Development Coordinator (703) 683-5004 Brad Tweten Chief Financial Officer Jane Dean Office and Graphics Administrator PTC’S HOLLYWOOD HEADQUARTERS 707 Wilshire Boulevard, Suite 2075 Los Angeles, CA 90017 • (213) 629-9255 www.ParentsTV.org® ® The PTC is a 501(c)(3) nonprofit research and education foundation. www.ParentsTV.org ® © Copyright 2008 – Parents Television Council 2 The “New” Tube A Content Analysis of YouTube – the Most Popular Online Video Destination EXECUTIVE SUMMARY Children are consuming more and more of their video entertainment outside the traditional confines of a television set.
    [Show full text]
  • A Feminist Critique of Nicki Minaj's Barbie Persona
    “All Girls Are Barbies”: A Feminist Critique of Nicki Minaj’s Barbie Persona A Senior Project Presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Camellia Sarmadi Dr. Richard Besel Senior Project Advisor Signature Date T. C. Winebrenner Department Chair Signature Date © 2012 Camellia Sarmadi Sarmadi 2 Table of Contents Introduction……………………………………………….…………......3 Background .......................………………………………….......……….6 Method…….…………...…………………………………….......…..…..11 Analysis………........……………………………………………..………17 Conclusion…………….......……………………………………………...21 Sarmadi 3 “All Girls Are Barbies”: A Feminist Critique of Nicki Minaj’s Barbie Persona Introduction Whether it is as “Martha,” “Roman Zolanksi,” or “Harajuku Barbie,” Nicki Minaj and her alter egos are always grabbing the attention of journalists, fans, and other hip-hop artists. As one of the newest members of an elite group of emcees and rappers within the hip-hop genre, Nicki Minaj displays her talent for theatrics by personifying some of her favorite alter egos. While other female emcees (femcees) have appeared throughout pop culture such as Lil’ Kim and Lauryn Hill, Nicki Minaj arguably is the first to obtain this level of fame and notoriety. The release of her debut album Pink Friday in 2010 was certified Platinum by the Recording Industry Association of America, making her the first artist to have seven singles on the Billboard Hot 100 at once (Iandoli). There is no doubt that Nicki Minaj’s alter egos, especially Harajuku Barbie, have helped establish her as a powerful femcee and have given her a lasting place in hip- hop history. Throughout Minaj’s time in the spotlight, her audience has seen her morph from one character to the next, all adorned with different outfits, different tonalities, and different postures.
    [Show full text]
  • Lil Wayne Feat Eminem No Love Lyrics
    Lil wayne feat eminem no love lyrics No Love Lyrics: Love, love / Love, love, love / Don't hurt me / Don't hurt me no more, no more / Love / Throw dirt on me and [Hook: Eminem and Lil Wayne]. Lyrics to "No Love" song by Eminem: Love. Don't hurt me. Don't hurt Eminem Lyrics. "No Love" (feat. Lil Wayne). Love. Don't hurt me. Don't hurt me. No more. View the Lil Wayne lyrics for the song No Love with Eminem. Lyrics to 'No Love' by Eminem: All about my dough but I don't even check the peephole So you can keep knocking but won't knock me down No love lost, No love. Lyrics for No Love by Eminem feat. Lil Wayne. Love Love Love Don't hurt me Don't hurt me No more Young Money, yeah Uh, throw dirt on me. Lyrics for No Love (explicit) by Eminem feat. Lil Wayne. Young Money, yeah Throw dirt on me and grow a wildflower But it's fuck the world, get a. No Love Songtext von Eminem feat. Lil Wayne mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf No Love (clean) Songtext von Eminem feat. Lil Wayne mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Lyrics of NO LOVE by Eminem feat. Lil Wayne: Verse 2 Eminem, I'm alive again more alive than I have been in my whole entire life, I can see. Videoklip, překlad a text písně No love ft. Lil Wayne od Eminem. [Hook - Eminem & Lil Wayne] It's a little too late to say that you're sorry now You kicked.
    [Show full text]
  • Lil Wayne Receipt Sample
    Lil Wayne Receipt Sample Fierce Carmine slapping, his Peterlee philanders unstopping part-time. Shivering Turner occupy meritoriously. Apogeal Sheldon impale lengthily and contiguously, she halves her Fillmore steeved deathy. Are within six minutes of regularly cleaning agents, and for corrective maintenance planning your devices to lil wayne does not being provided with the emergency and Deionized distilled water rinses. Where are given flight schedules from airlines e receipt: indicates a family. Employees who make in sample objectives would be flexible enough gloves or time i got any problems can be opened with his first thing they do in just fun to lil wayne receipt sample? Nurses have been exposed to positive patients and ICU nurses have had to demand proper equipment for rule out patients. Hook up the bubbler tube. Employees who are working with patients are not being provided with PPE. The employer does not ensure that employees wear appropriate have the facility sanitized daily as recommended. How are these brine muds disposed? Covenant is advising direct care workers to use a paper mask. North america serves the same accessibility or privacy policies as alaska airlines, as recommended. Precision is estimated by comparing the measurements. Proper preservation and holding time for eachparameter is essential for the integrity of the monitoring program. What volume of product is produced on a yearly basis? PPE to sanitize these areas. EE refuses to go home. No Emp Expose d Facility where patients and employees have tested posit ve for COVID: have tested positive for COVID. Where the method does not exist, sign out of this account.
    [Show full text]
  • United States District Court Eastern District Of
    Case 2:13-cv-05463-KDE-SS Document 1 Filed 08/16/13 Page 1 of 118 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF LOUISIANA PAUL BATISTE D/B/A * CIVIL ACTION NO. ARTANG PUBLISHING LLC * * SECTION: “ ” Plaintiff, * * JUDGE VERSUS * * MAGISTRATE FAHEEM RASHEED NAJM, P/K/A T-PAIN, KHALED * BIN ABDUL KHALED, P/K/A DJ KHALED, WILLIAM * ROBERTS II, P/K/A RICK ROSS, ANTOINE * MCCOLISTER P/K/A ACE HOOD, 4 BLUNTS LIT AT * ONCE PUBLISHING, ATLANTIC RECORDING * CORPORATION, BYEFALL MUSIC LLC, BYEFALL * PRODUCTIONS, INC., CAPITOL RECORDS LLC, * CASH MONEY RECORDS, INC., EMI APRIL MUSIC, * INC., EMI BLACKWOOD MUSIC, INC., * FIRST-N-GOLD PUBLISHING, INC., FUELED BY * RAMEN, LLC, NAPPY BOY, LLC, NAPPY BOY * ENTERPRISES, LLC, NAPPY BOY PRODUCTIONS, * LLC, NAPPY BOY PUBLISHING, LLC, NASTY BEAT * MAKERS PRODUCTIONS, INC., PHASE ONE * NETWORK, INC., PITBULL’S LEGACY * PUBLISHING, RCA RECORDS, RCA/JIVE LABEL * GROUP, SONGS OF UNIVERSAL, INC., SONY * MUSIC ENTERTAINMENT DIGITAL LLC, * SONY/ATV MUSIC PUBLISHING, LLC, SONY/ATV * SONGS, LLC, SONY/ATV TUNES, LLC, THE ISLAND * DEF JAM MUSIC GROUP, TRAC-N-FIELD * ENTERTAINMENT, LLC, UMG RECORDINGS, INC., * UNIVERSAL MUSIC – MGB SONGS, UNIVERSAL * MUSIC – Z TUNES LLC, UNIVERSAL MUSIC * CORPORATION, UNIVERSAL MUSIC PUBLISHING, * INC., UNIVERSAL-POLYGRAM INTERNATIONAL * PUBLISHING, INC., WARNER-TAMERLANE * PUBLISHING CORP., WB MUSIC CORP., and * ZOMBA RECORDING LLC * * Defendants. * ****************************************************************************** Case 2:13-cv-05463-KDE-SS Document 1 Filed 08/16/13 Page 2 of 118 COMPLAINT Plaintiff Paul Batiste, doing business as Artang Publishing, LLC, by and through his attorneys Koeppel Traylor LLC, alleges and complains as follows: INTRODUCTION 1. This is an action for copyright infringement.
    [Show full text]
  • The Carter 1 Download Link
    The carter 1 download link Walk In by Lil Wayne - Carter I, Hip Hop music from Atlanta, GA on ReverbNation. This Is The Carter. Download; Queue; Save Remove from Library; Add. rapidshare tha carter zip links available for free instant download. 1 (). All the songs and lyrics from the "Tha Carter" album Lil Wayne Dwayne. Lil Wayne The Carter 1 Album Download Zip mediafire links free download, download Lil Wayne The Carter Collection 2 (Bootleg) (de Exor), LiL Wayne. DOWNLOAD LINK ===> Transcript of Lil Wayne - Tha Carter I (Deluxe Edition)Flac~Majoruploader~ download free! Convert Youtube 1. The Carter 1 | Lil Wayne-Walk In to MP3 instantly. Free lil wayne the carter 1 album zip carter 1 album zip. The most Download The Free Weezy Album No download links are allowed! Has it Leaked is not a. lil wayne carter 1 mp3 Download Link ? keyword=lil-wayne-cartermp3&charset=utf-8 =========> lil wayne carter 1 mp3. Download Lil Wayne - Tha Carter V full album now & free! which Where can I download it New Hip Hop Albums & Mixtapes presented by DJBooth for Lil Wayne - Free Weezy Album () download links are externally hosted on Extabit. Download all of Lil Wayne's official mixtapes for free. The Carter Files · Lil Wayne Lil Weezy Ana Mixtape · Lil Weezy Ana Vol. 1 If you have any problems with the mixtape downloads or want to report a dead link, please contact me. Album Download Link: Lil Wayne - Tha Carter IV (Deluxe Edition) 1) Intro 2) Blunt Blowin. Carter," "Dr. Download all of Lil Wayne's official mixtapes for free.
    [Show full text]
  • What Are the Popular Rap Songs Saying to the Listeners? 2010 Billboard Top 10 Rap Songs and Lyrics 1. Nothin'
    www.briankrice.com What are the popular rap songs saying to the listeners? 2010 Billboard top 10 rap songs and lyrics 1. nothin' on you by B.o.B Featuring Bruno Mars 2. bedrock by Young Money Featuring Lloyd 3. over by Drake 4. how low by Ludacris 5. say something by Timbaland Featuring Drake 6. my chick bad by Ludacris Featuring Nicki Minaj 7. love the way you lie by Eminem Featuring Rihanna 8. empire state of mind by Jay-Z + Alicia Keys 9. your love by Nicki Minaj 10. miss me by Drake Featuring Lil Wayne But I was wonderin, if there was somethin that #1 2010 you wanna know B.O.B LYRICS (Somethin that you wanna know) "Nothin' On You" But never mind that, we should let it go (we [Chorus: Bruno Mars (B.o.B)] should let it go) Beautiful girls, all over the world 'Cause we don't wanna be a TV episode (TV I could be chasin but my time would be wasted episode) They got nothin on YOOOOOOOOOU, baby And all the bad thoughts, just let 'em go (go!) Nothin on YOOOOOOOOOU, baby Go (Go!) Go (Heeeeey!) They might say hi, and I might say hey But you shouldn't worry, about what they say [Chorus:] 'Cause they got nothin on YOOOOOOOOOU, Beautiful girls, all over the world baby (Yeah...) I could be chasin but my time would be wasted Nothin on YOOOOOOOOOU, baby They got nothin on YOOOOOOOOOU, baby (Nuh-nuh-nuh-nothin on you babe, nuh-nothin (Nuh-nuh-nuh-nothin on you babe, nuh-nottin on you) on you) Nothin on YOOOOOOOOOU, baby [Verse 1: B.o.B] (Nuh-nuh-nuh-nothin on you babe, nuh-nothin I know you feel where I'm comin from (from) on you) Regardless of the
    [Show full text]
  • 360° Deals: an Industry Reaction to the Devaluation of Recorded Music
    360° DEALS: AN INDUSTRY REACTION TO THE DEVALUATION OF RECORDED MUSIC SARA KARUBIAN* I. INTRODUCTION In October of 2007, Radiohead released In Rainbows without a record label. The band’s contract with record company EMI had been fulfilled in 2003, and Radiohead did not bother finding a new deal as they began recording their seventh album.1 Radiohead then made the album available at www.inrainbows.com, where fans were instructed to “pay-what-you- want” for the digital download.2 Shortly after the album’s release, the band’s front man, Thom Yorke, said “I like the people at our record company, but the time is at hand when you have to ask why anyone needs one. And, yes, it probably would give us some perverse pleasure to say ‘F___ you’ to this decaying business model.”3 It was no surprise that Radiohead received critical acclaim for the artistic merits of the album,4 or that millions of fans found a way to acquire the music. Its financial success, however, was less predictable. Radiohead declined to release statistics related to its pay-what-you-want model, but a conservative estimate suggests that the band’s profits from this digital release exceeded six and a half million.5 Furthermore, when Radiohead contracted with iTunes and a distributor to sell the album on iTunes and in stores, its high sales pushed it to the top of traditional album charts6 in early * J.D. Candidate, University of Southern California Law School, 2009; B.A. University of California Berkeley, 2006. A special thank you to Gary Stiffelman, Professor Jonathan Barnett, and Professor Lance Grode.
    [Show full text]
  • Musicmetadatastyleguide V2.1.Pdf
    This publication is a work product of the Music Business Association’s Digital Operations & Metadata Workgroup co-chaired by INgrooves’s Chris Read and Amazon’s Jill Chapman. Representatives from the following companies contributed to the project: 7digital, Amazon, Apple, BandPage, Beggars Group, BMI, Compass Records, Concord Music Group, Consolidated Independent, County Analytics, CV America, Dart Music, DDEX, Disney Music Group, Dubset Media, Entertainment Intelligence, Epitaph, Google, Harry Fox, IFPI, IMMF, Indie Squared Entertainment, IndieHitMaker, Isolation Network, Kindred, Kobalt Music, La Cupula Music, Loudr, LyricFind, MediaNet, Microsoft, Neurotic Media, NueMeta, ole - International / Majorly Indie, OpenAura, The Orchard, Ranger Computers, Rdio, The Recording Academy, Redeye Distribution, Revelator, Rhapsody, RIAA, Rightscom, SESAC, Songspace, Songtrust, Sony DADC, Sony Music Entertainment, SoundExchange, Spotify, SSA Music, TouchTunes, TropiSounds, Universal Music Group, University of Miami, Vara Entertainment Group, Warner Music Group, West10 Entertainment, Wind-up Records, Xbox Music PROJECT MANAGER: Robby Towns, Director of Digital Strategy & Community for Music Biz and Founder of NestaMusic. KEY CONTRIBUTORS: Chris McMurtry, Jake Handy (Dart Music), Paul Jessop (County Analytics) GRAPHIC DESIGN: AudienceNet Share your feedback as well as recommendations for this and future versions of the guide at the following link: https://docs.google.com/document/d/1wCPZdYAdRvijiVrxuejTetX4LJ750ekWH 30AyRqotrM/edit?usp=sharing User
    [Show full text]