Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950
DELIVER ME: PREGNANCY, BIRTH, AND THE BODY IN THE BRITISH NOVEL, 1900-1950 BY ERIN M. KINGSLEY B.A., George Fox University, 2001 M.A., University of Colorado at Denver, 2006 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English 2014 This thesis, entitled: Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 written by Erin M. Kingsley has been approved for the Department of English _______________________________________ Jane Garrity, Committee Chair _______________________________________ Laura Winkiel, Committee Member Date:_______________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. HRC protocol #__________________ iii ABSTRACT Kingsley, Erin (Ph.D., English, English Department) Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 Thesis directed by Associate Professor Jane Garrity Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 explores three ways British novels engage with the rise of the “culture of pregnancy,” an extreme interest in reproduction occurring during the modernist movement. This culture of pregnancy was intimately facilitated by the joint explosion of dailies and periodicals and the rise of “experts,” ranging from doctors presiding over the birthing chamber to self-help books dictating how women should control their birth-giving. In response to this culture of pregnancy, some modernist writers portray the feminine reproductive body as a suffering entity that can be saved by an alignment with traditionally- coded masculine aspects of the mind.
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