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Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Negrocity: an Interview with Greg Tate
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2012 Negrocity: An Interview with Greg Tate Camille Goodison CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/731 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NEGROCITY An Interview with Greg Tate* by Camille Goodison As a cultural critic and founder of Burnt Sugar The Arkestra Chamber, Greg Tate has published his writings on art and culture in the New York Times, Village Voice, Rolling Stone, and Jazz Times. All Ya Needs That Negrocity is Burnt Sugar's twelfth album since their debut in 1999. Tate shared his thoughts on jazz, afro-futurism, and James Brown. GOODISON: Tell me about your life before you came to New York. TATE: I was born in Dayton, Ohio, and we moved to DC when I was about twelve, so that would have been about 1971, 1972, and that was about the same time I really got interested in music, collecting music, really interested in collecting jazz and rock, and reading music criticism too. It kinda all happened at the same time. I had a subscription to Rolling Stone. I was really into Miles Davis. He was like my god in the 1970s. Miles, George Clinton, Sun Ra, and locally we had a serious kind of band scene going on. -
Latin Rhythm from Mambo to Hip Hop
Latin Rhythm From Mambo to Hip Hop Introductory Essay Professor Juan Flores, Latino Studies, Department of Social and Cultural Analysis, New York University In the latter half of the 20th century, with immigration from South America and the Caribbean increasing every decade, Latin sounds influenced American popular music: jazz, rock, rhythm and blues, and even country music. In the 1930s and 40s, dance halls often had a Latin orchestra alternate with a big band. Latin music had Americans dancing -- the samba, paso doble, and rumba -- and, in three distinct waves of immense popularity, the mambo, cha-cha and salsa. The “Spanish tinge” made its way also into the popular music of the 50s and beyond, as artists from The Diamonds (“Little Darling”) to the Beatles (“And I Love Her”) used a distinctive Latin beat in their hit songs. The growing appeal of Latin music was evident in the late 1940s and 50s, when mambo was all the rage, attracting dance audiences of all backgrounds throughout the United States, and giving Latinos unprecedented cultural visibility. Mambo, an elaboration on traditional Cuban dance forms like el danzón, la charanga and el son, took strongest root in New York City, where it reached the peak of its artistic expression in the performances and recordings of bandleader Machito (Frank Grillo) and his big-band orchestra, Machito and His Afro-Cubans. Machito’s band is often considered the greatest in the history of Latin music. Along with rival bandleaders Tito Rodríguez and Tito Puente, Machito was part of what came to be called the Big Three. -
Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas -
The Funky Diaspora
The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music. -
2 Têtes D'affiches Supplémentaires Pour Les 25 Ans De Tempo Latino
Communiqué de presse n°3 Le 13 mars 2018 Acte 3 | 2 têtes d’affiches supplémentaires pour les 25 ans de Tempo Latino LE MOT DU PRÉSIDENT L’annonce de ces deux groupes vient compléter deux grandes soirées de cette 25ème édition, une édi- tion entre rencontres et fusion ! Il s’agit de deux formations attendues, depuis longtemps sur la grande scène de Tempo. Encore de nouveaux drapeaux dans la valise de voyage de Tempo Latino avec les Canadiens d’Otawa, SOUL JAZZ ORCHESTRA ambassadeurs de l’Afrobeat, qui présenteront, en France, leur 8ème album « Under Burning Skies », en 15 années de carrière. Ces musiciens découvreurs sont toujours aussi engagés et fougueux dans leurs prestations artistiques. Ils partageront la scène des arènes avec de nouveaux venus, sur un projet associant Cuba à La JamaÏque , HAVANA MEETS KINGSTON. Afrobeat, disco-boogie, latin-reggae : Un vendredi soir de Tempo tout en fusion ! CUBA / JAMAÏQUE / CANADA, les relations internationales se réchauffent à TEMPO. Pour le dimanche, on s’habille (classe) pour sortir... Rencontres de rues, entre le Bronx et le Barrio Latino de New York : Les fondements du Latin Soul, les références de la Salsa des années Fania. Les amoureux de la salsa dura et nostalgiques du Boogaloo ont leur soirée et tout ceux qui savent voir et écouter, quand ça joue ! Comment ne pas résister et plonger dans Nueva York ? Nougaro, le sait lui ! 1er round avec Mr NewYork, the King of Latin Soul, nous avons nommé Monsieur JOE BATAAN. Il sera accompagné du groupe Parisien, SETENTA avec qui il signe le titre de « my raimbow » dans leur dernier album « Paris to Nueva York », une collaboration où le groove vous emportera ! Au 2ème round, le mythique orchestra du Mercadonegro du NEW YORK SALSA ALL STARS vous mettra au tapis pour un concert de clôture des 25 ans du festival, Salsa dura porfavor avec des figures bien connues et attendues à Tempo comme Jimmy Bosch au trombone, « el Canario » au chant et sifflotage ou encore la grande chanteuse et Diva japonaise de l’Orchestra de la Luz ; Nora . -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Where Next? Football's New Frontiers
15 TOBY MILLER Where Next? Football’s New Frontiers Football is more popular than Jesus and John Lennon combined. One in every two living people, we are told, watched the 2010 men’s World Cup on television. 1 More than ever, football is a universal currency, a lingua franca – the common ground of culture. In the words of the prominent US journalist Dave Zirin, ‘Soccer is the great global game: the closest thing we have to a connective cultural tissue that binds our species across national and cultural borders’. 2 Go anywhere in the world with a ball under your arm or a rip- ping sporting yarn next to your glass and you’ll never walk, sit or stumble alone. We are accustomed to such shibboleths about the universal popularity of the game. But are they true of the three countries that account for much of the world’s population, knowledge, armaments, wealth – and sport: the United States, China and India? These are crucial sites for a sport that claims ecumenicism/hegemony. Why have they resisted football’s appealing blan- dishments and seemingly inexorable march? And what about virtual fron- tiers – the likely impact of new media technologies on the game’s future? Will football’s geography and means of reception both change markedly as gigantic countries and innovative genres enter the fi eld of play? Conversely, one might ask why the growth of football’s popularity, whether spatially or textually, is even an issue. Can’t a sport simply emerge and exist organically? The answer is sonic and onomatopoeic. -
2012 Program Guide
"# && # " $ % $ " " " !' TD Sponsor.indd 1 4/17/12 2:36:06 PM .0& ,&, 22 ',0 .0& )()//&0 #-% 1 #-% ,&, 22', && 33" #% 1 #% !& 3# - )() % 1 % & -* - , 33" $1$ 01091705.ad 1 4/23/12 9:00:16 AM Welcome to the 27th Annual TD Vancouver International Jazz Festival @ek_\nfi[jf]aXqqdlj`Z`Xe?\iY`\?XeZfZb1Èdlj`Z`jXeXik]fidk_Xk kiXejZ\e[jcXe^lX^\%É@ek_Xkjg`i`k#K;9Xeb>iflg`jgc\Xj\[kfYi`e^pfl# ]fik_\k\ek_Zfej\Zlk`m\p\Xi#k_\)'()K;MXeZflm\i@ek\ieXk`feXcAXqq =\jk`mXc#Xe\m\ekk_XkZ\c\YiXk\jk_\[`m\ij`kpXe[\ek\ikX`ed\ekf]dlj`ZYp kXc\ek\[Xik`jkj]ifd:XeX[XXe[Xifle[k_\nfic[% K;jki`m\jkf\e_XeZ\k_\Zfddle`k`\j`en_`Z_n\j\im\#Xe[n_XkY\kk\i nXpkfYi`e^g\fgc\kf^\k_\ik_Xekfj_Xi\`ek_\cfm\f]^i\Xkdlj`ZK_XkËj n_pK;`jgifl[kfjgfejfik\edXafidlj`Z]\jk`mXcj]ifdM`Zkfi`Xkf?Xc`]Xo% >i\Xk]\jk`mXcj[feËk_Xgg\en`k_flk^i\Xkg\fgc\kffi^Xe`q\Xe[ilek_\d%N\Ë[c`b\kfk_Xeb \m\ipfe\n_f`j`emfcm\[n`k_dXb`e^k_\)'()K;MXeZflm\i@ek\ieXk`feXcAXqq=\jk`mXcX_`k Æ]ifdmfclek\\ijXe[fi^Xe`q\ij#kfk_\kXc\ek\[]\Xkli\[Xik`jkjXe[k_fljXe[jf]dlj`Zcfm\ij n_faf`elj\m\ipp\Xi%PflijlggfikdXb\jk_`j`eZi\[`Yc\\m\ekgfjj`Yc\% =fik_\cfm\f]dlj`Z#k_Xebpfl% AXe\Iljj\cc J\e`fiM`Z\Gi\j`[\ek#GXZ`ÔZI\^`fe 8D<JJ8><=IFDK?<:F8JK8CA8QQ9CL<JJF:@<KP 9:ËjcXi^\jkdlj`Zgi\j\ek\i#:fXjkXcAXqq`j MXeZflm\i8ik>Xcc\ip]fik_\`ijlggfik`e n\ccbefne]fi`kj[Xi`e^Xik`jk`Zm`j`fek_Xk _\cg`e^ljdXb\k_`jdfm\% Z\c\YiXk\j`eefmXk`fe#[`m\ij`kpXe[`eZclj`m`kp K_\]\jk`mXcËjjk\ccXic`e\lgY\^`ejn`k_X `edlj`Z#n`k_`eXm`YiXekXe[\m\i$\mfcm`e^ i`^_k\fljE\nFic\XejY`cc]\Xkli`e^k_\ -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
June-Oct 2021
JUNE-OCT FREE & BENEFIT 2021 PERFORMANCES SUMMERSTAGE.ORG SUMMERSTAGE NYCSUMMERSTAGE SUMMERSTAGENYC SUMMERSTAGE IS BACK More than a year after the first lockdown order, SummerStage is back, ready to once again use our city’s parks as gathering spaces to bring diverse and thriving communities together to find common ground through world-class arts and culture. We are committed to presenting a festival fully representing the city we serve - a roster of diverse artists, focused on gender equity and presenting distinct New York genres. This year, more than ever before, our festival will focus on renewal and resilience, reflective of our city and its continued evolution, featuring artists that are NYC-born, based, or inextricably linked to the city itself. Performers like SummerStage veteran Patti Smith, an icon of the city’s resilient rebelliousness, Brooklyn’s Antibalas, who have married afrobeat with New York City’s Latin soul, and hip hop duo Armand Hammer, two of today’s most important leaders of New York’s rap underground. And, as a perfect symbol of rebirth, Sun Ra’s Arkestra returns to our stage in this year of reopening, 35 years after they performed our very first concert, bringing their ethereal afro-futurist cosmic jazz vibes back to remind us of our ongoing mission and purpose. Our festival art this year also reflects our outlook -- bold, bright, powerful -- and was created by New Yorker Lyne Lucien, an award-winning Haitian artist based in Brooklyn. Lucien is an American Illustration Award Winner and a finalist for the Artbridge - Not a Monolith Residency. She has worked as a photo editor and art director at various publications including New York Magazine, The Daily Beast and Architectural Digest.