Stan Getz for Musicians Only Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Stan Getz For Musicians Only mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: For Musicians Only Country: Netherlands Style: Bop MP3 version RAR size: 1403 mb FLAC version RAR size: 1513 mb WMA version RAR size: 1995 mb Rating: 4.7 Votes: 239 Other Formats: VOX AC3 MIDI MP2 DTS ADX VQF Tracklist A1 Be-Bop A2 We (My Honey And Me) B1 Dark Eyes B2 Lover Come Back To Me Credits Alto Saxophone – Sonny Stitt Art Direction – Sheldon Marks Bass – Ray Brown Drums – Stan Levey Guitar – Herb Ellis Piano – John Lewis Supervised By – Norman Granz Tenor Saxophone – Stan Getz Trumpet – Dizzy Gillespie Notes Recorded in Los Angeles, October 16, 1956. Made in Holland. Printed in USA. Other versions Category Artist Title (Format) Label Category Country Year Stan Getz / Dizzy Stan Getz / Gillespie / Sonny Stitt - MG V-8198 Dizzy Gillespie Verve Records MG V-8198 US 1957 For Musicians Only / Sonny Stitt (LP, Album, Mono) Stan Getz - Dizzy Stan Getz - Gillespie - Sonny Stitt - MGV 8198 Dizzy Gillespie Verve Records MGV 8198 Italy Unknown For Musicians Only - Sonny Stitt (LP, Album, Mono) Stan Getz / Dizzy Stan Getz / Gillespie / Sonny Stitt - 2332 064 Dizzy Gillespie Verve Records 2332 064 Germany 1975 For Musicians Only / Sonny Stitt (LP, Album, RE) Stan Getz - Dizzy Stan Getz - Gillespie - Sonny Stitt - 3643 Dizzy Gillespie Barclay-Verve 3643 France 1958 Swing Chez Les 3 - Sonny Stitt Grands (LP, Album) Stan Getz / Dizzy Stan Getz / Gillespie / Sonny Stitt - South GSL 338 Dizzy Gillespie Verve Records GSL 338 1989 For Musicians Only Africa / Sonny Stitt (LP, Album, RE) Related Music albums to For Musicians Only by Stan Getz Dizzy Gillespie • Stan Getz • Sonny Stitt - For Musicians Only Stan Getz / Dizzy Gillespie / Sonny Stitt - For Musicians Only Dizzy Gillespie - Sittin' In The Giants Of Jazz , Dizzy Gillespie, Thelonious Monk, Al McKibbon, Sonny Stitt, Kai Winding, Art Blakey And Dizzy Gillespie Quintet - Live Dizzy Gillespie, Stan Getz, Coleman Hawkins And Paul Gonsalves - Sittin' In Dizzy Gillespie, Charlie Parker, Stan Getz - In Concert... Carnegie Hall - The Original Jazz & Blues History, Vol. 7 Dizzy Gillespie / Charlie Parker / Stan Getz - In Concert.....Carnegie Hall Dizzy Gillespie - Sonny Stitt - Sonny Rollins - Sonny Side Up Dizzy Gillespie - Stan Getz Sextet - More Of The Diz And Getz Sextet Dizzy Gillespie / Sonny Stitt / John Lewis / Percy Heath / Max Roach / Hank Jones - The Bop Session.

Copy Link

Recommended publications

Annie Ross Uk £3.25
ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards.
[Show full text]
Herb Ellis After Hours Session Mp3, Flac, Wma
Herb Ellis After Hours Session mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: After Hours Session Country: Germany MP3 version RAR size: 1109 mb FLAC version RAR size: 1956 mb WMA version RAR size: 1983 mb Rating: 4.1 Votes: 967 Other Formats: WMA MP2 TTA RA APE MIDI MP4 Tracklist A1 Pap's Blues 7:04 A2 Big Red's Boogie Woogie 5:37 A3 Tin Roof Blues 2:59 A4 Soft Winds 6:00 B1 Royal Garden Blues 4:45 B2 Patti Cake 6:00 B3 Blues For Janet 7:10 B4 Blues For Junior 4:50 Credits Bass – Ray Brown Drums – Stan Levey Guitar – Herb Ellis Tenor Saxophone – Stan Getz Trumpet – Roy Eldridge Notes German Pressing on Verve Records Other versions Category Artist Title (Format) Label Category Country Year Nothing But The Blues MG V-8252 Herb Ellis Verve Records MG V-8252 US 1957 (LP, Album) Nothing But The Blues 521 674-2 Herb Ellis Verve Records 521 674-2 Europe 1994 (CD, Album, RE) Nothing But The Blues 20MJ 0048 Herb Ellis Verve Records 20MJ 0048 Japan 1985 (LP, Album, Mono, RE) Nothing But The Blues MV-1145 Herb Ellis Verve Records MV-1145 Japan Unknown (LP, Album, Mono, Promo) Nothing But The Blues 33CX 10139 Herb Ellis Columbia 33CX 10139 UK 1957 (LP, Album, Mono) Related Music albums to After Hours Session by Herb Ellis Stan Getz / Dizzy Gillespie / Sonny Stitt - For Musicians Only Dizzy Gillespie / Stan Getz / Sonny Stitt, John Lewis - For Musicians Only Stan Getz & Friends - Stan Getz & Friends Stan Getz And The Oscar Peterson Trio - Stan Getz And The Oscar Peterson Trio Stan Getz - Dizzy Gillespie - Sonny Stitt - For Musicians Only Lester Young - Carnegie Blues Herb Ellis - Man With The Guitar Max Roach, Stan Levey, Howard Rumsey's Lighthouse All-Stars - Drummin' The Blues Stan Getz - Jazz & Blues Collection Vol.
[Show full text]
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
[Show full text]
SKIVLISTA SU VT 17 (+ Tips) SEM 1: CHARLIE PARKER
SKIVLISTA SU VT 17 (+ tips) SEM 1: CHARLIE PARKER - ”Cherokee”, 1942 (The Baronesse) - ”Confirmation” -53 (CP Quartet, In Person) DIZZY GILLESPIE - ”Woodyn´You” (DG the Verve & Philips small group sessions) - ”Hot House” 1945, (Charlie Parker Quintet) MILES DAVIS - ”Little Willie Leaps” 1947 (Parker på tenorsax) - ”On Green Dolphin Street” -59 (Kind of Blue, Legacy) - ”Jean Pierre”, 1982 (We Want Miles) STAN GETZ - ”Three Little Words”, -58 (SG and the Oscar Peterson Trio) - ”Blood Count”, 1987 (m Kenny Barron, Live at Montmartre) ”I´m late, I´m late”, 1961 (Focus) CANNONBALL ADDERLY MED JOHN COLTRANE - ”Limehouse Blues” -59, (Cannonball Quintet in Chicago) SEM 2: SONNY STITT - ”I´ll Remember April”, -59, (SS with the Oscar Peterson Trio) - ”I Want to be Happy”, -51, (SS Quartet with Bud Powell) - ”Dark Eyes”, -58, (For Musicians Only, m Dizzy, Getz) J. J. JOHNSON - ”Lover Man”, -53 (m Clifford Brown, Brownie Speaks) - ”Riviera”, (All That Jazz vol 76, Jay & Kai) JULIAN CANNONBALL ADDERLEY - ”Star Eyes”, (The very Best of CA Quintet ) - Limehouse Blues” (CA Quintet Live in Chicago -59) CLIFFORD BROWN - ”Come Rain or Come Shine”, (Gigi Gryce – Clifford Brown Sextet, Paris -53) - ”Stardust”, (CB with Strings, -55) SEM 3. DIZZY GILLESPIE - ”Manteca”, (D.G. Big Band 1947 m Cano Pozo – congas) - ”Groovin High” (Live at Birdland, NYC, 1956) COUNT BASIE - ”April in Paris”, (April in Paris, Verve, 1957) - ”Midnight Blue”, (The Atomic Basie, 1957) DUKE ELLINGTON - ”Black & Tan Fantasy”, (D.E. at Newport 1956) - ”Diminuendo in Blue” , (------- @ --------) STAN KENTON - ”Lover” , (100 years anniversary edition) HARRY ARNOLD - ”Easy Living”, (Live radio 1959, voc Monica Z) GERRY MULLIGAN - ”Broadway”, (G.M.
[Show full text]
Sonny Stitt Low Flame Mp3, Flac, Wma
Sonny Stitt Low Flame mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Low Flame Country: US Style: Soul-Jazz, Hard Bop MP3 version RAR size: 1438 mb FLAC version RAR size: 1516 mb WMA version RAR size: 1792 mb Rating: 4.8 Votes: 611 Other Formats: VOC MIDI VOX MMF AIFF MP3 AHX Tracklist A1 Low Flame 4:52 A2 Put Your Little Foot Right Out 5:22 A3 Cyhthia Sue 5:56 A4 Donald Duck 4:35 B1 Close Your Eyes 3:41 B2 Silly Billy 4:53 B3 Baby, Do You Ever Think Of Me 2:52 B4 Fine And Dandy 7:52 Companies, etc. Copyright (c) – Fantasy, Inc. Credits Alto Saxophone, Tenor Saxophone – Sonny Stitt Drums – Billy James Guitar – Paul Weeden Organ – Don Patterson Producer – Orrin Keepnews Notes From back sleeve : "Manufactured from master owned by Fantasy, Inc., Berkeley, California". Other versions Category Artist Title (Format) Label Category Country Year JLP 971 Sonny Stitt Low Flame (LP, Album) JAZZLAND JLP 971 US 1962 JLP 71 Sonny Stitt Quartet Low Flame (LP, Mono) JAZZLAND JLP 71 US Unknown Related Music albums to Low Flame by Sonny Stitt Sonny Stitt, Lou - Keepers Of The Flame Sonny Stitt - Our Delight Sonny Stitt - The shadow of your smile Sonny Stitt With Booker Ervin & Don Patterson - Soul People Stan Getz, Dizzy Gillespie, Sonny Stitt - For Musicians Only Sonny Stitt / Bud Powell / J.J. Johnson - Sonny Stitt / Bud Powell / J.J. Johnson Sonny Stitt - Tune-Up! Stan Getz / Dizzy Gillespie / Sonny Stitt - For Musicians Only Sonny Stitt - Primitivo Soul! Sonny Stitt + 4 - Sonny Stitt Plus Four.
[Show full text]
Jazz & World Music New Releases
JAZZ & WORLD MUSIC NEW RELEASES RELEASE DATE 2nd JUNE + 16th JUNE 2014 CALL OFF: 23rd MAY + 6th JUNE 2014 HARMONIA MUNDI LABELS WORLD VILLAGE, JAZZ VILLAGE, LE CHANT DU MONDE, DISCOGRAPH DISTRIBUTED LABELS ACCORDS CROISÉS, AIRMAIL, ACT, AMARRASS, AMERICAN JAZZ CLASSICS, ANZIC, ARCHIEBALL, ASPHALT TANGO, AUM FIDELITY, BEE JAZZ, BLACK SAINT, BLUES BEACON, BONSAI, CADILLAC, CAMJAZZ, CAMOCI, CASEQUARTER, CONTRE JOUR, CRISTAL, EAST MEETS WEST, EDITION, ELLIPSIS ARTS, EMANEM, ENJA, EVIDENCE, FOGHORN, HATOLOGY, HI 4 HEAD, HIGHNOTE, HIGH TWO, HOWE, INNACOR, INSTITUT DU MONDE ARABE, IRIS MUSIC, ITM, JARO MEDIEN, JAZZ DOOR, JAZZ WAX, JAZZWERKSTATT, JELLYMOULD, KAMIYAD, KONIMUSIC, LONG DISTANCE, MAIK MAIER, MI’STER, MORGENLAND, NAÏVE, NO FORMAT, OCORA RADIO FRANCE, OGUN, PI RECORDINGS, PLUS LOIN, POLL WINNERS, PSI, Q-RIOUS, RARE MUSIC, REGARDLESS, RITI, SAVANT, SOULBEATS, SOUL NOTE, SUNNYSIDE, TIPTOE, TOTOLO, UNITED ARCHIVES, WERGO, MESHELL NDEGEOCELLO WINTER & WINTER, YELLOWBIRD contact: [email protected] / 020 8709 9500 [email protected] 020 8709 9500 RELEASE DATE 2ND JUNE 2014 Comet, Come To Me MESHELL NDEGEOCELLO Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered - unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness. Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career.
[Show full text]
Jeff Rupert Saxophone Master Class
Jeff Rupert Saxophone Master Class I Saxophone Assembly and maintenance Holding the instrument. The neck and mouthpiece assembly. Checking key mechanisms. Checking for leaks, and clogged vents. Maintaining the lacquer. Setting the instrument down. II Posture The Back and neck. Legs and knees. III Breathing and Breath flow Inhaling. Exhaling. Breath solfège IV The Oral Cavity and the Larynx. V Embouchures for playing the saxophone. Variance in embouchure technique. The embouchure and breathing. VI Daily Routines for practicing the saxophone. Daily routines and rituals. Playing the mouthpiece. Playing the mouthpiece with the neck. Overtone exercises. VII Articulation Single tonguing. Doodle tonguing. Alternate articulations specific to jazz. Double tonguing. VIII Practice patterns for scales. Scales and Arpeggios Major, minor (dorian, natural minor, ascending jazz melodic minor, harmonic minor) and diminished. Resources for jazz scales. IX Equipment Different horns. Mouthpieces. Reeds. Ligatures. Neckstraps. X Resources for saxophonists Recordings. Web resources. Books and educational CD's and DVD's. Saxophonists in jazz and pop music. XI Conclusion. ©2009 Rupe Music Publishing 001 saxophone master class, Jeff Rupert pg2 I Saxophone Assembly and maintenance Neck and mouthpiece assembly: Putting the saxophone together is something we've all been doing since day one. It may seem trite to even address assembly of the instrument, but its been a common flaw not to develop good habits. I've seen broken mouthpieces, bent rods and necks several times from seasoned professionals who should have known better! This is precisely why its important to develop good habits when putting your instrument together. Prior to putting the mouthpiece on the neck, make certain that the cork is lubricated.
[Show full text]
Canadian Orchestras Struggle Toronto, Winnipeg, Calgary Twist in Storm of Government Cuts
Official Publication of the International Conference of Symphony and Opera Musicians VOLUME 40 NO. 1 On-line Edition January 2002 Canadian Orchestras Struggle Toronto, Winnipeg, Calgary Twist in Storm of Government Cuts The drastic reduction in subsidies for the arts enacted by the Canadian government a few years ago has had a dramatic effect on the financial health of Canadian orchestras, and thus on labor In the next few weeks a report relations in those orchestras. This financial uncertainty has exposed long-standing internal flaws in the way many Canadian orches- and survey will be distributed to tras have conducted their business operations. The following ICSOM orchestra members concerning musician’s view of the situation, which will appear in the January the future direction of the Electronic 2002 issue of Una Voce, the newsletter of OCSM, was shared with Senza Sordino by Steve Mosher, editor of Una Voce, and is Media Forum (EMF) and the national excerpted here with permission. – Ed. media negotiations. It is crucial that a b the EMF hear the views of as many In the September 29, 2001 issue of the Globe & Mail, arts musicians and orchestras as possible, columnist Robert Everett-Green made a few trenchant observations and from as many diverse perspectives on the state of Canadian orchestras under the title “Orchestras in the Pit.” OCSM President Rob McCosh offers his comments. as possible. Our national negotiators ORCHESTRAS IN THE PIT ONLY PART OF THE PIT can only serve our interests if they know There is a Canada-wide malaise and Robert Everett-Green only what those interests are.
[Show full text]
Charles Mingus, Jazz and Modernism
Charles Mingus, Jazz and Modernism by: Philippe Latour Schulich School of Music McGill University, Montreal December 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Musicology. © Philippe Latour 2012 Table of Content Abstracts ----------------------------------------------------------- ii Acknowledgements ----------------------------------------------------------- iv Chapter 1 ----------------------------------------------------------- 1 Introduction Chapter 2 ----------------------------------------------------------- 15 Jazz Modernism Chapter 3 ----------------------------------------------------------- 45 Mingus‟ Conception of Jazz Conclusion ----------------------------------------------------------- 63 Bibliography ----------------------------------------------------------- 66 Appendices ----------------------------------------------------------- 71 i Abstracts The purpose of this thesis is to explore the diverse discourses of modernism in jazz at mid-century in relation to the work of Charles Mingus. What was meant by modern jazz in Mingus‟ time? How was his music, as well as his life as a jazz musician and composer, affected by discourses of modernism? Modernism was used in the jazz field as a discourse to elevate jazz from its role as entertainment music into a legitimate art form. In its transfer from European art music to African-American jazz, the concept of aesthetic modernism retained most of its signification: it was associated with the notions of progress, of avant-gardism, and, eventually, of political militancy; and all these notions can be found in multiple forms in Mingus‟ work. This thesis defines the concept of modern jazz as it was used in the jazz press in the 1950s and 1960s in relation to the critical discourse around Afro-modernism as well as in relation with Mingus‟ conception of himself as a composer. L’objectif de ce mémoire est d’explorer les différents discours sur le modernisme et le jazz des années 1950 et 1960 en relation avec l’œuvre de Charles Mingus.
[Show full text]
Jazz New Internet
Jazz Notes™ The Journal of the Jazz Journalists AssociationSM Vol. 18, No. 3 • Autumn 2007 From the Editor 2 President’s Report 3 Letter to the Editor 4 By W. Royal Stokes A Crisis Getting Worse 5 By Alex Henderson Why Would I Choose 6 Anything Else? By Mikayla R. Gilbreath Max Roach 7 By arnold jay smith and Paul Rutherford 8 Jazz the New Internet By Laurence Svirchev 8 By Matt Merewitz Book Reviews 9 By Michele Drayton, Ken Dryden, “ ew media” means different all the music’s constituents. We should all George Kanzler and Jerry D’Souza things to different people. Wiki- be especially concerned with these aspects N pedia defines it as “new forms of Web 2.0, as newspaper and magazine News of Members 9 of human and media communication that subscriptions continue to wane and column have been transformed by technology to inches for jazz in print media shrink at an fulfill the basic social need to interact and alarming rate. New Members 12 transact.” Simply put, the hallmarks of the “old” The entry continues: “New media is also World Wide Web were portals, search en- closely associated with the term ‘Web 2.0,’ gines, bulletin boards, newsgroups and IN THIS ISSUE IN which refers to a second generation of In- email. To jazz people already online in the ternet-based services that emphasize online mid-’90s, sites like jazzcentralstation.com, collaboration and sharing among users.” jazzcorner.com, jazzusa.com, allaboutjazz.com Suffice it to say that weblogs (“blogs”), pod- and birdlives.com became popular destina- COVER ILLUSTRATION: casts, sms (text messaging), rss feeds, social tions and resources, and they remain so.
[Show full text]
Norgran Label Discography
Norgran Label Discography Norgran Label 10 Inch Series MGN 1 - Swing - Johnny Hodges [11/54] Reissue of Clef MG-C-151. Wham/Latino/Through For the Night/Sheik of Araby//Hodgepodge/Jappa/My Reward/Something To Pat Your Foot To MGN 2 - Dizzy Gillespie & Stan Getz Sextet - Dizzy Gillespie & Stan Getz Sextet [195?] It Don’t Mean a Thing/It’s the Talk of the Town/Exactly Like You/I Let a Song Go Out of My Heart MGN 3 - Buddy DeFranco Quartet - Buddy DeFranco Quartet [2/54] Reissue of Clef MG-C-149. But Not For Me/When Your Lover Has Gone/Ferdinando/The Things We Did Last Summer MGN 4 – Al Hibbler Favorites - Al Hibbler [195?] Please/Believe It, Beloved/There is No Greater Love/It Must Be True/As Time Goes By/Anne/You and I/I’m Getting Sentimental Over You MGN 5 – Lester Young with the Oscar Peterson Trio Number 1 - Lester Young & Oscar Peterson Trio [195?] Ad Lib Blues/Just You, Just Me/I Can’t Get Started/Almost Like Being in Love MGN 6 - Lester Young with the Oscar Peterson Trio Number 2 - Lester Young & Oscar Peterson Trio [195?] Tea for Two/Indiana/On the Sunny Side of the Street/There’ll Never Be Another You MGN 7 - Amazing Artistry of Louis Bellson - Louis Bellson [195?] Fascinatin’ Rhythm/Copasetic/Percussionistally Speaking/All God’s Chillun Got Rhythm/A Peart for Louie MGN 8 - Charlie Ventura Quartet - Charlie Ventura Quartet [195?] Ain’t Misbehavin’/Blue Prelude/Girl of My Dreams/Limehouse Blues/Blues for Two/Somebody Loves Me/Crazy Rhythm/All the Things You Are MGN 9 - Second Afro-Cuban Jazz Suite - Chico O’Farrill [6/54] The Second
[Show full text]
Embodying the Canadian University Dance Transition Experience: a Collective Case Study
EMBODYING THE CANADIAN UNIVERSITY DANCE TRANSITION EXPERIENCE: A COLLECTIVE CASE STUDY JENNIFER M. BOLT A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN EDUCATION YORK UNIVERSITY TORONTO, ONTARIO July 2016 © Jennifer Bolt, 2016 ii Abstract This collective case study explores the social, psychosocial and cognitive dimensions of dance majors’ transition from multiple pre-university learning environments into their current Canadian university dance program. Three of Canada’s largest university dance degree granting programs were chosen as field sites based on their relative size, urban location and common core curriculum of classical ballet. Delimited by the in-studio first-year experience of learning classical ballet, the study seeks to posit what stakeholders in dance and related fine and performing arts might learn from this 2011-12 cohort of Canadian dance majors in transition. The research project draws upon mainstream higher education (HE) dance and transition research to evolve a conceptual framework from which to examine this unique discipline-specific transition. The multiple disciplinary, conceptual and methodological optics address a number of notable research gaps in the HE transition and dance mainstream discourse including research on discipline-specific transitions. Furthermore the study seeks to evolve a discipline-specific language to discuss the dance major’s transition experience. The project employs a qualitative research paradigm and collective case study methodology. Multiple forms of data collection include: a demographic survey of the 117 dance majors at the three sites; a series of three in-depth interviews of participants at each site; two classroom observation sessions of participants’ first-year university studio ballet technique class; field notes, reflective journaling, and an analysis of other documents in the form of school newspapers and university website information.
[Show full text]